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How to Be a Perfect Christian by The Babylon Bee: Winning Satire with a Point

How to Be a Perfect ChristianHow to Be a Perfect Christian: Your Comprehensive Guide to Flawless Spiritual Living

by The Babylon Bee

eARC, 208 pg.
Multnomah, 2018
Read: May 13, 2018

I’m pretty sure my introduction to the concept of satire came from the works of “Jovial” Bob Stine (this was before he discovered you could make a bazillion dollars selling horror books to kids) — The Sick Of Being Sick Book, The Cool Kids’ Guide to Summer Camp, Don’t Stand in the Soup, and How to be Funny. I hadn’t thought of him for years. Until I read How to Be a Perfect Christian, that is.

I’m not trying to suggest that this book is the equivalent of satirical children’s books from the early 80’s and late 70’s. But it’s exactly what someone who grew up reading that kind of thing should read. Also, I’m glad I got to spend a few moments remembering Jovial Bob Stine, and I wonder if I still have those books somewhere (and how un-funny would my own kids think they are).

If you’ve ever read anything from The Babylon Bee, you know what to expect from these guys. If you haven’t — you either should, or maybe this isn’t the book for you.

Styling itself as a guide to sanctification — there’s even a handy ruler at the end of each chapter helping the reader to note their progress — How to Be a Perfect Christian is a hands-on guide to making progress in Cultural Evangelicalism. There’s a chapter on picking the right Church (what can they do for me?), what things to volunteer for at church (minimum of work, maximum of exposure/attention), how to use social media (if your Quiet Time doesn’t result in an Instagram post, was there a point?). There’s a wide variety in the types of jokes here: there are dumb and obvious jokes, some subtle, some clever — all pointed. Which is the idea, they’re pointed so they can deflate contemporary American Evangelicalism — its cultural (sociopolitical/cultural) manifestations, anyway.

Yes, sometimes the prose contradicts itself — because the target or punchline on page 70 is different than the target or punchline on page 47. But that’s okay for two reasons — 1. the jokes land on both pages 70 and 47 (these numbers are made up, by the way), and 2. this books isn’t really trying to make a coherent, consistent argument. At least not for the first 98%, anyway. But the jokes are funny — not all of them laugh out loud funny, but they’ll elicit a chuckle or a grin. Some might just leave you with a general sense of amusement. Most will find a way to strike home (and there are a few duds — but everyone will have their own list of duds, I don’t think there’s one in the book that everyone will dislike).

More importantly, everyone will find themselves at the receiving end of the serrated edge of the satire more often than they’d like. But not in a guilt-inducing way, but in a — “hmm, I should probably work on that” kind of way. Which, I trust, is the point.

The last two percent (for those clever enough to do the math) that I pointed at earlier? Yeah, that’s what the whole book driving toward — the lampooning is for fun but there is an overall point under-girding everything. A point, that’s both well earned, and very needed, by cultural Christians, sincere and thoroughgoing Christians, and a waiting world.

Solid satire — laughs with an edge — directed toward a deserving target. The conclusion was equally on-point and earned. I honestly expected less from this book — yes, I knew there’s be good laughs along the way and that the necessary sacred cows would be shot at — I just wasn’t sure if The Babylon Bee could pull off a piece this long, and count the whole thing as a pleasant surprise.

Disclaimer: I received this eARC from WaterBrook & Multnomah via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Saturday Miscellany – 5/19/18

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Release that I’m Excited About and/or You’ll Probably See Here Soon:

  • How It Happened by Michael Koryta — Just reading the pitch for this — and knowing what Koryta can do with suspense — makes me think about doubling up on the blood pressure medication the day I start this.

Lastly, I’d like to say hi and extend a warm welcome to Sritha Bandla, James Remmer and moviewarden for following the blog this week.

Born to the Blade 1.5: Trade Deal by Malka Ann Older: Tying up loose ends and loosening some new ones

Trade DealTrade Deal

by Malka Ann Older
Series: Born to the Blade, #1.5

Kindle Edition, 25 pg.
Serial Box, 2018

Read: May 17, 2018


After all the excitement last week, we get a little bit of a breather here as we see some of the fallout from what happened in Kris’ trials. Michiko has to answer to Lavinia for the way things went against Kris and she finally updates her ancestors on the same events. Not for the first time, I wondered if the advice and counsel she’s able to draw upon from her ancestors is really more of a curse and burden than a gift and help. Still, between her own self-doubt and the scrutiny of just about every authority figure in her life, Michikio seems to be reconsidering things and maybe making some positive steps. I have high hopes for her as a character.

