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The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain: The Scent of Death

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The Djinn's AppleThe Djinn’s Apple

by Djamila Morani , Sawad Hussain (Translator)

DETAILS:
Publisher: Neem Tree Press
Publication Date: May 7, 2024
Format: eARC
Length: 160 pg.
Read Date: February 24, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s The Djinn’s Apple About?

Nardeen is a remarkable twelve-year-old. Her father is a physician known for translating medical texts from a variety of languages into Arabic, and Nardeen soaks up his work. She has an astounding memory and ability to understand what she memorizes.

But due to some political intrigue that she doesn’t wholly understand, Nardeen and her family have to flee their home one night. Sadly, she’s the only one who survives.

Nardeen vows revenge on those responsible for her family’s murder—certain that a friend of her father’s is ultimately to blame.

But before then, she finds herself being taken under the wing of a legendary physician and teacher, Muallim Ishaq. He recognizes her gifts and her heritage from her father—he arranges (mostly by the force of his will) to have her learn at The Bimaristan, a hospital of great renown. There, she’s able to hone her skills and knowledge—and sharpen her tools, resolve, and ability to mete out that vengeance.

Father vs. Father

There are a handful of various conflicts in this book (like with any good book), but at the core, this book seems to be a conflict within Nardeen herself. On the one hand, she has her memories of her father and what he taught her—what he showed her by example—about the way to live. She also has to wrestle with what she’s told about her father—by those who profess to have admired him and those who worked against him.

On the other hand, she has her (for all intents and purposes) adoptive father, what he’s trying to teach her—what he shows her by example—about the way to live. She also has to wrestle with what she’s told about him—by those who profess to admire him and those who work against him.

In many ways, these two fathers line up—but in significant ways, they follow and lead her down divergent paths. So much of how the plotlines of this book resolve depends on Nardeen’s acceptance/rejection of what these men stand for.

The Setting

So, this takes place during the “golden age of Baghdad”—Harun al-Rashid’s rule of the Abbasid Caliphate from 786 to 809. Now, everything that I know about this period of time comes from the appendices to this novel “Harun Al-Rashid: The Golden Age of Baghdad” and “The Bimaristan.” As they are appendices, I read them afterward. So I came into this not knowing anything—which is a bit intimidating. And I figure I’m not alone in this (particularly for the intended YA audience, who probably haven’t had much opportunity to study Eigth-Century history).

But honestly? Anyone who reads Fantasy/SFF knows how to approach something like this—sure, this is a representation of actual history, but the same tools and imagination you need to understand Westeros, Panem, or the world of the Shadowhunters equip you to get into this world.

And, like with those worlds, after getting this taste, you’ll likely want to read more about it.

While reading, and since then, I do have to wonder a little bit about how much Morani was stretching things about the opportunities presented to women in this time and place. Not just for Nardeen, either—but all the women she encounters at the Bimaristan (and I’d be saying this if the city was Paris or Rome, not just because it’s Baghdad). But I’m willing to both suspend disbelief for the sake of a good story and to trust that someone who’s as familiar with Arabic literature as Morani is more than my hunches.

So, what did I think about The Djinn’s Apple?

This book hits the ground running—Morani doesn’t give you the opportunity to settle in and get comfortable in this world or anything like that. She thrusts the reader—and poor Nardeen—straight into life-or-death action. Nardeen has a slightly better understanding of what’s going on than the reader does—but not much. This was a great way to start this read—you don’t get the chance to indulge curiosity or get lulled into thinking it’s a different kind of book than it is—you have to rush to catch up and then keep up with Nardeen and only get the luxury of starting to understand the world until she’s (relatively) safe.

There were a couple of times that I wondered about the timelines and how well they worked. I assume I just missed something (and didn’t want to take the time to go back and check). It wasn’t anything that bugged me enough to look into it, but I would’ve appreciated things being a bit clearer.

The characters of Nardeen and Muallim were so well drawn, so vivid, and so compelling that I really wish we had more time with them. Particularly Muallim—this cantankerous genius is the kind of character I really respond to. Now, given the pacing of this book, that’s impossible. And Morani picked the better option for her story. But the eccentric teacher and the stubborn and gifted student is a combination that could’ve made for a lot of fun.

