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Haven by Ceril N Domac: A New Kind of Fae

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HavenHaven

by Ceril N Domace

DETAILS:
Series: The Fae Queen's Court, #1
Publication Date: April 30, 2021
Format: eBook
Length: 280 pg.
Read Date: February 20-22, 2022
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What’s Haven About?

Let’s start with a little background: In a slightly future US, a scientist triggers a sudden mutation in people all over the world matching a certain genetic profile—these people developed certain abilities and displayed physical changes to match. Think X-Men like Beast, Nightcrawler, and Angel. For various reasons, these people take on the generic name of Fae and adopt the names of mythical/fantasy species that line up with their appearances/abilities.

Like every movie and comic book—and common sense—tells us, humans don’t react well to this. In fact, they try to exterminate the Fae. The Fae prefer to live and fight back. Eventually, the war ends and two “reservations” are set up for the Fae to live in. One in northern Canada and one in England. In Europe, tensions ease and the Fae are able to integrate pretty well with humans. In North America, the United States particularly, it gets worse and worse, with vigilantes hunting those newly Changed.

The novel starts fifty or so years after the war on the worst day of Owen Williams’ life. He’s out for a nice evening with his family when everything goes wrong—his wife dies in a traffic accident as he was speeding her to the ER. It turns out that she was in pain because she was beginning to change into a Gryphon. What’s worse—his children have been taken from his home, apparently kidnapped.

Reeling, he’s approached by a Fae who offers Owen a choice. Come along as they smuggle his children to their hidden city for their own safety (it’s likely some or all of his children will Change now) or never see them again. He throws in his lot with the Fae at a time the Cold War between them and the US is starting to heat up.

The Worldbuilding

This is a great piece of worldbuilding—yes, there’s an element to it that feels like The X-Men or Alien Nation or other fantasy series about people thought to be fictional revealing themselves to humanity. But while Domace’s take is familiar, there’s a freshness to it, too.

Also, there’s a reason so many stories are told with a similar framework—it works really well. I’m not criticizing anything by saying it’s familiar, I’m simply describing it.

The differences between the two settlements (we don’t see the UK version, but we hear about it) is a very nice touch. Our focus is on settlement in Canada, Tearmann. It was very well thought out and executed. My favorite thing is that other than what’s required due to physiology (dragons need more space than dwarves, etc.) the city and society is integrated—dwarves live alongside shades and elves. Sure the wolves tend to pack together, but they also are good neighbors.

Quibbles

Please see what I called this section—quibbles. Not “systemic problems” or critiques.

I think this world’s concept of Fae could’ve been introduced better. I hear “Fae,” I think races/species, not mutation. When it was said that Owen’s wife was Changing it threw me—had this been a secret she’d been keeping from him? Could she change back and forth?

His children could’ve been better developed and differentiated earlier—for most of the book, my investment in them was solely based on them being “Owen’s children.” For most of them, that changes by the end. But it takes too long for that (also, I had a hard time keeping them straight because we didn’t get to know them as people). This is fine when it comes to Tiffany, his wife—I’m okay with caring about her solely because she’s his dead wife—she dies so early I don’t need to know much about her (see: Uncle Ben Parker, Scout Finch’s mother, etc.)

One of the quirks of this series is that your fantasy creatures (largely) have everyday names—Jason, Peter, Betty, etc. They’re 0-3 generations away from humans and largely stick with the names they grew up with. This goes down as a plus in my book except for in the beginning—I’m still struggling to figure out what name goes with which of the five Wilson children and I get a Fae team named Jason, Nathan, Tony, Abey, etc. Just so many names flying around without a lot to associate them with. My quibble is only with this being unnecessarily not-easy for the reader.

Lastly, the events of the novel that come after the Wilsons are smuggled out of the country happen too quickly. We’re told the family adapted and fell into a routine after X happens—and then learn that it’d be three days? That’s not time for a comfortable routine for a family of 6. Deep friendships develop far too quickly, etc. (particularly between Owen and the Queen). Change the specifics about days and weeks in this part of the novel, and I wouldn’t have noticed. But they call attention to themselves when they become too difficult to believe.

To sort of take back what I said at the beginning of this section—I guess I have a systemic quibble—Domace needed to give everything more space, let it breathe a little, let the reader as well as the characters, be in the moments a little more so things can develop. I loved the platonic friendship between Owen and the Queen, but it happened too quickly, for example.

So, what did I think about Haven?

