Fellow Book Bloggers, Authors, people who have something to say about books but don’t have a place to say it —
I’ve got a family medical thing happening in mid-July that’s going to take me away from the blog for a couple of days. I’d like to have something going up here, however. If you’d like to contribute something, drop me a line!
Very busy week, was barely online for a couple of days, plus it was the end of the months — which results in not a lot to see. Still here are the odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:
Lastly, I’d like to say hi and welcome to catskittiesandmore, saisuresh007 and perfectbingosites.co.uk for following the blog this week. And, a belated greeting and welcome to alexankarr1 for following last week (sorry I missed you).
A Monster Callsby Patrick Ness
Paperback, 225 pg.
Candlewick Press, 2013
Read: June 1, 2017
I hadn’t even heard of this book until a couple of weeks ago, when it was recommended to me by a loyal reader. And I wasn’t given a lot of details, just a strong recommendation and something about it being “about grief.” I could’ve used the warning that it was a YA book, but otherwise, that’s all I needed to know (and the YA wouldn’t have been a deal breaker or maker — I just would’ve liked to know what I was grabbing). I’m not going to say much more than that, really. It’s about grief, there’s some magic, and it’s one of the most effective novels I’ve read this year.
There’s been so much said about this book by others — I’m almost afraid to say much, I don’t want to ruin anyone’s discovery.
You’ve got a 13 year-old boy, Conor, whose mother is undergoing cancer treatment — and it’s not going well. His grandmother (not at all the stereotypical grandmother-type, as Conor is very well aware), comes to stay with them with every new round of treatment, and Conor hates it. His father and his new wife have started a new life in the US. All of this has left Conor isolated, emotionally all alone — except at school, where he’s bullied (when not alone). Somehow in his despair, Conor summons a monster, a monster older than Western Civilization, who visits the boy to help him.
He helps him via stories — I love this — not escapism, but through the lessons from stories — and not in a “You see, Timmy . . . ” kind of moralizing — just from understanding how people work through the stories.
After reading page 15, I jotted down in my notes, “Aw, man! This is going to make me cry by the end, isn’t it?” I didn’t, for the record, but I came close (and possibly, if I hadn’t been sitting in a room with my daughter and her guitar teacher working on something, I might have.
The prose is easy and engaging — there’s a strong sense of play to the language. There’s some wonderfully subtle humor throughout, keeping this from being hopelessly depressing. The prose is deceptively breezy, it’d be very easy to read this without catching everything that Ness is doing. But mostly, what the book gives is emotion — there’s a raw emotion on display here — and if it doesn’t get to you, well, I just don’t know what’s wrong with you.
The magic, the monster and the protagonist remind me so much of Paul Cornell’s Chalk (which is probably backwards, Chalk should be informed by this — oops). Eh, either way — this is cut from the same cloth.
That’s a bit more than I intended to say, but I’m okay with that. I’m not convinced that this is really all that well-written, technically speaking. But it packs such an emotional wallop, it grabs you, reaches down your throat and seizes your heart and does whatever it wants to with it — so who cares how technically well it’s written? (and, yeah, I do think the two don’t necessarily go together). A couple of weeks from now, I may not look back on this as fondly — but tonight, in the afterglow? Loved this.
Love, grief, hope, loss, anger, fear, monsters and the power of stories. Give this one a shot. Maybe bring a Kleenex, you never know . . .
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22 books finished — not bad. Looking at this, I’m wondering if I gave out too many 4-Star ratings, but I can’t think of any of those that I’d change, so I guess I just had a really good month.
Anyway, here’s what happened here in May.
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How was your month?
No Middle Name: The Complete Collected Jack Reacher Short Storiesby Lee Child
Series: Jack ReacherHardcover, 418 pg.
Random House Publishing Group, 2017
Read: May 31, 2017
Over the years, Lee Child has published a number of short stories/novellas featuring Jack Reacher, and finally they’re all published in one handy collection. Some are available in non-ebook format for the first time, too. Also, we have a brand-new novella to kick things off. For many, this is the first they’ve been able to access them — I haven’t read any of them before, but I’ve listened to most of them in audiobook format.
