Category: A-B Page 20 of 22

Authors A-B

Skin Game by Jim Butcher

I should’ve had this up no later than May 29, but I wanted to get it juuuust right. And I failed. But I’m always going to fail when it comes to this series. Amongst series currently being written, this is my favorite (yeah, I’m taking the coward’s way out and not choosing between Dresden and Wolfe), which means that I’m just never going to be able to properly express how great I think the books are.

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Skin Game (The Dresden Files, #15)Skin Game

by Jim Butcher

Hardcover, 454 pg.
Roc Hardcover, 2014
Read: May 28, 2014

Quick review for people who haven’t read up through Cold Days:
Why are you reading this? Go and catch up. You’re missing out on one of the best series being published today. You’ve got about a year ’til Peace Talks comes out, so you have plenty of time to read up through Skin Game (which you really should read, because it was great).

Longer take for those who have read Cold Days (still, spoiler-free):

Okay, this is book 15, which means it’s time for The Denarians to return. But this time, Harry’s not opposing them (directly, anyway), but thanks to his service to Mab, he’s working alongside (for?) Nicodemus. Nicodemus has assembled a team of magical types to go rob a vault belonging to Hades. Harry, of course, is itching for a fight, but he doesn’t get the chance for one. If he doesn’t do what Mab & Nicodemus require, those closest to Harry will pay the price. Skin Game takes the basic plot structure of a heist film, and it works really well as such. A great, gripping story, doing things with the supporting characters involved (new and old) that you wouldn’t have guessed were possible with Harry’s past and attitude.

Beyond the plot — there’s something going on with Harry. Small, incremental changes are creeping in to our wizard’s character, as part of the aftermath of Changes. He’s dimly aware of them, but thinks he’s in control. Those close to him see them, too and make the same judgment call — it’s Harry, he’s got it taken care of. But there are those, like Butters, who aren’t as willing to believe that Harry can do it all. He sees trouble on the horizon and is willing to speak truth to Harry about it.

There’s other character development to take note of as well: Michael, Charity, and Murphy all continue to grow in positive ways — slowly, organically, and in ways you really only notice when you take a long look at them. Molly’s changing a lot, too — and not that slowly or organically, but after the end of Cold Days, what do you expect? Butters continues to grow and develop in ways that feel right, but are undeniable. When you think of who he was back in Death Masks and what he’s grown into by the end of Cold Days, it’s truly impressive. And he takes some major steps forward this time around, that I really want to talk about, but won’t. I have no shame in admitting that he choked me up. He could’ve easily been Butcher’s version of John Chen from the Elvis Cole/Joe Pike/etc. books — around for a little comic relief, some science help (some medical help, too), but nothing major. Instead, Butcher’s turned this polka-loving nerd into his Neville Longbottom.

In between the banter, the quips, the forzare-ing and fuego-ing, the action, you get things like this…it’s what separates guys like Butcher from the pack

There’s power in the touch of another person’s hand. We acknowledge it in little ways, all the time. There’s a reason human beings shake hands, hold hands, slap hands, bump hands.
It comes from our very earliest memories, when we all come into the world blinded by light and color, deafened by riotous sound, flailing in a suddenly cavernous space without any way of orienting ourselves, shuddering with cold, emptied with hunger, and justifiably frightened and confused. And what changes that first horror, that original state of terror?
The touch of another person’s hands.
Hands that wrapt us in warmth, that hold us close. Hands that guide us to shelter, to comfort, to food. Hands that hold and touch and reassure us through our very first crisis, and guide us into our very first shelter from pain. The first thing we ever learn is that the touch of someone else’s hand can ease pain and make things better.
That’s power. That’s power so fundamental that most people never even realize it exists.

I don’t normally read reviews of books I’ve already decided to read, but I made an exception in this case when Patrick Rothfuss posted his (pretty sure I linked it in one of my Saturday posts). One of the things he said was, “that Jim made me cry, like, four goddamn times in this book.” I went into this thinking Rothfuss was exaggerating about the crying. And then later I started to worry that he’s manlier and more in control of his emotions than I am. It’s not news to anyone who’s read Butcher — especially the more recent volumes — the guy can hit you right in heart. He’s like a long distance phone commercial from the late 80’s or the producers of the Friday Night Lights TV show — when he wants you to feel something, by gum, you will.

