Author: HCNewton Page 215 of 623

With the earlier post about Fer-de-Lance, it seemed like a good day to repost this, too. I apparently sampled a paragraph or two from the Fer-de-Lance write-up I shared earlier, too. Sorry for the repetition.

I received this email in response to my Happy Birthday, Archie! post last week.

Soooooo, each year you post this, each year I say I’m going to start…just put a request in for Fer-de-Lance, the first of the Nero Wolfe books, right?

Thanks for the question! This is a tricky one for me, and one that I’ve thought too long about already. I’m going to write for the person already interested in the series, and not to convince you to read them—this is practical advice only, no incitement.

Short answer: Maybe.

Longer answer (which I’ll still try to keep under control, because I tend to be hard to stop on this subject, and some of this is adapted from other things I’ve written. Also, because if I start fact-checking some of this, I’ll find myself spending hours, even days, on this, so I might make some minor errors)^*:

Rex Stout’s Fer-de-Lance is the first of 40+ books (novels or short story collections) featuring the exploits of private investigator Archie Goodwin (2 parts Huck Finn, 1 part Philip Marlowe) and his eccentric employer, Nero Wolfe (1 part Sherlock Holmes, 1 part Mycroft Holmes)—yes, I am one of those who think that Archie’s the main character in the mis-nomered Nero Wolfe Mysteries. It makes perfect sense to start with Fer-de-Lance and read chronologically. I did it myself a couple of years back for the first time (I’ve been reading these books for about 30 years now, and its odd that it took me so long), and I picked up subtle nuances, little callbacks and references that I’d missed before. There are almost no story or character arcs that go beyond a book (exceptions are noted below), and (most of) those that do, are easy enough to pick up and don’t spoil too much. Yes, there are introductions of new characters, a character death or two, but by and large you can dip in anywhere and not notice.

Yes, read the short story collections when you come across them in the chronology. Even if you’re not a short fiction reader, do it. There are some utter gems tucked away in those (and I spent too much time ignoring them).
The short story collection Death Times Three was published posthumously, but I’m pretty sure they were published in magazines, etc. before the last novel, A Family Affair. Read the collection after Please Pass the Guilt and before A Family Affair. A Family Affair works so, so well as a series finale that it should be treated as one whether or not Stout wrote it as one. It’s oft-debated, but I’m convinced that if Stout lived another year, we’d have had another novel. But he didn’t. So, again, A Family Affair should be the last you read—even if you don’t read chronologically.

In reading about Rex Stout/Nero Wolfe (either by fans or professionals), there’s an oft-quoted line from Walter D. Edmonds that you simply cannot avoid seeing, “I shall never forget my excitement on reading Fer-de-Lance, sprung like Athena perfect form the Jovian brow, fresh and new and at the same time with enough plain familiar things in scene and setting to put any reader at his ease.” Aside from Oliver Wendell Holmes’ margin note (“This fellow is the best of them all.”), there’s nothing that sums up Fer-de-Lance better, sprung like Athena indeed.

It really doesn’t matter how many times you’ve read it, but upon re-reading (and probably even initial reading if this isn’t your first encounter with Wolfe and Archie) you can’t help be struck by how much Fer-de-Lance fits the model of a mature Wolfe novel—almost all the elements are there. These characters are introduced in practically their final format—a little tweak here and there over the course of the first few novels will get them in their final form. The addition of a few other characters will be necessary, but the cast of characters is already over 90% complete. In the first chapter alone we already have Wolfe, Archie, Fritz, Theodore, Fred and Saul presented in a manner fully recognizable to the familiar reader. The story follows a fairly typical route (although the identity of the murderer is revealed far earlier than is the norm), and the essential environmental elements are there—the beer, Wolfe’s eccentric schedule, the orchids, a relapse, the food, a cocky scheme to land a client, an outrageous stratagem for getting that last essential piece of evidence (not that Wolfe needs it to solve the crime, merely to prove he was correct)—the only thing missing is the gathering of the witnesses/suspects/clients for Wolfe to reveal everything in his characteristically dramatic fashion. One recurring thought I had while reading it the last time was that Fer-de-Lance could just as easily have been the fifteenth installment in the series as the first.

If you didn’t understand half of what I wrote above because you’re new to the corpus, well, you’ll get it soon enough. There’s a formula of sorts to Wolfe/Archie novels—violated all the time, despite what we purists like to think, these variations on the theme are some of our favorite moments. You’ll pick the formula up quickly, and find it as comfortable as Wolfe’s nigh-inviolable daily schedule.

