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Pub Day Post: Wealth Management by Edward Zuckerman: Not Your Garden-Variety Thriller

Wealth ManagementWealth Management

by Edward Zuckerman

DETAILS:
Publisher: Arcade Crimewise
Publication Date: September 20, 2022
Format: eARC
Length: 288 pg.
Read Date: September 14-16, 2022
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What’s Wealth Management About?

Not that long ago, Catherine, Rafe, and Majid had attended Harvard Business School together—they were competitors, friends, and (at least briefly) more than friends. After graduation, they’d each gone their separate ways, but life has brought them all back together in Geneva, Switzerland.

Catherine is working for a large and important bank, Majid and his partner run a fairly new hedge fund management firm, and Rafe…well, there’s what he tells people and what’s really going on with him. The personal entanglements have started/resumed before we see the reunion of the trio, and they become more entangled after the book begins. As do the professional dealings—and here’s where it gets messy.

It turns out that one of Catherine’s more significant clients seems to be involved in some money laundering (and is dragging her along with him)—and possibly some worse crimes. Majid’s firm is in serious cash problems, that might have been saved by one client—but he and his partner are concerned about this client and how he knows just the right stocks to sell short. And Rafe just might be able to save both of them from these, shall we say, complications.

There’s at least one murder, a terrorist act or two, some CIA agents, a persistent (and possibly honest) Nigerian police detective, and other assorted criminal and conspiracies afoot as well—and once Majid and Catherine become aware of them (and/or stop lying to themselves about how complicit they may be), it looks like Rafe’s help isn’t only attractive—but their sole lifeline.

Can Rafe help his friends/lover/frenemies? Can they uncover—and maybe stop—a terrorist plot?

The Financial Side

Like I said last week when talking about Nineteenth Century Monetary Crime—I’m not particularly interested in, or seemingly that capable—of rolling up my sleeves to get into the nitty-gritty of the World of Finance. I get the broad concepts—and can even appreciate the broad outlines of a discussion of short-selling (and things along those lines).

I was a little apprehensive about that idea before I started the book. Would this get into the weeds with that kind of thing? I remember learning too much about nuclear submarines or the inner-workings of an aircraft carrier deck’s operations back in the 80s and 90s when all I wanted was some action. Would the infodumps/background information slow things down too much?

Yeah, I was also a little worried about not being able to follow the focus of the action—no one likes their novels making them feel dumb. Or even if I could understand it, would it really be interesting enough to hold my attention?

Thankfully, it didn’t get too far into the weeds. I could understand the financial actions—and it wasn’t dull at all. Actually, I think this is the kind of thing that’d be good to see more of. Just how do terrorist groups—or even criminal organizations (outside of theft or selling drugs/guns/whatever)—fund themselves? It’s not like you can reuse explosive materials or bullets, and they don’t grow on trees—the money has to come from somewhere, and it sure isn’t from bake sales. The idea that certain targets/plots are motivated as a way to generate income for a terrorist group is a great way to cost a guy some sleep (and hope that “the good guys” are able to stop them).

And if cryptocurrencies reared their head at all, it was so briefly* that it didn’t leave a lasting impression—right now, you have to be grateful for that.

* Also, a quick word search didn’t turn up the term.

I’m Not Entirely Sold On This…

There’s a Love Triangle here among our protagonists—it’s not a significant part of the story, but it’s not insignificant either. Well, “Love” might only apply for 1-1.5 of the sides, but “Friends-With-Benefits Triangle” doesn’t have a great ring to it, and “Sex Triangle” seems to suggest all sorts of things that Zuckerman didn’t have in mind.

If this is a product of a “you have to have sex in a thriller to sell” kind of a thing, I guess it fulfilled its cynical function—and didn’t put off prudes like me.

If it’s to round out these characters and make them more than young professional types out to make all the money they can—or to ground them in reality and/or make them more interesting? I guess it succeeded (maybe not in the interesting part, but its possible).

If it’s to add layers of additional and conflicting motivations to the characters—giving them reasons to trust, distrust, and be unwilling to work with each other? It’s not bad—but I think it could’ve been played up a bit more—or at least more thoroughly. We get some of this, but I think it could’ve been explored a bit better.

It’s likely all three of these things—and probably more—and as such, it largely succeeds. But my gut tells me that it could’ve been done a bit better without turning the book into something all about the Triangle.