I want to stress here that I enjoyed this—but the things I liked are either too specific for a brief post like this or involve spoilers. I spent a lot of space on quibbles because it takes space to explain them. But something like “I loved the platonic friendship between Owen and the Queen,” is just ten words—to say more would ruin the experience for a reader.

Here’s another vague compliment—each Change that happens to a Wilson child is done perfectly—the child’s reaction, the family’s reactions, and the community’s are so great that I wanted to read them again just to see.

There’s a gentle humor shown throughout the book—adding just the right amount of flavor to some descriptions and keeping some dire scenes from being too gloomy. Domace’s descriptions of the people and city of Tearmann are vivid enough to prompt the reader’s imagination to fully see them.

Do I think this book could’ve been better? Sure—most things can. This is book is so close to being very good that its stumbles seem more obvious than others, though.

At the end of the day, I liked this book—and am curious about the sequel, because I think the choices that Domace makes are interesting and I want to see how things get resolved. I recommend this to readers of Mike Chen—it’s a similar mix of SF/F story with family drama (the ratio favors the SF/F than Chen’s typical ratio) as well as all readers who want to see a new and fresh twist on familiar ideas.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials (including the novel) they provided.

The Friday 56 for 2/24/22: Haven by Ceril N Domace

Things worked out today for me to augment my Tour Stop by using Haven for my Friday 56 post…
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The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from 56% of:
Haven

Haven by Ceril N Domace

He said he was here to take some measurements and deliver clothing to replace the tattered garments still clinging to Jen’s frame. Owen was treated to a lengthy lecture about her needs as a werewolf as he helped with the measurements.

She could wear most shirts, but pants would be touch and go. She didn’t need shoes and her fur would thicken during winter. Owen needed to make sure her claws were trimmed to a healthy length, get something for her to chew on when her teeth fell out, and arrange for pack bonding sessions. Jen turned around to dress while the two men talked, revealing another thing Owen would have to watch out for.

“You have a tail,” Owen said dumbly, pointing at the offending appendage.

“I do?” She dropped her new shorts as her hands flew to her rear. The way she twisted and turned reminded Owen of Toto chasing his tail; he put a stop to it before it could make him laugh.


My thanks to The Write Reads for the invitation to participate in this tour and the materials (including the novel) they provided.

BOOK SPOTLIGHT: Haven by Ceril N Domace

I’m very pleased today to welcome The Write Reads Blog Tour for Ceril N Domace’s Haven. I’ll be kicking off my Tour Stop with this here Spotlight post, then I’ll be posting a snippet from the novel for my Friday 56 post, and finally, I’ll give my take on the novel. Be sure to head over to https://twitter.com/WriteReadsTours to see other bloggers write interesting things about it. Haven was a finalist for the 2022 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to the spotlight for it, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists and one overall winner. If you are an author and wish to learn more about the BBNYA competition, you can visit the official website http://www.bbnya.com or Twitter @bbnya_official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

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Book Details:

Title: Haven
Author: Ceril N Domace
Series: The Fae Queen’s Court, Book 1
Genre: Fantasy, Science Fantasy, Contemporary Fantasy
Age Category:Adult
Release date: April 30, 2021
Format: Paperback/Ebook
Length: 280 Pages
Haven

About the Book:

Most people think the fae are gone. Most people are wrong.

Owen Williams wakes after a horrific car accident to find his wife is dead—and somehow turned into a gryphon—and his kids gone after a home invasion turned horribly wrong. Shattered and reeling, he vows to do whatever it takes to find them.

When a fae scout appears and promises to reunite him with his kids, he doesn’t hesitate before joining her. But she warns him that if he wants to protect his family, he must follow the fae to their city, the hidden haven of Tearmann.

With enemies on the horizon, Owen needs to set aside his fears and take up arms to defend their new home alongside the people he’s always been taught were monsters—or he’ll lose everyone he’s trying to protect

Book Links:

Amazon.ca ~ Amazon US ~ Amazon UK ~ Goodreads

About the Author:

Ceril N DomaceCeril N Domace is an accountant, the owner of the feline embodiment of violence, and a dedicated dungeon master. On the rare occasions she manages to free herself from an ever-growing and complex web of TTRPG, Ceril enjoys taking walks and griping that all her hobbies are work in disguise.

Website ~ Twitter ~ Instagram ~ Facebook


My thanks to The Write Reads for the invitation to participate in this tour and the materials (including the novel) they provided.

Foundations by Abigail Stewart: Three Eras, Three Women, and The House that Connects Them

FoundationsFoundations

by Abigail Stewart

DETAILS:
Publisher: Whisk(e)y Tit
Publication Date: March 7, 2023
Format: eARC
Length: 153 pg.
Read Date: February 22, 2023]

What’s Foundations About?