So while there is glacial development, the order is almost negligible. I do endorse and suggest a chronological read—but it’s not essential. In fact, I typically recommend The Golden Spiders (#22) or Before Midnight (#25) to newbies before plunging into Fer-de-Lance, they’re among my favorites, and are pretty representative of the fully-developed Wolfe/Archie. A&E used The Golden Spiders as the pilot to their recent series, so I’m not alone in thinking it serves as a good introduction. If you like them in their final form, you’ll have an easier time appreciating Wolfe/Archie in their almost-final form in the early books. Think of the development of Bugs Bunny over the first few shorts as a rough analogue.

Therefore, if your library/used bookstore isn’t sufficiently stocked to do the chronological read, you shouldn’t avoid the series and can dip in wherever you can. It’s like old episodes of Law & Order that you come across on cable. But there are a few things you should read in a certain order for full understanding/emotional impact, and a few others you should read after you’ve acclimated to the world/series a bit, you’ll enjoy/appreciate them more than if they’re in the first five:

The Doorbell Rang (#41)
Too Many Women (#12)—a lot of people think Archie comes off like a cad here, it’s never bothered me, however. Still, if you already like him, you’ll forgive him this.
And Be a Villain (#13), The Second Confession (#15), and In the Best Families (#17)—just seeing the numbers now, surprises me—I’d have thought these were in the 30’s. If Stout had been planning out a 40+ book series, he’d have put them later. Not only should you read them with experience in the series, these three need to be read in this order. There is an omnibus edition in many libraries with these three called Triple Zeck.
The Black Mountain (#24) would be best read after Over My Dead Body (#7), and after you’re acclimated to the world.

A couple of other suggestions:

Some Buried Caesar (#6)—should be read early (but not first) and often.
A Right to Die (#40) should be read only after Too Many Cooks (#5), it’s one of the only times that a non-regular character shows up again. There’s some racially-tinged language in Too Many Cooks that Archie’d grow out of almost immediately. Remember it was originally published in 1938 and cut him a little slack—mostly, be happy that he grows out of it.
And again, A Family Affair should be read pretty much when there’s nothing left.

Granted, these are all only suggestions. But ones made by a passionate fan. Still, at the end of the day, just read these books, you’ll enjoy them.

Maybe sometime I’ll get into the official continuations by Robert Goldsborough in a post like this.

^* Okay, I lied—I pulled up the goodreads page for the series so I could get the numbers on them just to help. But that’s it.

OTD: Fer-de-Lance by Rex Stout First Published in 1934

By HCNewton

On October 24, 2022

In Uncategorized

Fer-de-Lance 1st Edition Cover
On October 24, 1934 Rex Stout’s first Nero Wolfe novel, Fer-de-Lance was published and history was made–no one knew it at the time, of course, especially not Stout. He’d tried a variety of other novels before, but hadn’t found much success with them, but he hit pay dirt with this one. He’d try related and similar works in the years to come, but they weren’t as successful as these and soon he just stayed with the characters he introduced in this novel.

This series influenced other series, later writers, and a few stories/series that are inspired by it. There’ve been a handful of movies and TV series based on the books, too (and a radio series, now that I think about it). And most importantly, it’s become a beloved part of the lives and bookshelves of devoted fans around the world. And it all started with this book eighty-eight years ago.

A year or two before I started this blog, I re-read the series, here’s what I wrote about the novel back then.

In reading about Rex Stout/Nero Wolfe (either by fans or professionals) there’s an oft-quoted line from Walter D. Edmonds that you simply cannot avoid seeing, “I shall never forget my excitement on reading Fer-de-Lance, sprung like Athena perfect form the Jovian brow, fresh and new and at the same time with enough plain familiar things in scene and setting to put any reader at his ease.” Aside from Oliver Wendell Holmes’ margin note (“This fellow is the best of them all.”), there’s nothing that sums up Fer-de-Lance better, sprung like Athena indeed.

It really doesn’t matter how many times you’ve read it, but upon re-reading (and probably even initial reading if this isn’t your first encounter with Wolfe and Archie—my initial read was more than 20 years ago, so I don’t remember) you can’t help be struck by how much Fer-de-Lance fits the model of a mature Wolfe novel—almost all the elements are there. These characters are introduced in practically their final format—a little tweak here and there over the course of the first few novels (off the top of my head I can’t say how many) will get them in their final form, plus the addition of a few other characters will be necessary, but the cast of characters is already over 90% complete. In the first chapter we already have Wolfe, Archie, Fritz, Theodore, Fred and Saul presented in a manner fully recognizable to the familiar reader. The story follows a fairly typical route (though the identity of the murderer is revealed far earlier than is the norm), and the essential environmental elements are there—the beer, Wolfe’s eccentric schedule, the orchids, a relapse, the food, a cocky scheme to land a client, an outrageous stratagem for getting that last essential piece of evidence (not that Wolfe needs it to solve the crime, merely to prove he was correct)—the only thing missing is the gathering of the witnesses/suspects/clients for Wolfe to reveal everything in his characteristically dramatic fashion. One recurring thought I had while reading it this time was that this could just as easily have been the fifteenth installment in the series as the first.