Somehow in the midst of this propulsive pacing, Morani is able to litter the book with some great observations, some drops of wisdom (primarily from the teacher and student), and memorable prose (some of that credit has to be given to Hussain as well).

This is a fast, immersive read that’ll leave you guessing from the beginning right up to the end. You’d be doing yourself a favor if you pick it up.

Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

 

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain

This morning, I’m very pleased to welcome The Write Reads Ultimate Blog Tour for Djamila Morani’s The Djinn’s Apple. In addition to this Spotlight, my post about the book will be coming along soon. In the meantime, go check out https://twitter.com/WriteReadsTours—we’re in the middle of this tour and several bloggers have been writing interesting things about this book and and there are more to come you can find them all there. But for now, let’s learn a little bit about the book, shall we?

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Book Details:

Title: The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain
Genre: Historical Fiction / Crime & Mystery / Family
Age Category: Young Adule
Publisher: Neem Tree Press
Release date: February 29, 2024 (UK), May 7, 2024 (US)
Format: Paperback/Ebook
Length: 160 pages
The Djinn’s Apple Cover

About the Book:

Winner of an English PEN Translates Award.

Historical fiction meets crime fiction in The Djinn’s Apple, an award-winning YA murder mystery set in the Abbasid period—the golden age of Baghdad.

A ruthless murder. A magical herb. A mysterious manuscript.

When Nardeen’s home is stormed by angry men frantically in search of something—or someone—she is the only one who manages to escape. And after the rest of her family is left behind and murdered, Nardeen sets out on an unyielding mission to bring her family’s killers to justice, regardless of the cost…

Full of mystery and mayhem, The Djinn’s Apple is perfect for fans of Arabian NightsCity of Brass, and The Wrath and the Dawn.

Book Links:

Neem Tree Press ~ Amazon UK ~ Amazon US ~ Goodreads

About the Author:

Djamila Morani Djamila Morani is an Algerian novelist and an Arabic language professor. Her first novel, released in 2015 and titled Taj el-Khatiaa, is set in the Abbasid period (like The Djinn’s Apple), but in Kazakh- stan. All of her works are fast-paced historical fiction pieces. She is yet to have a full-length work translated into English.

Author Links:

Twitter/X ~ Instagram

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: Secrets of PEACE by T. A. Hernandez

I’m very pleased today to welcome The Write Reads Blog Tour for the first book in T. A. Hernandez’ Secrets of PEACE! If you take a look at the feed for https://twitter.com/WriteReadsTours over the next few days, you’ll see a lot of bloggers who did find the time to write interesting things about it. Secrets of PEACE was aone of fifteen finalists for the 2023 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to this Spotlight, let’s start with a word about BBNYA. But in the meantime, let me tell you about the book.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists and one overall winner.

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

Secrets of PEACE Tour Banner

Book Details:

Title: Secrets of PEACE
Genre: Science Fiction, Thriller
Age Category: New Adult
Format: Paperback/Ebook/Audiobook
Length: 273 pages
Publication Date: July 24, 2016
Secrets of PEACE Cover

About the Book:

Open your eyes. See the truth. Make a choice.

Nearly 30 years ago, the PEACE Project rose from the ruins of a global war to take power over a new America. Providing stability in exchange for absolute authority, the Project controls every aspect of citizens’ lives through each of its five units:

Protect
Enforce
Advance
Control
Eliminate

Raised in the Project since infancy, eighteen-year-old Zira has been trained as an assassin under the stern guidance of unit E-2’s Chairman Ryku. After she makes a careless mistake on an assignment, the chairman partners her with Jared, the best operative in her unit. Their partnership transforms into friendship as they work together and learn to rely on each other. But when misinformation causes a solo mission to backfire, Zira’s deepest loyalties and strongest relationships are tested in a place where even a hint of doubt can be perceived as treason.

The life she knows is falling apart, and nothing will ever look the same again.

