Earlier this afternoon, I posted my thoughts (or at least many of them) about Killer Story, and now I’m pleased to present this Q&A with the author, Matt Witten. I loved his responses to the questions—and have plenty of homework to do based off of this. I didn’t realize that I was familiar with his work before due to watching way too much TV.
Also, no offense to anyone I’ve done a Q&A with before, but I’m pretty sure the opening to his fifth answer is probably the best response I’ve ever received. Enjoy—and be sure to pick up Killer Story!
Why don’t we start off with you telling us a little about yourself, what got you into writing/your path to publication, and so on.
I started writing poetry in first grade. Mostly my poems were about how great the Baltimore Orioles baseball team was, and how terrible the New York Yankees were.
I had a crush on my tenth grade drama teacher, Karen Kramer. She suggested I write a play, so I did. It was an abstract, surrealistic one-act called Mort-Free, about how humanity doesn’t need to be unhappy. I have gotten much less profound since then. Mort-Free was performed at the women’s club of a local church, and I was hooked.
When I was seventeen I got an undiagnosed illness and vowed that if I ever got healthy again, I would remember that writing is central to who I am and I should never give it up. Fortunately I did get healthy again, and even though I had some almost penniless years as a writer, I held tight to my dream. Except for that one time when I applied to law school.
In my early to mid-twenties I wrote plays that weren’t very good, but then at twenty-eight I wrote a good one called The Deal, about the FBI investigating political corruption in a small town. I wrote several plays after that. Probably my favorite is Sacred Journey, about a homeless Native American man I met on the streets of Brooklyn. I passed by him every day for six months, and then I started talking to him, and he was so intriguing I wrote a play about him that was performed all over the world. One of the most moving moments in my life was when he came to see the first performance in New York. He loved the play so much he ended up coming every night!
Somewhere in there I decided to start writing mystery novels, because I loved reading them. I wrote the Jacob Burns mystery series, with a main character who was a writer, married to an English professor at Adirondack Community College, with two boys aged five and three. At the time I was married to an English professor at ACC with two boys aged five and three. As they say, write what you know!
I never really intended to become a TV writer, but somehow or other I got hired to write a freelance episode of Homicide, and then a freelance episode of Law & Order, and before I knew it I was uprooting my family to live in LA, where I’ve been writing for TV for twenty years, on shows like House, Pretty Little Liars, Law & Order, CSI: Miami, JAG, Judging Amy, Women’s Murder Club, The Glades, Medium and Supernatural. I also wrote the movie Drones, produced by Whitewater Films. It’s been quite a journey, working with wonderful talented people, growing as a writer, and sitting on my living room sofa with family and friends watching a show I’ve written and realizing that millions of other people are also watching my words being performed.
Meanwhile my favorite thing to do in life – well, one of them, for sure – is to sit with my feet up and a cup of tea and read a thriller. My favorite genre is psychological thrillers; I consume them like candy. So a couple of years ago I decided I’d try my hand at writing them. It’s been incredibly fun. Collaborating on a TV show is fun too, but sometimes it feels good to just sit in your office – or the coffee shop – and write something that’s all yours, that comes totally from the heart, like The Necklace and Killer Story.
I’m thrilled that The Necklace found such a great publisher in Oceanview Publishing, and that it’s been optioned for the movies by Appian Way and Cartel Pictures, with Leonardo DiCaprio attached as producer. Killer Story comes out from Oceanview on January 17. My dream is to write a novel a year until I’m 80, and then take it from here.
All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to it? What came first—the victim, the protagonist, the murder, the way it’s solved, the story about Petra—and then how did you build it from there?
The main character came first: an idealist journalist who kept getting laid off.
I know several men and women in their twenties who are fiercely dedicated to going into journalism despite the huge obstacles they face. Journalism is such a rapidly changing field, with newspapers dying, internet news sites unable to find workable economic models, and decent paying jobs increasingly hard to get. These aspiring young journalists have a passion and sense of mission that I admire.
I found additional inspiration in my own life. All TV writers get fired at least once in their careers, or to use the industry parlance, they “don’t get their contracts renewed”; and that has happened to me as well. There are many reasons TV writers don’t get renewed – often it’s as simple as, there’s a new head writer who wants to hire people they’ve worked with before. But whatever the reason, losing your job is painful.
And it happens all the time in the newspaper industry. Will Doolittle, a reporter for the Glens Falls Post-Star, told me that when he started out twenty years ago, they had fifty reporters; now they’re down to eight. All over the country, newspapers are laying people off or going under.
So I created a main character in Killer Story, Petra Kovach, who is about to get laid off from yet another journalism job. She obsesses about all the things that just about everyone I know who’s ever lost their job, including myself, stresses about: Did I choose the right path in life? Is what happened somehow my fault? Will I ever get a job in the industry again?