Now, as I’ve said before, short stories aren’t normally my bag — and that’s very true for the Reacher stories. He just works better in novel-length stories, generally speaking anyway. For those stories I’ve listened to already, my opinion of them didn’t really change as I read them — the couple I liked, I still liked. The others . . . well, I remained unimpressed — it’s good to know that it wasn’t the format or Dick Hill (the narrator) — it really was the length or story.
But enough about that — there are three stories that I want to talk about — the first two are short stories that I really enjoyed. They’re just the right length, which is nice, you don’t feel short-changed. They also don’t feature Reacher that prominently. The first is “James Penney’s New Identity” (which apparently was published in a shorter form originally), it’s a story about a man who’s the victim of changing economic times who has had enough — at a pivotal point for him, he meets Jack Reacher (still in the Army). By his words and actions, Reacher changes the rest of James Penny’s life — and Reacher doesn’t have to fight anyone to do it. This story leaves the reader with more questions than answers — but in a good way.
“Everyone Talks” is written from the POV of a new police detective who has the good(?) fortune to run into Reacher in a professional capacity on her first day. I really liked this one — Reacher was pretty ingenious here dealing with the problem he sticks his nose into in a way that shows more brains than brawn. I think I actually laughed out loud as soon as I realized what he was up to. Pretty clever.
Oddly. there are two Christmas-y stories — I don’t know why I find that so odd, but Reacher doesn’t feel like a Christmas character. I liked, but wasn’t wowed by, both of them.
Obviously, the big thing here is the new novella, Too Much Time. Reacher’s wandering through a town and gets peripherally involved in stopping a petty crime. He allows himself to be cajoled by the police into helping them out for a few minutes afterwards. Things go wrong just a few minutes later. This is as good a novella-length story that I can imagine for Reacher — there’s a pretty good fight, Reacher solving a puzzle while helping the authorities — and keeping himself out of trouble. A little bit cerebral, a little bit thug. The perfect Reacher recipe. If Andy Martin’s book has taught me anything, it’s that there’s some significance to the law enforcement officials having names that start with A, B, C and D. If I was more clever, I’d know why. Still, I liked it a lot.
A nice, solid collection — with some strong stand-outs. Reacher fans need to grab it.
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Fox Hunterby Zoë Sharp
Series: Charlie Fox, #11eARC, 400 pg.
Pegasus Books, 2017
Read: May 22 -24, 2017
I honestly had given up on seeing another Charlie Fox novel — which was a cryin’ shame, but I get that authors have to move on sometimes. But then a couple of weeks ago, when I logged onto NetGalley to take care of something, there it was on the front page — and I jumped to request it (despite promising myself I was taking a NetGalley break to catch up on other things).
“You were a soldier, Miss Fox , and you are now a bodyguard. There is an old saying that is true in both cases : To survive—to protect a life— you have to be lucky every day. But your enemies, they have to be lucky only once.”
Following his near-miraculous recovery from the injuries no one expected him to survive, Charlie Fox’s love/boss, Sean, hasn’t been the same. Now, it looks like he’s settling old debts — not necessarily his own. The fact that he’s doing that is bad enough — it’s not quite de rigueur for someone in his position to go around exacting vengeance. But the way these debts are being settled (if that’s what’s happening) speaks to someone not in full control. Charlie fights for the opportunity to do the boots-on-the-ground investigation to prove that it’s not Sean’s handiwork.
This ground is Kuwait and Iraq, and before she knows it, Charlie is dealing with soldiers/mercs that she’s annoyed in the past, Russians with a grudge, Iraqis trying to defend cultural artifacts and certain three-letter agencies mucking around in it all — and every sign is that Sean’s up to exactly what Charlie is convinced he’s not doing. Before the book ends, she’ll come face to face with multiple faces from her past (none of which she ever wanted to encounter again) and will be forced to reassess some of the most formative events of her past and career.
For those new to Charlie Fox — this would make a pretty good entry point, by the way — she’s former British Army, who received some special forces training, before her career was derailed. Since then she’s done plenty of work as a bodyguard and worked other types of security. She’s stubborn, loyal, inventive and tenacious. And deadly — it eats away at her, but when push comes to shove, Charlie’s as lethal as you can find.
