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And to All a Good Bite by David Rosenfelt: Andy Carpenter’s Back Out of Retirement Again

Cover of And to All a Good Bite by David RosenfeltAnd to All a Good Bite

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #31
Publisher: Minotaur Books
Publication Date: October 14, 2025
Format: Hardcover
Length: 293 pg.
Read Date: November 13-14, 2025
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“Will you help me?”

“I believe I will,” I say, proving once again that my mouth has a mouth of its own. It did not consult with my brain before saying it, which is a major breach of the decision-making chain of command.

What’s And to All a Good Bite About?

Two years ago, Jeff Wheeler watched the building his girlfriend was in explode while he engagement ring he got for her was in his pocket. In vain, he ran into the building to try to save her, but the fire was too intense. He was, however, able to save a dog.

He ends up—with Andy Carpenter’s help—adopting the dog, and the two of them are happy. Jeff has come to think that the building’s explosion wasn’t an accident, but was caused by the building’s owner. Jeff starts hounding the man, trying to get him to admit to it and trying to take him to court over it.

When that man is shot, Jeff’s an early suspect. When some evidence is uncovered conveniently close to Jeff’s home, he’s arrested.

Now it’s up to Andy to admit he’s not retired (again) and to do what he can to save Jeff’s life.

The Holiday-ness of it

This is about as far from a Christmas book that Rosenfelt could do—the holiday itself is dealt with in maybe 5 pages, and those are fairly early-on. It really could be a case of “which of these three novels I’m almost done with could I most easily insert the holiday?”

This next sentence is not really a spoiler, but it kind of is, so skip to the next heading if you want. Also, the body count in this book is high for this series (and potentially even higher), and the motive behind it seems to make it even worse. It’s hard to reconcile that with the Season of Cheer. (not that it needs to, I’m just thinking holiday stuff).

So, what did I think about And to All a Good Bite?

So my son eats vegetables….I find it hard to come to terms with that. I’ve been assuming for years that he will outgrow it, but it doesn’t seem like it’s going to happen. But it still pains me when the waiter comes over and Ricky asks how they prepare the brussels sprouts.

We back up a little on Marcus’ intelligibility here—which felt odd, maybe Rosenfelt realized he’d taken too much of the mystery away from him—maybe even the superhumanness of him. Or maybe it’s a case of perception—I thought that Andy was fully capable of understanding Marcus recently because relative to most of the series, he could. But compared to Willie or Corey (check spelling of Simon Garfunkel’s human), Marcus is unintelligible. It could just be some re-calibration in general. Marcus’ super-humanness is seriously reinforced on other fronts this time.

The client’s dog is far more important to the story than usual—something I appreciate, as much as I like a cute dog photo on the cover, or a canine-related pun in the title (which has nothing to do with the plot at all). When the dog actually plays a role in the story, I like it.

Andy seems to make a call on the whole retirement/semi-retirement thing, which is nice. Otherwise, this is your standard Andy Carpenter book—some solid wisecracks, a clever mystery, some nice reveals, some convenient breaks, some courtroom hijinks, Andy’s familiar (yet fresh and entertaining) thoughts on jury selection and jury deliberation. There’s just enough that’s not typical to keep long-time fans engaged. Up to, and including, more Vince-related action than we’ve seen in a bit—up to the part where I could throw in a click-baity “You won’t believe what Vince does” kind of headline. But I won’t stoop to that. Really.

Oh, wait—Ricky is 16 now? I’m sorry, when did his actual aging creep into these books? How is Rosenfelt not keeping him a cute kid/tween for forever, the way that Tara is not a senior dog yet? Has Rosenfelt been giving us higher numbers for a while now and I just haven’t noticed?

Anyway, back to the “standard Andy Carpenter book” remark. That’s really what this is—that’s good news. It’s not a let-down, it’s not a rare stumble for Rosenfelt, it’s not shaking up the entire series with a gritty turn—it’s a reliable author giving his fans just what they want, quality entertainment with old friends. And that’s just the kind of gift an author like Rosenfelt should give his readers for the holidays.*

* That’s one of the cheesiest things I’ve written on this site, but I kind of like it.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Scattered Thoughts on My Latest Reading of The Lion, the Witch and the Wardrobe by C.S. Lewis

Further Up and Further In A Year with C.S.Lewis

Cover of The Lion, the Witch and the Wardrobe by C.S. LewisThe Lion, the Witch and the Wardrobe

by C. S. Lewis , illustrated by Pauline Baynes

DETAILS:
Series: The Chronicles of Narnia, #1
Publisher: HarperCollins
Publication Date: July 01, 1994
Format: Paperback
Length: 189 pg.
Read Date: November 8-10, 2025
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If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this (more for some of the later books), and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.

