Category: Authors Page 29 of 123

Catch-Up Quick Takes: The Case of the Missing Marquess; Dark Arts and a Daiquiri; Breaking Silence; Everything Happens; Based on a True Story: A Memoir; How to Resist Amazon and Why; Nothing Like I Imagined

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. This time, I’ve got a handful of 3 Star reads/listens (I don’t think I planned it that way, it just worked out).


The Case of the Missing Marquess

The Case of the Missing Marquess

by Nancy Springer, Katherine Kellgren (Narrator)
Series: Enola Holmes, #1
Unabridged Audiobook, 4 hrs., 31 min.
Recorded Books, 2008
Read: November 1, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
This is a cute read for people who like the idea of Sherlock Holmes, but aren’t that interested (or ready) in the real thing. Which may sound dismissive, but it’s not supposed to be. I can easily see why the people behind the movie(s) latched onto this character. I can also easily see why they tweaked the content of this book and expanded it for the first movie (does the second book some/all of what they used to expand?).

I don’t know that I’m going to go the distance with this series, but I can easily see going for one more dip in the pool.

Fast, amusing and pretty clever. This look at Sherlock and Mycroft’s little sister is a pleasant little book.

3 Stars

Dark Arts and a Daiquiri

Dark Arts and a Daiquiri

by Annette Marie, Cris Dukehart (Narrator)
Series: The Guild Codex: Spellbound, #2
Unabridged Audiobook, 7 hrs., 39 min.
Tantor Audio, 2018
Read: October 22-25, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
For book 2 to remove our non-magical bartender to a guild of Magic Users from the Guild Members for the majority of the book is a pretty gutsy move. I’m not sure it was the right way to go, and I’m not sure it was successful. But it was gutsy.

The story was…okay, I guess. It really didn’t do a lot for me, but the last few chapters—pretty much when Tori reunites with her friends made the whole thing worth it. And the Dresden File hat-tip was fantastic.

I’m still in on this series/group of series, but I bet when all is said and done, this’ll be the one to forget.

3 Stars

Breaking Silence

Breaking Silence

by Linda Castillo, Kathleen McInerney (Narrator)
Series: Kate Burkholder, #3
Unabridged Audiobook, 9 hrs., 21 min.
Macmillan Audio, 2011
Read: October 20-21, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Another horrific murder in Amish country. I’d love for a few books to involve other crimes in this community. I realize it’s her shtick, but a little variety could help things.

That aside—the villain of this piece is horrible and creepy, and you can feel the evil. Watching Kate and Agent Tomasetti try to figure out the motive behind the killing and the identity of the killer was a fun ride. I really do like these individually—even if I wonder about the series as a whole.

3 Stars

Everything Happens

Everything Happens

by Jo Perry
Kindle Edition, 119 pg.
Fahrenheit Press, 2019
Read: October 18-19, 2021

(the official blurb)
This starts as the story of a nurse trying to get a quickie divorce from a loser and then turns into a story of carjacking, kidnapping, attempted kidnapping, robbery, vengence, betrayal, and car chases.

Basically: just another weekend in Vegas.

I was riveted throughout, but…I couldn’t stop asking, “Why?” I’m not sure I saw the point of the whole thing—but you know what? I didn’t care, I enjoyed it too much to bother with things like that.

3 Stars

Based on a True Story: A Memoir

Based on a True Story: A Memoir

by Norm Macdonald, Tim O’Halloran (Narrators)
Unabridged Audiobook, 7 hrs., 18 min.
Random House Audio, 2016
Read: October 12-14, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
A fictionalized version of MacDonald’s memoir, it’s hard to tell what’s memoir, what’s a joke, what’s a mixture. The more obviously genuine moments are marred by their vicinity to the clearly fictional. As a book? This is a mess—a self-indulgent, erratic, mess.

But wow. This was funny—even most of what I didn’t like was funny.

Don’t go into this thinking you’ll understand MacDonald’s life, career, or humor better. Go into it expecting a strange performance art-like experience with some giant laughs and you’ll be set.

3 Stars

How to Resist Amazon and Why

How to Resist Amazon and Why:
The Fight for Local Economics,
Data Privacy, Fair Labor,
Independent Bookstores,
and a People-Powered Future!

by Danny Caine
Paperback, 113 pg.
Microcosm Publishing, 2021
Read: October 6, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
This is a no-holds barred critique (screed?) against Amazon—their business practices, the way they treat employees, the way they deal with governments, their security products…and just about everything else. It’s also a call to arms against the giant.

I have a lot of sympathies for Caine’s positions and desires—and agree with most of them. I also follow some of the practices he espouses (not as many as I want, but hey…I’m on a budget).

Still, I’m not sure the megastore is a super-villain—it may resemble one, very closely. As much as we might want it to be.

Read this—blanch at some of it—but take it with a grain of salt.

3 Stars

Nothing Like I Imagined

Nothing Like I Imagined (Except for Sometimes)

by Mindy Kaling
Unabridged Audiobook., 2 hrs., 19 min.
Brilliance Publishing, 2020
Read: October 1, 2021

(the official blurb)
I really enjoyed Is Everyone Hanging Out Without Me? (And Other Concerns) and Why Not Me?—this has the same kind of humor—and the audio versions of all three are equally charming.

But I don’t know, this seemed lifeless? Sweet and genuinely funny, but it left me wanting a bit more. I don’t think it was just the length, either.

3 Stars


This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Love & Bullets: Megabomb Edition by Nick Kolakowski: A Supersized Fast, Fun, and Bullet-Ridden Adventure

I somehow unpublished this last night—so here’s a fresh copy…

Be sure to check out the Q&A with the author

Love & Bullets: Megabomb Edition

Love & Bullets: Megabomb Edition

by Nick Kolakowski
Series: Love & Bullets

eARC, 300 pg.
Shotgun Honey, 2021

Read: November 8-12, 2021

A Little Background

Regular readers of this blog should recognize the name Nick Kolakowski, a couple of years ago I talked about a trilogy of novellas he wrote: A Brutal Bunch of Heartbroken Saps, Slaughterhouse Blues, and Main Bad Guy. Next week, these novellas, along with some additional material to tie them together and add a little something extra, are being published as one novel (you can read a bit about the circumstances behind that in the Q&A we did).