Killing because your life—or that of another—is in immediate danger is one thing. I’d been trained to accept that possibility right from the start of my army career. But appointing yourself judge, jury, and executioner is quite another. As is doing it anyway, only to discover that it doesn’t trouble your conscience nearly as much as it should.
Sharp has given Charlie a strong voice — one you can believe can accomplish all she needs to, yet one that’s entirely human.
The new characters are well developed — and we see plenty of old faces, too. One unexpected antagonist is almost too evil to be believable (but, sadly, I imagine that plenty of Armed Forces have people just like him). There’s one death that was a real gut-punch for the reader (or at least this one) — that’s a testimony to Sharp’s skill that she can create someone like that in a brief period.
I don’t remember any of the previous novels being all that tied to current events, but Fox Hunter clearly took place post-Brexit and during the Trump administration. I’m not saying that’s bad, but oddly specific — and changes when the rest of the books happened as well, because this didn’t take place long after Die Easy despite the 5 years between the novels — I’d have had an easier time swallowing the book without that specificity, but not much — I note it because I found it strange.
That aside, this is exactly what Charlie Fox readers have come to expect from her — she takes the proverbial licking and keeps on ticking, and kicking, swinging and everything else. Best of all, she thinks — she plots, she improvises, she keeps on trying. Not to sound cliché, but this damsel finds herself in plenty of distress — and gets herself out of it (occasionally with help — but not in a Nell Fenwick sort of way; more like Lt. Templeton Peck way). Plenty of action, plenty of violence, plenty of suspense — all with some character development, moving ongoing story arcs forward (while re-evaluating everything before).
Not much else to ask for — except another volume soon.
Disclaimer: I received this eARC from W. W. Norton & Company via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.
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On the Lineby SJ Rozan
Series: Lydia Chin & Bill Smith, #10Hardcover, 309 pg.
Minotaur Books, 2010
Read: May 25 – 26, 2017
Okay, it’s Bill Smith’s turn as the POV character — and that’s a good thing, because this would be a very short book if it wasn’t. A figure from Bill’s past is back, looking for revenge. The electronically altered voice on the phone belongs to someone that was sent to prison, in part due to Bill’s work, and now he’s out and is ready for Bill to pay what he’s due. He’s demanding that Bill play this game he’s devised in order to keep his hostage alive for the next 12 hours (or so).
The hostage, of course, is Lydia Chin. This is what makes this book different from all the other books where the hero is racing against the clock to play the twisted game of the psychopath in order to save the hostage. The hostage isn’t someone created just to be in peril, this is someone we’ve become attached to over the last 9 books (half the time being in her brain, I should add) — and Bill’s got a lot more history with and affection for her than any of us readers do. Again, this is stuff we know, not something manufactured for the purposes of this plot. So the stakes are higher for Bill than most heroes in this plot, and we believe it, too.
Without Lydia to work with, Bill has to get help from others — there’s just no way that he can do this on his own. Enter Lydia’s friend Mary, the NYPD detective; and her cousin Linus, the hacker/computer guru. Even with these two replacing Lydia, Bill spends a lot of the time seemingly over-matched. Now that I think about it, he’s so distracted by worry that a lot of the thinking is left to others, Bill mostly reacts to things in anger and fear. All believably, I should add.
The kidnapper/tormentor isn’t some psychopathic genius, some criminal mastermind — he’s a smart, committed criminal who has spent a lot of time planning. This means that the reader can see why he’d go off the bend like he does, why Bill can defeat him — and yet spend so many pages clueless. He is clever, I shouldn’t downplay that — the game he’s set up, the clues (and what he does with them) show that this is no slouch that Bill’s up against. Thankfully, neither are Bill’s allies — for 2010, one of the solutions involves a ingenious use of social media (actually, it’d be a pretty sly use in 2017, too).
The conversations between Lydia and Bill are what I’m always saying are the highlight of these books — in this book, their chats are brief proof of life kind of things. This means that every word, every nuance counts — and it’s primarily in what these two don’t have to say to communicate that is the winning element.