If only because everything worth saying has been said by other, better, writers. Probably several times.

I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.

But I feel the need to say something now, so here are a few things that jumped out at me during this read:

bullet On the second page of the story, Susan is already trying to act older than she is (which is really the problem that will recur in The Last Battle, people getting worked up about the makeup really miss the boat). Yes, it’s understandable—and maybe even necessary—at this point for her to do so. But it’s a trait that will define her.
bullet I could use another 3 or so chapters about the Professor’s house. Maybe even a book or two. As Lewis writes:

The house of the Professor’s—which even he knew so little about—was so old and famous that people form all over England used to come and ask permission to see over it. It was the sort of house that is mentioned in guide books and even in histories; and well it might be, for all manner of stories were told about it, some of them even stranger than the one I am telling you now.

bullet There is something just so…right…about Baynes’ illustrations. I can’t imagine this series without them (one of the many reasons I’ve avoided picture book retellings).
bullet Lewis stays on-brand by having the Professor bring out a version of the trilemma suited for the question of Lucy’s honesty.
bullet The way the children react just to the sound of Aslan’s name the first time. That’s a great touch.
bullet

This was bad grammar of course, but that is how beavers talk when they are excited; I mean, in Narnia—in our world they susually don’t talk at all.

bullet Mr. Beaver’s comment about not trusting things that look human but aren’t is an odd bit of prejudice. It’s nice to see it quickly shown to be false by the giant Rumblebuffin, unless by size alone, giants don’t look human. Still, I want to make a point to watch out for that idea later on in the series.
bullet I don’t care how many times I’ve read it, Aslan’s walk to the Stone Table is hard to read.
bullet The de-statued lion’s reaction to Aslan including him in the “us lions” group has brought a smile to my face every time I encounter it. Probably for different reasons, but it always works.
bullet I find it interesting that no one other than the adult Pevensies talk in that stuffy, faux-Medieval way throughout the series (maybe A Horse and His Boy will prove me wrong).
bullet The closing paragraphs suggest that the Pevensies are possibly going to encounter many other children who’ve been in Narnia. I wish we’d gotten more evidence of that throughout the books—especially in The Last Battle.

This isn’t a perfect novel—nor a perfect Christian allegory. But I can’t be critical about it, not even a little. I just love this book. (and it’s not even my favorite in the series!)

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Grimdwarf: Cursed by JCM Berne: An Angry Dwarf, A Water Witch, and a Remarkable Dog

Cover of The Grimdwarf: Cursed by JCM BerneThe Grimdwarf: Cursed

by JCM Berne

DETAILS:
Series: The Grimdwarf, #1
Publisher: The Gnost House
Publication Date: July 21, 2025
Format: eBook
Length: 311 pg.
Read Date: September 23-24, 2025

“He’ll be fine. See? He’s loving it.” Blink licked the top of the glass again, taking in a delicate sip of the amber liquid. “He’s savoring it. I think he’s a dwarf dog, not a human dog. We give whisky to everything. Kids, pets. Plants.”

“Maybe that’s part of the reason dwarven agriculture is pitied all over the world.”

What’s The Grimdwarf: Cursed About?

The book opens with a dwarf waking up and really freaking out the woman who had been locked up with him; she thought he was dead—actually, she was sure he was dead (and there was plenty of evidence to back her up). But before she really understands what’s going on, this dwarf is taking out their captors with great relish—and only his own two fists.

He remembers nothing from before he woke up—he doesn’t even remember his dog (and this is not a dog easy to forget). He pretty much remembers how to fight and that he enjoys whisky.

He, his dog, and the woman, Kayla—who turns out to be a water witch—end up traveling together, facing a series of foes, and ultimately taking on some pretty serious foes.

Cozy Grimdark?

The hard thing about fighting people with weapons is the instinct to retreat. After all, swords and daggers and axes are sharp and nasty and nobody enjoys getting cut. Almost nobody. But the safest place to be when a person is swinging a long piece of metal at you is not far away; that’s where they want you. You have to get in close, where the weapon’s reach is a hindrance. Where you can hit back.