What’s Love & Bullets About?

Bill’s a con artist, a hustler with a hint of tech-savvy (and the sense to employ someone savvier) who has gotten comfortable doing small-time work for the Rockaway Mob. An encounter with a similar grifter delivers a swift, spiritual kick to the head that alters his reality and he decides to get out of the business and retire somewhere far away. After he helps himself to a sizeable amount of money from the Mob.

Unsure of his girlfriend’s intentions or loyalty, he doesn’t tell her or bring her along. This is an understandable move, but also a bad move, because she’s an assassin for the Rockaway Mob and one of the few that is sent after him. Fiona’s in a forgiving mood when she catches up to him (probably helped by the fact that she’s fairly incapacitated at the time and can listen to him). The two of them extricate Bill from some trouble that he stumbled into in Oklahoma on the way to the southern border, take care of a couple of other Rockaway employees, and head to Central America for a quieter life.

Which absolutely doesn’t work for long—they find themselves indebted to another criminal organization and the Rockaway Mob isn’t done with them, either. So we get to travel with them as they narrowly escape death in Nicaragua, slip away from a garotte (or worse) in Havana, and get into a much more hazardous situation or five back in New York.

The Rockaway Mob

Every named character, with one exception, in this book is a criminal (the overwhelming majority of unnamed characters, too). So you really can’t say something about “bad guys”*—it’s protagonists and antagonists, and maybe an ally or two.

* Difficult, but not impossible, the third novella was called Main Bad Guy, after all—although there are a couple of candidates for that title.

The main antagonists for Bill and Fiona are the Rockaway Mob. The Rockaway Mob is a wholly modern take on organized crime. There’s no family history, no tie to an ethnic/national origin overseas, nothing that Scorsese or Coppola would make a movie about. Instead, they’re a conglomeration of shady businessmen (and an academic) who started working together and then turned things up to 11.

A handful of hitmen are brought in by the Rockaway Mob to take care of Bill (and, later, Fiona)—some are more colorful than others (and at least three of them could make great main antagonists in any number of PI/Police Procedural novels). But all of them pale to the academic who finds himself leading the Mob (at least as far as we see), he goes by The Dean.

He’s an annoying, pretentious, fastidious man with the kind of vocabulary that people notice. Nothing about him suggests criminal—of any variety, much less an organized crime head. But when you see him with his temper flaring, when he’s pushed to the limit? Well, there’s a beast under all that civilization…I could easily read more about The Dean at the drop of a hat.

The New Material

Not unlike Boyd Crowder when they decided to turn Justified into a series, someone who was killed in the original story has their fate changed in the new material. Also like Boyd Crowder, keeping them alive and running around made the whole thing a lot more interesting.

It’s a little tricky to describe, without spoiling something for new—or old—readers. But I had a suspicion about who survived—and was very happy when I discovered I was right. I’d really started to enjoy the character when they’d been killed, and getting to see them in action some more was a real treat.

It’s hard to describe the new arc for that character—it’s not really a redemption arc (although it’s adjacent to one). It gets to show them in a slightly different light than we saw originally, but the effects from the events surrounding their initial appearance definitely leave their toll on their psyche, if not their health.

I loved the new material—I wouldn’t have minded a little more, but I didn’t need it to be satisfied. It fit perfectly into this world but was so unlike the original material that it felt even fresher than it was. Definitely worth reading the new edition just for it (but really, the whole thing in one package is justification enough)

Reading the Megabomb Version

It’s been years since I read the original trilogy—January of 2019—so my memory for the details is a little hazy. Sure, most of it came back right away—but I will admit to checking with my hard copies of the originals to see if I’d forgotten something if was new or not a couple of times.

But without the pressure of wondering what was going to happen to Bill and Fiona, I was able to soak in some of the other details that I’d just glanced at before. This was as rewarding as I’d hoped—particularly with the second novella’s material, I didn’t initially rate it as highly as the other parts and I think that was a mistake.

The important thing to take away from the rereading process (at least for me) is that it totally holds up to a re-read.

So, what did I think about Love & Bullets?

I struggled the first time around, and I’m struggling now to capture the feel of this book. When I wrote about, Main Bad Guy, I said, “This is the literary equivalent of a Martin McDonagh film (when he’s in a more playful mood)—or, if that doesn’t work for you, think Fargo meets Tarantino, but not as long-winded.” Which isn’t bad (and I’d forgotten I mentioned McDonagh, which is really apt)—this time I’m going to add that it has a Shane Black, but more violent, feel. Maybe if you average the two comments—and throw in what I said about the first novella “think Edgar Wright action scenes, but more lethal.”

Even as the 300-page Megabomb it is now, this is a fast-moving thrill ride. It’s funny. It has occasional moments of sweetness (very transient). The story and characters are visceral—you can see the action, you can practically hear Bill’s quips and feel Fiona’s patience evaporating at them (while she does love him for them). It will get a much-beloved (or much-disparaged) band’s music stuck in your head during one fight scene. Really, it covers almost all the senses—and given where they spend a lot of time, you’ll be glad it leaves the other two out.

Has Kolakowski written novels/stories that are technically better? Probably. Has he written something with greater entertainment value? Nope. Love & Bullets is just a blast from the opening lines through to the final image. Be sure you don’t miss it.

Disclaimer: I received a copy of the novel from the author in exchange for this post and my honest opinion, and I thank him for that, but it did not affect my opinion of this work.


