Category: Authors Page 19 of 115

DETAILS:
Series: InCryptid, #11
Publisher: DAW
Publication Date: February 28, 2022
Format: Trade Paperback
Length: 267
Read Date: March 14, 2022

If Thomas is there, if he’s still alive and waiting for me to find him, I can’t make him wait because I’m finally stopping to worry about my own neck. My neck doesn’t matter. My neck made a lot of choices, and none of them said ‘hey, it would be fun to survive a long, long time.’

What’s Spelunking Through Hell About?

Alice Price—grandmother to the primary protagonists of this series—has spent the last fifty years jumping from one dimensional reality to another, seeking her husband who has been taken from her as part of the deal he made with the crossroads. Alice has sacrificed just about everything—her health, almost every waking moment, her children’s childhoods, and her relationship with them, for starters.

Now, given some information Annie was given as she defeated the crossroads recently, Alice knows that the clock is running out, she’s going to have to take some risky and dramatic moves in a last-ditch effort to bring her husband home. Assuming she can find him, that he’s still alive, and interested in coming home, that is.

Alice calls in markers, gets help from several allies, and takes some big—possibly fatal—risks to follow her last theory about where to look.

Hopefully, it’s worth it.

Quo Vadimus

The first five books in the series, while interconnected, felt very stand-aloneish. Then we got Annie trilogy—which started out as something in the same vein, but then shifted into something else, something else that ended up informing this book—and then we had the pretty intense duology about Sarah. Now we have this one, which feels stand-aloneish again, but is also the consummation of things that go back to the beginning.

That’s how the series struck me as I read it, anyway—although between what McGuire has said and a little bit of thinking I’ve done in the last day or so, maybe it’s not the best way to think of things—easier to say from this vantage point. At any rate, this book sure feels like a turning point in the InCryptid series.

So where does the series go from here? Well, it can go back to the whole Covenant of St. George vs. the Prices (and all Cryptids in North America) conflict. Maybe touching base with things in Australia, along the way? It’d be nice if we saw Alex and Shelby again. Maybe there’s more fallout from Annie’s Crossroads takedown or Sarah’s adventures to deal with, too. Or something that seems out-of-nowhere but that McGuire’s been planting seeds for since at least the second book—I put nothing past her.

I realize it’s silly to speculate, but when a book is where a series has been heading for a while, it invites theories about where the series might be going next. Knowing McGuire, the answers are somewhere online already, but I’m going to wait until Book 12 to see.

So, what did I think about Spelunking Through Hell?

The last couple of books just didn’t do as much for me as the earlier books in the series did, I was so glad to get back to the previous levels here (sorry, Sarah!). There’s just so much to commend about this book, and so little to complain about. There was at least one point in the book that was a “Eureka!” moment for me—I couldn’t believe McGuire had tied X into this book. Thirty seconds or so after I got that surprise, I realized I should’ve been expecting it. I’m glad I hadn’t taken the time to think about things so that I would expect it, it’s more fun to get the Eureka.

Alice shares the same quippy attitude as her grandchildren, the same stubborn streak and aptitude for violence—which isn’t that surprising, really, where did I think the kids got it? Still, as has been the case for the other four narrators in the series, while there’s a family resemblance, there are individual distinctives so that you don’t confuse her with the previous narrators.

Inside the crunchy candy shell of quips, magic, trans-dimensional travel, and people fighting for their survival, there’s a chewy center of a very sweet love story. I have no problem with the crunch shell, but like with a Tootsie Pop, the center is what makes it all worth it. The dénouement may be better, however—I know I didn’t get through it with dry eyes.

This is not the book to jump into this series with. Yeah, I’ve said it feels like a stand-alone, which seems like it’d serve as a jumping-on point, but it’s really not. Go back at least to Magic for Nothing, but you’d be best served going back to Discount Armageddon. Just know that when you start (and you really should if you haven’t yet) at one of those points, you’re in for a heckuva ride when you get to this book.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Bullet Points about Troubled Blood by Robert Galbraith: A Clever Mystery Hidden in a Bloated and Problematic Novel

By HCNewton

On March 11, 2022

In Cormoran Strike, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Robert Galbraith

Troubled Blood

by Robert Galbraith

DETAILS:
Series: Cormoran Strike, #5
Publisher: Mulholland Books
Publication Date: September 14, 2020
Format: Hardcover
Length: 927 pg.
Read Date: February 23-March 2, 2022

I’ve jumped on each book in this series, but this book sat on my shelf for 16 months after its release. Now that I’ve finally tackled it, I’m afraid that it’ll take me 16 months to write this up the way I normally would.

So, I’m just going to offer some brief thoughts about the book. But first, let’s start with:

The Offical Description

Private Detective Cormoran Strike is visiting his family in Cornwall when he is approached by a woman asking for help finding her mother, Margot Bamborough – who went missing in mysterious circumstances in 1974.

Strike has never tackled a cold case before, let alone one forty years old. But despite the slim chance of success, he is intrigued and takes it on; adding to the long list of cases that he and his partner in the agency, Robin Ellacott, are currently working on. And Robin herself is also juggling a messy divorce and unwanted male attention, as well as battling her own feelings about Strike.

As Strike and Robin investigate Margot’s disappearance, they come up against a fiendishly complex case with leads that include tarot cards, a psychopathic serial killer and witnesses who cannot all be trusted. And they learn that even cases decades old can prove to be deadly . . .