As I don’t recall reading about Stout consulting notes—and he’s known not to rewrite any part of these stories—the fact that he can keep all the idiosyncrasies he establishes here well-intact over the next 40 years is a testimony to his mental prowess as much as anything else could be. (Contrast Stout to contemporary authors who find themselves re-writing their own protagonist’s biographies thanks to their refusal to check their facts/fix errors).

Enough of that—what about the book itself? Wolfe takes a small case as more of a favor/indulgence/get-him-off-my-back to one of his operatives and in doing so, stumbles upon a fact or two that leads him to conclude that a university president has been murdered in a preposterous manner. Seeing (and seizing) the opportunity to earn a large fee from this, Wolfe sends Archie to place a $10,000 bet with the District Attorney responsible for the area the president died in—wagering that an exhumation of the body will produce two particular evidences of homicide. No bet is made, but since it’s Nero Wolfe suggesting it, the body’s dug up, the evidence found and we’re off…

A fun read, a decent mystery (Stout will get better at this), great characters, and a good introduction to a wonderful world fit for revisiting over and over again.

Highlights from September: Lines Worth Repeating

By HCNewton

On October 24, 2022

In Books, Currently Reading, News/Misc., Quotations

Highlights from the Month
It’s the lass full week of October, it’s probably past time for me to get this out of the “Drafts” folder.

Be the Serpent by Seanan McGuire

But that’s Faerie for you. Making sense is something that happens to other people.

It felt like I was standing outside this scene and watching it unfold, like none of this had anything to do with me. Like I should have been able to smile politely, say, “No, thank you,” and walk away, leaving everything exactly as it was before I got out of bed this morning.

Travel by Bullet by John Scalzi

“In this case something called ‘Magic Beanz.’ And that’s spelled like whoever named it failed the third grade.

I nodded at this. “It’s not a legitimate cryptocurrency if it’s not badly spelled. ”

“Drive me nuts,” Mason said. “It’s like people naming their kid Ashley or Braden, but then spelling the name with six “Y”s. It doesn’t make the kid special, it just means they won’t be able to spell their own name until they’re in high school.”

The Days of Tao by Wesley Chu

Once you spend three thousand years in the same place, you are pretty much done with it forever.

An Easy Death by Charlaine Harris

It’s always something to recognize, how still the dead are. Ten minutes ago he’d moved and breathed and thought and wanted, and he’d done his best to kill us. Now all that didn’t matter to him.

Snowstorm in August by Marshall Karp

“It’s called a multipurpose subsea vehicle,” our pilot, Captain Jim Charles, told us, “but I like to think of it as the kind of watercraft Dr. Frankenstein would have built if he hadn’t been so preoccupied with dead bodies.”

The line was probably a standard part of his orientation speech, but he delivered it so deadpan that both Redwood and I responded with the genuine laughs he was expecting.

Dead Man’s Hand by James J. Butcher

It felt unreal that she could be dead. She had always been so powerful, so sure, so wise. Not to mention so paranoid that she did her own dental work.

He took a breath to brace himself for what came next. He could show no fear, no hesitation , and most of all, no pride. You can’t have pride and appropriately handle kids at the same time. It was some kind of universal, or perhaps cosmic, rule.

…coaxing the jeep to life. It sounded like it should be in a hospital bed surrounded by its loved ones, but it started moving somehow…It didn’t help that all he could smell was whiskey and cigarettes, and whatever the opposite of that new-car smell was.

Hell and Back by Craig Johnson

Most live in fear of dying alone, but it was something he understood—that there are things that you can only do by yourself, besides, we are never truly alone. There’s always something out there waiting, it is the nature of life and the nature of death.

For We Are Many by Dennis E. Taylor

“The cat’s A.I. was realistic, right down to the total lack of loyalty.”

“Just when you start to get ahead in the rat race, the universe delivers bigger rats.”