This is a novel about a house in Dallas, TX. It’s told in three eras—early 50s, early 80s, and something relatively recent. Those dates are pretty vague (and precision isn’t that important), but those are my best guesses based on details mentioned in the text.

In each of these eras, the house is owned (or lived in) by three different women, and we spend a little time with each of them and see their relationship (for lack of a better term) with the building.

Bunny

Bunny should give the reader a very Betty Draper vibe—but without quite as many issues. Essentially, she’s a lonely housewife whose husband spends more time at his club or on the road for his company than he does at home. Her sister lives nearby and the two do spend time together, but it doesn’t appear there’s a strong bond between them.

She spends time regularly at the library—secretly, it should be added—reading a variety of things for pleasure and education. At some point, she begins dabbling in things like palmistry, which leads one of the librarians to befriend her and introduce her to people and ideas Bunny hadn’t encountered before.

There’s a great paragraph where Bunny imagines her house as a museum and her as one of the exhibits. I don’t know that we learned much about her in that paragraph, but it crystalizes everything about her that her portion of the novel was saying in just a few lines.

Jessica

Jessica is an actress who (to paraphrase her), has passed her opportunity to be seen as a sexy star and has become eligible only for Lady Macbeth parts (since we’re not given details about her age, I do wonder a bit about that, considering the ages of some of the actresses she alludes to, but it’s not that important).

Now she wants to be away from L.A., where everyone recognizes her as someone who “used to” be in movies or on stage. So she moves to Dallas, buying the home.

She lives a very solitary life—which is her plan, after all—but it doesn’t take long for the shortcomings of that kind of life to become clear to her.

Amanda

Amanda buys the house to flip it as a competitor on a Reality TV show where she’ll be competing against people from across the country doing the same thing.

This is an outreach of work she’s done to make her brand—she’s done a little interior decorating and is striving to be a life coach—and this show could put her on the map.

We watch her chronicle her work to refresh the house on her own social media and the show’s filming. At the same time, she’s dealing with parental pressure to settle down and her boyfriend’s ambivalence toward her activities.

So, what did I think about Foundations?

I honestly don’t know what to think of the book as a whole. I think one of the pieces of art that Amanda picks for the house does a really good job of describing what the novel aspires to (a ceramic statue of three intertwined women), but I’m not particularly sure that the novel intertwines them that much. Their connection feels much more coincidental and circumstantial.

Considered separately, I have some definite thoughts on each woman’s story. It felt to me that Bunny’s story was the most realized, the most developed, and really showed more of the spirit the novel seems to want to show. Her life of quiet desperation feels familiar—like one we’ve all seen time and time again, but Stewart’s depiction of it is as fresh as it ever was.

Jessica’s segment of the book is the least developed, and possibly more of a cliche than Bunny’s. It also felt rushed with an ending that was too pat—I think if we’d had more time with Jessica, I might have reacted better to her and her situation. While I appreciated the character, I thought she got short shrift and it was hard to connect to her.

Amanda, on the other hand, was easy to relate to and connect with. Part of that comes from her living in the present, with immediately identifiable struggles, complaints, and interests. But there was more than that—Bunny just exists until she finds her new friend, and Jessica is running away from things—Amanda has hopes and dreams—she may not be certain about where she’s going long-term, but for the short-term, she has a plan and is focused on it. I think that’s what I appreciated most about her. Still, I think we could’ve gotten a little more time with her, too, to fully flesh her out (but it wouldn’t take much more)—but Jessica needs those pages more than Amanda did.

You can consider the book to show the changing face of feminism through the years, and as such, it’s successful. But I don’t know that it actually says anything about those faces beyond just helping the reader to see them.

Obviously, setting the book in Dallas plays a role in what’s expected for each woman—how they should act, how they should relate to the world around them, how they should feel about spending their days in this house. But I wonder if the danger in stereotyping Dallas is as great as some of the preconceptions of how a woman should comport themselves is.*

* Of course, I realize that coming from a man, that notion could be problematic. So I do want to stress that’s something I wonder about, and don’t have a firm opinion on. Stewart and her characters are apt to reach a conclusion that doesn’t match mine.

It’s a quick read—only 150 pages or so—with some passages and phrases that will knock you out. Different readers will walk away with varied impressions of the three women than me (obviously), and some will likely see something in the whole novel that I’ve missed (I’m hoping someone can show me what I’m not seeing). But I don’t think many will be able to walk away unaffected.