Things I’m Not Going to Develop into Paragraphs:

bullet The Acknowledgments start with, “My thanks, as ever, to my superb editor David Shelley…” Why? What did Shelley do? I cannot be expected to believe that anything was cut, trimmed, or compressed. 900 pages is too long for a P.I. novel.

There’s very little that I can think of that Shelley or Galbraith should’ve cut, but that’s not my job, I’m just the reader. Those two get paid to eliminate the wasteful portions of this book.

bullet Two things that I think could’ve been slimmed down, if not eliminated were: the cases non-Bamborough cases that Strike, Robin, and their contractors were on. We could’ve just used passing references to them, we didn’t need all the space devoted to them.

bullet There’s a storyline involving Robin and a contractor that took too long, and I get why Galbraith included it…but I have to keep arguing myself into accepting it.

bullet A lot has been made of the way that the serial killer suspected of Bamborough’s killing sometimes disguised himself as a woman. Given the public stances that Galbraith’s alter-ego has taken lately, this aspect of the character has come under fire. Which is understandable, and likely justified.

However, had Rowling not been embroiled in this controversy, or had anyone else written this character, I don’t think this character’s practice would’ve been controversial—it really comes across as his way of muddling witnesses and gaining the trust of a victim.

But she is the one who wrote this, and she is the one out there making those statements, and it’s hard to believe there’s no connection.

bullet I learned about a new philia while reading this book, and I really wish I hadn’t. It’s part of one of Strike and Robin’s other cases. I hope I don’t come across another reference to this in fiction or reality anytime soon so I’ll forget about it.

bullet Troubled Blood contains the only Matthew storyline that I liked in this series And it took until the end of it (or maybe Robin’s thoughts about it after the end of it) for me to reach that conclusion. He’s really one of the worst characters I’ve endured in the last decade.

bullet Similarly, we got another Charlotte Campbell story. I could barely put up with that story. I did like Strike’s actions at the end of it (I’m only now seeing the parallel, which makes me realize that I hadn’t organized my thoughts too well before this), but I wish Strike had gotten there a book or two ago. Or that Galbraith had used less space for it here.

bullet On the other hand, the story about Strike’s family (not his father and half-siblings, the family he was raised with) was fantastic.

bullet Outside of a few scenes in each previous novel, this was the best display and development of the friendship between Robin and Strike. It’s also the most extended, which helps (this is actually not a reference to the length of the book).

bullet The Bamborough mystery was just great. The strengths and weaknesses it showed in both Strike and Robin were worth the effort getting through it all. Seeing them make mistakes and recovering from them—and seeing them make breakthroughs—this is the kind of thing that attracted me to the series in the first place, they’re both works-in-progress and it’s great to see them grow as investigators.

You cut out everything else in the book and just give us this? I’m raving about it. Period.

bullet Yeah, yeah, yeah, I know…you need subplots, character growth, etc. But really…

bullet Did I mention this was too long?

bullet This ultimately worked for me. But there are so many qualifications, disclaimers, bet-hedging, allowances, and so on to that evaluation, I’m not sure it’s worth much. Die-hard fans of the series will find reasons to like this. I don’t think this would bring on new fans—it’s definitely not a place for people to jump on to this series.

bullet I said it last time, I’ll say it again, I hope the next book is leaner. But I doubt it will be.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

March 11, 1952 – The Birth of One Hoopy Frood

By HCNewton

On March 11, 2022

In Calendar Items, Douglas Adams, News/Misc., Science Fiction, The Hitchhiker's Guide to the Galaxy

Far out in the uncharted backwaters of the unfashionable end of the western spiral arm of the Galaxy lies a small unregarded yellow sun. Orbiting this at a distance of roughly ninety-two million miles is an utterly insignificant little blue-green planet where seventy years ago today, Douglas Adams was born.

When the Towel Day Facebook page posted about this anniversary this week, I thought about doing a big tribute post today. But I really didn’t have the time to do a decent job of it.

Instead, I’m going to do something uncharacteristic of me—I’m going to keep it brief. Douglas Adams was a formative writer for me. It’d take very little time at all to see how formative, he’s probably in the Top 5 authors I’ve mentioned on this site. His humor, his imagination, his point of view, his style was a gift that has been influencing writers and readers for decades, and likely will continue to.

In honor of this anniversary, tonight I’m going to have a gin and tonic* in his honor, read a few sections from his books (likely a little more than that), and be grateful we got his creative output.

* see The Restaurant at the End of the Universe‘s discussion about the beverage.

Light Years from Home by Mike Chen: A Tale of Three Siblings

By HCNewton

On February 22, 2022

In Fiction, Mike Chen, Science Fiction

Light Years from Home

by Mike Chen

DETAILS:
Publisher: Mira Books
Publication Date: January 24, 2022
Format: Hardcover
Length: 345 pgs.
Read Date: February 11-18, 2022

For Jakob, it meant days where time had no meaning, one lifechanging revelation after another. Were there aliens? Yes, there were so many aliens, a number so overwhelming that even now he still didn’t know the name of every species working under the Seven Bells flag. Were there bad aliens? Yes, and it turned out that Dad’s sci-fi shows got some of those traits right—plus mechs from the few years when he indulged in anime—along with holographic displays, faster-than-light speed, smart communication tech that quickly adapted to English, and other things.