But Petra gets back up off the mat and keeps on fighting. She’s a young woman who’s determined to make it in a very difficult business. When I wrote the character, I kept thinking about a brilliant young woman I know who, like Petra, is a first-generation immigrant with big dreams from an economically disadvantaged family. She’s working her way through law school now.
As to the murder itself, the last thing I figured out was who the murder victim would be. I landed on Olivia Anderson, a Harvard freshman who’s also an alt-right media YouTuber. I’m intrigued by how young people, especially ones from privileged backgrounds, can get sucked into that morass; and solving that mystery became a big part of solving the murder mystery.
Actually, when I think about it, that wasn’t the last thing I figured out. I remember being an artist colony in Iceland in June, and lying on my bed during the midnight sun thinking that I had the wrong murderer. It wasn’t satisfying. Now I’ve written a lot of murder mysteries in my life, dozens if you count TV episodes, and I’ve always known from the start who the killer was. But with Killer Story, for the first time ever, I changed my mind on that while I was in the middle of writing the novel. I’m really glad I did; I love who the killer is. I won’t say more so as not to give a spoiler.
You walk right up to the edge of politics—it’s clear what Petra thinks of Livvy’s ideas, it’s only pretty late in the book that you really get into details. How hard was that to hold back? And did you spend much time thinking about the reactions of readers with conservative tendencies (probably not going as far as Livvy, but with inclinations in that direction?
I like that expression: “walking right up to the edge of politics.” I don’t recall it being hard to hold back the details; that flow seemed to come naturally. But I definitely thought about the reactions of readers with conservative tendencies. I suspect that alt-righters will not enjoy the book, that’s just built into the story; but it was important to me to write the novel in such a way that it would be accessible to everyone else of all political stripes.
I’m a sucker for investigative journalist stories—I don’t think I’ve seen one like this before, though. You talk about this some in your author’s note, but why was it so important to you to talk about the influence of social media on journalism in general and investigative journalism in particular?
Thanks, I’m glad to hear Killer Story is original!
I’m a huge fan of crime podcasts like Serial and Accused and crime documentaries like Making a Murderer and Jinx. At the same time, I’m a skeptic of these shows. I’m intrigued by how reporters sometimes omit key details or distort the truth in order to tell a better story.
Today, for the first time in history, every reporter, editor, and publisher has instant access to: how many people are reading this story? In a way, that’s great: it pushes journalism into reporting the stories consumers want to read. But in a way, it’s terrible and scary: the very clear economic motivation is to get clicks and followers, and that can be more important than getting the truth.
Imagine if you were a young investigative journalist in this ultra-competitive field. The temptations to futz the truth a little, in exchange for clicks, would be huge! My intention with Killer Story was to explore all the financial and moral obstacles and dilemmas that journalists face today.
Who are some of your major influences? (whether or not you think those influences can be seen in your work—you know they’re there)
Throughout my life, two writers have inspired me the most: Dr. Seuss and Elmore Leonard. Dr. Seuss wrote with such freedom and wealth of imagination, and I believe has had a tremendous, underappreciated impact on so many writers who came after him. Elmore Leonard wrote with such economy of language, and such wonderful realistic dialogue, that I still marvel when I reread his work today. Swag is one of the greatest novels ever!
In the past five or ten years, when I’ve been gobbling down psychological thrillers like candy, there are so many writers who have inspired me. Here’s a partial list: Gillian Flynn; Harlan Coben; Greer Hendricks & Sarah Pekkanen; Laura Lippman; Jessica Knoll; A.J. Finn; Paula Hawkins; Shari Lapena; Karin Slaughter; Mary Kubica; Lisa Lutz; Ruth Ware; Linwood Barclay; Fiona Barton; Lisa Jewell; JP Delany; and Hollie Overton.
Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like Killer Story?
The Necklace, by the one and only Matt Witten. A very different story – for one thing the main character is an unambiguous hero; but the writing style is similar.
The Murder Rule, by Dervla McTiernan. A twisty thriller starring a young woman sleuth with a strong mission, whose behavior is sometimes questionable.
Gone Girl, by Gillian Flynn. A twisty thriller with jouflawed main characters.
The Night Swim, by Megan Goldin. A thriller about a true-crime podcast.
Her Perfect Life, by Hank Phillippi Ryan. A thriller set in the world of journalism.
What’s next for Matt Witten, author?
I’m finishing up a novel called Brainstorm, a thriller about a brilliant young neuroscientist who gets kidnapped along with her blind date and thrust into a high-stakes cat and mouse game about a weapon of mass destruction that she herself accidentally created. Ariel needs to escape from her abductors, decide whether she trusts her date, and save the world from catastrophe.
I’m also doing two TV projects: cowriting a pilot for NBC called 51%, and writing a Hallmark Mystery Movie based on A Dark and Stormy Murder, by Julia Buckley.
Thanks for your time—and thanks for Killer Story. Petra is going to live on in the back of my mind for a long time. I hope you have plenty of success with her story.
Thank you!
</a
Ramona Mead’s 