4 1/2 Stars

A Few Quick Questions with…Nick Kolakowski (2021 edition)

I’ve given up trying to come up with titles for these, this is the fifth Q&A I’ve done with Nick Kolakowski. I’m going to revert to tracking them with years. The focus this time is on Love & Bullets: Megabomb Edition, that I’ll post about sometime today–you’re going to want to get your hands on it’s a lot of fun. In the meantime, I hope you enjoy the Q&A:


You address this in the Introduction to Love and Bullets: Megabomb Edition, but can you give a thumbnail version of the choice to combine the novellas into a novel?
I never intended to combine them—at least at first. But Suhrkamp Verlag, which is a pretty sizable German publisher, approached Down & Out Books and Shotgun Honey about doing a combined, translated edition. That hefty book proved a solid success in Europe when it came out in 2020, which inevitably led to thoughts of doing a combined, English edition over here.

I think most writers, when given the opportunity to tweak their work, will take it. In fact, they might take the opportunity a bit too far. I started out envisioning some minor alterations—akin to what we did with the German edition, mostly to clean up some timelines—and ended up steering hard into a full-on rewrite. And that, I found, was pretty good for the soul.

To create this version, you include, “a change in a major character’s fate that ripples throughout the narrative.” I was pleased once I saw who that character was, and I really enjoyed the new material (and it felt seamless). Was that a choice that leapt immediately to mind when you started thinking about this version, or was there a little bit of struggle to decide what kind of new material to put in this edition?
Yes! Bringing that character back was the first thing I wanted to do. His voice had always poured out so effortlessly, and I came to regret killing him off as quickly as I did. Plus, taking him on a cross-country journey, then setting him up for a bit of third-act revenge, nicely added to the overall page-count—I wanted to give a lot of new material to anyone who’d read the novellas before, and was potentially wondering what they might get out of picking up the combined edition.

Knowing how things ended up allowed me to focus a bit more on details of the book—I wasn’t racing to see what happened next. One of the things I wished I’d paid more attention to the first time was the descriptions of the artwork in the gallery in Slaughterhouse Blues. Your descriptions of them function really well as either a satire of contemporary art or a positive depiction of it (depending on the inclination of the reader, I suspect). Were any of those works inspired by actual works you’ve seen? Or did you just sit down and have fun with the idea?
Like so many of the things I write about, all that art was pulled from real life. In New York City’s Chelsea neighborhood, there used to be a string of warehouses near the West Side Highway that housed small galleries, and those galleries were filled with new art on what felt like a monthly basis (most of those galleries have been replaced by ultra-expensive condos, which is the way of NYC, I guess). When I was younger and broke, it was fun to grab a group of friends and head down there and drink free wine and view whatever was on display and selling for an absurd amount of money. Some of the art was quite good, and some of it was dreck so memorable it stayed in my head for years, just waiting to be translated into fiction.

I love a lot of modern art but it’s stunning what will sell for the cost of a new Tesla. I seriously suspect that money laundering is involved. Or very expensive favors between friends. It’s something I’d love to write about someday but haven’t quite come up with the time to invest in it.

I could come up with three or four questions about every supporting character in this book, but neither of us has that kind of time, so let’s focus on The Dean. He’s a both a comic figure (in mannerisms, vocabulary, etc.) and a violent criminal that should not be underestimated. How hard is that balance to strike (although, for this novel, it’s par for the course, so maybe no harder than any other). Where did The Dean come from?
I felt like too many books featured criminals who’d been born into the lifestyle. You read lots of thrillers with assassins who’d been taught the killing arts since birth, and/or were raised in a family or culture where criminality was as natural as breathing. I’d always wanted to construct a villain who was almost a criminal against their better instincts, someone who saw it as a way to make good money but who found it so stressful he basically woke up on the trembling edge of a coronary every day of his life.

With The Dean, having as a comic foil was also key. But as I wrote the novellas, I began to realize that his stress was also what made him dangerous—he prided himself on his rationality, but once his blood pressure skyrocketed past a certain point, he lost all control. When I was deep in the rewriting, I thought about extending his arc a bit, maybe giving him a bit more explicit backstory; but with villains, sometimes less is truly more.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like Love and Bullets?
Definitely Winslow’s Savages, which is a masterpiece of splattery, slapstick violence that also has real consequences. I feel like people who loved Anthony Bourdain’s snarkiness in Kitchen Confidential and Medium Raw would get into the tone of this one. Anyone who liked Frank Miller’s Sin City series would probably dig the action.

As usual, I’ve got to ask, what’s coming down the pike? Are you far enough into your next book to talk about it?
Right now I’m working on a novel-length sequel to “Love & Bullets,” which is set in Manhattan during a hurricane. I’m about a quarter of the way through writing it, and that’ll primarily be aimed at the European market. After that, I want to write a culinary-themed noir, but I’m still very much in research mode—I’ve been reading a lot of Anthony Bourdain and Bill Bufford, but also Kem Nunn’s Tapping the Source, which is a big inspiration for it. We’ll see how that goes.

Thanks for your time—and thanks for this fresh look at Bill and Fiona! I hope this version of their story finds a lot of new readers.
I do, too!


PUB DAY REPOST: Dead Mercy by Noelle Holten: An Apt Title for A Grim Thriller

Dead Mercy

Dead Mercy

by Noelle Holten
Series: DC Maggie Jamieson, #5

eARC, 416 pg.
One More Chapter, 2021

Read: October 4-5, 2021

What’s Dead Mercy About?

The closing chapter of Dead Secret set this up (as Holten is so good about doing): a business has gone up in fire and a body has been found inside—possibly the body of someone Maggie’s worked with in Probation. From the start, this case has its hooks in Maggie.

It’s soon decided that the body was the source of the fire—and before the victim had been set ablaze, he’d been restrained and had teeth pulled. The killer had wanted to punish him, not just kill him.

Soon another victim is discovered—and the team has to race to find a connection so they can prevent anyone else from suffering this fate.

When the link is finally discovered, it suggests potential new victims as well as several suspects. It also shines a bright light on a striking failure of the criminal justice system.