It was all of that mashed into one overwhelming reality, something that made him question if he hadn’t taken the best/worst drugs of all time.

Fifteen Years Ago

Evie, her older twins, Kass, and Jakob are on a camping trip with their father. When Jakob and his father step away for a private word (Jakob’s thinking of dropping out, and their father is giving him a talk).

Then everything changes. Jakob and their father disappear. Three days later, their father reappears, disoriented and confused. But there’s no sign of Jakob—he’s eventually declared dead, and the family is shattered.

Evie

Evie’s following their father’s theory, Jakob was taken by aliens. She’s moved away from the family and joined up with others convinced that aliens have visited the planet. They research reportings, scientific phenomena, and do a webcast.

When her group notices phenomena in the area near where Jakob disappeared that matches the same strange readings from that night, Evie can’t contain her excitement, so she scrapes together enough money to fly across the country so she can look into it first-hand.

Kass

Kass had the opposite reaction, her brother’s always been a ne’er-do-well, he has no commitment, no follow-through—always getting by on his charm. She assumes that Jakob found some people to hang out with, leach off of, and was off having a great time while the family fell to pieces.

She stayed home, finished her degree, and is now taking care of their mother in the earliest stages of dementia while working as a therapist, helping others do for their families what she couldn’t do for her own.

She’s not thrilled about her sister’s impending arrival—Kass can’t believe Evie’s wasted her potential with this nonsense and has abandoned her family to do so. She wants nothing to do with it, or the inevitable request for financial assistance that comes with any visit with Evie.

Jakob

Jakob actually was taken by aliens—his father was accidentally taken up in the same transporter stream. He’s serving in an intergalactic war—he’s hiding briefly on earth until he can get some vital information to his side.

Or at least, that’s what he tells his sister when he returns. Kass has other ideas. She keeps using words like delusions and psychosis.

A Family Affair

The book hops around, being told from the perspective of each sibling—we get to know them, what they’ve been up to for the last fifteen years, and how they relate to each other. Whatever outlandish story Jakob is telling, what evidence and theories that Evie has about him, and whatever their mother is going through, the focus is the family—particularly on the siblings. The hurt they’ve caused the others, the neglect they’ve shown towards one another, the utter lack of trust that exists between any of them.

But they can’t fight the pull toward each other—to help each other, even as they’re proclaiming their disgust and disappointment.

Chen’s known for writing family drama, and to date, none of his families have had as much drama as these three.

Yes, there’s the FBI running around, accusations of fraud (and possible terrorism), and some pretty intense action—laced with SF goodness (as you expect from Chen). But the story is at it’s core, a story about these three siblings trying to find some healing. Or at least a definitive way to say goodbye.

So, what did I think about Light Years from Home?

I thought it was a great way to tell this story, I thought the characters were interesting and the situation was very compelling—bringing in their mother’s deteriorating condition was a wonderful addition (in terms of storytelling, I’m not saying I find dementia entertaining).

Yet, I had the hardest time getting involved with the story or characters. I thought it was a great read, but I just didn’t care. Or I didn’t think I did. But I found myself on the edge of my seat at the right moments and getting misty at the end. Without my noticing, Chen had wormed his characters into my heart—including the one, I’d easily have said the book didn’t need.

I’ll note that I just talked to a friend, who had an entirely different reaction to the beginning of the book (hasn’t finished it yet, but I can’t imagine he’ll disagree with what I said about the ending). This suggests, as I imagined, this is a Me-problem, not a Chen-issue.

I think this book worms its way into the SF/Speculative Fiction genre differently than Chen’s previous works. And maybe that was my hitch—maybe. I think it’s great that his works are so stand-alone, that there’s not even a Mike Chen-template like so many other stand-alone authors fall into.

With Mike Chen, you never know what you’re going to get beyond: interesting and fresh premise and emotionally satisfying ending. Light Years from Home lives up to that and has me eagerly awaiting his 2023 release to see where he’s going next.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Goodbye Coast by Joe Ide: A Phillip Marlowe for Today (a follow-up to last week’s post)

By HCNewton

On February 21, 2022

In Fiction, Joe Ide, Mystery/Detective Fiction/Crime Fiction/Thriller

The Goodbye Coast

by Joe Ide

DETAILS:
Publisher: Mulholland Books
Publication Date: February 1, 2022 
Format: Hardcover
Length: 301 pg.
Read Date: February 12-15, 2022

“Reassembling the past, reconstructing relationships, trying to link someone’s words with the facts at hand or facts yet to be discovered. You overlay a hundred different constructs over the exact same information and you’ll come up with a hundred different theories. Everyone sees, interprets and understands things differently. Everyone has their own aspirations, anxieties and fears. It’s what they call human nature.” Basilio paused to search his molars with his tongue. “Don’t get me wrong, kid. I’m not saying it’ll all be mundane. There are things inside people so vicious and depraved you’d think their breath would smell like roadkill. They’re out there, Marlowe. Every vile infection, mutant species, every simmering brew of psychopathic evil are waiting for you right outside the door.” Basilio unwrapped a toothpick and continued the search. “Sure you’re still game?”

That was ten years ago and yes, Marlowe was still game.