So, what did I think about Wealth Management?

Okay, I called this a Financial Thriller (as does the publisher)—but never fear, there’s the requisite gunplay, hand-to-hand violence (and threat thereof)—and actual terrorist activity. The thrills aren’t all in deft trades and market chicanery. The money material is the focus and does provide most of the thrills—and it’s what distinguishes this book from the rest of the market. In the end, we get a tight and intricate novel full of intrigue.

At one point, I counted a dozen competing/conflicting motives/goals/actions at work among the named characters—plus a handful of people we don’t meet. Zuckerman keeps the action jumping from character to character quickly, advancing each plot line a little at a time so they can come together in a nicely dramatic fashion.

Some of the characters aren’t that developed—but there’s enough to hang on to. With most of them, it’s easy to see that in another 50-100 pages or so, you could see them being described as such. But with a cast as big as this one in under 300 pages? You’re going to get some that are undercooked, there’s just no way to do that. Like with most thrillers—if it comes down to a choice between plot vs. character, plot wins—especially when it’s paced the way this is. It’s not a bug, it’s a feature (not my favorite feature, but it is one).

My initial reaction when I was emailed about this book was, “‘MBAs,” ‘Banking’, and ‘Thriller’ are not terms I’d expect to be together”—and they’re still not. But when done right—done the way that Zuckerman did it in these pages—I’m glad to say that I was wrong.

This is a very effective thriller, a little something different in the diet—and generally a good time. Yes, I think that another hundred pages could’ve been added to better develop characters, the whatever-triangle, and to flesh out a few other aspects of the book—but I think that might have sacrificed pace and tension, and you don’t want a ponderous thriller. So, I think Zuckerman made the right choices there. A quick glance at IMDB shows you, that he knows his way around a tight plot—also any author who is able to induce a moment of acrophobia deserves kudos.* I’m glad to recommend Wealth Management and encourage you to check it out.

* Sure, in real life or on film (or via a Go Pro video), I’m on a hair trigger for that kind of thing, but to do it without visual stimuli is a trick.

Disclaimer: I received this eARC from the author via Wiley Saichek and Saichek Publicity in exchange for this post—while I appreciate that, the opinions expressed are wholly mine.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

PUB DAY REPOST: Confronting Jesus by Rebecca McLaughlin: Introducing Jesus Without Any Baggage

Confronting JesusConfronting Jesus:
9 Encounters with
the Hero of the Gospels

by Rebecca McLaughlin

DETAILS:
Publisher: Crossway
Publication Date: September 20, 2022
Format: eARC
Length: 208 pg.
Read Date: August 21-28, 2022
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What’s Confronting Jesus About?

Most people have a lot of preconceptions about Jesus, a lot of people have read and/or heard things about Him and the Scriptures that tell about him. But not as many have actually read those Scriptures, particularly the Gospels.

Rebecca McLaughlin tries to clear away some of the cultural debris that has piled up between non-Christians and the Gospels and the subject of the Gospels. For example, as she points out, given Christianity’s impact in shaping Western Civilization, it’s difficult to think of Jesus as non-Western.

The goal of the book is to help the reader (particularly those with little-to-know-exposure to Christianity) begin to see the Gospels for what they really are, not the readers’ preconceptions of them. And the Jesus revealed in the Gospels as the Gospels want to portray him, not what the reader may already think.

It’s a high and lofty goal—possibly too lofty for 200 pages. But this isn’t intended as a definitive work, more like an invitation for the reader to do their own work.

A Menagerie of References

A lot of writers (and preachers, truth be told) will introduce a subject or thought by grounding their introduction in some sort of shared knowledge. Sometimes it’ll be an experience (first day of school), a person everyone knows (George Washington), a current event, or some sort of cultural reference (literature, music, film/TV, etc.). McLaughlin almost always goes for the latter. And, for the overwhelming majority of the time, it’s a very contemporary reference.

She starts off by invoking the musical Hamilton, and does so in-depth—it wasn’t long at all before I made a note, “can we be done with Hamilton now?” The answer was no—she came back to Miranda’s hit time and time again. Thankfully my worries about this being a book about Jesus, the gospels, and a hip-hop musical about a Founding Father quickly evaporated and she moved on to other cultural touchpoints—Harry Potter, Doctor Who, The Princess Bride, Gladiator, The Picture of Dorian Gray, The Lord of the Rings, Jane Austen, A Tale of Two Cities, and more. It’s an interesting mix of pop-culture and more high-brow references.