I do think that Butcher’s done better, but I’m still giving this 5 stars because while I was reading it, I was totally immersed in it. The rest of the world really didn’t exist — I was on the edge of my seat, leaning forward as if that’d help me get through it quicker — hanging on every word, chuckling, cackling, cheering, gasping as appropriate — totally engrossed, and that impact lasted for a couple of days following. If that doesn’t say 5 stars, I don’t know what does. And while I think other books were technically better — I can’t think of a problem with this one.

How long ’til #16, Peace Talks?

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5 Stars

Robert B. Parker’s Cheap Shot by Ace Atkins

Robert B. Parker's Cheap ShotRobert B. Parker’s Cheap Shot

by Ace Ace Atkins
Series: Spenser, #42

Hardcover, 320 pg.
Putnam Adult, 2014
Read: May 12 – 14, 2014

For 25 years or so, I’ve been a huge Robert B. Parker fan. Read everything I could get my hands on by him — mostly multiple times, even when the quality started to drop out and you could never tell which Parker you were going to get — the one that was close to his former greatness, or the guy who showed up, got his scheduled time in on the book and moved on with life. Even at his worst, there was always something to enjoy in his work — even if it was only a snippet of dialogue or a line or two of description.

As I’ve said before, when Dr. Parker died at his keyboard and they called in this Ace Atkins guy (had never heard of him), I was happy but cautious. Would he be able to pull it off? Would he sound like Parker without doing a cheap rip off? But I liked what Atkins did. So much that I waited a year to review Lullaby, and I haven’t reviewed Wonderland yet (spoiler alert: loved it. Always wanted a Henry-centric novel) — I just didn’t want to geek out and just go fanboy all over them — I wanted to reflect on them some before discussing them (I’m choosing to ignore what I thought about Silent Night: A Spenser Holiday Novel for now). But with Cheap Shot, I’m throwing caution to the wind, and will just talk about it now. And yeah, I’m all Fanboy.

On the one hand, this is not Atkins’ best Spenser. But it’s the one that feels like Parker more than the rest (make of that what you will). The banter, the poking around and stirring things up until you get a break, the fisticuffs, the donuts, the gun fight, the needling of underworld players, and so on — he captures Parker’s voice and pacing better here than he’d managed before (yet doesn’t come across as pastiche). Spenser’s sniffing around the big money and big boys (and a few men) in sports, which serve as a good place for Spenser to reflect how men are to act. Parker did this Mortal Stakes and Playmates (and to lesser extents elsewhere — like Early Autumn), and Atkins is able to do that here (arguably he does so with a subtlety that Parker didn’t achieve).

Kinjo Heywood’s a fun character — slightly more grounded than Mortal Stakes‘ Marty Rabb, far more mature and grounded than Playmates‘ Dwayne Woodcock. One advantage Heywood has is his son, Akira (who’s plenty of fun on his own) — he has someone to provide a good example to, and he strives to. Heywood also seems to have thought ore about life and how one should live it. Marty seemed to think only about Linda (his wife) and baseball, Dwayne was all about his girlfriend (Chantel) and basketball, too — but with less self-examination, it’s just that’s all he had the chance to think about (although Chantel would see that changed, and his horizons broadened if she had anything to say about it). Heywood’s got a kid, he’s been through a divorce, and is fully aware of his place in the limelight (including social media) and his own shortcomings. This alone saves the book from being a reworking of Parker.

I should add that Sixkill has a lot of perspective here (with the assistance of Atkins’ own background in football) — he was close to Heywood’s level, and if he’d made one or two better choices, he would’ve been at this level. He has a better idea what’s going on in Heywood’s mind than Spenser and his brief stint in the boxing world would.

The book begins with Spenser doing bodyguard duty — and as always (Stardust, Looking For Rachel Wallace, A Savage Place, Rough Weather) things don’t go well. You’d think people’d stop hiring him for this kind of work. Spenser turns to investigating — and unearthing lie after lie from his client — while getting Hawk and Sixkill to pitch in on the bodyguard front.