This is a follow-up to my post last week, where I blogged about what I thought of the first third of the book for a Book Tour. I will be re-using some of what I said then, for the record.

My Faulty Assumption

When I heard that Joe Ide was going to do a Philip Marlowe novel, I assumed it was going to be in the same vein as his South Central Sherlock Holmes novel, IQ-this time with a Marlowe-esque figure in a contemporary L.A.

Nope. This time out, Ide isn’t messing around with something inspired by one of the greats. He’s it’s a full bore re-imagining. We’ve got Philip Marlowe in his tenth year of being a P.I. in a 2020-is L.A. The question is, will this work?

What’s The Goodbye Coast About?

An aging star of Rom-Coms hires Marlowe to find her stepdaughter, a 16-year-old runaway, Cody. Cody’s father, Terry, was a director who had one mega-success and a series of flops. He appears to have fallen in with a group of Russian and Albanian gangsters as a way to secure funding for one last attempt at saving his career. Sadly, he was murdered in front of their home. That was six weeks ago. A month later, Cody runs away, stealing the housekeeper’s car to do so.

It’s been two weeks, and no sign of her has been found. Kendra James hires Marlowe, not to look into the murder, but to track down Cody. Something doesn’t sit right about this with Marlowe, but James is paying a ridiculous amount of money, so he takes the case. Marlowe definitely doesn’t like James, the way she treats her staff, or spends her money. But that doesn’t mean he can’t some of that money.

Naturally, Marlowe ends up looking into the murder, and the questions surrounding it, the victim, and Marlowe’s client start to add up.

While in the middle of this investigation, Marlowe is approached by a British woman looking for her son—her ex-husband has abducted the boy and flown home to L.A. as the lastest step in their bitter divorce. She’s spent pretty much everything she has to get to L.A., and after a series of rejections from Private Investigators who expect to be paid for their efforts, she’s been referred to Marlowe.

Emmett Marlowe

Marlowe’s father, Emmett, is a 17-year-veteran of the LAPD. Currently on leave, following the death of his wife from cancer and the drinking (both excessive and habitual) he turned to after that.

The relationship between father and son is strained, and the closest they get is when they work together—Emmett is essentially Marlowe’s partner in some of his cases, unofficially using LAPD resources in the service of the case.

The emotional core of this novel is the relationship between Emmett and Marlowe. There are a lot of ups and downs just in these three hundred pages, and it’s clear that this is nothing new—all of this has happened before, and it will all happen again. I’m not sure what they have could be love—it really doesn’t seem to be affection—but they’re family.

Phillip Marlowe, Really?

I’m really not sure about this part. How Phillip Marlowe-y is this guy? Do we need Marlowe in the 21st Century? I wondered about that as soon as I finally understood what Ide was doing in this book a few weeks ago, and I still have questions about that.

One thing that I stumbled over is Ide’s use of the third person. Chandler’s Marlowe is notably a first-person narrator—and his narration served as the template for so many P.I.s that followed. Ide is about to work in some touches that make me think of Chandler’s narration but it’s not the same and takes some getting used to.

There are plenty of similarities between the two author’s take on the character, a similar attitude, aptitude, mannerisms, and likes. On the other hand, Ide’s Marlowe’s backstory and the involvement of his father are significant divergences. That’s his prerogative, and there’s nothing inherently wrong with that—but at a certain point, if enough tweaks are made, is it Phillip Marlowe?

I cannot stress enough—I would have absolutely no qualms about this character if he had any other name under the sun. But tagging him with Philip Marlowe means something, right? I’m not prepared to say that Ide gave us a version of Chandler’s character for the Twenty-First Century. For me, I think I have to think of Ide’s Marlowe as some guy who by some crazy, random happenstance shares his name with a P.I. from the same city in the 30s and 40s.

So, what did I think about The Goodbye Coast?

A PI didn’t have to produce evidence that held up in court. A PI speculated, deduced and conjectured until a theory formed that felt right to an experienced investigator. Marlowe could never replicate [redacted]’s thinking or [their] individual moves. The best he could do was ask himself, How would you do it, Marlowe?

It took me no time at all to get hooked by this—and hooked solidly. If it weren’t for prior obligations (like, say, work), I’d have eagerly stayed up all night reading.

Everything about the Cody/Terry/Kendra case is murky—the more time that Marlowe and his father spend on it, the worse it gets. Every time they or the reader think they’ve gotten to the bottom of what happened, and to the depth of the depravity involved, within a few pages they’re proven wrong. By the end, you see that Ide has fully embraced the noir ethos of Chandler’s detective and runs with it.

I’m not sure I liked much about the father taking the child story, the resolution was satisfying enough, though. But what I appreciated about it was the way it brought the child’s mother, Ren, into the novel. She played a significant role in the Cody story in several ways. Also, the best bit of dialogue in the novel comes from the first conversation that Mom and Marlowe had. I’m a sucker for banter, and Ide nailed this one. If there is a sequel to this, I’d love for Ide to come up with some excuse to bring Ren into it.

Speaking of the dialogue, as a whole it’s crisp, snappy, and witty. The characters leap off the page, and it didn’t take me long to get invested in the whole thing. This version of L.A. shares a lot with Chandlers, too—the collision of an abundance of wealth and a dearth of ethics/morality helps to create a dynamite setting for a P.I. novel. Between the narrative voice, dialogue, and frequent Chandler-esque similies, this is the most entertaining writing from Ide yet–I’m talking the technical bits, not the character or plot (nothing against them, I’m trying to distinguish things here).