Bethany and Kat

Back when I talked about Book 3, Dead Perfect, I wrote that they were overworking PC Bethany Lambert, “Miscellaneous errands, thankless tasks, things requiring technological expertise, and more fall to her. I lost track of how many things Maggie threw her way to do—on top of her own assignments. I have multiple notes about how they’re working this woman to death.” They’ve yet to let up on her—however, it’s talked about both as the way she likes to work and as something other people are concerned about. This is efficiently done—the characters around her get to be observant and sympathetic, and they can continue to throw too much work at her so Holten doesn’t have to create 2-3 more characters to keep the stories moving at that pace.

Dead Perfect was also where DC Kat Everett was added to the team—she’s better integrated into the action over the last couple of books now and I really enjoy her. I’m ready to read a spin-off series focusing on her now, either in her same assignment or transferred somewhere. Her brashness would make for a fun protagonist (not that Maggie isn’t brash, but hers is a side-effect of her impetuousness).

A Refreshing Approach

With most police procedurals you get the maverick, lone-wolf detective—maybe with a couple of people they trust. Or (particularly with UK-based procedurals), you get a focus on a detective squad. With the Maggie Jamieson books, we get a good look at her squad, probation services, and other social services.

Not just as a drop-in for a convenient bit of information, either. But characters that matter, there’s interconnectedness between the groups and it’s good to see the flow of information (formally, informally, unauthorized) informing the investigations. I like seeing that approach, and I like to think it reflects reality far more than any lone-wolf thumbing their nose at regulations.

Although, the pathologist still seeming to hold a grudge over one of her staff being (justifiably) questioned a while back seems to be petty. Which, so it’s not all super-professional and mutually helpful.

Let’s Hope This Is Fiction

Not every author spends too much time on the motivation behind the killings, but an author that gives a believable motivation separates their work from the pack. This is another of those areas that Holten excels in.

Yes, this is a work of fiction. Yes, things are heightened. But when you read this, there’s going to be a voice in the back of your head saying, “I could see that happening.”

Not only that, there’s a pretty good chance that you’re going to be a little conflicted about the crimes. Odds are, you’re not going to be hoping that Maggie and her team fail, or that the killer (killers?) gets away with it. Buuuut…once you understand the motive pushing the killer(s), you may not feel that bad about what happens to the victims.

So, what did I think about Dead Mercy?

Holten’s got this down now—the characters and world are well established, as are the relationships in them. Despite the relatively brief chronology between books 1-5, there’s been some decent character growth on several points, too. So a new Maggie Jamieson thriller is a chance to spend some time catching up with new acquaintances while getting to go for a pretty intense ride as those acquaintances try to stop a brutal killer.

Okay, maybe that’s not the ideal way to catch up and check in on anyone, but it’s a pretty exciting read.

Crime Reads had that piece a couple of weeks ago discussing “all crime is cyber crime,” which was ringing in my ears as I read this. This very visceral series of murders is evidence to support that thesis—cyber-policing wasn’t enough to stop the series, either, but it played its part. Holten’s always been good at balancing the computer-work and the boots-on-the-ground policing but might have outdone herself here.

The accent does fall on the physical world, of course, given the nature of the crimes. If your stomach doesn’t church a little at the description of the murders (likely both as they’re happening and as the pathologist breaks them down), you’re made of pretty stern stuff. Thankfully, Holten’s narration doesn’t ever seem to relish in the disturbing details as too many do.

Basically, this is a top-notch thriller with a lot for the reader to chew on as they’re burning through the pages.

It does appear that this is going to be the last Maggie Jamieson book–at least for a while. I’m hoping it’s just a break, and we get back to Maggie and the rest of the Major and Organised Crime Department soon. If not? These five books are a great set and I (again) strongly recommend them to you.

Disclaimer: I received this eARC from HarperCollins UK via NetGalley in exchange for this post — thanks to both for this.


4 Stars

All Together Now by Matthew Norman: Robbie Malcolm’s Living Wake

All Together Now

All Together Now

by Matthew Norman

Hardcover, 272 pg.
Ballantine Books, 2021

Read: July 28-30, 2021
Grab a copy from your local indie bookstore!

The thing about old friends: they’re really more like siblings.

You can be pissed at your siblings. They can betray you in untold ways, hurt, offend, and infuriate you. You can briefly hate them to their damaged cores. But they’ll always be your brother or your sister, right? Whether you like it or not.

What’s All Together Now About?

It bugs me when this happens, but every attempt I’ve made at this part ended up convoluted, inadvertently snarky, or like a watered-down version of the publisher’s description. (which, I should add, is why this is so belated) So, let me just borrow theirs:

At just thirty-five, reclusive billionaire Robbie Malcolm is a renowned financial prognosticator, a celebrated philanthropist, and a mathematical genius. Also, he’s dying, which is a fact he’s carefully concealing from the world.

As he takes stock, Robbie realizes that his wealth means nothing if he can’t help the people who matter most. So he invites his oldest friends—Blair, Cat, and Wade—to their beloved Fenwick Island on the coast of Delaware to share his secret and to reveal plans for each of them that he believes will change their lives forever.

However, Robbie isn’t the only one with secrets. The bonds the friends formed as teenagers still exist, but adulthood has brought a whole new set of complications, like unrequited loves, marriages on the brink, and so much unfulfilled potential. Robbie’s plans may look good on paper, but are they any match for the utter disaster that is real life?

As everything comes to light over a wild weekend full of surprises, Robbie learns there are still some things money can’t buy, and a group of friends who thought their best years were behind them realize just how much they have to look forward to.

I’d considered spending time talking about the four primary characters, their circumstances, the pluses and minuses of the characters and plot, and so on—the stuff I typically talk about. But that’s really best experienced for yourself, you need to let the novel introduce them, or it’d ruin the whole thing. With this book, it’s not about spoiling the plot, it’s about spoiling the characters, and I don’t want to do that.

So, what did I think about All Together Now?