While Michiko is under the microscope, Kris is could maybe use a little scrutiny. Between becoming a Warder and completing is first acts as one Kris is starting to settle in. It’s a lot of fun watching the new reality settle in. There’s a sense in which Kris didn’t give a lot of thought to how things were going to be after the trials. I can’t tell if that’s because no one really thought it’d happen, or Kris needed to focus on the immediate challenge first. I’m not sure that Kris has been as interesting before — showing questionable judgement, and an impressively growing awareness of what the future can be.

There’s a little bit of action that’s not really fallout from the gauntlet, but is what we’ve been waiting for, pretty much centering on the person of Ojo. Kris and Ojo finalize the trade deal they promised to make, and then the final shoe drops with what’s been going on with Penelope. While this is happening Ojo gets some news from home that colors everything he does. He’s still the character that interests me the most, even as I’m sure the series really wants me to focus on Kris and Michiko.

This installment isn’t just wrapping up what was left dangling after episode 4, it sets up the stories the series will be focusing on next. This isn’t going to be your typical fantasy series, and will a lot of fun to see what it ends up being — although reading the characters and plots will be better. Given the last paragraph, it’s going to get exciting soon.

For me, the character of Takeshi stole this episode. I liked watching him at work in Episode 4, but honestly, I didn’t pay all that much attention to him before. But between his attitude, his secrets, and his non-Warder activities, he really seems like quite the guy (watching the reactions of the younger Warders running into the concept of non-Warder activities was great, by the way.).

While there wasn’t much transpiring in this episode, I really appreciated it for the character moments, and what it seems to be setting up for the future. I’m feeling better about Born to the Blade as a whole, too. In short, this was good stuff.

—–

3 Stars

The Assassin of Oz by Nicky Peacock: A Fast, Strange and Violent Sequel that Tops its Predecessor

The Assassin of OzThe Assassin of Oz

by Nicky Peacock
Series: The Twisted and The Brave, #1

PDF, 180 pg.
Evernight Teen, 2018
Read: May 14 – 15, 2018
I’m not sure what it says about me/the books I read/the world in general, that given the strangeness of the world depicted in this series — the serial killer, vigilante organization, imaginary friend that’s not that imaginary, Native American legendary creature that’s going around killing people — and the even stranger stuff on the horizon of this book, that the hardest thing for me to swallow came in these opening pages. The Prime Minister imposes mandatory capital punishment for murder? That’s just so hard to believe. All the outlandish supernatural stuff just around the corner of that moment seems routine and blasé in comparison.

It takes awhile for this novel to show how it’s related to Lost in Wonderland, although it shares a sensibility and style from the get-go. Because of a couple of references and a news story, you know that this happens in the same world, but the characters are all new for the first two-thirds or so of this book. So when some of the characters from Lost in show up, it almost feels like they’re guest stars.

A 17-year old orphan named Halo is living with her horrible step-father who uses her for a punching bag and a cover for him as he sells drugs, she’s just not sure how to get out of this life when someone calling himself the Wizard shows up to recruit her for his club — Oz. The members of this little club are all murderers, many are technically serial killers at least partially responsible for the re-imposition of capital punishment.

Gavin is a police detective from the States, working with the British police to stop some of these serial killers — apparently Britain is recruiting police officers from around the globe to help slow their slide into dystopia. Gavin and his partner are on the hunt for a killer they call Valentine — who takes the hearts of his victims. A reporter is also trying to get him on board his personal crusade to help exonerate a convicted murder before he’s the first execution in decades.

These actually have more in common than you’d expect — a whole lot more than they’d ever expect or guess. Both end up immersed in the activities of Oz. Which is really about all I can say without ruining everything.

The prose is sharp and sparse — there’s hardly a wasted word. I mean this as a description, not a criticism, but frequently this reads more like an extended outline than a completed draft. It’s a gamble to try it — but Peacock makes that kind of writing work for her.

Fast-paced, focused, imaginative, action-packed and strange. This is an entertaining read — The Assassin of Oz novel delivers what it promises, a genre-mashup full of excitement. This is a solid sequel and does a nice job of setting up the next installment which seems like it’ll be another fun one.