I do recommend this book—I think the small investment of time required will pay dividends for the reader above that.

Disclaimer: I received this eARC from the author and Lori Hettler of The Next Best Book Club in exchange for this post—thanks to both for this.


3.5 Stars

Grandpappy’s Corner: Geeky Baby’s Guide to Colors by Ruenna Jones, Josh Lewis (Illustrator): Starting a Geek Off Right

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Geeky Baby’s Guide to Colors

by Ruenna Jones, Josh Lewis (Illustrator)

DETAILS:
Publisher: Running Press Kids
Publication Date: September 21, 2023
Format: Board Book
Length: 26 pg.
Read Date: January 16, 2023
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What’s Geeky Baby’s Guide to Colors About?

This is a book about colors illustrated with Geeky/Pop Culture illustrations (or inspired by pop culture things—for example, I don’t think some of the orange-masked faces are real superheroes).

There are pages about a White Wolf, a Gray Wizard, a Black Car (a ’67 Impala with a couple of men in the front seats), a Yellow (not golden) Lasso, and so on.

Let’s Talk about the Art for a Minute

This art is cute—in case you ever wondered if Legolas or T-Rex could look dangerous and “awww” worthy at the same time, Josh Lewis can answer that for you. All the colors pop—not just the color focused on in the drawing. All the illustrations are eye-catching and will bring a smile to the adult reading with a kid (or likely will entertain a kid flipping through the book solo).

There are a few images from the book on the Illustrator’s website.

How is it to Read Aloud?

So the reading part isn’t that engaging. It’s two words per page—color + item. But this isn’t a book about reading, it’s a book about exposing a child to colors, and helping them identify them. So the words are more prompts about what to talk about rather than reading.

So, I guess this question should be re-rephrased as “what’s this like to go through with a child?” And that answer would be it’s a lot of fun for a geeky adult who will enjoy the pictures for what they represent in Pop Culture.

Timing Is Important

If you ask me, this is a book to go through before a child is at the asking questions stage of life. As I was preparing to write this post, I started thinking about some of the conversations that could go really wrong with an inquisitive child.

Child: What happened to the White Wolf and its brothers, Grandpappy?
Me: Well, um...er, it went to live on a farm where there was a lot of room for it to run around and play.
Child: But they live near a forest already, why couldn't they stay with all the Stark children?
Me: It's time for a nap.

or

Child: What do those men do in the Black Car, Grandpappy?
Me: (forgetting to think about phrasing) They travel around and fighting angels and ganking demons, and...
Child: Are you s'posed to be fighting angels?
Me: No, that's not a good thing.
Child: What's "ganking demons" mean?
Me: Er, want some cookies? Let's not tell Mommy we had this chat, okay?

And so on. When they start getting inquisitive, it’s time for this book to be shelved out of sight.

So, what did I think about Geeky Baby’s Guide to Colors?

When my wife and I saw this, we only had to look at one or two pages to know we had to have this around for the Grandchild-to-be. I think it’ll be great to sit and look at with them while they learn colors or just to look at the pictures.

For the adult, there’s the nice feeling about introducing a child to some of these images, even if it’s only to get them embedded in a child’s subconscious. You’re never too young to learn about a sonic screwdriver or role-playing dice, anyway, right?

This is fun (in different ways) for young and old. I’m really looking forward to sharing this one with the Grandcritter.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday, February 22, 2023

I don’t know about the rest of you, but I could use 3 more days this month. The 28th is looming large over my February To-Do List, and my reading this week is all about checking off those boxes.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m wrapping up Haven by Ceril N Domace for a Tour later this week and I’m about done with the audiobook Red Rising by Pierce Brown, Tim Gerard Reynolds (Narrator)—and wow, I’d forgotten how good this was. I mean, I remembered loving this brutal book. But…wow. Why did I wait so long to do this?

HavenBlank SpaceRed Rising

What did you recently finish reading?

The last print book I finished was Anna Strong’s Anna and the Vampire Prince. The last audiobook I finished is still Finlay Donovan Jumps the Gun by Elle Cosimano, Angela Dawe (Narrator).

Anna and the Vampire PrinceBlank SpaceFinlay Donovan Jumps the Gun

What do you think you’ll read next?

I had to shuffle things around so the “next” book from last week won’t be tackled for a week or so. later today, I should be Foundations by Abigail Stewart and my next audiobook should still be Pocket Apocalypse by Seanan McGuire, Ray Porter (Narrator).

FoundationsBlank SpacePocket Apocalypse

How are you ending the month?