There’s a lot of funny and/or thoughtful material about writing, maturing, parenting and whatnot. There’s some great stuff—pro and con*—about The Beatles. But the heart of this novel is friendship—especially the kind that starts pre-adulthood and follows you all your life in one form or another. And when the focus is on friendship—the ups and downs, the betrayals (intentional or inadvertent), the forgiveness, the loyalty, the love—it’s great.

* Yes, con. Some people just want to watch the world burn.

When the focus is on the other stuff? It’s pretty good.

Overall, this felt like a fun daydream of a novel—what if I had a mega-rich friend who wanted to help me fix my life (whether I wanted them to or not)? But I wanted something more out of Norman, I expected something meatier, something more substantial—neither of those adjectives are adequate, but it felt like something was missing.

I enjoyed it and appreciated it, but not as much as I felt like I should. And then I read the penultimate chapter. I distinctly remember sitting in my car before work, trying to finish the book and hitting that chapter—and being on the verge of tears for most of it (maybe teetering over the edge). Slyly, sneakily, Norman had wormed these characters into my heart—whatever I thought I was missing was there without me noticing.

And then I had to go into work, leaving the last chapter for 8 hours and a commute home later. Then again, when I read the final chapter (which is sort of an epilogue), there I was again—on the verge. Had my timing been better and I’d read the two chapters together, I’d have been a real mess.

A fun, breezy read with an emotional ending—Norman delivered just what the premise promised. You’ll wish you had these people as friends, and you’ll be glad for the time you had with them.


4 Stars

20 Books of Summer '21

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Opening Lines—Love & Bullets: Megabomb Edition by Nick Kolakowski

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit. This is one of the better openings I’ve read recently (it’s technically a reworking of a work I’ve previously used for one of these, it’s just as good the second time). Would it make you commit? How can you not?

Listen.

At some point, a poor sap will look at you and say, “This is the worst day of my life.”

But as long as you have breath in your lungs to say those words, you’re not having your worst day. You haven’t even hit rock bottom, much less started to dig. You can still come back from a car wreck, or that terrifying shadow on your lung X-ray, or finding your wife in bed with the well-hung quarterback from the local high school. Sometimes all you need to solve your supposedly world-ending problems is time and care, or some cash, or a shovel and a couple of garbage bags.

If you see me coming, on the other hand, I guarantee you’re having your worst day. Not to mention your last.

Let me show you how bad it can get. How deep the hole goes. And the next time your idiot friend says something about worst days, as the two of you stand there watching his house burn down with his pets and one-of-a-kind porn collection inside, you can tell him this story. It might even shut him up.

Let me tell you about Bill, my last client.

from Love & Bullets: Megabomb Edition by Nick Kolakowski

Gated Prey by Lee Goldberg: Starts Off with a Bang and Doesn’t Let Up

Gated Prey

Gated Prey

by Lee Goldberg
Series: Eve Ronin, #3

Kindle Edition, 255 pg.
Thomas & Mercer, 2021

Read: October 26-27, 2021
Grab a copy from your local indie bookstore!

“The people who live in these places think the gates protect them from all the crime and misery that’s out there, but it doesn’t. It just locks them in with it.”

“You think whatever happened came from within the gates?”

“I don’t know where it came from, that’s your job. But I’m sure there’s as much evil inside these gates as there is outside of them. Maybe more.”

What’s Gated Prey About?

LASD Detectives Eve Ronain and Duncan Pavone are in the midst of a sting operation when the novel opens—to trap a home invasion team, the pair are pretending to be a well-moneyed couple who’d make pretty easy marks to lure the team in. They go out daily to shop a little—making sure to flash a lot of cash—and then go back to their McMansion in a gated community to wait. Duncan’s loving the excuse to sit around all day and watch movies, while it’s driving Eve crazy to not be active.

The LASD has tried traditional investigational methods, but they just haven’t worked—no one can figure out how the team is getting past the security gates, much less who they are, and how they select their targets.

The trap works and the LASD chalks it up as a win. But Eve’s uncomfortable with the number of questions (and possible accomplices) that remain about it. Also, there are indications that Eve still has enemies within the department—and they might have prevented backup that Eve and Duncan needed from acting to keep them safe.

That’s not the only crime Eve and Duncan encounter behind the protective gates—while trying to close the home invasion case, the pair pick up another assignment. It’s not covered in the publisher’s description, and I’m not sure how to talk about it without giving away too much. So let’s just say that it will underscore that “Maybe more” from my opening quotation.

Eve Off-the-Clock

“You’re doing it again,” Duncan said.

“Doing what?”

“Obsessing over your case to the point of exhaustion. You need a life and some sleep. You can’t physically, mentally, or emotionally sustain being relentless.” “

I’m only doing it now because we’ve got a ticking clock on this one.”

“You’ve done it on every case we’ve had.”

“You make it seem like years. We’ve only been working together for a few months. It hasn’t been that long.”

But like Duncan, readers know if the two had been working together longer, she’d be doing the same thing. This is not a good way to live—it’s not healthy, and if Eve doesn’t learn how to take her foot off the gas, she’s going to burn out or make some big mistakes—likely both. But this is the kind of character I love reading about. Yes, I do hope that she learns how to balance things a bit—for the sake of character development, I think it’d be interesting. But until she does? I’m going to love watching her burn herself out.

Eve spends so much time working over the course of the novel that there’s almost no time for anything but her work. We do get to see most of Eve’s family, but very briefly—and the most we see is of her sister, thanks to Lisa’s work in the ER. I’d have liked a bit more time with her, she humanizes Eve, but that’s not always possible in every book.

Conversely, I thought it was good to have a scaled-down presence of Eve’s mom (especially with Eve’s agent being able to carry the water of “supporting character annoyingly-fixated on the superficial”). I find Jen an amusing and important part of the series, but man, a little of her goes a long way.

Duncan “Dunkin’ Donuts” Pavone

I’m not sure if I should use the nickname in that section header, I’m not sure if Goldberg used it this time. But, eh, I like it. I made so many notes while reading that were variations of “love this character.”