An early reviewer called this collection Cozy Grimdark—and I love the idea, it’s a great juxtaposition of notions/genres. And somehow, it’s entirely appropriate. (Berne uses the phrase “Knuckles and Necromancy,” which is also apt, but it doesn’t fit what I want to talk about, so never mind.) Sturj is a violent, violent man—who’s pretty pleasant (under a gruff exterior) to those he wants to be, in his own special way. And the circumstances that he and Kayla find themselves in (yeah, sure, and place themselves in) are pretty violent, too.

However, the very bloody combat doesn’t feel all that violent as you read it. This isn’t Abercrombie or Michel. It’s not even the JCM Berne of The Hybrid Helix.

But oo-de-lally, the warm fuzzies this collection elicits! There’s a strong found family bond between Blink, Kayla, and Sturj. You do get a lot of the same warmth from these stories as you do from a Travis Baldree tale.

Her lips twitched at that, flashing into something not quite a smile, but maybe a smile’s younger cousin’s lonely friend from down the street, painfully shy but not really a bad sort once you got to know them.

So, what did I think about The Grimdwarf: Cursed?

All I wanted was to finish my drink, then maybe finish a few of its friends so it wasn’t lonely inside my belly, then choose between staring out the window and taking a nap. However, the captain had other ideas.

Oo-de-lally! This was just fun. I dug the various and sundry monsters—or monsterly creatures. Even the secondary or tertiary characters were fun. The bad guys were clearly in black hats—nothing like a little moral clarity to offset an inherently gray protagonist.

There’s nothing about Sturj that I didn’t like—from his fuzzy (at best) past to his “Hulk smash” present. I don’t know how he picked up the dog, but I love their bond. His determination to keep a certain other pet was a great touch. Kayla was a great balance to his character, and watching them become friends was what the stories needed to keep this from being about a grumpy dwarf version of Kwai Chang Caine wandering the countryside beating people into a pulp.*

You’ll smile, you’ll wince, you’ll feel a warm fuzzy or two. Check it out!

* Not that there’d be something wrong with that version of the stories, but this is better.


4 Stars

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Gnomes of Lychford by Paul Cornell: End Gnomesploitation Now!

Cover of Gnomes of Lychford by Paul CornellGnomes of Lychford

by Paul Cornell

DETAILS:
Series: Witches of Lychford, #6
Publisher: Tor
Publication Date: September 9, 2025
Format: eBook
Length: 160 pg.
Read Date: September 19-20, 2025
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Autumn quickly filled in some gaps in her knowledge of supernatural beings. “They’re usually incredibly laid-back. What do they want?”

Lizzie read from the leaflet. “They demand that ‘the old promise must be kept,’ whatever that means. That ‘crude depictions of their bodies and culture’ must cease—”

“Do they mean—?”

“Garden gnomes.”

“Around here, that’s a big ask.”

What’s Gnomes of Lychford About?

The people of Lychford have a new challenge facing them—podcasters.

Yes, that’s right—after the events of the last book, rumors have started spreading about Lychford. They’ve caught the attention of podcasters who love debunking supernatural urban legends and the like. So they’re wandering around, asking questions that no one wants to answer.

And they’re not the worst thing facing the citizenry. They’ve annoyed the Gnomes, too. And they have demands. Not only do they have demands, but these tiny aggressors have the ability to back up their threats. If only any of the humans in Lychford could understand the demands (other than the ones about the garden gnomes).

The Gnomes

The gnome king was about half a metre tall, and wore a golden, ceremonial version of the work apron and tool belt she’d seen on a lot of gnomes; plus, of course, more facial hair than seemed feasible. His little blue eyes peered from a mass of it like he was a particularly perplexed beagle. His name, oddly to Autumn’s ears, was Greg. That was bound to happen from time to time, though. The chosen names of other races would sometimes seem very like human ones.

These gnomes are ridiculous; their threats, however, aren’t. And they seem to be able to follow through with them. You can easily bounce between chuckling at them and then being glad they don’t really exist.

Cornell shows us this new race and new world in a very economical fashion—he spent book after book setting up everything else for us (that’s not a complaint), and he does almost as good a job in this book in just a few pages. Sure, a lot of that is building on the foundation from those other books—but not all of it.

So not only did I enjoy his gnomes and gnomish culture—I’m impressed by how he gave it to us.

So, what did I think about Gnomes of Lychford?