In addition to the main characters, Hawk, Susan, Sixkill, Tony Marcus, and so on; Atkins continues to show a command and familiarity with the impressive gallery of supporting characters in the Spenser-verse (although my gut tells me we’ll never see Atkins’ Spenser crossing paths with anyone from Paradise, Mass.). And the new characters fit into the ‘verse just fine, nothing that Parker wouldn’t have created. One character who started off the novel being opposed to Spenser’s hiring and further involvement with the case came around pretty quickly — and really without warning. I’m not sure that change was warranted by the text (and even if warranted, it was really easy for this guy to come around to Spenser’s side.)

Not only did Atkins give us a good story this time, he appeared to be planting and/or watering seeds for future books at the same time — something Parker never bothered with, but I’m glad to see (if only because it indicates Atkins plans on sticking around).

This one’s getting 5 Stars from me. May not be the best book (or one of the best) that I’ll read this year — but it made me happy, made me want to read more in this series (both prior to and post- this one), made me want to read the next non-Spenser Atkins novel more. And that’s good enough for me.

Next time, Mr. Atkins? Paul. We need to see Paul again. Please?

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5 Stars

Night Broken by Patricia Briggs

Night Broken (Mercy Thompson, #8)Night Broken

by Patricia Briggs
Series: Mercy Thompson, #8


Hardcover, 341 pg.
Ace Hardcover, 2014
Read: March 19 – 20, 2014

Yay! Mercy’s back! She’s back and she’s facing off with her most potentially destructive foe . . . Adam’s ex. Oh, sure, there’s some sort of Gray Lord threatening her, a supernatural super-baddie that Mercy and her pals have never heard of, and an escaped felon who has powers a lot like Mercy . But the big danger comes from Christy.

This wasn’t a “big” novel in any real sense — seeds were planted/characters were introduced tha will be important, and I wouldn’t want to say that nothing significant happens. But, no epochal shifts, no game changers here — just straightforward case of bad guy comes to town, and Mercy et al. stop it. And along the way the final confrontation with the bad guy, we get to spend sometime with the Tri-Cities pack, as well as see some of the fallout from the last couple of books in this or the Alpha-Omega series. And that’s fine. Not every book needs to be an even, some just need to have a fun story, and maybe even move the chess pieces around a bit.

Initially, the villain of the piece looks fairly disappointing, just some stalker jerk making life difficult of Christy. But it soon becomes clear that there’s more to this guy, and it doesn’t take long to see that he’s one bad customer — creepy, dangerous, and powerful in a way I don’t think I’ve seen before. All in all, a worthy competitor for Mercy and the pack.

As always, the interplay between Mercy and the various members of the pack — or just between the pack without regard to Mercy — is fascinating. At once familial, yet competitive, not necessarily all that affectionate, yet more loyal than a troop of Marines.
The more the Jesse/Mercy relationship develops, the more I like to see it — particularly here, where much of the book can be seen as mother v. step-mother, watching Jesse maturely navigating those treacherous waters was quite satisfying.

My main (only?) quibble with the book was the way that Adam was depicted. He was continually utterly clueless about the way that Christy’s actions would/did affect Mercy. A lot of that, to be fair to the guy, can be attributed to how much he’s moved on from Christy and how devoted he is to Mercy — he doesn’t even see his ex as a potential threat. But, 1. Adam’s smarter than that and 2. given how territorial werewolves are in Briggs’ universe (and as seen in this book), it’s almost impossible to believe that he wouldn’t pick up on the territorial incursions Christy’s making.

Not the best thing that Briggs has written in this series, but not the worst. It had a good story, it was good to spend time with these characters, and I enjoyed the introduction of the new forces at play. A fun way to spend a few hours. Just about everything you could ask for.