Disclaimer: I received a copy of this novel from the author in exchange for my honest opinions.

—–

3.5 Stars

The Mail I Get . . . 5/15/18

(with apologies to Lee Goldberg for stealing his title for blog posts to describe the strange, the obnoxious, the puzzling emails that he gets.)

I don’t normally do this, but come on.

I received this review request today:

[Title Redacted] is for the 21st century woman who is ready for a new narrative about dating, romance, sex and life! [Title Redacted] helps women move from fear to freedom. It offers practical dating advice, teaching women to navigate through the often challenging and daunting dating world, while countering the sexist, stereotypical and, frankly, stupid “instructions” spewed at women by self-professed male “dating experts.”

[Title Redacted] puts the FUN back into dating while also providing no-nonsense guidance that empowers and encourages women who have grown weary, been disappointed, and are still holding on to outmoded and unrealistic expectations about their dating choices. [Title Redacted] reminds women of their worth, helping them understand that they do not need to fit some antiquated model of being “accepted” or “chosen” by men.

For women who are so ready to sever the cord – quickly, forcefully and permanently – that has kept them bound by dangerous dogma and silly, sexist “thought leaders,” [Title Redacted] offers fresh, funny advice for discovering themselves, deciding what they really want, and enjoying dating!

I’m not expecting some author/editor/representative to exhibit an exhaustive knowledge of this blog — but what on Earth suggests for a second that this is the kind of book I’d read (much less appreciate)??? Why spend the time filling out my form without taking a quick glance around to see if it’s in my wheelhouse (the form pretty much makes it clear that it’s not).

The Fairies of Sadieville by Alex Bledsoe: I hate to say good-bye to the Tufa, but this is the way to do it.

I’ve got to stop doing this. I had most of a post written about this book for yesterday, didn’t like it and trashed the whole thing. This isn’t as analytical as I wanted to be, but it does a better job capturing what I felt about the experience, and I think I happier about that than I’d have been with my planned post.

The Fairies of SadievilleThe Fairies of Sadieville

by Alex Bledsoe
Series: Tufa, #6

Kindle Edition, 368 pg.
Tor Books, 2018

Read: May 9 – 11, 2018

For many years [the Tufa] were on the wrong side of the South’s color line, and suffered for it. Their secretive ways and legendary musical aptitude spawned rumor and legend, which in turn prompted more and more withdrawal.

But now the twenty-first century, with its pervasive interconnectedness, pushed against this isolation. More and more Tufa risked the consequences of leaving and sought their way in the world. They all knew they would someday have to come back, since all Tufa were inextricably tied to Needsville. But they also knew that the seclusion of the past was no longer practical. Like it or not, the world now knocked on their door.

Such a depressing thought, but a pretty good summary of the State of the Tufa.

I still remember some of the reactions I had back in 2011 during my first read of The Hum and the Shiver and met the Tufa. There was something otherworldly, ethereal and haunting — and yet, very human, and even fun. It was, in short, magic. I thought the same when I re-read it before the sequel, and maybe it impressed me more that time. Each book since has felt the same — not all have them as successful as the first, but they’ve all had that same core magic.

When it was announced a couple of months ago that this was going to be the final novel in the series I was struck by two thoughts — the first, and strongest, was lament. The second was, “how?” There’s not an overarching narrative that needs tieing up, a goal to meet or anything. Partway through this book, I started to understand how Bledsoe was wrapping things up and concluding the series — and it felt perfect. I should add at this point that I was wrong about what he was doing, and that the reality was better than my guess.

As it’s the final book, all bets are off — the first novel contained many hints about the nature of the Tufa, but the successive books were less and less subtle in that regard, and ended up telling more than the previous. At this point, there’s no hinting, no suggesting — not only that, Bledsoe answers many questions readers have had since the beginning, and probably a few we should’ve had. And he does so in a way that enriches the series and the Tufa, not just something that reveals. There were so many little tidbits that came out that just made me smile or utter a quiet “Ah ha!”

I actually haven’t talked much about the plot yet — how odd. There are a couple of graduate students from a university in Tennessee — one in psychology (would be parapsychology if she could get away with it) and one in English with a focus in folk music as a way to improve his own music (minor spoiler: I spent a few pages waiting for him to be revealed to be a Tufa — nope, just a kindred spirit). These two have come across an old film — silent film old — shot near Needsville, showing a young woman losing her glamour and flying off on wings. There’s no way that it could be silent film quality FX, it’s a woman with wings. This town it was filmed in, Sadiesville, disappeared shortly afterwards. The two want to find this town and explore what happened to it.