Book Links:

Amazon UK ~ Amazon US ~ Amazon Canada ~ GoodreadsThe StoryGraph

About the Author:

T. A. Hernandez is a science fiction and fantasy author and long-time fan of speculative fiction. She grew up with her nose habitually stuck in a book and her mind constantly wandering to make-believe worlds full of magic and adventure. She began writing after reading J. R. R. Tolkien’s The Lord of the Rings many years ago and is now happily engaged in an exciting and lifelong quest to tell captivating stories.

She is a clinical social worker and the proud mother of two girls. She also enjoys drawing, reading, graphic design, playing video games, and making happy memories with her family and friends.

Author Links:

Website ~ Instagram ~ TikTok ~ Twitter/X


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

MUSIC MONDAY: Oh Yeah by Yello

Music Monday
Music Monday’s originated at The Tattooed Book Geek‘s fantastic blog and has shown up hither, thither, and yon since then.


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Grandpappy’s Corner: Boop the Snoot by Ashlyn Anstee: Fast, Slow, and Cute Noses to Poke

Grandpappy's Corner Boop the Snoot Logo

Boop the Snoot

by Ashlyn Anstee

DETAILS:
Publisher: Viking Books for Young Readers
Publication Date: July 5, 2022
Format: Board Book
Length: 16 pg.
Read Date: February 18, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Boop the Snoot About?

How many of these snoots could
a baby boop
if a baby could boop snoots?

This book begins with that age-old question that has had philosophers, dreamers, and that Owl from the Tootsie Pop commercials speculating.

From there we get a series of pictures of toddlers attempting to boop the snoots of various cute animals. And…well, that’s the book, really.

Let’s Talk about the Art for a Minute

It’s so, so cute. Anstee makes this energetic and eye-catching. The pictures are the star of this board book (as is typical) and the snoots are the stars of the art—although the various fingers going in for a boop come in a close second.

And as hard as you’d think it would be to make repeated index fingers engaging, Anstee pulls it off. This is good stuff.

How is it to Read Aloud?

It’s very clearly a book intended to get a child moving, there’s a snoot or two (or more) on every page to be booped. And that’s the focus of the book—the words are there, yeah, and kind of fun. But there’s not a lot to say, it’s just turn the page and look at a snoot, while saying essentially what you’ve said before.

The experience is fun, but the reading itself isn’t as integral as it is with other books (not a criticism, a description).

What did the Little Critter think of It?

I’m not sure how much he was entertained by the book on first blush—but he did like me saying “Boop.” “Snoot,” too, but not as much. Either way, those two words make this the kind of thing that he (or other kids like him) will have fun being read. I’m sure in a couple of months, he’ll get the idea about interacting with the book and he’ll start booping.

So, what did I think about Boop the Snoot?

So, the first time I brought this out for the Grandcritter wasn’t as fun as I’d hoped/expected—but that was because I brought it out too early. That’s on me. He liked looking at it, and hearing me make silly sounds.

I think this has promise—and delivers the silliness you’d expect from something with that name.

Give it a shot.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Not Marriage Material: A Call for Submissions

Sue Bavey, author, editor and champion of indie publishing is looking for submissions for an upcoming poetry/non-fiction anthology called Not Marriage Material set to come out just in time for Valentine’s Day 2025.

Each piece should be a maximum of 5000 words and be on the theme of ex-boyfriends, girlfriends, crushes etc. “The one that got away”.

The tone should be on the light side – no abuse or rape, please. A small amount of spiciness is OK, but no full-blown erotica.

Each piece will be published on Sue’s website and the best will be collected in the anthology. Full details (address, due date, etc.) can be found on her site here.

I’m looking forward to seeing the final form of this thing (and maybe the entries from some of you!)

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The Water and the Blood by Kevin P. Emmert: Sacraments and Identity for In-Christ Persons

The Water and the BloodThe Water and the Blood:
How the Sacraments
Shape Christian Identity

by Kevin P. Emmert

DETAILS:
Publisher: Crossway
Publication Date: November 7, 2023
Format: Paperback
Length: 213
Read Date: January 21-February 11, 2024
Buy from Bookshop.org Support Indie Bookstores


Every now and then I come across a book that leaves me as close to speechless as I get when it comes to time to blog about it—I just can’t express things concisely about a book. Give me a couple of weeks to write and about 20-30 pages, and I might get somewhere. Although, that somewhere is pretty much just going to be an extended abstract of the book.