(Image by DaModernDaVinci from Pixabay)

REPOSTING JUST CUZ: Heaven on Earth by Thomas Brooks

By HCNewton

On October 23, 2022

In Non-Fiction, Theology/Christian Living

Heaven On Earth

by Thomas Brooks

ebook
originally published 1654
Read: May 11 – 25, 2014

I just might have myself a new favorite Puritan (I’m not the only one who has a list, right?). I’m kicking myself for not getting to Brooks earlier in life. What a wonderful book — I’m looking forward to getting to read more by him.

Aesthetically, this is fantastic. The language sings — the book begs to be read aloud (and I frequently did so, interrupting whatever anyone around me was doing). You can feel the passion, the fervor throughout. A few paragraphs from different chapters illustrate this:

Divine light reaches the heart as well as the head. The beams of divine light shining in upon the soul through the glorious face of Christ are very working; they warm the heart, they affect the heart, they new mold the heart. Divine knowledge masters the heart, it guides the heart, it governs the heart, it sustains the heart, it relieves the heart. Knowledge which swims in the head only, and sinks not down into the heart, does no more good than the unicorn’s horn in the unicorn’s head.

The only ground of God’s love is his grace. The ground of God’s love is only and wholly in himself. There is neither portion nor proportion in us to draw his love. There is no love nor loveliness in us that should cause a beam of his love to shine upon us. There is that enmity, that filthiness, that treacherousness, that unfaithfulness, to be found in every man’s bosom, which might justly put God upon glorifying himself in their eternal ruin, and to write their names in his black book in characters of blood and wrath. God will have all blessings and happiness to flow from free grace.

Faith is the first pin which moves the soul; it is the spring in the watch which sets all the golden wheels of love, joy, comfort, and peace a-going. Faith is a root-grace, from whence springs all the sweet flowers of joy and peace. Faith is like the bee, it will suck sweetness out of every flower; it will extract light out of darkness, comforts out of distresses, mercies out of miseries, wine out of water, honey out of the rock, and meat out of the eater, Judg 14:14.

But beyond that, the book is sound, it is orthodox, it is Biblical — throughout Brooks points the reader to The Book and The One Who inspired it. His aim is to show “that believers may in this life attain unto a well-grounded assurance of their everlasting happiness and blessedness.” He then goes on to examine the nature of that assurance, hindrances that keep believers from it, reasons to encourage believers to seek it, and how they can go about it, the difference between true and counterfeit assurance, as well as answering questions about assurance. Examining the doctrine from so many angles, you really feel (and probably do) that you come away from this book having an exhaustive look at the doctrine.

Chapter 6 — which takes more than its fair share of space, almost half of the book — is an extended detour from the point of the book, but it still serves to support the theme. He begins by saying, “In the previous chapter, you saw the seven choice things which accompany salvation. But for your further and fuller edification, satisfaction, confirmation, and consolation, it will be very necessary that I show you,” these seven choice things. Which are:

(1.) What knowledge that is, which accompanies salvation.
(2.) What faith that is, which accompanies salvation.
(3.) What repentance that is, which accompanies salvation.
(4.) What obedience that is, which accompanies salvation.
(5.) What love that is, which accompanies salvation.
(6.) What prayer that is, which accompanies salvation.
(7.) What perseverance that is, which accompanies salvation.

It is such a great chapter, and would make a remarkable little booklet unto itself that I really can’t complain too much that it’s such a departure from the rest of the book (though it did take me a little bit to get used to the notion).

Banner of Truth puts this out in paperback, monergism.com puts this out as a free e-book. Either way you go for it, this is a treasure I heartily suggest you grab.

—–

5 Stars

Saturday Miscellany—10/22/22

By HCNewton

On October 22, 2022

In Books, News/Misc., Saturday Miscellany

It’s a quick list today. Should leave you plenty of time to get other things on your Weekend To-Do Lists tackled (sorry about that).

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Publishing Glossary: 15 Terms Book Advocates Should Know—this is a handy guide, and a sign I should update my working vocabulary.
bullet 3Q’s Special – Tiffany McDaniel shows her Savage Side!—a quick Q&A with the wonderful Tiffany McDaniel
bullet Witty & Sarcastic Book Club’s An Author’s Monster Manual series wrapped up with:
bullet …Featuring Dorian Hart
bullet …Table of Contents of all the nifty posts in this series
bullet Should Book Bloggers Be Paid?—Jo Lindsdell asks another good question this week.
bullet 5 Podcasts Bookworms Need to Listen To—I haven’t listened to any of these, but will be checking them out
bullet Guide To Book Photography!—It’s going to take more than this to turn my book photos into something good, but these helps might make them better
bullet How not to get your book read—It’s astounding that this needs to be said, but I know too well that it doesn’t

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet A Heart Full of Headstones by Ian Rankin—John Rebus is on trial. This should be great.