While he remains the wise and largely-comic-relief figure he’s been, there’s a darkness to Duncan we haven’t really seen before, expressed in a couple of different ways. There’s a certain invulnerability that his fast-approaching retirement date gives him that allows him to give this side a free rein—Duncan notes repeatedly that his career is over, he has nothing to lose. I really wouldn’t want him as an enemy (not that I want any, I have to say, but really not him).

We also get some insight into his reason for retirement—one of those things I hadn’t questioned. He was introduced to us in Lost Hills as being on the verge of retirement, and that’s just how I’ve thought about him. But now I want to know more about what got him to this point.

She’s Still Learning

Eve’s only been a homicide detective for a few months, and she still has a lot to learn. Not just the lessons that Duncan’s trying to teach her about overworking and getting along with colleagues.

But she’s still learning how to be a detective—she doesn’t know basic routines and procedures. She embarrasses herself in front of a morgue attendant and in an autopsy—nothing horrible, just the kind of stumbling people make when they’re new at something. Some of what she does within the Sheriff’s department is a little more than embarrassing—and will likely come back to haunt her, but again, that’s realistic growing pains.

It’s not often that we get to see this kind of thing in police procedurals—especially with the central/titular character. And this approach is a treat.

So, what did I think about Gated Prey?

“…I just got lucky.”

Duncan leaned against the wall and looked at her. “It isn’t luck, Eve. It’s instinct. You’re a natural at this. What you haven’t learned yet is how to do it without making enemies.”

I’ve gone on too long at this point—and there’s so much that I still wanted to talk about: the ongoing role of the media (both news and entertainment) in Eve’s life and career—not to mention at least one fellow detective; the politics within and outside the LASD and how that impacts their investigation; personnel changes within the Department; and racial and economic prejudices that the security gates seem to magnify.

Also, while Duncan (especially) and Eve have always seemed to have some fun meals—there are three references to food that almost induced a between-meal DoorDash order on my part. Don’t read this on an empty stomach, folks.

Great characters all around, a couple of gripping cases, and a breakneck pace—all par for the course for this series. If you haven’t jumped on the Eve Ronin train—now’s the time. I literally organized my reading schedule the last couple of weeks so that I could start this as soon as it was delivered to my Kindle, and it was worth it. You want to get your hands—and eyes*—on this, readers.

* Or ears, come to think of it, Nicol Zanzarella does a great job with the audiobook narrations for these books.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Daughter of the Morning Star by Craig Johnson: A Cheyenne boogeyman, A Recalcitrant Teen Sports Star, and a Wyoming Sheriff

Daughter of the Morning Star

Daughter of the Morning Star

by Craig Johnson
Series: Walt Longmire, #17

Hardcover, 322 pg.
Viking, 2021

Read: September 28-29, 2021
Grab a copy from your local indie bookstore!

“Everybody thinks the dead of the night is the scary time, but it’s not. The time of danger for the living is the time of change, from day into night or night into day, when the world isn’t sure what it is or what it wants to be.”

What’s Daughter of the Morning Star About?

Midway through the last novel, Next to Last Stand, Walt and Henry stop by a High School Girl’s Basketball game to watch Lolo Long’s niece, Jaya “Longshot” Long, do what she does best. But they don’t stop by to enjoy the game, really, they’re there because Lolo wants help. Jaya’s been receiving death threats and there’s only so much an aunt can do (even if that aunt is a Tribal Police Chief).

This is where we pick up now—the threats are real, repeated, and don’t seem to be a prank. Adding to the danger is the fact that Jaya’s older sister disappeared the prior year under suspicious circumstances. There’s no need to think the two are linked, but Walt has to consider the possibility.

If nothing else, Lolo hopes that bringing Walt into the investigation(s) will draw attention to him—he tends to get people watching and talking about his escapades, and hopefully, his involvement will get enough people interested in what’s going on to generate some leads.

There are plenty of suspects—on the reservation and off—for both the threats and the disappearance, so Walt and Henry have their hands full.

A Recurring Question

“I’m sorry, but I don’t believe in the things you believe in, Henry.”

He nodded. “I know that, but I respect your belief in humanity, if for only one reason.”

“What’s that?”

“It makes you very resolute.”

“Is that a compliment?”

“Sometimes.”

There is a strong possible supernatural thread running through this novel. I’m not going to do justice to explaining the particular spirits that are suspected to be at work in this book, but there’s a real sense of hazard around them. And a lot of what Walt encounters during these events cannot be easily explained by something other than a spiritual force.

Of course, this isn’t the first time that this concept has been explored in the Longmire books. I don’t have hard numbers on it (I expect someone on the Internet does), but I’d guess that it’s a little less than one-half of them that feature this in a significant way.

And for all his protesting (see above), I’m not so sure that Walt doesn’t believe most of what Henry does. If your actions are an expression of your beliefs, he sure seems to. Not simply his actions over the course of this novel, there’s just about every other novel in the series—look at everything involving Virgil White Buffalo, for example (but there are several other pieces of evidence). Given both his background, what his wife believed, and his lack of knowledge about the details of Cheyenne beliefs, I can believe that Walt’s hesitant to claim that belief, but he sure does walk the walk.

Of course, there’s this observation Walt makes:

Funny how your attitude about spirituality could change when the chips were down.

A Sobering Beginning And Unfortunate Coincidence

In the midst of all the media coverage surrounding the search for Gabby Petito this summer, one of the things I frequently saw was people listing the statistics surrounding the numbers of missing Native American women every year.

The Acknowledgements in the front of this book listed similar statistics regarding missing and murdered Native American women, which are partially where Johnson drew the idea for this novel from. These numbers are repeated in the text itself, too.

This isn’t the first time that Johnson has used Walt’s case to comment on something in the news (or something that should be), but an accident of timing made this novel particularly germane.