I think in the past, I’ve talked about wanting to just post the back-of-the-book blurb, say “GO READ IT,” and call it a day.

Obviously, this is one of those books (or it’d be mighty insulting to start the post this way). I’m not going to allow myself to do the extended abstract, and I’m going to try to say a little more than the second option. But that’s pretty attractive. And frankly, if you get into my first section and I’m not being clear enough for you, just click on one of the links above to read the description and then GO READ IT.

Let’s see if I can do a little better than that, eh?

If our morality and sense of identity—which mutually reinforce one another—are shaped so profoundly by aesthetics, then Christians need to not just participate more frequently in the sacraments but also reflect more deeply on their nature, meaning, and power. When rightly understood, rightly administered, and received with faith, baptism and Communion have the power to shape our self-understanding and moral vision. This is because they connect us to the greatest and most powerful story of all time—the gospel of Jesus Christ. Moreover, the sacraments exhibit the historic church’s core beliefs and practices in an attractive and appealing, though certainly ordinary, manner. In baptism and Communion, we find a direct connection between beauty, orthodoxy, and orthopraxy that catechizes the people of God with a greater understanding of the gospel and how they fit into that larger reality as persons in Christ.

What’s The Water and the Blood About?

This is a confessional and theological look at the sacraments and their role in teaching Christians about Christ and forming their character and lives in Him. Unlike almost every book I’ve ever read about the Sacraments (either considered individually or together), there’s no polemics, no debate, nothing along those lines. It’s just careful encouragement, instruction, and guidance.

The book starts by talking about the dependence of the Sacraments on the Word, then moves to a look at the nature of the Sacraments and how they function generally to form Christians. The next two chapters look at each Sacrament specifically—what they tell us about those “who have been immersed into Christ and who commune with Him.” The last two chapters apply all this, how the Sacraments form and inform Christian morality and then how they equip and guide believers into the work of ministry in a variety of settings.

In-Christ Persons

At the core of the statement that the Christian’s identity is in Christ is the biblical truth that our very existence as Christians is constituted in and determined by the living, active, and present Christ. The Christian self is a self in Christ. Put differently, being in Christ is our primary identity as Christians.

From the beginning, Emmert’s clear that his book isn’t just about the Sacraments shaping Christian Identity, it’s about Union with Christ. The Sacraments are an important and essential part of reinforcing that unity, in causing us to meditate on it, in shaping us more and more into the image of Christ—and are effectual and beneficial to us only because of this union (as is the case with all blessings enjoyed by Christians).

To help emphasize that union, Emmert frequently refers to believers as “in-Christ persons.” This is both a nice phrase and a reminder that this is the core, the source of all our benefits—it’s our primary identity. This was the core of John Calvin’s teaching (no matter what you might have heard), drawing on the work of theologians and teachers before him, and is his major contribution to those that follow. Emmert is standing on Calvin’s shoulders here, and the book is better for it.

From that Union, he can then proceed to consider the sacraments.

As visible and tangible confirmations of God’s work in Christ, the sacraments therefore give flesh and bones to the statement that the Christian’s identity is in Christ… Stated differently, baptism and Communion are identity-forming rituals that teach us in touchable and accessible ways what it means to be persons in Christ.

Broadly Protestant

Anytime you see a book citing The Three Forms of Unity, The Thirty-nine Articles of Anglicanism, the Westminster Standards, and the London Baptist Confession of 1689 (and other confessional statements) in a way that those statements support each other—and not to show weaknesses with the latter—you know you’re looking at something of a unicorn in theological books. This is one of the emphases of this book, however. Emmert says in the preface that he’s not interested (in this book) in polemics about proper administration, proper recipients, etc., but about what the sacraments mean in the lives and identity of those in-Christ.