Lastly, I’d like to say hi and extend a warm welcome to Jasleen Manifests, who followed the blog this week. I hope you enjoy the content and keep coming back.

The Ballad of Bonaduke—Episode 5: Hair of the Dog by R. T. Slaywood: Waking Up…

By HCNewton

On October 21, 2022

In Urban Fantasy

The Ballad of Bonaduke—
Episode 5: Hair of the Dog

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #4
Format: Kindle Vella Story
Read Date: October 13, 2022

Only my experience waking from numerous drunken nights told me to keep quiet until I could sort out where I was. It also told me that the pain I was feeling was not from booze. It had started at the back of my head, and was already making its way down through my bones, joints, and muscles. Even my belly button hurt like hell. Each sensation fought like a bitch to complain the most. I felt like I was hit by a truck.

No.

It was a blue Prius.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

Before then, he gets himself drunk and we get some of his tragic backstory. As he ponders this, he decides to use some of his ill-gotten-gains to buy more booze and walks into a liquor store robbery. He foils it in some sort of magical fashion, gets some more to drink, and heads off to the park to drink until he’s arrested (probably for the failed robbery). At least that’s his plan, but it gets interrupted.

What’s Hair of the Dog About?

Bonaduke wakes up in pain, as you’re wont to do when hit by a car. Even by a Prius. He’s disoriented and hungover and it takes him a little while to piece together what had happened to him and how he may have arrived…wherever he is. That part’s unclear, he’s getting something delivered by an IV, he’s on something cold, metal, and too short to be a hospital bed (or anywhere else to hold an adult). There are a couple of people having a conversation nearby about him. Bonaduke doesn’t understand exactly what they’re saying or have any idea who they are.

Determined to confront them and get out of answers, he swings his “half-numb legs” off the bed and the episode ends.

So, what did I think about Hair of the Dog?

I’ll have to see what happens in Episode 6. I don’t have enough to really say—I think the direction this is going, though. Hopefully, Eposide 6 will be like 4, and give me something to chew on.

I think it’s clear at this point that the Kindle Vella format is really not my cup of tea. But I’m going to stick with this particular story, I just can’t see myself trying another.

3.5 Stars

The Friday 56 for 10/21/22: The Bullet That Missed by Richard Osman

By HCNewton

On October 21, 2022

In Currently Reading, News/Misc., Quotations, The Friday 56

This is a weekly bloghop hosted by Freda’s Voice.

RULES:
Grab a book, any book.
Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
Find a snippet, short and sweet.
Post it.

from Page 56 of:

The Bullet That Missed by Richard Osman

“So kill me or let me go. Those are your two options. Which do you choose?”

“I think I choose option three,” says the Viking. “The option where I send Viktor Illyich the full photos.”

“The full photos?”

“Yes, for sure. The photos with your friend Joyce Meadowcroft by your side. Both pictures, both names.”

“Bit below the belt,” says Stephen. Elizabeth still feels safe. Viktor won’t go after Joyce either. Not if they’re in the photo together. A friend of Elizabeth is a friend of Viktor.

“Viktor might not have the heart to kill Joyce, of course,” says the Viking. “She is more of a civilian, I think? So here’s my deal. Just as insurance, if Viktor Illyich isn’t dead within two weeks, I will kill your friend Joyce.”

Racing the Light by Robert Crais: Spooks Spooking. Detectives Detecting. Killers Killing.

By HCNewton

On October 21, 2022

In Elvis Cole/Joe Pike, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Robert Crais

Racing the Light

by Robert Crais

DETAILS:
Series: Elvis Cole, #18
Publisher: G.P. Putnam's Sons
Publication Date: November 1, 2022
Format: eARC
Length: 368 pg.
Read Date: October 12-14, 2022

What’s Racing the Light About?

The essence of the case is that Elvis is hired by the mother of a young man who has gone missing to find him. This is pretty par for the course for Elvis Cole—a missing persons case.

Here’s what makes this distinct: the mother has money—she pays a generous retainer in cash (so generous, Elvis gives some back) and you get the impression that it wouldn’t be difficult for her to add a few more thousand. Before she walks into the office, two people come in and do a security sweep. Adele Schumacher believes her son, Joshua, has been taken by government agents for his investigation into Area 51 for his podcast. So, yeah, not a typical day in the office.