I’m worried about her. And I’m worried about her dropping the ball. When ‘the ball’ might be, I don’t know, the universe.”

One of the best parts of this series has been its awareness that this is a somewhat silly idea, but Cornell’s largely addressed it in a serious way. And that combination works well. It’s done particularly well in this volume—better than in some of the earlier works. There’s a strong stream of comedy throughout—but the dangers to the town are never a joke, and everyone treats them accordingly.

I do not like the way Lizzie was handled here—in almost any way. From the way she’s dealing with her romantic issues to the way she reacted during the crisis, it didn’t feel like her—she was the reader’s entry point to this world, and for her to be so off puts a dampener on a lot of the book. Her inner monologue about faith and comfort, I should add, was fantastic.

That said—just about every other thing made up for it. The town meetings—just great. The town’s involvement in everything else, too—and the way the events of the previous book clearly altered things (for many) are just cool to see. The discovery that there’s more supernatural activity (and connections with humans) in Lychford was a great bonus. The Gnomes and Gnomish culture—again—just fantastic. I worried about the podcaster idea at the beginning, but I really came around to it. The return of Zoya and her daughter was wonderful to see—I’d honestly (sadly) forgotten all about them, and getting the memory jogged was wonderful. The out-of-nowhere love story worked so well, too; it just charmed me no end.

Basically, aside from Lizzie, this was just great (and her stuff wasn’t bad, per se, just disappointing).

I always enjoy a quick visit to Lychford, and this is one of the better—you’d do yourself a favor if you picked up this series. I look forward to the new direction it seems to be taking.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY POST: Righteous Trash by Nick Kolakowski: A Chaotic Family Reunion

Cover of Righteous Trash by Nick KolakowskiRighteous Trash

by Nick Kolakowski

DETAILS:
Series: Jake Halligan, #3
Publisher: Rock & a Hard Place Press
Publication Date: October 23, 2025
Format: eARC
Length: 232 pg.
Read Date: September 24, 2025
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What’s Righteous Trash About?

Jake Halligan’s sister, Frankie, has come back to Idaho after a time in Mexico. She wants to start her business again—there’s always a market for guns, right? Especially of the extra-legal variety. But first, she wants to take care of some business for an old friend. With Jake’s help, of course. It’s messy and…well, never mind that.

But before they can really get into that, they find themselves at the scene of the nuttiest (gutsiest?) robbery—that promises to wreck Jake’s life. There’s some involvement with the FBI, some political corruption and cover-ups, and so many people pointing guns at the siblings that it’d be too hard to count.

All in all, a good time.

Action

One thing you expect from a Jake Halligan novel is some good action scenes—and boy howdy, does Kolakowski deliver here. There are some intense—almost cinematic—action scenes here.

But the first big gun fight in particular is the one I want to focus on for just a moment—there are multiple groups, with varying alliances (the exact number is hard to determine in the moment). You need someone like John Woo or Chad Stahelski to bring this to life—you’ve got the bullets, the quips, some stupid and useless deaths, and a couple of good twists. If you haven’t been fully engaged in the novel to that point, you will be after it.

The other action scenes are more grounded. I’m not saying they’re all that realistic, I don’t think (who reads these novels for hyper-realism?). But they seem a little more like what would happen to actual people, not stuntmen, in the situations. Just as compelling, just a little less eye-candy.

Stand By Your Man

One of the more interesting things through this series has been tracking the relationship between Jake and his wife. Or maybe it should be phrased as the relationship between Janine and her husband and sister-in-law’s lifestyle. She’s not comfortable with it (to undersell it), she doesn’t want it anywhere near their daughter, she’s barely tolerant of Frankie at all. And who could blame her for any of that? The number of bullets I want flying anywhere near my spouse is far lower than what Jake sees in the first book—never mind the others. And as for their kid? Forget it.

That’s not to mention how often Janine’s life has been in danger. That alone should drive her away.

Nevertheless, she stands by her man. I’m not sure if she should be admired or pitied, really. Either way, it makes her the kind of character you want to watch, and gives you something to think about in the midst of everything else.

The Missing Sequel?

Back in 2018, the first time I got to ask Kolakowski some questions, he mentioned a sequel to the first Jake Halligan book set in New Orleans. We ended up getting a very different sequel. Now in book three, we get a flashback to an adventure that Jake and Frankie had in The Big Easy.