But it’s not just about being Protestant—Emmert’s also looking at what Christians have said since the beginning about these ideas, showing that Protestantism stands in the same continuity as the Early Church and beyond.

So, what did I think about The Water and the Blood?

I was going to quote a passage from the Conclusion to start this section of the post, but I couldn’t pick a portion that satisfied me—it was either all four pages or nothing. So I opted for nothing. But it’s that kind of a book—you can’t just quote a little bit, you want to keep going. Incidentally, all the quotations above are from the Introduction. If I let myself cite from particular chapters…well, see what I said in the opening paragraph.

It sort of feels like I’ve been waiting for decades for someone to write this book—I don’t know that Emmert breaks a lot of new ground here—in fact, he probably hopes he doesn’t. But I think the way he combines statements and positions from a variety of Protestant Confessions and traditions and weaves them together is fantastic. He excels at reminding us of what we all agree on, and what (to be true to our own tradition) we should be saying/thinking/teaching about the Sacraments and our Identity in Christ.

Particularly in the last century and a half (give or take), American Protestants have shied away from talking about Baptism and The Lord’s Supper as anything but rites and rituals—things that talk about our faith and remembering events from Redemptive History. But that’s largely due to anti-supernaturalism, the impact of the (so-called) Second Great Awakening, and a fear of looking/sounding like Roman Catholicism or Eastern Orthodoxy.* This is a deviation from historic Protestantism, and we need to recover the language and points of view of our predecessors. Not because we like history and want to be consistent with that history—but because the early Protestants held to these things because they’re Biblical, and Christians have been speaking in these/similar ways since the First Century.

* That’s awfully reductionistic, and not as nuanced and detailed—or extensive—as it should be. I’m aware of that, I’m also not writing a detailed work on the idea here, so that’s as good as you’re going to get.

Emmert has done us all a service in reminding us of this heritage, calling us to dust off our understanding of it, and to start acting in line of it. Even better is the way that he ties in our identity in Christ—the doctrine of Union with Christ—and how the sacraments shape us into better living out that identity.

A few weeks ago, a few of us were supposed to skim this for a chat about the book as kind of an overview before we dove in. I could not skim it. I just couldn’t, because I wasn’t even halfway through the ten-page introduction before I could tell that this was one of those books I had to marinate in, skimming was not an option.

The book is geared to scholars, preachers, and leaders—theoretically, at least. But this isn’t a message just for them—it’s for everyone in the Church and should be read that way. Sure, leaders and teachers will be able to do more with it, than the rest of us—but that’s true of every theologically-inclined book. Laity shouldn’t feel like this isn’t a book for us.

In case I haven’t been clear so far The Water and the Blood is one of the more helpful and educational books I’ve read in ages. I strongly recommend it to you.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—2/24/24

Let’s start with some good news—there’s a new independent bookstore opening soon in my area, and they must be getting serious about things because they’re hiring staff now. I’m enjoying watching them share some of their prep work, and we’re hoping to do something on this site together as they get closer to Opening Day.

I’ve got a super short list this week—I have not been doing a lot online, as you may have noticed. Remember a few years ago when I was talking about my son’s kidney transplant? Well, he’s about to start shopping for a new one—he’s currently at his second dialysis session, and there was a little bit of drama surrounding discovering it’s time for that (seriously, the effects of kidney failure on your body can be fairly astounding).

Also, this week we’re skipping the 10 years ago look back this week because I got off track and I’ve already taken care of this week. So…my flashbacks will pick up again next week (just out of curiosity, is anyone enjoying that bit in the first place?).

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet An anti-censorship resource, Book Résumés, just launched. Each “résumé summarizes the book’s significance and educational value, including a synopsis, reviews from professional journals, awards, accolades, and more.”
bullet Bring Back the Big, Comfortable Bookstore Reading Chair —yeah, I can see Johnston’s point.
bullet Bear McCreary Unleashes “The Singularity” Album, Graphic Novel, Concert—color me intrigued
bullet Fungi in Fiction by Adrian M. Gibson—a guest post over at Before We Go Blog on a topic few, if any, have likely considered.
bullet Stop using “YA” as an insult—Kopratic sounds off at The Fantasy Inn
bullet A quick video post: 5 Books Better than Dealing with Real Life