I got the impression this is intended as a stand-alone, but I could be wrong. If there’s a sequel, I’m there in a heartbeat. I can see this Marlowe rivaling Isaiah Quintabe in my eyes. P.I. fans—go get your hands on this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

All At Sea by Chris McDonald: Adam and Colin on a Cruise with an Inevitable Bother

By HCNewton

On February 18, 2022

In Chris McDonald/Frost, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

All At Sea

by Chris McDonald

DETAILS:
Series: The Stonebridge Mysteries, #6
Publisher: Red Dog Press
Publication Date: February 17, 2022
Format: eBook
Length: 96 pages
Read Date: February 17, 2022

Why Would They Say This?

It’s been 6 months since Christmas and Adam and Colin haven’t had the opportunity to show up the police since then. They even think about their crime-solving in the past tense.

Still, when circumstances put the two of them on a cruise to Italy before Adam’s wedding, his fiancé makes him promise to stay out of trouble. Adam says it’s his goal on a couple of occasions. It’s said so often that I could hear Toby Ziegler shouting:

Toby: You want to tempt the wrath of whatever from high atop the thing?
Sam: No.
Toby: Then go outside, turn around three times, and spit. What the hell is the matter with you?

Of course, Adam and Colin don’t have a fictional White House Communications Chief yelling at them and trouble finds them.

The Trouble

On their first night onboard, the duo attends a dinner for first-class passengers where they meet some of their fellow travelers, including an art dealer; a B-List film star (maybe a C-lister); an eccentric elderly woman traveling with a classic painting; and a young man in his early 20s who may not be as well-off as he seems.

Late that night, Colin finds the woman after she’d been attacked in her room and her painting had been stolen. Colin’s always been the more considerate of the pair, but given his profession, he seems more driven to help this victim. He promises they’ll find the painting and he spends the rest of the cruise concerned about her well-being.

Adam’s a little torn between looking for the thief and keeping his promise to Helena and staying out of trouble—naturally, curiosity (and the realization that they really have nothing better to do with their time on the ship) wins out and Adam gets in way over his head with the search for the painting. The fairly dynamic duo’s hunt takes them all over the luxury ship as well as to the streets of Barcelona and Lisbon, new territory for them, but in the end, their tenacity and cleverness help them as always.*

* Their habit of accusing almost every suspect until something sticks doesn’t hurt either.

A Theft? That’s What They’re Investigating?

Easy now, don’t worry. There is a murder, it just shows up far later in the book than we’re used to.

I was actually enjoying the lack of a corpse and was hoping we’d get all the way through a novella without one. If only for the sheer novelty. But once the body was discovered, I enjoyed what it meant for the plot—and it just felt strange to read a Stonebridge Mystery where everyone was alive.

So, what did I think about All At Sea?

I was excited to get the email yesterday morning with the link to my pre-order, so I could dive into this (no pun intended, but hey, I’ll take it). Any day spent with Adam and Colin is a good one in my book and this entry in The Stonebridge Mysteries did not disappoint.

At 96 pages, there’s not a lot to be said about All At Sea, beyond recommending it. This novella contained a couple of my favorite sentences by McDonald, some great characters in the suspect pool, and the most dangerous moment this series has had yet.

Would this work as a jumping-on point? Yeah, it’d work. I think you’re better served by starting from #1, especially as these are so short that it wouldn’t take much effort to catch up. But if you’re not up for that, you’ll get into the groove just fine from here. I’ll warn you—once you start with these, you won’t stop. Adam and Colin are addictive.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

FIRST IMPRESSIONS: The Goodbye Coast by Joe Ide: A Phillip Marlowe for Today

By HCNewton

On February 14, 2022

In Book Tour, Fiction, Joe Ide, Mystery/Detective Fiction/Crime Fiction/Thriller

The Goodbye Coast

by Joe Ide

DETAILS:
Publisher: Weidenfeld & Nicolson (UK)/Mulholland Books (US)
Publication Date: February 17, 2022 (UK), February 1, 2022 (US)
Format: Hardcover
Length: 301 pg.
Read Date: February 12-?

Let me start out by saying this isn’t going to be my traditional post about a book—hopefully, that will comes later this week. Due to some miscommunication, misunderstanding, breakdown in communication, or some other human error, I didn’t get the advanced copy of the book for this tour stop. Stuff happens, it’s not the end of the world.

Thankfully, before I’d signed up for the tour, I’d put a hold on this book at my local library, and my turn in the queue came up in time for me to check the book out Saturday. I had enough time to read the first third (I’m on page 103 of 301) of it, so I can talk about a decent amount of the book. Honestly, given my typical approach, I’m going to be able to say almost as much about the book as I would anyway—I just can’t say anything about how successful the ending might be.

Faulty Assumption

What’s The Goodbye Coast About?

Naturally, Marlowe ends up looking into the murder, and the questions surrounding it, the victim, and Marlowe’s client start to add up.

Emmett Marlowe

Marlowe’s father, Emmett, is a 17-year-veteran of the LAPD. Currently on leave, following the death of his wife from cancer and the excessive and habitual drinking he turned to.