I don’t know if any of the material he’d prepared for that would-be sequel ended up as that flashback, but it’s fun to think about (and fun to imagine what would happen after it). Obviously, it could just be a coincidence, and he needed a non-Idaho place for the siblings to get into trouble—and New Orleans works well for both of those criteria.

So, what did I think about Righteous Trash?

Again, Kolakowski nails the local geography. I really think I could drive to each location he describes—and for those who aren’t from around these here parts, he describes them in a way that conveys a good feel for the place. The fact that I could give a tour of the series locations to a reader who dropped by is just a bonus. (and I can absolutely see the Idaho political scene function the way he depicts it, although I think that could be easily ported into the other 49, too).

I enjoyed both the change—and utter lack of it—that we see in Frankie. She’s aged a bit, got some perspective (maybe wisdom), and knows what she wants. She’s also enough of a realist to understand what’s possible for her (you might read a little pessimism into that, too—but she’d deny that).

I’m a little worried about our friend Jake, at least where he was at the beginning of the novel. He’s a survivor, and he has Janine and his daughter to worry about, so I assume he’ll find a way to get it done. These novels have taken their toll on him (and everyone else), which I appreciate because these kind of books can gloss over that kind of impact. But, he’s such a nice guy (most of the time), that you hate to see it.

Great action, a clever story, characters that you just can’t get enough of. This is a fast-moving novel that will keep you turning pages longer than you should (plan your sleep accordingly; the adrenaline can only do so much). This is a fun thrill ride that will satisfy fans of the series and probably create some new ones, too. (It is absolutely not necessary to read the earlier novels before this, but you will appreciate some things more if you have.)


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Silver and Lead by Seanan McGuire: Toby’s Up to Her Old Tricks, with Some New Complications

Cover of Silver and Lead by Seanan McGuireSilver and Lead

by Seanan McGuire

DETAILS:
Series: Toby Daye, #19
Publisher: Tor Books
Publication Date: September 30, 2025
Format: eARC
Length: 400 pg.
Read Date: September 5-8, 2025
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What’s Silver and Lead About?

Queen Arden has a task for her hero–and she’s more than happy to take it on. During the recent…whatever you want to call what Titania did, several items were removed from the royal vaults. Dangerous items, naturally. Now, Arden had wanted to wait until Toby had given birth and recovered before sending her to find them. But at least one of the items has been used, and someone is dead. She can’t put it off any longer.

Toby’s tired, fed up, and annoyed by basically being under house arrest because of her worried husband during the last few months of her pregnancy. Yes, Tybalt’s worries are understandable, but he’s maybe gone a little too far. Toby’s glad for the excuse to get to work, and promises she’ll be extra careful. (Any guesses how that goes and how cooperative the people she’s looking for are going to be?)

Quentin–whose identity seems to be the worst-kept secret in all of Faerie–sticks with her every step of the way. This adventure brings us across many old friends and allies and reminds us of one old enemy.

Oh, I forgot to mention, before any of this happens, everyone’s favorite Sea Witch has a request–both sweet and terrifying–for Toby before any of this business with Arden starts.

All in all, this is not the way most people spend the last couple of weeks of their pregnancy. But of course, Toby wouldn’t do it any other way, and her readers expect no less.

Aftershocks

While we are not looking directly at what Titania did in these pages, we’re looking at the aftermath. We’re also learning a little bit about how her plan didn’t completely work. But I’m going to gloss over that (but you’re going to want to stop and muse about it while reading).

Quentin is trying to wrap his mind around the version of himself he saw and remembers, and cannot stand it. He’s overcompensating—and you can’t blame him for that—when he’s not letting it interfere with his thinking in the present.

Some of the ramifications of Titania’s work are seen in the motivations behind this novel’s primary villain. This doesn’t justify their actions (they’d have likely found another way to justify things), but it gives us an idea of all the unintended consequences of her re-write of Faerie. (unintended, but she probably wouldn’t care).

I really appreciate this–we’re not primarily concerned with her, nor have we just gotten a “it’s been a few months, stuff happened, life goes on” kind of thing. Faerie learned a lot about itself, they found some messes that need to be cleaned up. Yes, life goes on, but it’s different and will continue to be for a while.

So, what did I think about Silver and Lead?

So after a few novels with big, world-changing events at their core, it’s nice to get back to the bread-and-butter kind of novel. Yes, the stakes are important. Yes, there are life-and-death situations all around—and if Toby fails, it will mean bad things. But it won’t be the end of the world.