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4 1/2 Stars

Wake of the Bloody Angel by Alex Bledsoe

Wake of the Bloody Angel (Eddie LaCrosse, #4)Wake of the Bloody Angel

by Alex Bledsoe

Paperback, 350 pages
Tor Books, 2012
Read: May 28, 2014

I looked up at the stars. Finding one pirate after twenty years was a lot like picking one star out of this sky. Just when you thought you had it, a cloud slid by and you had to start all over when it passed.

Yet that’s just what Eddie LaCrosse sets out to do — find the unfindable, track the untrackable. For those of you who don’t know — Eddie lives in a fairly standard fantasy realm, and makes his living as a “sword jockey” — what we’d call a P.I. in our world. These books are first person narratives and read a lot like good detective novels — but with swords, horses and the occasional dragon or whatnot.

Eddie doesn’t go alone on his search for a pirate — he brings along his old friend/colleague, Jane Argo. Jane’s a former pirate turned pirate hunter turned sword jockey and is as tough as that résumé suggests. Having her come along on this adventure as the Hawk/Joe Pike figure was a great addition to a series that I didn’t think required it. But now, I want more of her — back in Eddie LaCrosse #6, or in Jane Argo #1. I could be pleased either way, as long as it’s soon.

There’s adventure, piracy, sword-play, banter, friendship, and a bit of betrayal. Enough to keep you engaged, if not turning pages as quickly as you can. Every now and then, in the middle of this fun read, Bledsoe reminds you he can do more than tell a fun action story, and drop a sentence, or phrase that shows he’s just a good writer, period. One such line that stood out to me, and I’ve tried to find excuses to use in the last couple days is:

Hawk’s been called many things over the years, but you know what captures him best, in my opinion? That he’s simply a shiver looking for a spine to run up.

You get a real clear idea about this Hawk guy, the image is pretty creepy in and of itself, and yet, it looks and sounds breezy unless you think about it. I like Eddie and the rest of his world plenty — but it’s that kind of thing that keeps me coming back to Bledsoe.

Part of me is glad I read Lynch’s Red Seas Under Red Skies before this, if I hadn’t, I’d have spent too much time comparing the pirate-y bits between the two while reading — and I think Lynch would’ve come up short. Bledsoe did a great job of nailing the life of a ship (says the guy who gets too seasick to even contemplate a day-long voyage) — both the tedium of day-to-day and the excitement of the boarding.

The last thing I can think to note, is that this book briefly features the creepiest little girl I can remember since Let the Right One In. I really can’t talk about her without ruining too much, but let me just say that absolutely loved the way that Bledsoe used her.

I couldn’t have seen the ending coming, nor the details it revealed. But it worked, it absolutely worked both as an interesting plot development, and as strong character moments. So well done. Shame on me for putting this off for so long — not a mistake I’ll make again.*

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* and I mean that — book 5, He Drank, and Saw the Spider came out this year, and is on my hold list at the library.

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4 1/2 Stars

Saturday Miscellany — 5/17/14

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    Only saw one new release this week that I expect you’ll be seeing here:

  • Hot Lead, Cold Iron by Ari Marmell — Prohibition-era Urban Fantasy. ‘Nuff said.

 

 

4 Stars

Saturday Miscellany — 5/10/14

Odds ‘n ends over the last week or so about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    I’m sure there were plenty of good books released this week, but I didn’t notice any of them, because for me, there’s only one:

  • Robert B. Parker’s Cheap Shot by Ace Atkins — Atkins’ 3rd outing at the helm of this series, and I can’t wait to get my hands on it. Sadly, couldn’t find time this week. Another week will not pass without that being fixed. Read a little Q&A about the book.

Red Rising by Pierce Brown

Red Rising (Red Rising Trilogy, #1)Red Rising

by Pierce Brown
Series: Red Rising, #1

Hardcover, 382 pg.
Del Rey, 2014
Read: Feb 26 – Mar 6, 2014

I’m having a hard time deciding what to say about this one. To really talk about it would require me spoiling every plot point that I loved (most of which I didn’t see coming). So I won’t. I’ll just say that I really, really dug this book.