Top Ten Tuesday: Favorite Heroines

Bad time management, fatigue, and other duties kept me from doing everything I wanted to with this. But at a certain point, I’d spent too much time on it to just let it go without posting. So…in all its half-baked glory:
Top Ten Tuesday Logo
The topic for this week’s Top Ten Tuesdays is Favorite Heroines.

I kept slipping up and putting favorite female protagonists on this list, and had to keep reminding myself that I was looking for heroes. There were a couple of names I thought about putting on the list, but their series are too new for me to be sure they were Top 10 material, too. But I think in the end, I’m okay with this list.

I typically go with an alphabetic organization with these lists, but I’m going with something different today. I’m going to start off in the order I encountered them.
Favorite Heroines

1 Sally Kimball
from the Encyclopedia Brown books by Donald J. Sobel

Sally Kimball is the best athlete in Encyclopedia Brown’s school, and becomes his partner, bodyguard, and best friend. She’s able to pick up on things he misses, too—I loved all these stories as a kid, but the ones where Sally proved more clever or resourceful than her partner were always more entertaining. When you consider that Sally was introduced in 1963, she seems all the more remarkable.

2 Princess Eilonwy of the House of Llyr, daughter of Angharad, daughter of Regat
from The Prydain Chronicles by Lloyd Alexander

From the moment we meet her in Spiral Castle, Eilonwy shows more wits and fighting spirit than almost any of her male companions. Also the shortest temper. Taran may be the central character and hero of the series—but it’s the Princess who drives him, often shows him the way to go, and commits some of the greatest acts of heroism.

3 Tabitha-Ruth “Turtle” Wexler (aka “Ruth”)
from The Westing Game by Ellen Raskin

Turtle is too smart for her own good, and shows very little wisdom or tact at the beginning of the novel. By the end, she’s grown. She’s not only sensitive and considerate, but she’s subtle and sly. A lot of her heroism is seen in what she doesn’t do—and what she does under the radar both during the novel’s main events and afterward.

These three are the proto-heroines in my mind, everything I think about heroines come from these three. There’s a line to be drawn from all three of them to the rest of these names (that are in alphabetical order).

4 October Daye, Knight of Lost Words, Hero of the Realm
from the series by Seanan McGuire

“Hero” is literally one of her titles, she has to go here, right? Toby is one of those reliable heroes, always ready to put the lives, safety, and welfare of others (including some enemies) before her own. She’s taken on beings with much greater power than her own—or her allies—and has found ways to come out on top. Not unscathed (sometimes very scathed), but with some sort of victory nonetheless.

5 Paksenarrion Dorthansdotter
from The Deed of Paksenarrion by Elizabeth Moon

I’m afraid I’m going back to this well too often in lists like this, but she was literally the second name that came to mind for this list.

6 Kinsey Millhone
from the Alphabet Mysteries by Sue Grafton

She’s so great they literally had to change the alphabet for her. The variety of mysteries Millhone tackled was wider than most of her (fictional) peers, which definitely sets her apart. One of the best in the tradition.

7 Karrin Murphy
from The Dresden Files by Jim Butcher

Murph is a non-powered human who is fairly skeptical about magic when we meet her—and can’t even see some of the most dangerous threats to her. But she’s now faced off against supernatural forces that have brought down nations. She never loses her essential humanity and compassion throughout—nor her commitment to justice and doing the right thing.

8 Kitty Norville
from the series by Carrie Vaughn

Kitty just wants to live her life and do her job—but her curiosity and perspective as a werewolf push her to pull back the curtain on supernatural beings in the US (and the world). She follows that up by bringing down a vampire who’s been plotting for centuries to become the most powerful being on the planet. Not bad for a gal who did call-in radio.

9 Clarice Starling
from The Silence of the Lambs by Thomas Harris (not Hannibal)

Clarice is thrown far into the deep end before she’s even an agent, basically as bait. But she goes rises to the occasion and does things that people with experience, age, and training far above hers can’t.

10 Mercy Thompson
from the series by Patricia Briggs

Mercy is an agent of chaos, she’s an idealist, she has more guts than brains sometimes (and she’s pretty smart), and like so many of these heroes, she stands up to beings who dwarf her power on a regular basis without thinking about it because it’s the right thing to do to protect her city, her pack, or her family.

LITERARY LOCALS: A Q&A About Writing in Idaho with Troy Lambert

Literary Locals logo
Unless a very swamped author manages to find the time to get back to me soon, this will be the last in the first wave of these Q&As—I’m at work on the next batch, though. I’m really enjoying them and hope you are, too.