Missing Friends

The downside to a Longmire book that takes place outside of Absaroka County is that most of the Sheriff’s department and the residents of Durant aren’t in the book. We didn’t get Sancho, Ruby, or Lucian (for example). And Vic was largely absent as well—but was well used for little time she was around.

I get the need to have Walt do things outside of Durant/Absaroka County to prevent Durant from becoming Murder Central, U.S.A. (it’s likely the most murder-filled town/county in Wyoming), but I really wish it didn’t involve leaving so many of the characters out of the books.

Here’s hoping that #18 brings them all back.

So, what did I think about Daughter of the Morning Star?

I thought some of the basketball material in the book (particularly the further in the novel we got) was a little eye-roll-inducing. It was just too much for a cynical guy like me. But somehow Johnson made it work.

There’s a lot said about hope in Daughter of the Morning Star–mostly about its absence. But, as hope tends to do, it shows up in the unlikeliest of places and in the midst of the darkest times. When this book is finished, there’s no happily ever afters promised (as usual for this series), but there’ve been moments of triumph, and maybe a dawning of hope for some.

This is really the most entertaining Longmire book in quite a while. When Johnson is on his game, he’s great. And that’s what we got here. Readers new and old will find a lot to be satisfied with here.


4 Stars

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Happy Birthday, Archie!

My annual tribute to one of my favorite fictional characters (if not my all-time favorite). I’ve got to do an overhaul to this soon, but it is slightly updated and tweaked from last year.

On Oct. 23* in Chillicothe, Ohio, Archie Goodwin entered this world—no doubt with a smile for the pretty nurses—and American detective literature was never the same. He’s the narrator (and, I’d argue protagonist) of the questionably named Nero Wolfe mysteries. While the eccentric and overweight genius might be what brings people to the series, it’s Archie’s wit, attitude, and snappy narrative voice that brings people’s back.

* About 34 years ago, no matter what year it is that you read this.

When my aunt first gave me a Nero Wolfe book to read, she sold me on the Wolfe character, but when I read it, I wasn’t so sure that I liked the guy. But his assistant? He was cool. Sure, it didn’t take me long to get into Wolfe, but Archie’s always been my favorite. Since I was in Middle School, if I was suffering a slump of any kind (reading, emotional, physical), time with Archie Goodwin could get me out of it. There were a few years that when I got sick, I’d grab a Nero Wolfe novel to help me get through it (along with the Vitamin C and Chicken Noodle soup), and you can’t tell me it didn’t work. Noted critic Jacques Barzun says it well:

If he had done nothing more than to create Archie Goodwin, Rex Stout would deserve the gratitude of whatever assessors watch over the prosperity of American literature. For surely Archie is one of the folk heroes in which the modern American temper can see itself transfigured. Archie is the lineal descendant of Huck Finn.

While Archie’s about as far from a teetotaler as you can get, to commemorate his birthday, I’m toasting him in one of the ways I think he’d appreciate most—by raising a glass of milk in his honor.

Who was Archie? Archie summed up his life like this:

Born in Ohio. Public high school, pretty good at geometry and football, graduated with honor but no honors. Went to college two weeks, decided it was childish, came to New York and got a job guarding a pier, shot and killed two men and was fired, was recommended to Nero Wolfe for a chore he wanted done, did it, was offered a full-time job by Mr. Wolfe, took it, still have it.” (Fourth of July Picnic)

Long may he keep it. Just what was he employed by Wolfe to do? In The Black Mountain he answers the statement, “I thought you was a private eye” with:

I don’t like the way you say it, but I am. Also, I am an accountant, an amanuensis, and a cocklebur. Eight to five you never heard the word amanuensis and you never saw a cocklebur.

In The Red Box, he says

I know pretty well what my field is. Aside from my primary function as the thorn in the seat of Wolfe’s chair to keep him from going to sleep and waking up only for meals, I’m chiefly cut out for two things: to jump and grab something before the other guy can get his paws on it, and to collect pieces of the puzzle for Wolfe to work on.

In Too Many Women, he’s a bit more concise and describes himself as the:

heart, liver, lungs and gizzard of the private detective business of Nero Wolfe, Wolfe being merely the brains

In Black Orchids, he reacts to an insult:

…her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no one can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.

Over at The Thrilling Detective, he’s described this way:

If Goodwin hadn’t gone to work for Wolfe, he’d certainly have his own agency by now (and temporarily does, in one novel). Far more of the traditional eye, Goodwin is a tough, handsome guy with a photographic memory, a .32 under his well-tailored suit (and sometimes an extra .38 in his overcoat pocket), and a well-developed appreciation for the ladies. And, in the opinion of more than a few cops, officials and stuffed-shirt executives, a mouth that ought to be nailed shut permanently. (Wolfe isn’t immune either – part of Goodwin’s job, as he sees it, is needling the fat man into taking cases, if only to make sure the bills get covered.) He’s not the deductive genius that Wolfe is, but a smart and tenacious op with a good right hook, and a decent and personable man. Most of all, in his narration of the books, he’s a helluva storyteller; it’s his view of the world, and his interaction with Wolfe, that keeps us coming back for each new mystery.

The Archie Goodwin FAQ is less succinct but does a good job of laying out the facts.

I’m not the only Archie fan out there:

  • Someone pointed me at this post, The Wit and Wisdom of Archie Goodwin. There’s some really good stuff here that I was tempted to steal, instead, I’ll just point you at it.
  • Robert Crais himself when writing an introduction to a Before Midnight reprint, devoted it to paying tribute to Archie—one of the few pieces of anything written that I can say I agree with jot and tittle.

In case you’re wondering if this post was simply an excuse to go through some collections of Archie Goodwin quotations, you wouldn’t be totally wrong…he’s one of the fictional characters I like spending time with most in this world—he’s the literary equivalent of comfort food. So just a couple more great lines I’ve quoted here before:

I would appreciate it if they would call a halt on all their devoted efforts to find a way to abolish war or eliminate disease or run trains with atoms or extend the span of human life to a couple of centuries, and everybody concentrate for a while on how to wake me up in the morning without my resenting it. It may be that a bevy of beautiful maidens in pure silk yellow very sheer gowns, barefooted, singing “Oh, What a Beautiful Morning” and scattering rose petals over me would do the trick, but I’d have to try it.