I’m spending more time on this than I initially intended, but I kept bumping on this tendency of hers, and I ended up spending as much time thinking about it as I did her arguments. Now, I don’t think most readers will do that—but most readers aren’t considering the delivery of the content as they are the content. So I don’t think most readers will be distracted by this as I am.

Still, the volume of pop culture references strikes me as a dangerous strategy (as comfortable and relatable as it might be). It can trivialize the subject matter. It can possibly cause offense (how many people really want to relate to J.K. Rowling right now? A different crowd than those who didn’t want anything to do with her in the 90s, to be sure).

Lastly, it reduces the shelf-life of the book tremendously. Wilde, Dickens, and Austen are references that will stand (and have stood) the test of time—but will The Hunger Games and Ted Lasso? Maybe. But Maybe not. McLaughlin’s arguments and insights may be worth reading in ten years, but will the book as a whole? Or will what makes it most approachable today make it stale and off-putting within a presidential election cycle or two.

(that took a lot more time to express and explain my concerns than I thought it would—this is not a significant detriment to the effectiveness of the book, but it is one)

The Tone

McLaughlin has an approachable, almost breezy style. I started this book while taking a break from a more scholarly book, and the early chapters had some overlap with the other book I was reading. And I suffered a little mental whiplash. I got over it the more of the book that I read (especially as it diverted into different territory from the other), but it almost seemed too shallow. A lot of readers might think that, too. If you persevere, however you’ll see that’s not that case.

McLaughlin comes across as open, honest, and earnest—the kind of person you’d enjoy chatting with—and her grounding things in events with her life or a movie you’ve both seen (or that she’s told you enough about that you want to see it), makes the material something you connect with.

So, what did I think about Confronting Jesus?

I enjoyed the book. I was charmed by McLaughlin’s style and found her arguments compelling—not convincing. But, as I said, I’m not sure she was trying to convince her readers—I think she was set on moving them to do more research, more reading, and to deal with more convincing ideas and arguments. This was an introduction to Jesus, hopefully lowering perceived barriers to him—and a challenge to deal honestly with Him and His claims rather than preconceptions and reputations about Him (and His followers).

That said, I’m predisposed to agree with her. We’re on the same team, and don’t have the same barriers that the non-Christian will have. So I can’t ultimately say how well the book works. Do I think that several of my friends would benefit from it? Sure. But that’s just a guess/hope. The ultimate sign of the quality and effectiveness of this book is going to come from the non-Christian reader.

Also, this book does make me curious about McLaughlin’s other work—and I anticipate grabbing at least one of her earlier books soon.

Disclaimer: I received this eARC from Crossway via NetGalley in exchange for this post—thanks to both for this opportunity.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Spelling the Month in Books: September

Spelling the Month in Books: September
So this month’s entry kicks off the “-ber” months (most of them are “-ember’s, too), and coming up with enough books that start with “E” is going to be tricky. It was fun revisiting some of these books, at least for these brief paragraphs. Like I have for the previous 8 months, I’m tempted to stop everything and re-read at least half of this list today.

S Striaght Man

Straight Man

Richard Russo’s novel traces the week of the chairman of an English Department at a Pennsylvania university. It’s hard to imagine how much damage a man can do to his own life in so short of time. It’s one of those “serious” novels for literary readers that is (intentionally) funny—and still manages to tell a good story, with a lot of heart—and a little academic satire, too. And any book with a duck like that on the cover has to be worth a read, right?

E Eragon

Eragon

Say what you will about Christopher Paolini’s debut, the story of his writing and getting it published is pretty cool. I remember enjoying it for what it is—a fun MG story about a 15-year-old who finds a dragon egg, which launches a bunch of adventures that reminded me a bit too much about Star Wars. (which didn’t make it less fun, just made it a different kind of fun).

P The Phantom Tollbooth

The Phantom Tollbooth

Norton Juster’s children’s classic is one of those books that I can read and enjoy today. The story of a dull boy who receives a magic tollbooth and travels to a strange world where he has to use his mind and imagination. I loved (and still do) the wordplay, the puns, and the very strange companions that Milo picks up along the way. Jules Feiffer’s illustrations are the perfect companion to the story, and when I listened to an audiobook version of it, not having them took a little away from the experience.