I enjoyed this one so much — even if Bill wasn’t as sharp as he should’ve been, even if Lydia is practically a non-factor throughout (but when she gets involved, it counts). Rozan knows these two, their world, so well that this story seems effortless (which it just couldn’t be).
It seems effortless for her, I should say, the reader is left hanging on every development, every twist, every detail, just hoping that Bill can save the day. One of Rozan’s best.
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TITLE: Déjà You
PUBLISHER: Emerald Lily Publishing
RELEASE DATE: May 30, 2017
PURCHASE LINKS
Amazon | B&N Paperback | Create Space Paperback
In Déjà You, five authors share stories of second chances, as varied in telling as the writers themselves.
Kelly Cain’s We’ll Always Have Oahu takes us on a whirlwind New Adult romance set in the 80s between a young woman on a high school graduation trip and a handsome Navy sailor.
Bianca M. Schwarz transports us to 1760 in The Pearl with the story of Marcus Landover, who attends a card party and ends up with more than he bargained for in the beautiful Sophia Chelmsford.
Amanda Linsmeier’s Joy and Sorrow reunites lovers separated by death in a Women’s Fiction tinged with the unusual.
The Eyes of the Heart by Jamie McLachlan gives us Rosalina, who is forced to confront her attraction and the truth about her blindness when a new gardener is hired at the Greystone house.
Finally, C.H. Armstrong brings us Mr. Midnight, where tragedy reunites two star-crossed lovers, but misunderstandings soon rip them apart. Now, six years later, the stars are realigning with the help of the smooth voice of a late night radio DJ.
Some of the stories are sweet, some sad, some steamy, but all carry the same theme. Déjà You is a collection of stories for those who believe in love, but most of all, second chances.
About two years ago, a group of five novice writers signed with the same small publisher, each inexperienced in the publishing world yet committed to understanding the process and finding success. Through their mutual dive into unchartered territory, Amanda Linsmeier, Bianca M. Schwarz, C.H. Armstrong, Kelly Cain, and Jamie McLachlan reached out to one another and became instant friends, sharing laughs, tears, and the struggles of life and writing. We soon dubbed ourselves “Book Besties.”
During the fall of 2016, we decided to write a book of short stories together. As friends, we wanted to combine our talents to create a collection that would inspire hope and happiness. After much deliberation, we chose the theme “Second Chances” and decided to title this anthology, “Déjà You.” Though each story contains the same theme, they all are as unique as the author who wrote it. Including New Adult, Women’s Fiction, Fantasy, Historical, and Contemporary Romance, each short offers a different take on the theme and involves varying heat levels, from sweet to steamy.
Kelly Cain has published a multicultural adult and new adult romance, but she writes across genres and age groups, currently penning book one of a young adult urban fantasy series. Most of her stories are set in Texas with frequent travels to her home state of California, and all of her stories have an excess of food weaved throughout.
If she’s not writing, she’s probably reading. Or maybe cooking. Check out her website for recipes for dishes featured in her books, and some other fun stuff. She has two adult daughters and lives in a suburb of Houston, Texas.
Kelly is the author of Altered, a new adult multicultural romance and Connections, a steamy short story exclusively available on Amazon. Visit her on her Facebook, Twitter, Pinterest, Instagram or Tumbler.
Bianca M Schwarz was born in Germany, spent her formative years in London, and has a US passport, but she considers herself a world citizen. She lives in Los Angeles because that’s where they make movies and she used to work on them. She writes novels because that’s kind of like making a movie in people’s heads and because she just loves books. Bianca has one son, because that’s all she can handle and she tolerates her husband because, well, she loves him and there is no help for that. Visit her on her website, Twitter, Facebook, and Pinterest.
Amanda Linsmeier is the author of Ditch Flowers and Beach Glass & Other Broken Things. Her writing has been featured in Portage Magazine, Literary Mama, and Brain, Child Magazine. Besides writing Women’s Fiction, she loves reading and writing fables, fairytales, and fantasy, and sometimes she pretends her Hogwarts letter is still coming. She can be found blogging about writing and books at amandalinsmeier.com. When she’s not writing, she works part-time at her local library and brings home more books than she has time to read. Amanda lives in the countryside, surrounded by trees, with her family, two dogs, and two half-wild cats. You can Amanda’s blog for book reviews and random musings, or check her out on Twitter or Facebook for more information.