Which brings them into contact with the people of Needsville — and the night winds have instructed them to help these two find what they’re looking for, despite the fact that no one in Needsville has a clue about the town. For readers, the idea that Tufa have forgotten anything that happened in their area is pretty astounding the kind of thing that piques your curiosity.

What happens next is wonderful, and horrible, and beautiful — awful in every sense, archaic and otherwise. I loved it and hated it while admiring how Bledsoe played this out. Structurally, tonally, thematically different from the rest (as each book in this series has been), yet undeniably part of the series. I loved seeing friends who’ve been around since The Hum and the Shiver or those as fresh as Gather Her Round just one last time (not that the new characters are slouches. For example, Veronica, our aspiring parapsychologist, is someone I’d hope to see if there was going to be a book 7).

There are a million little touches here — none of which I can talk about without ruining something, that make this good-bye the best installment of this series since The Hum and the Shiver. This is a must for Tufa fans (not that they need me to say it), and one more chance for me to suggest that people who haven’t started the series yet get on it. I don’t believe in actual magic — but Bledsoe’s series make me want to, especially if it looked like this. I hate to say good-bye to this series, but this is the way to do it.

Bravo.

—–

5 Stars

Not Talking Italics by Russell Day: This Short Story contains enough entertainment value to carry a novel.

Not Talking ItalicsNot Talking Italics

by Russell Day
Series: Doc Slidesmith

Kindle Edition
2018, Fahrenheit Press
Read: May 7, 2018
In a couple of months, I’ll be taking part in a book tour for Russell Day’s debut novel, Needle Song, and I’m really looking forward to that (and am having a hard time not reading it now). But today, we’re going to look at a short story featuring the protagonist of the book, Dr. James Slidesmith. A little something to whet our collective appetities.

I know very little about Slidesmith after reading this short story, and I can’t wait to find out more. Here’s what I do know — 1. He has a PhD in Psychology, and is touchy about those who don’t consider him to be a “real” doctor; 2. He owns and runs a tattoo parlor/shop; 3. he plays poker; 4. He’s very smart; 5. He has the gift of gab.

All five of these are important, but in this short story, that last one is essential. Everything in this is dialogue — no dialogue tags, no narrative, no descriptive passages — just characters talking. Which will involve all that other stuff, but that’s not how the story is told. It takes place in a police interrogation room — you’ve got a Detective Constable, a Detective Sergeant and Dr. Slidesmith talking about an incident at a poker game earlier that night. Things got nasty and two men died, given the small number of people at the game, the Police are looking to quickly identify the killer(s) and wrap this up quickly.

But first they’ve got to get past the silver-tongued Slidesmith. That won’t be easy. He offers a detailed explanation of the night’s events — including doing some educating on Texas Hold-’em, the ins and outs of betting in the game (and how to manipulate betting). There are a couple of characters that we only learn about from questions and answers in the interrogation, and I feel like I ahve a pretty good handle on them, without seeing them speak for themselves. That’s a nice move.

As it’s just dialogue — and well-written dialogue, at that — this is a fast, breezy read (so fast, you might miss a thing or two the first time through). It’s not so much a book that you read, it’s one you hear with your eyes. I’m not certain that makes a lot of sense, but it’s the best way I can put it. These are fast-moving conversations, they have a certain rhythm, a certain feel — and you just want to keep reading more and more of it. This could’ve been twice as long and I don’t think my attention would’ve wavered an iota. Imagine your favorite scene written by Aaron Sorkin, then imagine it changing into an interrogation in a British Police Station — that’s what this story is.

This is good stuff, my friends — better than good. There’s an extent to which the reveal seems “oh, sure, I should’ve seen that coming” — and it wouldn’t surprise me if many readers get there before Day wants you to (I was not one of them) — but it’s so satisfying, so well-executed, I can’t imagine a soul complaining about it. If Needle Song is anything like this, I’m going to have to go down to the superlative store this weekend to stock up before I write anything about it.

Stop whatever you’re doing — including reading this — and click the links at the top of the page to go get this story. You’re welcome.