T True Grit

True Grit

This has to be the best-known work by Charles Portis—and it deserves its renown. Mattie Ross is such a great character. Her interactions with Rooster Cogburn while they hunt for her father’s killer was unexpectedly entertaining. I really wouldn’t have imagined this to have been so entertaining before I dove in—but I had a blast with this feisty protagonist.

E Envy the Night

Envy the Night

This was the first stand-alone thriller from Michael Koryta, and I remember not being sure what I’d think about it. My memory for the details is hazy (it’s been 14 years), but I remember being gripped. It was a new tone and a new kind of character for him, but everything else—the writing, the storytelling, and the suspense of the novel were just what the reader had become accustomed to.

M Mirrorshades

Mirrorshades

Bruce Stirling’s inaugural collection of cyberpunk stories is one of the very few short story collections that I’ve read multiple times. It defined a movement, brought it to the masses, and is just so much fun.

B Brighton Beach Memoirs

Brighton Beach Memoirs

I don’t know how many times I watched the movie version of this, but the script for the play is just so much better. The story of Eugene and his family struggling to get by, worriedly watching what’s going on in Europe in 1937, and preparing to take in their relatives who are clearly going to need a new place to live. Genuine laughs, a lot of heart, and a solid coming-of-age story.

E Everything Changes

Everything Changes

This was the first Jonathan Tropper book that I read. Having read them all (most more than once), it’s not my favorite, but as it was my first, I do have a soft spot for it. With his wedding coming up, Zack deals with the death of his best friend (2 years prior), Zack’s less-than-Plantoic feelings for his friend’s widow, and his father returning to his life after decades. As less than positive I might have sounded, it did bring me back for more—I can’t get enough of Tropper’s voice.

R The Ranger

The Ranger

It’d take about 30 seconds of not-very-intense research around here to see that I’m an Ace Atkins fan—and the series that kicks off with The Ranger is a big part of that. In this novel, Army Ranger Quinn Colson comes home from Afghanistan to discover that his uncle, the county sheriff, either committed suicide or was killed. Colson looks into the death and learns a lot more than he expected. Colson’s story (and the story of that county) is still going strong after 11 books.

The Story Retold by G. K. Beale and Benjamin L. Gladd: Everything You Want in a NT Introduction and More

The Story RetoldThe Story Retold:
A Biblical-Theological Introduction
to the New Testament

by G. K. Beale, Benjamin L. Gladd

DETAILS:
Publisher: IVP Academic
Publication Date: February 24, 2020
Format: Hardcover
Length: 490 pg.
Read Date: January 2-August 14, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s The Story Retold About?

From the Publisher’s Website:

New Testament introductions fall into two categories: those that emphasize the history behind the text through discussions of authorship, dating, and audience, and those that explore the content of the text itself. Few introductions weave the Old Testament into their discussions, and fewer still rely on the grand narrative of the Old Testament.

But the New Testament was not written within a vacuum. Rather, it stands in continuity with the Old Testament. Israel’s story is the church’s story.

In The Story Retold, G. K. Beale and Benjamin L. Gladd explore each New Testament book in light of the broad history of redemption, emphasizing the biblical-theological themes of each New Testament book. Their distinctive approach encourages readers to read the New Testament in light of the Old, not as a new story but as a story retold.

As an NT Introduction

After three chapters of introductory material: “The Story Line of the Bible,” “The Use of the Old Testament in the New,” and “Introduction to the Gospels” (all pretty self-explanatory), we get a chapter on each book of the New Testament (with some chapters combining multiple books—e.g., The Pastoral Epistles).

Like most NT Introductions (as the description above says), Beale and Gladd discuss authorship, dating, and so on, with a good outline and overview of the book. Some of the ways they phrase things, or organize the material are helpful and unique—but on the whole, they’re helpful and pretty much what you get in every NT Introduction out there.

This isn’t a good or a bad thing, it’s simply saying that on the basics this is a pretty good Introduction.

The Little Something Extra in Each Chapter

The thing that separates this from similar works is the way that the authors tie the particular Biblical book into the overall storyline of the Bible. By focusing on the Biblical Theological/Redemptive Historical themes of the books—specifically grounding them in one or more Old Testament books about the same themes, it helps the reader to deal with, wrestle with, and (frequently) review the use of the OT by the NT in order to further cement and to expand the reader’s understanding of how the Bible as a whole tells the same story about Jesus Christ and His people.