I looked at the wall clock. It said two minutes to four. I looked at my wrist watch. It said one minute to four. In spite of the discrepancy, it seemed safe to conclude that it would soon be four o’clock.

Description:I shook my head. “You’re flattering me, Inspector. I don’t arouse passions like that. It’s my intellect women like. I inspire them to read good books, but I doubt if I could inspire even Lizzie Borden to murder.”

She turned back to me, graceful as a big cat, and stood there straight and proud, not quite smiling, her warm dark eyes as curious as if she had never seen a man before. I knew damn well I ought to say something, but what? The only thing to say was ‘Will you marry me?’ but that wouldn’t do because the idea of her washing dishes or darning socks was preposterous.

“Indeed,” I said. That was Nero Wolfe’s word, and I never used it except in moments of stress, and it severely annoyed me when I caught myself using it, because when I look in a mirror I prefer to see me as is, with no skin grafted from anybody else’s hide, even Nero Wolfe’s.

If you like Anglo-Saxon, I belched. If you fancy Latin, I eructed. No matter which, I had known that Wolfe and Inspector Cramer would have to put up with it that evening, because that is always a part of my reaction to sauerkraut. I don’t glory in it or go for a record, but neither do I fight it back. I want to be liked just for myself.

When a hippopotamus is peevish it’s a lot of peeve.

It was nothing new for Wolfe to take steps, either on his own, or with one or more of the operatives we used, without burdening my mind with it. His stated reason was that I worked better if I thought it all depended on me. His actual reason was that he loved to have a curtain go up revealing him balancing a live seal on his nose.

It helps a lot, with two people as much together as he and I were, if they understand each other. He understood that I was too strong-minded to add another word unless he told me to, and I understood that he was too pigheaded to tell me to.

I always belong wherever I am.

Junkyard Bargain (eBook) by Faith Hunter: Sometimes getting what you want is painful

Junkyard Bargain Banner

Junkyard Bargain

Junkyard Bargain

by Faith Hunter
Series: Shining Smith, #2

eARC, 166 pages
Lore Seekers Press, 2021

Read: October 16-18, 2021


Back in March, I talked about this as an Audible Original. And I’m going to borrow from that, but the eBook is a different experience, so we’ll talk about that a little bit, too.

The Law was uncertain. Vengeance wasn’t.

What’s Junkyard Bargain About?

Shining Smith needs to gear up and improve her weapons and armor if they’re going to take on the task they have ahead of them. This means traveling to Charleston, and selling some of the junk from her scrapyard, and making the right deals.

Standing in their way are rival bike gangs, corrupt police, sex slavers, and random other criminals. Whatever else happens—Shining isn’t going to allow those slavers to hang on to their captives (and likely won’t let them hang on to their lives, either). She needs to avoid the police, strike careful deals with the gangs, and survive the rest—all the while she’s noticing changes in her cats and expands the control Shining’s won enhancements have on those closest to her.

It’s really hard to explain without pretty much recapping everything in the first book.

Shining’s Thralls and Allies

This time through the book, Cupcake, Jagger, Mateo, and Jolene—Shining’s Thralls—grabbed my attention to various degrees more than they had before. Don’t get me wrong, this is Shining’s story and she’s a character that’s worth dissecting.

But what Hunter has done with these secondary characters is really interesting. Cupcake, for example, changes a lot over the course of these pages—due to what’s required of her as well as what happens to her. There’s a lot to Cupcake that’s been latent, but she’s never had a reason/opportunity to express. Now she’s been given that opportunity…I can’t wait to see what Cupcake gets up to in the next installment.

The rest of the thralls all end up doing things that Shining doesn’t expect (this is hard to get into while staying away from spoilers). The way this works out both in the closing pages of this book and in the next is likely going to make or break this series.

Getting back to Shining—one thing that Hunter’s protagonists tend to share is that they’re coming to greater understandings of their abilities (and developing them) in each book. This applies just as much to her post-apocalyptic SF hero as it does to her Urban Fantasy protagonists. It’s just about her nanobots instead of magic.

A Different Experience

This isn’t evaluative, I just figured it deserved a mention. While I’ve frequently moved from reading a book to re-reading it via audiobook, I’ve never moved from audio to text before, so this was an interesting experience just for that. For one thing, I finally learned how to spell “Berger chip.”

I did think that I related to the text, story, and characters differently when reading as opposed to listening—although part of that is due to the fact that this was my second exposure to Junkyard Bargain. It’s like getting to read the screenplay/script for a movie/play that you’re familiar with. I did find that most of the characters “sounded” a lot like Khristine Hvam as I read the dialogue.

I’m definitely still going to listen to the third Shining Smith book when it’s released on audio, but I’m also going to be making sure I get the ebook later (which I didn’t do for Junkyard Cats…yet).

So, what did I think about Junkyard Bargain?

I absolutely love this world. I don’t think one more novella is going to be enough to satisfy my curiosity. I’m going to need more somehow—it doesn’t necessarily have to be about Shining Smith.

After Junkyard Cats took several unexpected turns in the latter half, I didn’t know what to expect from this beyond more of the same. This novella may have ended up where it seemed to be heading from the beginning, but the route it took bore so little difference to what was expected that it’s hard to recognize that. Hunter is filling this post-apocalyptic world with more dangers and strangeness than we’d been exposed to last time, and you know the next installment will increase the danger.

When talking about the last book, I said that it was too brief and not deep enough. This isn’t the case this time—and not just because it was 40 minutes longer. This time it felt like there was a solid match between depth and time—to the point I wondered how she fit it all in the novella-length book.

There were some great action scenes, some solid surprises, and good character development. And…cats with telepathy. I can’t wait to see what #3 has in store.


3 Stars

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