I don’t want to just compare this to The Hunger Games, as much as reviews/blurbs/etc. make a guy want to. There are some surface-level similarities, yeah. And you could make the case (as I did when just starting the book) that Brown’s Mars was just the place for people who thought Collins’ Panem was a bit easy. In fact several parts of this feel like >The Hunger Games dialed up to 11. The working/living conditions for Darrow and his family are more severe, what Darrow has done to him to prepare him for what’s to come makes what Cinna et al. do to Katniss look like child dress-up, Darrow plays a deadly game on a larger scale than Katniss, and so on. But Darrow’s motivation is different than Katniss’ — she’s trying to survive, he’s trying to do far more (and much of the time, survival’s pretty low on his list) — the stakes he’s playing for are greater, and he will go to lengths that Ms. Everdeen doesn’t have to.

There are a few moments when things seem too slow, or meandering, or even redundant — but each time, I was wrong, and Brown made it all pay off. Visceral was the word that kept coming back to me as I read the book. I had almost visceral reactions to some of the horrors depicted, I could feel the grime and muck (literal and metaphorical) that Darrow crawled around in.

This shows every indication of leading to something epic in the next volume, leaving Mars behind and moving to other planets and/or the space between. As well as seeing if Darrow can retain his self and purpose — and how far will he be willing to go to carry it out.

There is a classic SF reference in Part IV that made me giggle with delight (in the middle of a pretty grim part of a fairly grim book, so I appreciated the placement). I won’t spoil it, but Pierce Brown has bought a lot of loyalty from me with two simple words.

Go grab this one.

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5 Stars

Dusted Off: Robert B. Parker’s Lullaby by Ace Atkins

Robert B. Parker's Lullaby (Spenser, #41)Robert B. Parker’s Lullaby

by Ace Ace Atkins
Series: Spenser, #40

Hardcover, 320 pg.
Putnam Adult, 2012

I held off reviewing this last year so I could think about it some — I was afraid I’d be too influenced by the newness of Atkins’ take on Spenser, or maybe just a reflex fanboy reaction.

So I read it again this weekend in preparation for Robert B. Parker’s Wonderland, and am so glad I did. Atkin’s has captured the essence of Parker’s word — he’s not quite as good as classic Spenser (Valediction and before), better than most of what followed Small Vices — he’s the next-best thing to having the man himself. The plot is a bit more intricate, the descriptions are fuller — the font is smaller! — which definitely makes it meatier than Parker’s later work.

You can tell Atkins is a fan, and there’s a hint of fanfic about this — Atkins gets to play with characters he’s been reading for years. And who could blame him? Especially as well as he does it.

So glad that Atkins has picked up this mantle, hope he carries it for a good long while.

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4 Stars

Dusted-Off: Lunatics by Dave Barry, Alan Zweibel

LunaticsLunatics

by Dave Barry
Hardcover, 320 pg.
Putnam Adult,2012

How does one write a book like this? First, you take a couple of characters, that while not exactly people you can meet each day, are close enough that you can buy them as characters in a novel. Then you put them in a relatable, if exaggerated, bad situation. Then you let that situation spin wildly, and hilariously, out of control and right into a worse situation–and let that one spin wildly, and hilariously, out of control and right into another–and repeat. Several times.

If you do that juuuust right, you might come close to capturing the brilliantly wacky madness that is Lunatics.

More than once, I laughed, guffawed, choked, chuckled, cracked-up, cackled, and did a spit-take. I’m sure my wife was as glad I was done with the book as I was disappointed it was over–a day and a half of my very loud reactions to this book were little more than she could tolerate.

Find yourself a nice, secluded little spot and read this. Soon. Sooner, even.

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4 Stars

Dusted Off: Wolfsbane by Patricia Briggs

Wolfsbane (Sianim, #4 - Aralorn, #2)Wolfsbane

by Patricia Briggs
Mass Market Paperback, 304 pg.
Ace, 2010

A fun, solid read with characters you end up caring a lot about without even noticing, just a touch of action, a splash of romance, and at least one character who switches between species. In other words, it’s a Patricia Briggs novel.

Like its predecessor Masques, this was written pretty early in her career, and it shows. It’s still a heckuva story, and I’d jump right into a third adventure of Wolfe and Aralorn.

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3 Stars

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