Some of these sections blew me away—all deepened my understanding of the various books. Not just the NT, but seeing how the OT is used by the apostles helps understand those books/passages.

Format

This was produced as a textbook and it’s nice to read one of these again—I haven’t since my undergrad days. It’s a heavy tome, with thick, glossy paper and a lot of pictures. Sure, it’s a bit difficult to curl up with to read—but you can’t help but feel that it’s going to last for years as you read it.

Also, it’s heavy enough to use as a self-defense device.

The format does make this a pretty spendy book (although cheaper than most textbooks I bought in my undergrad days). But it’s worth the purchase price (as I said, it feels like it’s going to last for years).

So, what did I think about The Story Retold?

This isn’t an overly technical read—I think it could be used by older high school students. But sure, it’s aimed at college/early grad-school students, so go to it with the right expectations.

I really don’t know what to say about it at this point—I spent months reading this thing, it feels as if I should have several more pages of things to say. Basically, if the description sounds good to you, it’s going to deliver exactly what it promised.

It’s not what most people think of as devotional material—but it worked for me as such. This is definitely one of the better and more useful books I read this year. It’s also going to serve well as a reference book. Whether you dip in and out or read cover-to-cover, The Story Retold is worth its weight.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Saturday Miscellany—9/17/22

How does being a parent of adult children take so much time? I’m not complaining about (actually enjoyed and would welcome more of) the interruptions they brought this week, but I had pages to read and posts to write, fer cryin’ out loud! It was far easier to claim my own time and send them to bed when bed wasn’t in a differnt building 7 miles away.

Still, I did manage to get a bit done, and even find a few things for this collection. Hope you enjoy.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Was It Ever Possible For One Person To Read Every Book Ever Written (in English)?—Randal Munroe tackles this ever-so pressing (or not) question
bullet You Can Procrastinate Anything If You Have Enough Books—Well, yeah…
bullet The Books That Made Me – The First Law by John Palladino—another fun installment of this series from Before We Go Blog (although it could use a quick fact check in the first paragraph).
bullet An Ode to Reading—a nice (and fairly relatable) memoir of a reader/introduction to a blog
bullet Have You Ever Suffered from Book Blogger Imposter Syndrome?
bullet The Best Way to Track Your Reading: 18 Bullet Journal Spread Ideas for Readers—I’ve tried Bullet Journaling a couple of times over the last few years, and it really seems like a good idea and I wish I could stick to it. Although I seem to enjoy reading about it more than actually doing it.
bullet Some Research to Ponder about Book Piracy—some good stuff on this regrettably evergreen topic

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon (after last weeks handful, only finding one this week makes me think I missed several—fill me in!):
bullet A Death in Door County by Annelise Ryan—a bookstore owner/cryptozoologist looks into a series of deaths that might indicate there’s an actual lake monster living nearby.

Definition of Bibliotaph

The Friday 56 for 9/16/22: Snowstorm in August by Marshall Karp

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
Snowstorm in August

Snowstorm in August by Marshall Karp

“How did you know what I…”

“I have eyes everywhere—human and electronic,” Quintana said. “I saw you kill him. What I don’t understand is why you gave him a fighting chance. You could have slit his throat in his sleep.”

“No, sir. He had to know it was me. So I waited until I was strong enough to go against him mano a mano. Also, today is my birthday. Five years ago, my father was murdered on this day. Now we are both at peace.”

Quintana took another puff on his cigar. “Are you done wreaking vengeance, or should I be concerned that more of my men will end up with their head on a stake?”

“No, sir. Justice has been done. Whatever you do to me, please tell my mother that my father’s death has been avenged.”

“Tell her yourself. And come back tonight.”

Joaquin looked puzzled. “Señor?”

“Suffering is bitter, but its fruits can be sweet. The stupidity of one of my men has caused you great pain, But that pain has helped you find a new life.”

Robert B. Parker’s Fallout by Mike Lupica: Two Murders Rock Paradise

When I started to write this, I thought it’d be a 5 +/- paragraph post, but apparently I can’t shut up about books in a Parker series (and I did try).