Jamie McLachlan is the Canadian author of Mind of the Phoenix, an Amazon Bestseller in Dark Fantasy and the first novel in the Memory Collector Series. The third, Rise of the Phoenix, is set for release in summer of 2017. When not writing, Jamie reads, dabbles in various crafts, and spends time with her family. Find her on Twitter, Facebook, and her website.
C.H. Armstrong is an Oklahoma-native transplanted in the Midwest. A life-long lover of books, she made her author debut with the 2016 release of her historical fiction novel, The Edge of Nowhere, which was inspired by her own family’s struggles during the one-two punch that was The Great Depression and The Dust Bowl. Armstrong is currently working on two young adult novels and is a regular contributor to the Minnesota-based women’s magazine, Rochester Women. Visit her on Twitter, Facebook, and her website.
There’s just no way (no crassless way) to tie today’s U. S. Holiday into books/reading. Well, there’s no way that I can think of — more power to you if you pull it off (and I’ll likely steal it next year).
You non-U. S. people have a good day. U. S. readers, I won’t say “Happy Memorial Day,” because, that’s just missing the point, but I hope you find the time to observe the day as it ought to be observed and enjoy the time off work (if you get any).
We’ll be back tomorrow.
The Christ of Wisdom: A Redemptive-Historical Exploration of the Wisdom Books of the Old Testamentby O. Palmer Robertson
eARC, 432 pg.
P&R Publishing, 2017
Read: May 7 – 21, 2017
Robertson’s preface laments the way that the Wisdom Literature of the Old Testament is usually ignored in Redemptive-Historical studies —
…how do you fit these wisdom books into the flow of redemptive history that consummates in the Christ? By letting them be what they are in their own distinctiveness. They are, it should be remembered, canonical, divinely revealed, and authoritative writings that tell the world how and what to think about the deeper mysteries of human life. Rather than submitting to the moldings and bendings of modernity, these books broaden our understanding of the nature of redemptive history. Divine progress in the complete restoration of reality does not merely move in a purely linear fashion like the flight of an arrow moving across time and space without deviation until it reaches its target. This “third dimension” of redemptive history moves in a cyclical pattern. For certain aspects of God’s salvation perform according to a pattern of regulated repetition.
To ignore this dimension of redemptive history is to exclude a major portion of the old covenant canon—and that you do not want to do.
So how do you discuss these books from a RH point of view? This is what Robertson seeks to do in this book — not as a final answer, but as the beginning of a search for wisdom along these paths.
In one sense, Robertson could’ve made this easier to talk about this book — there’s not one central argument developed throughout. There’s a general discussion (brief) of wisdom, wisdom Biblically defined, that is. And then using that discussion, Robertson looks at the Wisdom Literature of the Old Testament (and Lamentations, which is not usually considered Wisdom Literature, but can function as such), summarizing each book, looking at the various forms of wisdom described and passed on through it.
Simply,
Wisdom is the ability to understand the basic principles inherent in God’s created order, and to live by those principles. Wisdom enables a person to summarize these basic principles in a succinct and memorable fashion. Wisdom is living out the whole of life with a constant awareness of accountability before a loving, gracious, and just Creator and Redeemer.
The work he does to get to this summary is well worth the time and effort to work through. Actually, that goes for everything in the book, but I’ll hold off on saying that kind of thing for a few paragraphs.
The chapter on Proverbs is, fittingly, the longest and most developed. He discusses various approaches to the book, to understanding its construction and from there trying to understand it:
A much more accurate view of the theology of Proverbs may be gained from a covenantal perspective. The wise sayings of the book are not presented in a vacuum. They are not purely moralistic aphorisms. Instead, they are steeped in theistic assumptions. These wise observations about how the world works assume that God the Creator is none other than Yahweh, the Lord of the Covenant.
This, right here, would help so much of what I’ve read about Proverbs over the last few decades. To get into everything that Robertson says about the pursuit of Wisdom, passing it on and living by it from this book would make this post unbearably long — but it builds the foundation for everything that comes. Proverbs covers Wisdom as a whole — the rest of the book deals with it in specific areas.