One of the advantages of a long-running series like this is that you can pluck a (seemingly?) random someone from an early novel, dust them off, and have them play a major role in the current book. Which is great—it also means that every random someone has the potential of being important. McGuire used that well in Silver and Lead.

While I enjoyed Raysel’s use here, I’m a little afraid that she’s being given some short-shrift overall, and the interesting storyline that seemed to have kicked off for her in Be the Serpent will end more with more of a whimper than it should. (Hopefully, this means that McGuire has something really big cooking).

Early on in the reading, I texted a friend, “a very pregnant Toby is fun.” She really is—and just as it was good to get back to a smaller stakes plot, it’s nice to be with the characters again, adapting to/preparing for this new stage of life.

McGuire’s humor and willingness to put her characters through the wringer for the entertainment of her audience shine forth. Toby’s determination (read: near-uncompromising stubbornness), grit, and humanity are on display for all. Tybalt and May are Tybalt and May (always good), and Quentin continues to develop into quite the man. The Luidaeg was fantastically used—particularly at the beginning. It was also good to see the rest of the cast, and I’m looking forward to seeing what life is like for Sir Mommy Daye.

Fans will be pleased with this one, and it might draw in a few new ones. Silver and Lead is just what we needed after the last arc.

Disclaimer: I received a copy of this book from Tor Publishing Group via NetGalley—thanks to both for this. Sorry it’s up late, it’s been one of those months.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST ‘CUZ: Instruction in Shadow by Benedict Jacka: Second Verse, Same as the First (in a good way)

Cover of An Instruction in Shadow by Benedict JackaAn Instruction in Shadow

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #2
Publisher: Ace Books
Publication Date: October 15, 2024
Format: Paperback
Length: 310 pg. 
Read Date: December 9-11, 2024
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What’s An Instruction in Shadow About?

This picks up mere hours after An Inheritance of Magic, and Stephen is feeling pretty good about himself. His job is going okay, he’s continuing to improve in his magic, he’s got a good lead when it comes to his father’s location—sure, things with his mother weren’t quite what he’d hoped for. But she left the door open to further communication.

And it doesn’t take long for things to start going wrong—but nothing disastrous.

The best way to summarize this book is to say that: everything from the last book continues along the same trajectory, but gets harder. This means nothing if you haven’t read that book, but you really should (at the very least, go check out my post about it). Among the ways that happens—a cult (or cult-like group) tries to recruit him, an assassin makes an (almost successful) attempt on his life, he gets suspended from work, and he runs afoul of a group of Russian criminals.

Worst of all, Stephen gets in deeper with his mother’s family.

The World and Its Magic System

We don’t learn much more about sigl work or Wells—we see more examples of what we’ve already seen at work, but that’s about it. Alright, we get to see what medical sigls can do, so that’s new.

What we get more of-—and it’s just the tip of the iceberg, I’m sure–is insight into the families and companies that run the sigl economy and Well markets. If there are ethics governing them in any way, shape, or form, Stephen hasn’t shown them to us. It’s all about power, manipulation, and things that happen under the table and behind the scenes. It’s both unthinkable that things operate in this fashion in the 21st century—and somehow the part of the book that seems the least fictional or fantastic.

Much of this comes from an info drop or two—but they’re worked into the narrative perfectly. They’re neither disruptive to the overall story nor are they clunky exposition.

So, what did I think about An Instruction in Shadow?

Let me start with this: I would happily read books 3 and 4 in this series in the next couple of months, and still be eager for more. The more we see about this world—and the more questions we have raise, the more I want to learn and see.

Am I a little worried about the arc that Jacka is suggesting for Stephen? Yes. Am I also almost certain that the arc won’t go the way it looks, and that there’s nothing to worry about? Yes.

I really just want more of it—-I am not certain that I care too much about the whole “where’s Stephen’s dad” part of the overall story, but I’m pretty sure that I don’t need to, because the series has been inevitably moving in that direction since the beginning, and when the time comes, I’ll get invested.

But Jacka has got me sitting on the edge of my seat when it comes to everything else. I want to see more of how this economy works—on the legitimate side, the illegitimate side, and then the murky overlap. I want to understand how Stephen is going to operate and keep his head above water in it. He’s not just a MacGuffin, but he kind of feels that way right now.

I’m feeling really inarticulate when it comes to this series—and this installment in particular. Everything I said about the first one is still true. We really just got more of what he’d already given, so my position and thoughts are pretty much the same, too.