FalloutFallout

by Mike Lupica

DETAILS:
Series: Jesse Stone, #21
Publisher: G.P. Putnam's Sons
Publication Date: September 5, 2022
Format: Hardcover
Length: 353 pg.
Read Date: September 7-8, 2022
Support Independent Bookstores - Visit IndieBound.org

“I guess drinking was his way of dealing with it tonight.”

“That was always my first option,” Jesse said. “And second. And third. But no matter how many times I tried, it never seemed to work.”

There was a pause at her end.

“He didn’t get into any fights, did he?”

“Just with himself,” Jesse said. “Spoiler alert? He lost.”

What’s Fallout About?

There are two murders for the Paradise Police Department to focus on in this book—and both have a lot of personal resonance.

The first is the suspicious death of Suit’s nephew. He was a senior in High School and a hot college baseball prospect—naturally, a great athlete—and had been getting better because of Jesse’s mentoring. Suit thought of Jack as a son more than a nephew and he’s devastated by this. It’s unclear if he died after a drunken fight at a party, or if he’d been driven by inner demons to end his own life. No one wants to believe the latter—but they can’t rule it out. A very not-subtle cone of silence around the team is being enforced—as that was pretty much all of Jack’s life, that means the investigation isn’t getting very far.

Some time ago, a former Paradise Police Chief moved back to town and befriended Jesse. The two regularly had dinner together, and one of the first things we see is a meal between Jessee and Charlie Farrell. The woman that Charlie’s been seeing was recently swindled out of a few thousand dollars and now it looks like scammers have targeted Charlie. He’s been retired for decades, but still has the instincts and reflexes to try to track them down himself rather than turn things over to Jesse’s crew. He must’ve been on the right track because he was killed. This shakes (an already shaken) Jesse, who sets his sights on this case so much that he turns Jack’s death primarily over to Molly. He was Chief before any of the officers we know joined the force (as far as I can tell), but it’s still about “one of their own.”

Jesse’s Battle with Alcohol

I’m not crazy about Lupica’s way of dealing with Jesse’s alcoholism compared to Coleman’s—but it’s better than Parker or Brandman did. But I really liked Jesse’s ruminations about people being able to stop drinking while the bottle still had something left, or when the option to order another glass was available. Actually, all of the material about his drinking in this book was good—better than he’s given us so far. Hopefully, the trend continues.

Miscellaneous Bullet Points

I don’t have time/inclination to expand these beyond brief paragraphs—but I felt compelled to mention a few things.

bullet Okay, the over-use/over-reliance on Crow, basically making him Jesse’s Hawk, bugs me. It also doesn’t do that any favors for the character of Crow or Jesse—and really doesn’t help Molly’s character in any conceivable way (although Lupica may have a long game there). Parker (inadvertently?) tamed Hawk by using him too much—and was well on the way to doing that with Bobby Horse and Chollo, too. And now Lupica’s doing that with Crow. Use him less (far less) and he retains his mystery, his edge, and his ability to do the things that Jesse won’t do.

bullet This isn’t evaluative, per se, I guess I’d file it as a general musing—it felt to me like this book was (for lack of a better term) swear-ier than I’m used to. Parker and the other authors in the Spenser-verse have never been reluctant to use a four-letter word when the situation called for it, by any means. It seemed like a noticeable uptick in those words. I’m not saying that Lupica’s turned into Kevin Smith or anything, it just gave everything a slightly different feel. I wonder if that’ll continue, if it was just a blip, or if I’m imagining things.

bullet It really feels like Lupica is trying to write off Jesse’s son, Cole. Had Coleman continued with the series, I’m curious about how he’d have handled the character. I’ve had so many questions about his introduction in the first place, and now it feels like Lupica’s trying to pull a Chuck Cunningham with him—sending him to law school in London and taking him out of Jesse’s life. He actually thinks, “The kid sounded happy. Leave him alone.”

bullet So Molly came clean with her husband about her fling with Crow several years ago. Now her marriage is all but over. No one has given us enough time with Molly’s husband over the previous 20 books for us to get that invested in the marriage—so putting it on the rocks doesn’t do much for the character either. I really don’t care either way, except that it feels like Molly’s character is drifting and becoming a different person. But that happens to all of us, so I can’t complain on principle, just…

bullet Yeah, Parker created his three series in a way to allow the characters to intersect—but other than the Jesse/Sunny love story, and the Sunny/Susan therapy relationship, the primary characters didn’t intermingle too much. I’m not sure if the current approach of bringing them all together so much is the right way to deal with them. I’m not sure it’s not, either.

bullet Building from that—if you’re going to bring these worlds together so much, and if you’re going to introduce and kill off a police chief that coincidentally(??) shares the last name of a frequently used supporting character who is also a cop? Someone had better say something. If only so that readers stop thinking about it. In a Spenser-verse book, if someone talks about “Farrell,” I reflexively think, “Lee.” I can’t imagine I’m alone there—I just don’t get that character name choice. I bumped on it every time it was mentioned (and, as the central death in one of the two major storylines, it came up a lot).