The podcast is called In Your Face with Josh Shoe, and it’s frequently about government corruption, conspiracies, and whatnot—but they’ve branched out to things like interviewing a porn actress. His childhood friend/podcasting partner, Ryan, tells Elvis that Josh is trying to move to more mainstream topics (Ryan doesn’t seem on board with this, for what it’s worth). Ryan shares Adele’s theory for Josh’s absence, Josh has been taken because he returned to Area 51 and found something.

But Elvis starts to find evidence that Josh is investigating something he didn’t tell Ryan about—Elvis can’t figure out what it is, sadly, but he starts to figure out who Josh might be interviewing for this story. And one of them has gone missing, too. Is this tied to his disappearance or did the twenty-something self-employed and single guy just flake off for a few days?

It’s not long before Elvis starts to think he’s not the only one looking for Josh and he enlists help from Joe Pike (who brings in Jon Stone). If those two get on board, you know things are about to get dangerous.

Pike and Stone

The problem with getting to know the PI’s more lethal/less-hung-up-about hurting people friend/sidekick/partner better is that it’s harder to keep them feeling dangerous and mysterious—it maybe even gets to the point where they stop being quite as prone to violence as they once were, and their charcoal-gray hats get a little closer to white. With Joe Pike getting some novels of his own, a lot of his sharp edges have been dulled for fans, so it was nice that Crais brought along Jon Stone so when Pike couldn’t be ruthless and cold-blooded, there’d be someone who could.

He gets to be that guy here—he’s helpful (very), resourceful, and mercenary. He pitches in because Pike pushes him to—not because he cares about Elvis or the fate of Josh. But what he does, he does well. (and is amusing for the reader throughout)

Pike is also not quite the active presence in this book that he has been lately—so when he does show up and act, it makes it feel a bit more super-human. Crais really upped his game with Pike in this novel and it allows him to steal almost every scene he’s in. Naturally, the phone calls between Pike and Cole are still fun to read—if you can write an entertaining conversation with one party being nearly-monosyllabic, you’ve got a gift.

Lucy and Ben

Lucy and Ben come by for an almost-unannounced visit to ensure that Elvis can’t give his full attention to the case. Which sounds snarky and may not be wholly fair of me. But it’s not wrong.

I enjoy the character of Ben and the way he interacts with Elvis—and continue to do so. I appreciated and believed what he was going through—both on his own and with his mother—at this stage of life, and Crais’s portrayal of this was one of the (many) highlights of this novel. It was also a good way to remind the reader just But Lucy has bothered me for a while now (although I was initially a fan), and I’m not certain that this book alleviates that (nor do I think Crais is altogether worried about it). I’m going to reserve judgment on this appearance for now. I did like Cole’s response to her visit and presence (when it didn’t take him off of his game, although I thought that was a nice touch).

So, what did I think about Racing the Light?

I need to spend some time thinking about this idea, but while reading this book I started to think of some notable first meetings between a PI and their client—like The Big Sleep, The Doorbell Rang, God Save the Child, and The Judas Goat*—and how those meetings can be a bellwether for the rest of the book. If the meeting seems pretty good/typical, the rest of the book will be, too; if the meeting catches your attention, the rest of the book will be of a higher quality.** The first meeting between Elvis and Adele Schumacher definitely fits—it’s not your standard meeting (the presence of her personal security helps). Right away, I could tell this was going to be a better-than-usual Elvis Cole novel. There’s not much that can beat that, in my book.

* This is a list generated in a rush, and I know I’ve left off some big ones, but as indicated, this is a theory-in-progress, I might work it out fully later.
** It’s likely that a better book is going to be better from the first chapter, and I just like the idea of creating a litmus test.

My opinion never wavered from that point on—this is some of the best writing Crais has given us in a long time—there are some passages/sentences/phrases I’ve had to read a few times just because I enjoyed them so much. I’m going to have a hard time limiting myself when quoting from the book once I get the hardcover. I’m already looking forward to a re-read of this somewhere down the road.

Along those lines, there’s one passage following a conversation between Elvis and Josh’s father that I’d believe Crais stole from one of the earliest Robert B. Parker novels. It’s not often that I get a reminder of the shared DNA between Elvis and Spenser. I appreciate what distinguishes the two more than their similarities, but it’s good to see the family resemblance is still there—it’s what attracted me to both characters (and their authors!).

We see the return of some characters that Crais hasn’t used in a while, too—which adds to the overall feeling of this novel hearkening back to earlier Elvis novels more than the last few. Another of the ways this book shines is in the supporting characters, not just that many from the old gang are back, but characters for this book. We get to know a couple of people connected to the missing persons really well, they’re well-fleshed out, and you can’t help feeling empathy for them and connected to them. For example, there’s a man who lives in Griffith Park who’s a witness to part of a cover-up—we get four chapters from his perspective. And I like him enough already that I’d read a short story/novella just about him.