—–

5 Stars

Saturday Miscellany – 5/12/18

So, as Bookstooge commented yesterday — I seem to be in a bit of a slump — “meh”ish books and “meh”ish posts. Even the book I liked this week didn’t get my real best writing. Not sure what’s up with that. Better books to write about next week (mostly) — that should help. I’ve read two things this week that knocked me for a loop, looking forward to writing about them. Anyway . . .

Whoops! Going into this post, I thought I had a pretty good selection — turns out that it was mostly variations on a few themes. Most of which I ended up bailing on, so I can present to you only the most interesting of odds ‘n ends over the week about books and reading that caught my eye — even if it is a short list. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

  • For Those Who Know the Ending by Malcolm Mackay — an awesome looking Tartan Noir crime novel.
  • Uncharted by Kevin J. Anderson and Sarah A. Hoyt — Lewis and Clark in an alternate-history/fantasy novel. Looks pretty cool to me.

Lastly, I’d like to say hi and extend a warm welcome to jstlouise for following the blog this week.

Gables Court by Alan S. Kessler: A Character Looking for Love, a Novel Looking for a Plot

Gables CourtGables Court

by Alan S. Kessler

Kindle Edition, 268 pg.
Black Rose Writing, 2018
Read: May 8 – 9, 2018

Ugh. Just…ugh. Why? Why would anyone bother publishing this?

I like liking things. I want to enjoy books. But every now and then, too often lately, I come across a book that I can’t find a redeeming feature in. This is one of those.

It is impossible, simply impossible, for someone to get through Law School (and the requisite undergrad program) and come out as naive as Samuel Baas. I would think that’d be particularly true in the 1960’s. If, if Baas had been sheltered his entire life and escaped/was released at age 24, many of his conversations would have been appropriate. But for someone with his education? Nope. Conversations at any age, on personal or professional topics.

I use the word “conversation” loosely — primarily, his conversations are monologues with a little bit of interaction between those involved tagged on.

There are several attempts at plot lines, but Kessler doesn’t seem to commit to them wholly — or for long. The novel seems listless, bouncing around from idea to idea, trying out this thing and then another and another — like a college freshman deciding on a major. I’m not suggesting any of these ideas were interesting or well-executed, but there were a lot of them.

There’s no ending to this book, it just stops. Baas has learned nothing — any epiphanies he’s had or changes he’s made evaporate faster than dew in the desert. To say I was frustrated by the ending is an understatement.

There’s part of me that wants to go on and pick this apart — but why? No one wants to read that — maybe if I was more annoyed by it and mustered up some funny comments, but I just don’t care enough to. This book induced apathy and a general sense of ennui. Gables Court was aimless, listlessly written, dull and an utter waste of time.

Disclaimer: I received a copy of this book from the author, clearly my opinion wasn’t influenced by that.

—–

1 Star

Born to the Blade 1.4: The Gauntlet by Michael Underwood: Kris’ opportunity finally knocks in the most satisfying episode yet.

The GauntletThe Gauntlet

by Michael R. Underwood
Series: Born to the Blade, #1.4

Kindle Edition, 53 pg.
Serial Box, 2018
Read: May 10, 2018
Since Episode One, we’ve been waiting for this: Kris Denn of Rumika facing the gauntlet. A series of 6 duels against the members of the Warders Circle of Twaa-Fei to gain a seat at the table for Rumika. Failure here means a decade (or so) before the next potential warder from Rumika has an opportunity. That’s pretty much the whole episode in a nutshell — can Kris make it?

Ultimately, I don’t think anyone will be shocked at the outcome — it’s about the journey, how the outcome is reached. Underwood nails it. A couple of weeks ago, I linked to a piece he wrote about how fight scenes can reveal character (he also tweeted about it this week), and this episode is him displaying that theory in practice. It really works — not only do we get a better idea about who Kris is, but we get a better understanding of the other Warders. Sure, we may not actually learn anything about Lavinia and Ojo — we just get more evidence of what we already know — but there are other duels.

This is longer than the previous two episodes — and it helped. The extra length gave things a chance to happen. I assume that’s not something we’ll see next week, but I can hope, right?

I’ve liked the previous episodes enough to justify the purchase of the season and to keep going, but I just flat-out liked this one. Good fight scenes, good character moments and the plot moves ahead. Where this goes next, I’m not sure, but having concluded this initial arc, I’m ready to see it. These authors took their time establishing this world, and carefully built up to this point and what lies beyond. I’m looking forward to see what else comes on this foundation.

—–

4 Stars

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