It seems like the emotional core of this novel is going to be the relationship between Emmett and Marlowe. I don’t expect a giant breakthrough in the next two hundred pages, but I hope there’s a little thawing of the ice.

Phillip Marlowe, Really?

What Are My First Impressions of The Goodbye Coast?

I’m telling you now, if I didn’t have prior obligations and responsibilities, I’d have easily stayed up all night reading this. I was hooked and hooked solidly. I’m more than eager to dive back into this today, and the novel I started the day before I picked this up is going to have to wait a little longer, there’s no way I’m not finishing this as soon as I can.

I’ve said literally everything I know about the father taking the child story, so I can’t say much about it. I can say that the best bit of dialogue in the novel comes from the first conversation that Mom and Marlowe had. I’m a sucker for banter, and Ide nailed this one.

The dialogue as a whole is crisp, snappy, and witty. The characters leap off the page, and it didn’t take me long to get invested in the whole thing. This version of L.A. shares a lot with Chandlers, too—the collision of an abundance of wealth and a dearth of ethics/morality helps to create a dynamite setting for a P.I. novel.

Everything about the Cody/Terry/Kendra case is murky—Marlowe’s going to end up digging up some real dark secrets soon, I’m sure. I expect that things are going to get violent and action-packed.

It’s early days yet with this character, but I can see him rivaling Isaiah Quintabe in my eyes. I cannot wait to see what happens in the rest of the book, and I fully expect to be raving about it when I’m done. Go get your hands on this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: The Goodbye Coast by Joe Ide

By HCNewton

On February 14, 2022

In Book Tour, Fiction, Joe Ide, Mystery/Detective Fiction/Crime Fiction/Thriller

I’m excited to welcome the Compulsive Reader Book Tour for Joe Ide’s new novel, The Goodbye Coast this morning. If you haven’t tried a Joe Ide book before, this is a great one to make his acquaintance with. I’ve got this little spotlight post and some first impressions of the novel coming along in a bit. Let’s start by learning a little about this book, okay?

Book Details:

Book Title: The Goodbye Coast by Joe Ide
Publisher: Weidenfeld & Nicolson (UK)/Mulholland Books (US)
Release date: February 17, 2022 (UK), February 1, 2022 (US)
Format: Hardcover/Ebook/Audiobook
Length: 301 pages

About the Book:

Raymond Chandler’s iconic detective, Philip Marlowe, gets a dramatic and colourful reinvention at the hands of award-winning novelist Joe Ide.

The seductive and relentless figure of Raymond Chandler’s detective, Philip Marlowe, is vividly re-imagined in present-day Los Angeles. Here is a city of scheming Malibu actresses, ruthless gang members, virulent inequality, and washed-out police. Acclaimed and award-winning novelist Joe Ide imagines a Marlowe very much of our time: he’s a quiet, lonely, and remarkably capable and confident private detective, though he lives beneath the shadow of his father, a once-decorated LAPD homicide detective, famous throughout the city, who’s given in to drink after the death of Marlowe’s mother.

Marlowe, against his better judgment, accepts two missing person cases, the first a daughter of a faded, tyrannical Hollywood starlet, and the second, a British child stolen from his mother by his father. At the center of THE GOODBYE COAST is Marlowe’s troubled and confounding relationship with his father, a son who despises yet respects his dad, and a dad who’s unable to hide his bitter disappointment with his grown boy. Together, they will realize that one of their clients may be responsible for the murder of her own husband, a washed-up director in debt to Albanian and Russian gangsters, and that the client’s trouble-making daughter may not be what she seems.

Steeped in the richly detailed ethnic neighborhoods of modern LA, Ide’s GOODBYE COAST is a bold recreation that is viciously funny, ingeniously plotted, and surprisingly tender.

“Sunshine and skullduggery, movie stars and mayhem – Joe Ide brings us a Philip Marlowe who wears our twenty-first century like a well-cut suit” – Ian Rankin

About the Author:

Joe Ide grew up in South Central Los Angeles. His favourite books were the Conan Doyle Sherlock Holmes stories. The idea that a person could face the world and vanquish his enemies with just his intelligence fascinated him. Joe went on to earn a graduate degree and had several careers before writing IQ, his debut novel, inspired by his early experiences and love of Sherlock. Joe lives in Santa Monica, California.

My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials they provided.

Catch-Up Quick Takes: I Don’t Have Much to Say About these Recent Books

By HCNewton

On February 2, 2022

In Audiobook, Chet and Bernie, Dogs, Fantasy, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Spencer Quinn, Urban Fantasy

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

The Sentence is Death

by Anthony Horowitz, Rory Kinnear (Narrator)

DETAILS:
Series: A Hawthorne and Horowitz Mystery, #2
Publisher: HarperAudio
Publication Date: May 27, 2019
Format: Unabridged Audiobook
Length: 8 hrs., 36 min.
Read Date: December 22-23, 2021

(the official blurb)
A notorious divorce lawyer is bludgeoned with an expensive bottle of wine and Horowitz finds himself dragged away from his day job by Hawthorne to chronicle the investigation.

Hawthorne seems to be more disagreeable this time out—almost like he was trying to be off-putting. Horowitz (the character) is a decent source of comic relief as he struggles to prove himself.