I’ve probably gone on more than long enough at this point, let me wrap it up.

New readers will find plenty to enjoy here as well as well-established fans should. Obviously, newcomers won’t get all the character moments that come from the buildup of 17 previous novels, but that doesn’t mean they won’t walk away with a sense of them. Don’t let the existence of those novels dissuade you, see them as an added bonus of backstory you can explore if you get into these characters.

I don’t see how long-term fans aren’t going to relish this novel. Racing the Light doesn’t carry the emotional heft of L.A. Requiem or The Last Detective (primarily because those books explored the characters of Elvis and Pike in depths that Crais can’t repeat), but in terms of plot, pacing, and character this is their equal. I haven’t been this excited about a Robert Crais novel since The Promise.

I’m telling you, readers, don’t miss out on this one.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.

5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

A Few Quick Questions with…Danielle Higley

By HCNewton

On October 20, 2022

In A Few Quick Questions With..., Literary Locals, Non-Fiction, YA/MG/Children's Books

Earlier today, I gave my take on Danielle Higley’s great book, The Stories Behind the Stories, and now I’m very excited and pleased to share this Q&A with her. I hope you enjoy

What was the genesis of this project? How did you select the authors to feature?
This book came about in a somewhat unconventional way. In my spare time, I proofread and copy-edit for publishers and independent writers. I was referred to Bushel & Peck via another publisher and began proofreading for them in late 2020. I guess they liked my work, because shortly thereafter, they came to me with an idea for a nonfiction children’s book: The Stories Behind the Stories.

They gave me free rein to come up with what titles would be included and how those stories would be told. We did go back and forth on a few of the chapters—Peter Pan or Peter and Wendy was particularly challenging to write—but they gave me a lot of creative freedom. I chose the stories inside, initially, based on the books I’d consider the most famous or influential children’s classics. I then filled out the list by looking at other lists. I did consider diversity in my selection process, but looking back, I wish I would have included more books by authors of color.

I compare my publishing journey to that of The Magic School Bus creators, where Craig Walker, an editor for Scholastic, recruited Joanna Cole and Bruce Degen for the project. Walker believed that if someone could find a way to combine curriculum science with fun fiction, kids would be more engaged with the subject matter. He was challenged to find an author who could do all the research and writing, and an illustrator who could meld creativity with scientific sketches, but of course we know that the end result was a huge success. As a Magic School Bus enthusiast, I’m secretly very pleased to be in the same camp as Joanna Cole and all the other writers out there who’ve been gifted with this sort of incredible publishing opportunity.

I loved the design of this book—both the cover and interior—did you have a hand in that? If so, what can you tell us about that process?
Thank you! I’ve received so many kind comments about the art in this book! Alas, I don’t have that sort of talent. The art in The Stories Behind the Stories was all created by David Miles. He and his wife are also the founders of Bushel & Peck—an incredibly talented and busy power couple. David used a collage of images in the public domain, I believe, to create the artwork for each story.

Undoubtedly, there were facts/stories that you couldn’t work in—any spring to mind? How about authors that you’d wanted to cover, but because of time/space you had to cut? Any chance of a volume 2 to get those?
Oh man, it’s absolutely impossible to tell someone’s whole story in such a brief number of words. And also, in many cases, the story behind a book. The challenge, for me, was trying to keep all the stories fun. I knew children would be reading them—not just their parents. And that meant I had to leave out the gruesome details of Peter Pan’s history, and the somewhat boring (but really fascinating to English majors like myself) connection between The Golden Compass and Paradise Lost.

I did write a piece for The Hunger Games, but the quotes I used from Suzanne Collins were a bit dark. She talked about seeing Iraq war updates on the nightly news, interspersed with reality TV shows, and how unsettling it was when those two things fused together as entertainment. I thought that was really interesting, as well as her perspectives on “just-war theory,” but I have to say that after doing in-person readings with small children and seeing my book in elementary school libraries, I’m glad that story didn’t make the final cut.

I don’t know if there will be a volume 2 in the future, but I hope so!

What was the biggest surprise about the writing itself? Either, “I believe X is so easy” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV.”
I think the biggest surprise, for me, was finding that I could do it—on multiple levels. From the beginning, I knew this was a topic I wanted to write about, but I was also nervous. My baby was weeks old when Bushel & Peck sent the proposal. I didn’t know how I was going to write a book and take care of a newborn. I felt very much like I only had half a [mom] brain, and I was getting like two hours of consecutive sleep a night. Not exactly ideal conditions for being smart and creative.