So, what did I think about Fallout?

This was entertaining and occasionally clever. I don’t know that I felt the emotional impact of either murder—I felt for Suit, but I’m not sure I cared too much about it. Maybe if we’d been able to focus on what Suit was going through while he was doing the investigation—keep it a Jesse and Suit thing with some backup from Molly. In the end, it became primarily a Molly and Jesse thing with Suit in the background.

I don’t know if Lupica’s capable of delivering a great Jesse Stone novel, instead, I think we’re going to get a streak of pretty good—and consistently so—novels (well, he’s probably capable, but I don’t get the impression that it’s his goal). That’s good enough for me, I might want something more, but consistently good and entertaining will sustain my interest.

I’m not sure if this is the place to jump onto the series—but it’s not necessarily a bad place. It’s the 21st in the series, but you don’t need the knowledge that comes from the previous twenty. It might help, but not that much, you’ll not miss much at all.

A good time will be had by those who take a dip into these waters.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Opening Lines: Confess, Fletch by Gregory Mcdonald

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit. This is one of my all-time favorite openings (and boy howdy, I had a hard time deciding when to stop). The movie adaptation releases this week, so it’s been on my mind.

Fletch snapped on the light and looked into the den.

Except for the long windows and the area over the desk, the walls were lined with books. There were two red leather wing chairs in the room, a small divan, and a coffee table.

On the little desk was a black telephone.

Fletch dialed “O.”

“Get me the police, please.”

“Is this an emergency?”

“Not at the moment.”

The painting over the desk was a Ford Madox Brown—a country couple wrapped against the wind.

“Then please dial ‘555-7523/”.

“Thank you.”

He did so.

“Sergeant McAuliffe speaking.”

“Sergeant, this is Mister Fletcher, 152 Beacon Street, apartment 6B.”

“Yes, sir.”

“There’s a murdered girl in my living room.”

“A what girl?”

“Murdered.”

Naked, her breasts and hips full, her stomach lean, she lay on her back between the coffee table and the divan. Her head was on the hardwood floor in the space between the carpet and the fireplace, Her face, whiter than the areas kept from the sun by her bikini, eyes staring, looked as if she were about to complain of some minor discomfort, such as, “Move your arm, wil] you?” or “Your watchband is scratching me.”

“Murdered,” Fletch repeated.

There was a raw spot behind the girl’s left ear. It had had time to neither swell nor bleed. There was just a gully with slim blood streaks running along it. Her hair streamed away from it as if to escape.

“This is the Police Business phone.”

“Isn’t murder police business?”

“You’re supposed to call Emergency with a murder.”

“J think the emergency is over.”

“I mean, I don’t even have a tape recorder on this phone.”

“So talk to your boss. Make a recommendation.”

“Is this some kinda joke?”

“No. It isn’t.”

“No one’s ever called Police Business phone to report a murder. Who is this?”

“Look, would you take a message? 152 Beacon Street, apartment 6B, murder, the name is Fletcher. Would you write that down?”

“156 Beacon Street?”

“152 Beacon Street, 6B.” Through the den doof, Fletch’s eyes passed over his empty suitcases standing in the hall. “Apartment is in the name of Connors.”

“Your name is Fletcher?”

“With an ‘F.’ Let Homicide know, will you? They’ll be interested.”

from Confess, Fletch by Gregory Mcdonald
Confess, Fletch

Opening Lines Logo

An Easy Death by Charlaine Harris: An Intriguing UF/Western/Alt-History Mix

An Easy DeathAn Easy Death

by Charlaine Harris

DETAILS:
Series: Gunnie Rose, #1
Publisher: Saga Press
Publication Date: October 2, 2018
Format: Hardcover
Length: 306 pg.
Read Date: September 8-9, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s An Easy Death About?