I talked to Troy Lambert a couple of weeks ago about his book Harvested, and now I’m glad to share his thoughts about writing in this corner of Idaho.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I’m Troy Lambert, the author of over 30 novels, mostly mystery and thriller, but a few others as well. I currently live in the mountains of Idaho with my wife and a couple talented dogs. You can learn more about me at troylambertwrites.com.

Are you a native Idahoan? What is it about Idaho that keeps you here?
I have lived in Idaho most of my life, starting when I was four, so I didn’t really “choose” to move here. However, I love it, and have been all over the state. I have left several times and moved away, but keep coming back over and over, so it’s kind of in my blood. I love mountains, rivers, and the diversity of nature in Idaho. It’s an amazing place.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I’m actually the current president of Idaho Writers Guild, and I think connecting with other writers is super important. We often work alone, and networking with others like us is good for our mental health. And there is always something to learn, and writers’ organizations like the guild offer those opportunities in ways you could not find them on your own.

Almost every person I’ve talked with in this series has mentioned IWG—it’s clearly a valued group. All right Mr. President—give these readers your sales pitch. Why should they join up with IWG (or what kinds of things should they look for in a local group outside of Idaho?)
Well, first Idaho Writers Guild has some great speakers at our conference this year, and some great plans for more in the coming months. But also, it’s an opportunity to network with other writers and to give back to the writing community. We want you to be part of what we’re doing, and that means you can volunteer and with our support make things happen in our community that you want to see more of.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
So I attend book signings, and when I have book releases, I often partner with Rediscovered Books for those launches. I also attend writers’ conferences and workshops whenever I can. I attend a lot of conferences outside the area as well, including LTUE in Utah, 20Booksto50K in Vegas, and others. I think we are headed the right direction with conferences and workshops here, and I hope we can bring more great teachers here going forward.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
That’s a funny question. Because I was just telling a friend of mine that I go to L.A. or Utah and I get recognized. In Boise, nobody knows who I am. I mean not quite, but my following is mostly digital and from all over the place.

I’m getting answers like yours or the opposite—doing well here, and not much everywhere else. Do you have plans to change your local profile—or are you doing well enough that it’s not a concern? How have you gotten the word out to places like Utah or L.A. or wherever?
So the short answer? Most of my growth in “fans” happens organically. So I probably won’t change my local profile, but I don’t shy away from it either. As to getting the word out? Sometimes that is just about being out there in the writing and reader community. Being present and someone that people can connect with is probably the single most important thing you can do.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
Like any other place, I think a bit of both. There is a challenge here in that we have a lot of writers’ groups, and while we are working on better working together, there are still times when the community is fractured in many ways. In addition, there is a challenge from the rising cost of living. It is hard for artists and writers to make ends meet anyway, and finding affordable housing makes that even more challenging.

However, on the plus side, there are a lot of writers who live here. And living and working in a gorgeous place like this has some definite upsides for your mental health.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I’ve been told I put Idaho or the west in all my books, and that is almost 100% true. I also put dogs in most of my books, so I guess the things I love the most come through whether I want them to or not.

Idaho and Dogs…a good combination.
Heh. I think so. But I may be biased. Only slightly.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
Well, my latest book Teaching Moments is set in Idaho, so there is that. But it is also about a serial killer, so maybe not the spirit of Idaho. However, there are a lot of local authors with some amazing books about the area, so that is probably too long a list to include here.

But if you get down to Rediscovered Books, ask those folks for a recommendation. They know their stuff.

Thanks for your time and participation! Hope you enjoyed it!


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The Foundling, the Heist, and the Volcano by K.R.R. Lockhaven: Exactly What the Title Says

I didn’t think I had much to say about this book until I was about halfway finished with the post and realized I was nowhere near done with it. I’m not certain it’s all that coherent now, but it’s done, or as close to done as I can get without another two-three days to tweak it and wring all the stream-of-consciousness out of it.


The Foundling, the Heist, and the VolcanoThe Foundling, the Heist, and the Volcano

by K.R.R. Lockhaven

DETAILS:
Series: The Azure Archipelago, #2
Publisher: Shadow Spark Publishing
Publication Date: January 20, 2023
Format: e-Book
Length: 313 pg.
Read Date: February 13-15, 2023
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What’s The Foundling, the Heist, and the Volcano About?

It’s been a year or so since the events of MD&D* when we rejoin our friends on Adventure Ship as they pay a quick visit to Azure’s father.

*I’m just not going to refer to these books with their logorrheic titles, I’m just using initials. And to be snotty, I’m taking out all the T’s.