The mystery was pretty compelling—and while I think I got it before the duo (well, before Horowitz, anyway), it was a bit trickier than the first. All in all, it’s a fun listen.
3 Stars

The Iggy Chronicles, Volume One

by Spencer Quinn

DETAILS:
Series: Chet and Bernie
Publisher: Atria Books
Publication Date: August 13, 2013
Format: Kindle Edition
Length: 49 pg.
Read Date: December 30, 2021

(the official blurb)
I’ve had this short Chet & Bernie story on my Kindle for ages, I think I started it a few times but got distracted quickly. Which makes no sense, because it’s not like it took too long to read.

It’s a fast read featuring Chet’s buddy, Iggy, and Bernie’s neighbor, Mr. Parsons. Bernie’s sharper than ever and he makes quick work of the mystery the duo literally stumbles into. It’s not a must-read, but it’s a fun one.
3 Stars

Zoth-Avarex’s Escape Plan: A Pick-Your-Own-Path Experience

by K.R.R. Lockhaven

DETAILS:
Series: Zoth-Avarex, #2
Publication Date: June 13, 2021
Format: Kindle Edition
Length: 43 pg.
Read Date: December 31, 2021

(the official blurb)
Not surprisingly, Zoth-Avarex, was not happy being thwarted The Conjuring of Zoth-Avarex, and he wants revenge. Lockhaven presents this quest in a Choose-Your-Own-Adventure style. Without, it should be stressed, being so close to the style as to infringe on any trademarks or anything.

I laughed at this, it was truly ridiculous. I don’t know that this is the sequel I wanted/expected, but I’m glad we got it.
3 Stars

Dogtology: Live. Bark. Believe.

by Jeff Lazarus

DETAILS:
Publisher: Greenleaf Book Group Press
Publication Date: June 2, 2015
Format: Hardcover
Length: 189 pg.
Read Date: December 30-31, 2021

(the official blurb)
The central conceit here is that humans are so obsessed with their dogs, have devoted so much time, energy, and work that it’s become a religion, with humans worshipping canines. This book is a look at that devotion and the rituals and beliefs that accompany it.

When this book sticks to poking fun at the obsessive nature of dog owners, and having fun with the nature of dogs, it’s pretty amusing. But it treads a little too close to mocking actual religion for me to get excited about it.

I’m not sure I laughed at all, but it’s frequently funny.
3 Stars

Gone Missing

by Linda Castillo, Kathleen McInerney (Narrator)

DETAILS:
Series: Kate Burkholder, #4
Publisher: Macmillan Audio
Publication Date: June 18, 2012
Format: Unabridged Audiobook
Length:10 hrs., 8 min.
Read Date: January 3-5, 2022

(the official blurb)
Hey, Castillo found a way to get Kate out of town to investigate a crime involving the Amish. This has been my biggest (or one of my biggest) concerns with the series, that at the rate things were going, the Amish in her community would all die before we got to book 10.

There is a string of Amish youth going missing—enough that it’s got the attention of the state to assemble a Task Force—Kate Burkholder and John Tomasetti are recruited to be part of it.

What they end up finding is pretty disturbing, but a little less disturbing than the last couple. I like where the series is finding itself and can see me sticking around for a little longer than I feared I might have.
3 Stars

Two Witches and a Whiskey

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: The Guild Codex: Spellbound Series, #3
Publisher: Tantor Audio
Publication Date: February 27, 2019
Format: Unabridged Audiobook
Length: 8 hrs., 9 min.
Read Date: January 11-12, 2022

(the official blurb)
Okay, this is more like it, a very good way to bounce back from the last book which was a bit of a disappointment to me. I wasn’t terribly worried about the series—I have a friend who’s further ahead of me (I think she’s done), and I assume she wouldn’t have recommended it if there was a problem.

Tori and her friends get themselves tied up in a big ol’ mess that will result in Tori dying unless they can pull off the impossible, or at least the incredibly unlikely.

The police (both real and supernatural) are lurking around the edges, the druid she met last time is back, and we learn a bit about Kai’s past and background. A fun story and some good character growth.
3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Robert B. Parker’s Bye Bye Baby by Ace Atkins: Atkins’ Farewell to Spenser Will Not Disappoint their Fans

By HCNewton

On January 24, 2022

In Ace Atkins, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Robert B. Parker, Spenser

Robert B. Parker’s Bye Bye Baby

by Ace Atkins

DETAILS:
Series: Spenser, #50
Publisher: G.P. Putnam's Sons
Publication Date: January 11, 2022
Format: Hardcover
Length: 304 pg.
Read Date: January 19, 2022

Over the years, many things have changed about my profession. I no longer kept an actual landline on my desk. Since no one had called it since a little past the first of the millennium, I discontinued the service.

My superhuman ability to scroll through microfilm was no longer in demand. Almost anything I needed to look up, from old news stories, to criminal histories, to vehicle records, could be found online. Although I missed my visits to the Boston Public Library, I’d accepted the long, boring hours at my desk, thinking about how many old cases I could’ve solved with Google.

What’s Bye Bye Baby About?

Spenser’s hired by the campaign manager for a Congresswoman during her first re-election bid. Carolina Garcia-Ramirez, aka CGR, has had enemies since she first announced her candidacy (despite its reputation, Boston has a fair share of people antagonistic to a progressive woman politician—especially if she’s a minority), but lately, the threats are more specific and indicate inside information. Despite the Congresswoman’s resistance to the idea, Spenser joins her team as both a bodyguard and to investigate these threats.