I’ve tried this, and it gets too detailed (read: dull), so I’m going to borrow from Simon & Schuster’s website:

In a fractured United States, a new world where magic is acknowledged but mistrusted, a young gunslinger named Lizbeth Rose takes a job offer from a pair of Russian wizards. Lizbeth Rose has a wildly fearsome reputation but these wizards are desperate. Searching the small border towns near Mexico, they’re trying to locate a low-level magic practitioner believed to be a direct descendant of Grigori Rasputin.

As the trio journey through an altered America—shattered into several countries after the assassination of Franklin Roosevelt and the Great Depression—they’re set on by enemies. It’s clear that a powerful force does not want them to succeed in their mission. Lizbeth Rose has never failed a client, but this job may stretch her to her deadly limits.

The Worldbuilding

It’s always interesting to see how someone launching an SF/F series introduces the world and its rules (eh, even in Crime/Non-Genre fiction this can apply), in this case, the Alternate-History, too. Harris takes a pretty bare-bones approach, on pages 3-4 you get a decent sketch of where this Earth’s history diverged from us and a hint about the resulting politics. A few details will be added along the way, but not many (all that you need, and not a word more).

Throughout the book, she tosses in just enough to get you through the magic system, although most of that is left vague and mysterious.

You might be curious about several other things—both on the history and magic front. But you don’t need to know about it for the novel to work, and Harris is just focused on Lizbeth and her clients. The rest just doesn’t matter.

It’s both frustrating (as someone who is curious about more than a few things) and refreshingly satisfying (who needs the info dumps and background?).

So, what did I think about An Easy Death?

I enjoyed it. I think of all the books I’ve been recommended for this 12 Books Challenge, Zane’s is most likely to get me to read another by that author/in that series.* I’m very curious about what a second Gunnie Rose adventure looks like—how it differs (and how it doesn’t) from this one.

* Although, to be fair, if a second book in the King Oliver book was actually out, it’d probably be a tie.

Gunnie’s a compelling character, that’s for sure. But, like the world-building, Harris has been sparing with the details about her. I think a lot of my conclusions about her so far are based on my preconceptions and assumptions about characters like her more than on what Harris provided. The differences in my mind between her and Shining Smith (for example) are mostly based on genre and the time setting of the books. What I do know, I like—and I want to fill in some of those missing details. I’m not sure either Gunnie or Harris are going to be all that forthcoming with the details, they seem to be playing things close to their vests.

The Alternate-History stuff was interesting enough, but it’s not going to bring me back by itself. The idea of California-Oregon-Washington making up a Holy Russian Empire is intriguing, don’t get me wrong, but I’m not sure we’re going to get more about it than what’s provided in this novel. As for the rest? Eh, I could go either way.

But the sparse and stark, Depression-era territory of Texoma and the pseudo-Western atmosphere and storytelling possibilities? That’s a draw I feel, particularly with Gunnie around.

But that’s for the series as a whole. What about An Easy Death? If in the first chapter or so you decide you want to see what happens to Gunnie, you’re going to be in for a fun ride featuring some good action scenes, a mysterious quest, and strange magic. If you’re not particularly interested in Gunnie’s character by the end of Chapter 3? Close the book and move on.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

WWW Wednesday, September 14, 2022

It’s time for WWW Wednesday. I started an introduction to this earlier, which I thought was going to be amusing, but ended up a few miles from there. So, eh…let’s just go with: Hey, it’s Wednesday, let’s do the regular check-in!

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading the financial thriller (words that totally go together), Wealth Management by Edward Zuckerman, and am listening to The Man Who Died Twice by Richard Osman, Lesley Manville (Narrator) on audiobook, because.

Wealth ManagementBlank SpaceThe Man Who Died Twice

What did you recently finish reading?

I just finished Marshall Karp’s Snowstorm in August and Adequate Yearly Progress by Roxanna Elden, Roxana Ortega (Narrator) on audio.

Snowstorm in AugustBlank SpaceAdequate Yearly Progress

What do you think you’ll read next?

My next book should be the UF debut Dead Man’s Hand by James J. Butcher (I’m going to try not to compare him to that other UF author named Butcher) and my next audiobook should be the latest Stonebridge Mystery, All at Sea by Chris McDonald, Stephen Armstrong (Narrator).

Dead Man's HandBlank SpaceAll at Sea

Hit me with your Three W’s!

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