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Supercommunicators: How to Unlock the Secret Language of Connection by Charles Duhigg—An “exploration of what makes conversations work—and how we can all learn to be supercommunicators at work and in life.” Frankly, I don’t need to be a super-communicator, I’d be happy with better-than-I-currently-am. I’ve enjoyed Duhigg’s previous two books, and imagine this will be equally engaging, interesting, and perhaps helpful.
bullet Buffalo Fluffalo by Bess Kalb, Illustrated by Erin Kraan—No idea what this is about…fun title, great cover. Nuff ‘said.

Picture of a despondent woman with the text: No matter how often Jane re-read her favorite novel, the typographical error on page 102 still got to her.

The Ballad of Bonaduke—Episode 48: Setup by R. T. Slaywood: The Providence of the Unseen Path

The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 48: Setup

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #47
Format: Kindle Vella Story
Read Date: February 23, 2024

My fear was rising quickly.

It started with the sensation of my stomach being empty. Then the nerves in my entire body switched on, ready to run or fight.

My money was on run.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them).

What’s Setup About?

We come In medias res, Bonaduke and the rest are starting some sort of heist of a book. It becomes clear pretty soon that the member of the team who knew the most about the book and the security around it (and therefore came up with the plan) was less than forthcoming about the details surrounding the book’s security and who was transporiting it. I’m not sure if that’ll be addressed in the future, but I’m pretty curious about why.

Anyway, they’re committed now and have to move—the big question is: will the plan still work, or are they well over their heads?

So, what did I think about Setup?

There’s at least two meanings to the title of this episode—it may not be the first time Slaywood’s done that in this series, but it’s probably the most effective (I honestly don’t remember that). And that was only the first thing he did right with this.

Good rising tension, some good character moments from several of the characters, we see some new abilities from Bonaduke’s allies (for lack of a better term), and we start to see some of what the Omnicrats are capable of—which seems like a lot.

I don’t think I really have much to complain about—and I’m very glad about that. This was good build-up for the next episode or two, and I’m eager to read on. It’s not a complaint or a quibble, but I am very curious about what “two small silver guns without barrels” would really look like. I’m sure they’re magical and don’t need barrels, but my imagination is having a hard time conjuring this image. Still—bring on episode 49.


3.5 Stars

Hello, Old Friend

A few weeks back when I started thinking about the books for Top 5 Tuesday – Top 5 books about music (My Fiction List), I remembered a book that I read in elementary school (and probably after) called The Buffalo Nickel Blues Band by Judie Angell. I couldn’t tell you how long it had been since I’d thought of it—possibly not since I made a reference to it in 2013. But it got under my skin. As I was bucks up and the moment, I indulged the impulse and bought a cheap used copy online.

Photo of The Buffalo Nickel Blues Band
So, yeah—this is the original cover, not the paperback version that I can still remember in pretty good detail (couldn’t find that one anywhere). It’s got that old library plastic wrap on it, the sticker on the side reading “J Ang” to identify it as belonging in the Juvenile section of the library (some of you will have to ask your parents about the Dark Ages before YA/MG and so on), marker ink blocking out the name of whatever Library used to own it (and the pocket where the checkout card would go on the inside, which was neat to see), the remnants of some sticker in the upper corner that is likely to outlast Western Civilization no matter what I do. So it’s not the prettiest thing ever. It’s not my The Buffalo Nickel Blues Band, but it’s a The Buffalo Nickel Blues Band, and that’ll have to do.

Now, I am almost certain that I will not read this book again—in much the same way I won’t watch The Greatest American Hero or Condorman now, or like I shouldn’t have watched any of The A-Team or Night Rider in adulthood. My memories are too good to expose them to the unforgiving light of reality, and I don’t want to spend time asking myself, “What was I thinking?”

Nevertheless, I feel better knowing that my ol’ pal is in my house and that the possibility of renewing our friendship is at arm’s reach. This may not make sense to most of you, but a few of you are really going to get this. It’s not going to look great on my shelves, but I think the collection is improved.

 

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