Suspects range from any number of racist and alt-right groups, lone individuals, and someone related to the campaign of her opponent—the same man she unseated during the last primary.

It’s not long before Spenser runs into FBI agents, who have a different agenda regarding the Garcia-Ramirez. Spenser wants to stop whoever’s threatening her—as soon as possible. The FBI is more concerned with leveraging these threats into making a larger case against extremists in the region. They do agree, however, that the threats are real and the Congresswoman is in real danger.

The Hawk Storyline

In exchange for helping Spender on CGR-Duty, Hawk asks him to try to track down a woman from his past. Hawk rarely (that we see) asks Spenser for help with something in exchange for his services, so that was noteworthy in and of itself. But for him to ask for this kind of favor? Double strange.

Sadly, most of the developments in this story happen off-screen. And while there are plenty of surprises in it, because it’s so off-screen, it’s too easy to overlook what’s going on. (I honestly only remembered to write something about it just before I hit “Schedule” on this post)

Too Political?

There’s a lot of talk about Atkins making this too political (not the first time it’s been said about his Spenser novels). I can only imagine this was written by people who skipped a handful of Parker’s novels, primarily Looking for Rachel Wallace.

I say that not just because it was Parker at his (arguably) most political,* but this novel was clearly influenced by Looking for Rachel Wallace—I made note of the resemblance on page 18 (but I’d wondered about it before then), and it only became clearer as the book went on.

* Double Deuce, Thin Air, and Pale Kings and Princes jumped to mind as clearly political, too. If I let myself spend time thinking about it, I’d have no problem coming up with more.

Yes, Carolina Garcia-Ramirez/CGR, is obviously modeled on Alexandria Ocasio-Cortez/AOC. The crimes planned and attempted have similarly obvious recent real-world parallels. But this is not a book that only partisans can enjoy, if they can put up with Spenser pushing back on the stances of his Republican client in The Widening Gyre*, they can put up with this. Come to think of it, The Widening Gyre is pretty important for the background to this book.

* Oh, look, another one!

Also, if taking a strong anti-racist stance is going to get someone who’s a fan of Hawk, Bobby Horse, Chollo, and Sixkill decrying the political stance. Maybe they haven’t been paying attention to the series.

Bye Bye, Atkins

“Have you found any suspects?” Susan said.

“Nope.”

“Got any leads?” she said.

“Zip.”

“Planning on doing more than just poking around and annoying people?”

“Why mess with a winning formula?”

Alas, that’s exactly what’s going to happen—the winning formula of Ace Atkins donning the Parker mantle for this series is no more, and Mike Lupica will be taking over.

Atkins is moving on so he can write some projects of his own that he doesn’t have time for while handling Spenser. That’s absolutely understandable, and I look forward to seeing what he’s going to do. But I’m going to miss him with these characters and series—I remember being about a quarter of the way through Lullaby and breathing a sigh of relief—not only was he as good as Parker, he was as good as Parker in his prime. I thought I’d be saying goodbye to a very old friend after Parker died, and Atkins let me hang on a little longer.

I’m a little worried about the series. Lupica’s doing a good job with Sunny Randall (his last one is forthcoming this year), and isn’t bad with the Jesse Stone books. But I doubt he’s going to be as good as Atkins with Spenser. I’m hoping to eat my words, though.

So, what did I think about Bye Bye Baby?

“You think these threats could be legitimate?”

“Maybe” [Wayne Cosgrove] said. “Hell, It only takes one person. It’s just a goddamn mess to see through all the noise and bluster these days. Everyone is angry. Everyone has an ax to grind. At least in the old days, a nut had to roll a sheet of paper into the typewriter or paste together some jumbled clippings from a magazine. But now all they have to do is use a dummy email account and be done.”

“The perils of sleuthing in the twenty-first century.”

It’s a little hard separating my feelings and thoughts about this book from Atkins’ entire run with this being his last, but I’m going to try.

I don’t think this was his strongest outing—nor was it his weakest—but it was as fun as you could want. Spenser’s wit was on full power, as was his gift for observation. The mid-novel fight scene was pretty good–as were the other action scenes. The campaign staff were believable and interesting—as was CGR (although her boyfriend got on my nerves, I think by design). A lot of that story was predictable, but Atkins told it well enough that you didn’t mind—there are only so many things you can do in a story about bodyguarding someone, after all. There were also plenty of unexpected things along the way, so even if the destination was clear all along, Atkins’s route to it wasn’t.

The only sour note for me was the investigation for Hawk—it felt like Atkins had a good idea at the beginning, and just didn’t have the time to develop it as he should’ve. I do wonder if he was just setting something up for Lupica. It’s the only thing that makes sense to me.

Atkins brought out all of the major characters from his run, and many from Parker’s, for one last ride—it was great to see them before the hand-off. Atkins even made one major character move (one might say it was overdue and something that Parker should’ve done).

This would work as a jumping-on point to the series—although I can’t imagine here in book 50 that there’s anyone who hasn’t tried the series but is considering it. But more importantly, it’s one for the fans written by a fellow fan, and that audience should be more than satisfied with it.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.