But I also knew that if I didn’t say yes, I might be missing out on the biggest opportunity of my life. Book deals don’t just drop into people’s laps—believe me, I’ve been rejected by editors and agents many times. I’m so glad I said yes, though. I learned that I can write a lot of words in just a few months (provided they’re split into bite-sized chunks). I also learned that I can write, even under the most challenging circumstances. I feel like I’m stronger for that experience.

Given your subject, I have to ask: What’re your personal Desert Island Top 5 Children’s Books?

The Watsons Go to Birmingham – 1963 for sure; that book makes me laugh and cry every time, and the characters would make great company on a desert island!
The Mysteries of Harris Burdick because each page is so intriguing; I could spend the rest of my life coming up with stories for every illustration.
Harry Potter and the Goblet of Fire because it’s Harry Potter and the Goblet of Fire.
The Adventures of Mrs. Pepperpot because it’s perfectly nostalgic for me.
Some kind of nonfiction survival book, because the thought of being on a desert island gives me anxiety haha!

What’s next for Danielle Higley, author?
I’ve recently been asked to be on the jury for the Lee Bennett Hopkins Poetry Award for Children. Because of that, I’ll be doing a ton of reading between now and the end of the year. Still, I’m hoping to write more when I can. I’m working on some children’s picture books right now, and also an adult novel that needs some serious love and attention.

Thanks for your time—and thanks for The Stories Behind the Stories!

The Stories Behind the Stories by Danielle Higley, David Miles (Illustrator): Behind the Scenes of Some Childhood Favorites

By HCNewton

On October 20, 2022

In Literary Locals, Non-Fiction, YA/MG/Children's Books

I’ve got a Q&A with the author, Danielle Higley, coming up a little later this morning–be sure to come back for that!

The Stories Behind the Stories:
The Remarkable True Tales
Behind Your Favorite Kid’s Books

by Danielle Higley, David Miles (Illustrator)

DETAILS:
Publisher: Bushel & Peck Books
Publication Date: November 2, 2021
Format: Hardcover
Length: 90 pgs.
Read Date: September 24, 2022

What’s The Stories Behind the Stories About?

It’s right there in the subtitle, isn’t it? “The Remarkable True Tales Behind Your Favorite Kid’s Books.” Higley takes 29 well-known and well-loved children’s classics—most from the Twentieth-Century, with a couple from before and a few after it.

We get roughly two pages on each book, with a full page of art to go along with them—although one of those pages will be heavily illustrated, too. The text will give a little biographical information about the author and then talk about the book itself—maybe how it was written, or received, or what inspired it. There’s also a sidebar with a little trivia about the book, too.

The books discussed range from Curious George to The Boxcar Children to Percy Jackson and the Lightning Thief, books written for children too young to read through books for Middle Grade readers.

The Design and Art

This is a wonderfully put-together book—let’s start with the cover design, a giant “Little Golden Book” look is an inspired choice for this. The collages used to illustrate the rest of the book are equally well done. They jump off the page and are well-paired with each book discussed.

Sure, the text of the book is my focus—and it should be here, too. But when it comes in a package this great to look at? That’s just a bonus.

So, what did I think about The Stories Behind the Stories?

I sat down to read about one or two of the books before starting something else one day, and read five before I realized it and had to force myself to stop. I ended up reading the rest of the book in one sitting. It’s the literary equivalent of Lay’s Potato Chips, “bet you can’t read just one.”

I’ve read 24 of the books talked about, and meant to read most of the others, so I was primed and ready for this—many readers in the target range (7-11 will be familiar with at least half, and this might inspire them to read more of them).

I think I learned a little about each of the books selected for this—except maybe Harry Potter and the Sorcerer’s Stone, because that’s been covered so well for so many years. Some of what I learned surprised me—The Boxcar Children was controversial? (okay, I probably should’ve guessed that one) Rawls almost didn’t get Where the Red Fern Grows published, and once it was, it took a lot of work to get it read—or put another way, I almost didn’t get my heart ripped out by it.

It’s engaging with a little dash of mild humor, nothing over-the-top—just enough to bring the occasional grin while not distracting from the point. It’s written in such a way that the target audience will have no problem reading it, and it’ll keep the attention of older readers, too—anyone who likes children’s books will find something to enjoy here. And you put that in an attractive package? It’s a win all the way around. I strongly recommend this book.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.