The visit is cut short when Azure receives a job offer—getting the Marauders a reliable flow of income is Azure’s top priority and it’s not going well. A raven named Sir Terry brings this lucrative offer to her and they have to jump on it—the fact he gets such an auspicious name, tells you how much we’re going to see Sir Terry for the next couple of books, I think. The Mauraders are on a hunt for buried treasure on behalf of the man who buried it and cannot seem to find it. For those thinking about the title, the treasure is buried near a volcano.

Along the way to the treasure, they get attacked by a pirate which proves to be a test of the new captain, who acquits herself well. They then discover that the treasure has been discovered by someone else very recently—requiring the titular heist. They also find the foundling—a young girl who stumbled into this world from Earth (getting her home also requires the titular heist). The girl isn’t the only one who came to this world from Earth—later on, a gargoyle on the hunt for a certain dragon does, too.

That’s a lot for a novel to tackle in 313 pages—but Azure and the Mauraders are up to it. Probably.

Before I Dive Into the Book

Pre-Chapter One, Lockhaven gives us a recap of the first novel. This is to be commended, and I try to make a point of saying it when any author does this because it needs to become a standard.

He gets bonus points for having a character do it in a very organic way, helping the reader get back into the feel of things in addition to remembering the events.

The Foundling

Oh, boy. I don’t know if I can remember a more adorable kid in fiction than Oriana.* It took me a freakishly small amount of time to fall under her charms—she’s brave, she’s sweet, she’s adaptable, she’s resilient, and she’s incredibly vulnerable.

* Oh, okay. Maggie Dresden. But it’s close.

The reactions of the crew—especially Elijah and Azure—to her are believable and do a great job of enforcing what the reader is already thinking about her.

What strikes me about Oriana is that really, Lockhaven doesn’t spend that much time on her—it’s actually largely the reactions of others to her that endear her to the reader. All the Maurauders take her in, Elijah dotes on her, but it’s Azure thinking about her, attempting the heist to get her home, and (being incredibly vague) going through a lot of introspection because of her. It’s through that that the reader really makes the connection to Oriana—as Azure and the others grow in their affection for her, so does the reader.

The Heist

It seems that people associated with a casino on Mirth Island took both the treasure and a tool that would return Oriana to her home (not recognizing it for what it is). Azure foolishly/full of belief in the goodness of people asks the Casino owner for them back. He takes a quick break from twirling his mustache to refuse her, so she has to come up with a new solution. One more suited for the Marauders.

I’m not sure why either Lockhaven or Azure bothered with that—although it does give us a chance to meet the owner, Mr. Pierce, and look around a bit at the Casino. Pierce—and the people (and the falcon) who work for him are pretty despicable—they have ties to Gov. Pratt, and display the species-ism and sexism we’d associate with the former governor, with a heaping side-order of avarice. Not that the reader wouldn’t have been cheering for the Marauders to succeed in their extra-legal efforts to get the property back, but Lockhaven makes sure that we have no sympathy for him.

The design of the heist itself is pretty clever—and Azure has definitely watched or read her fair share of stage plays and novels about them (or listened to epic songs about them?)—and draws on those to design her plan. Sure, it resembles a Rube Goldberg device, but if it works, it’ll be a thing of beauty. Like a good Rube Goldberg device. If it doesn’t…

The Volcano

Well, yeah, there’s a volcano. There’s not much more to say. It’s been dormant for a while now, but it’s waking up at the point we encounter it—and it gets closer and closer to being very not-dormant as the story progresses.

It honestly doesn’t play as much of a role in the novel as I expected, but it does play an important role—and it does loom over most of the novel.

The Ending

So MD&D wrapped up nicely—it really could’ve been a stand-alone and that would’ve been fine. Readers would definitely want more with these characters, but that’s just because we’re greedy when it comes to things that make us feel good and characters we like. There was nothing in it that demanded a sequel.

That is not at all the case with FH&V. Yes, there’s the greedy reader, feel-good stories, likable characters, etc. But that’s not what I’m talking about. There are at least three things that we need another book to address. There’s one thing that will likely consume most of the action/plot of the next book, there’s something that we need to know more about and that will likely be a running subplot to the main action—and then there’s something we need to see a resolution about in the first twenty pages or so. Two cliffhangers and one thing that we’re staring down at the cliff’s edge from a safe vantage point. And we’re hanging onto a strong, but not that strong, plant with one of those cliffhangers.

So, what did I think about The Foundling, the Heist, and the Volcano?

