How to Be Eaten
by Maria Adelmann, Lauren Ezzo (Narrator)
DETAILS:
Publisher: Hachette Audio
Publication Date: May 31, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 39 min.
Read Date: November 16-17, 2024
What’s How to Be Eaten About?
According to the Publisher’s site:
…This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma.
In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina’s love story will shock them all.
Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other?
Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women.
So, Why Didn’t I Finish How to Be Eaten?
Let me get this out of the way: it had nothing to do with Ezzo’s narration. The characterizations, the pacing, the performance, and so on were at least perfectly acceptable, perhaps they were really strong, depending on the element you were focused on. Overall, everything fits in between those two extremes.
It wasn’t necessarily even Adelmann’s text–it could be a problem with me. I don’t think so, because I can usually tell when that’s the case and I’ll put the book on a mental “try again” shelf. I won’t be doing that here.
Now, I didn’t go into this with expectations of loving it–I thought it could be a frequently entertaining and even-more-frequently provocative novel. I do appreciate when authors take something as old as one of the tales immortalized by the Grimm Brothers and tweak it to a contemporary meaning, setting, or use (in this case, seemingly all of the above). This had the makings of a book that I’d probably appreciate, and maybe find insightful (and possibly becoming something I truly liked). Alas, it was none of the above. I thought the areas that were provocative (or I think were supposed to be) were tawdry in the attempt to be so. The characters were flat and not likable in uninteresting ways.
I thought Bernice’s story was intriguing enough. I got most of the way (I think) through Ruby’s tale as well before I pulled the plug. There was just something…ugly about the book (best word I could come up with). I couldn’t muster up vague curiosity about the individual characters’ endpoint, just what the point of the trauma therapy was (I have a hunch it was some sort of exploitation on the part of the therapist, that was hopefully going to be thwarted by the participants), or if we were going to find out finally that all of this was wholly naturalistic or if there was some sort of supernatural force at work.
I wasn’t enjoying myself. I was forcing myself to hit “play” after each time I had to hit pause for work. I kept thinking about playing music instead. I really had no idea if or when that might change, and decided that life was too short to keep this particular experiment going.
I think it’s wholly possible that I’m wrong about the book–and post this in the hope that someone will see it and be intrigued enough to try it anyway, or that one of my readers will fill up the comments with some spoilery comments telling me what I missed (including a list of the reasons I was short-sighted to DNF). Oh, also, because I try to point out the times I do actually DNF something because it is rare, and I appreciate the novelty.
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