While dealing with the personification of Wisdom in Proverbs 8, Robertson gives an excursus, “Athanasius as the Champion of the opponents of Arianism,” that is just gold. I’d love to see this developed into something longer.
Following Proverbs, he moves on to Job. Job doesn’t give us the answers to the puzzling circumstances of life, but for those who understand the book, they learn how to puzzle through the circumstances, how to think about them — how to ask God about them. Yes, there are answers given in the book — not easy answers, not the answers anyone necessarily wants, but answers — answers tied to the hope of the Resurrection. But wisdom knows to look for those answers in the difficulties of life, with a sure faith that is willing to look at dark circumstances and say, “I don’t know why this is happening, but I trust in Him Who does.”
Ecclesiastes, is, naturally, a tricky chapter — Robertson threw me a curveball when setting aside the usual discussion of authorship of the book to note
But a related question of some significance for understanding the book has been generally neglected. This neglected question is the identity of the “target audience”of Ecclesiastes.
Chewing on this a little helps get through some of the discussion of authorship. There are so many divergent readings of Ecclesiastes that your head can swim just trying to get a sense of them, Robertson is a pretty sure guide through them before landing on his conclusion that Ecclesiastes presents a “realistic picture of life” — one that is a precursor to Paul’s discussion in Romans 8, where creation is subjected to frustration, but that this is being renewed. I do think this chapter could’ve been organized in a more straight-forward way, but I appreciate the way that Robertson makes you work through various considerations and themes before leading to his conclusions — which are all very helpful.
His discussion of Lamentations, summed up in the subtitle “How to Weep,” was one of the best things I’ve read on the book (an admittedly too-short list). You may think that’s a pretty easy thing to learn — but there’s a wise way, a godly way to weep over the tragedies that will come into our lives. The book of Lamentations teaches us that — and, here’s the RH emphasis coming through — there’s a hope tied to the wise weeping. A hope tied to faith in God’s commitment to preserving a repentant people to Himself.
Lastly, we get to the wisdom of “How to Love” (in a marital sense) in the Song of Songs. The way he reads the book is a “Redemptive-Historical” way, in
terms of the redemptive work of God in restoring humanity to the situation prevailing at the time of creation . . . a restoration of the initial blessing of man and woman in their relation to each other, just as when they first stood in each other’s presence “both naked” but feeling “no shame” (Gen. 2:25). This Song rejoices in the fullness of God’s redemption of the marriage relationship.
He concludes this chapter uniquely, with a script for a Dramatic Reading of the Song of Songs — I think there could’ve been a bit more instruction on how to approach such a Reading — and why — than he gave. But I really appreciated that part.
He could’ve used a conclusion to wrap things up — returning to the closing admonition of the opening chapter. But that’s probably just a taste thing on my part.
There’s a focus on the literary/poetic forms in each book tying in the themes and teachings of them to the way the author presents them. This kind of discussion — no matter the type of literature (inspired or not) always stretches me. I imagine I’m not alone in that — in fact, I bet many people will skip those parts. This is to their own detriment. Robertson discusses these matters in a way that takes some effort to understand, but it’s effort that pays off.
This is a truly helpful book — not full-fledged commentaries on any of the books, but helpful summaries pointed towards seeing the wisdom passed down in each book, and tied into the Redemptive work going on in history all around us. I found it interesting that the recent A Biblical-Theological Introduction to the Old Testament doesn’t approach some of these books the same way as Robertson — in some ways flatly contradicting him. I’d hoped for more overlap between the two works approaching this material from the same framework — but none of the contradictions or differences change the overall message of the Biblical material, just shadings. Honestly, in each case, I think Robertson’s readings are easier to square with the texts in consideration (and not just because he has more pages to develop his points, either).
Robertson, as always, delivers the goods with this book. The reader has to think about what he says, has to drag out their Bible and use the two books together, but will ultimately come out the better for it. I found this book to be incredibly helpful, insightful and something that drove me back to the fullness and fulfillment of all the wisdom of God — Jesus the Messiah. Just where Robertson wants his readers to focus.
Disclaimer: I received this eARC from P&R Publishing via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.
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