By skipping ahead a year, we miss out on the early, swoony days of romance between Elijah and Azure—we’re at the committed stage, and they’re trying to figure out how to navigate their relationship. I adore this—sure, those early, swoony days can be fun—but a couple doing the work (our focus is on Azure’s internal work, but we get glimpses of Elijah doing the same) within the commitment to make things go well? That’s what I want to see. Not a relationship falling apart, in danger of it, or blossoming—I see enough of those (and I’m not saying I want those stories to go away)—but it’s people navigating life together that I can’t get enough of. While on that idea, I really should spend a few paragraphs talking about the really healthy and robust marriage between our favorite Orcs, Nargol and Orok, but I’ve blathered on too long. One of the best marriages in fantasy.

Speaking of internal work—we get a lot of that from Azure. MD&D was about her working to patch things up with her father. Here she’s coming to terms with her new position, balancing it with her relationship with Elijah, and what to do with Oriana. Oriana just being around forces Auzre to think about her mother, how she related to her, and how her mother might have been inclined early on toward a Human First philosophy.

These two things aren’t as flashy and gripping as the Heist or anything going on with Zoth-Avarex—but they add meaning and depth to the work. Ultimately, it’s more important to this series and is what is going to make these books stick around in minds of readers.

All the fun stuff of the first book—the goofy characters, the songs (fantasy songs I want to actually read and not skip), the adventures, and the antics—is back. The heist is full of slapstick and tension. Everything clicks here and will satisfy readers of the first volume.

As far as new readers? Eh, I’d start with MD&D first for context—you’d probably be okay jumping in now, but why? I don’t think I’d call this a cozy fantasy—but it’s adjacent (too much violence for cozy if I understand the term correctly, but just a tad).

Labels aside, I’d sum it up by saying that FD&V is a lighthearted fantasy with a lot of heart. But that’s mixing heart metaphors, so I won’t say that. So imagine I said something pithy like that, but without the deficiencies, okay? Then go buy the book.


4 Stars
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Grandpappy’s Corner: Saint Patrick the Forgiver by Ned Bustard: Patrick’s Story Told for Wee Ones

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Saint Patrick the Forgiver:
The History and Legends of Ireland’s Bishop

Written and Illustrated by Ned Bustard

DETAILS:
Publisher: IVP Kids
Publication Date: February 21, 2023
Format: eARC
Length: 32 pg.
Read Date: February 17, 2023
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What’s Saint Patrick the Forgiver About?

Drawing on both legends about him and Patrick’s Confessions, this book tells the life story of Patrick of Ireland for the youngest set.

It starts off with his childhood and touches briefly on his period of slavery before moving into his return home and the call to Ireland. It doesn’t gloss over the hard parts of his life, but it doesn’t dwell on them, either. The focus is on Patrick forgiving those who wronged him, spreading the gospel—and even teaching the Trinity via the shamrock.

The book even covers some of the myths that arose around Patrick—baptizing a giant, driving out the snakes, etc.—working that in seamlessly with the book and not distracting from the main point.

Let’s Talk about the Art for a Minute

This art is great—it’s friendly and cartoonish, with great colors and details. Bustard also weaves in traditional Celtic knots and Christian art (like elements seen in The Book of Kells, etc.). So we’ve got a pretty modern feel with a lot of Irish elements thrown in to ground it in Patrick’s history.

Are kids going to get that? Nope. Will the adults reading it with/to the kids? Quite likely. And if not, I think they’ll still appreciate it the art, even if they’re not familiar with the influences Bustard is drawing from.

Click here for a two page sample (picture and text) on the Publisher’s site. I’m not sure it’s the image I’d have used, but it’s representative.

How is it to Read Aloud?

It’s pretty fun—the rhythm is easy and the rhymes are nice (and only one or two of them seemed like stretching things to make the rhyme).

The Grandcritter isn’t around yet to listen to me read this, but I still read most of it aloud just to see how it went—I think it went pretty smoothly and I could have some fun with it.

So, what did I think about Saint Patrick the Forgiver?

This was a great way to give an age-appropriate lesson in forgiveness while telling the story of one of the heroes of the faith. I was entertained, and even chuckled a couple of times.

It’s a great combination of story, art, rhyme, and lesson. I can see this winning over little audiences as much as it did me. Hopefully, it’ll lodge in their minds enough that they’ll want to learn more about Patrick as they grow older and through him the Three-in-One that Patrick spent his life teaching about.

I strongly recommend this quick little read.

Disclaimer: I received this eARC from InterVarsity Press via NetGalley in exchange for this post—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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