I did think that despite his struggles and the aforementioned almost successful assassination, things went a little too easy for Stephen this time. I’d have liked a failure or two. Or at least another draw or two. Even when things were at their hardest for him in this book, he found a way to turn the oncoming defeat into a victory. I typically really appreciate that kind of thing (obviously), but I had very little doubt each time that Stephen was going to come out on top. I just want a little more suspense and doubt on that front. But this wasn’t a major distraction or detraction—it’d just be good for Stephen’s life to be seen as difficult as he sees it.

Also, one of the better parts of An Inheritance of Magic was watching the trial and error Stephen went through—it was very effective in terms of character development and showing us the way sigls work. Give me more of that and I’m happy.

Again—I thoroughly enjoyed this book and am eager to read more. I just wanted it to be a teeny bit better.

If you’re into inventive UF, there’s no better time than now to jump on this series—I think you’ll be as invested in getting more as I am.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ: An Inheritance of Magic by Benedict Jacka: I Cannot Recall the Last Time I was This Excited about a New UF Series

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #1
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 384 pg.
Read Date: September 22-26, 2023
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This is Hard

I want to limit my comparisons between this new series and Jacka’s previous series to just one section—but that’s not going to happen. It makes sense, I suppose. It’s Jacka’s first non-Alex Verus book (other than the two hard-to-find children’s novels), so comparisons are inevitable, but I don’t want to turn this into an X vs. Y situation.

I will say at the outset, that if it wasn’t for the name on the cover, I don’t know that I’d have known they had the same author—so that tells you something about the comparisons. (except in quality—this is definitely up to the standards Jacka has established)

What’s An Inheritance of Magic About?

This is tricky. The Author’s Note at the beginning of the book tells us that this book is an introduction to the series. We are introduced to the world, the characters, the magic, and so on. Yes, there is a plot—a handful, actually—but the main point is for us to get oriented.

Basically, we meet Stephen—he’s roughly 20 and is fairly aimless. He doesn’t have the money (or, really, ambition) to go to University. He bounces from temp job to temp job, hangs out at his local with his friends regularly, takes care of his cat, and works on his magic in his spare time. It’s his real passion, but he doesn’t do much with it.

Then one day, some distant relatives that he’s never heard of come into his life (it’d be too complicated to list the reasons they give, and I think they’re half-truths at best, anyway). Suddenly, Stephen is thrown into a dangerous, high-stakes world of money and power—and he’s just a pawn to be used in the games of his “family” (and by family, I mean people that 23andMe would identify as relatives, but he’s never been in contact with or aware of for his entire existence). He’s a relatively unimportant pawn at that. He’s sort of grateful for that as he realizes it—but he’d have been happier if they never bothered him in the first place. Happier and with significantly fewer bruises.

However, through their machinations, he’s introduced to new levels of magic society and ways that the magic in this world works. Best of all he finds ways that he can be employed and use his magic—the best of both worlds. Sure, his friends don’t get it (not that he tells many of them, because he prefers that they think he’s sane), but he’s bringing in enough money to live and he’s getting stronger and more capable.

The World and Its Magic System

So, where the Alex Verus series was about one man and his friends/allies trying to navigate (and survive) the politics and power of the magical society in England (largely), at this point the Stephen Oakwood series appears to be about one man making his way (and hopefully surviving) the money and power of a different sort magical society—and it’s intersection with the non-magical world. We’re not just talking Econ 101 kind of stuff here—Stephen’s family appears to be some of the 1% of the 1% and there are huge multi-national corporations involved here with defense contracts to governments all over the world.

Basically, Alex had an easier place to navigate.

Most of the magic that’s used in this world comes from sigils—physical objects created from various kinds of energy wells (earth magic, life magic, light magic, and so on) to do particular tasks (shine a light, augment strength, heal minor wounds, etc.). There are likely bigger and better things along those lines (hence defense contracts), but that should give you an idea. The overwhelming number of these sigils are pumped out by some sort of industrial companies and are only good for a limited amount of time.

Stephen was taught (by his father, and by himself) to make sigils on his own—his are individualized, artisanal kinds of things. Think of a sweater you get from some hobbyist off of Etsy vs. the kind of thing you can get for much less at Walmart or on Wish—quality that lasts vs. cheap and disposable. He also reverse engineers almost all of his sigils—he sees something in a catalog (no, really, this is how people get their sigils for personal use) or in use and tries to figure out how such a thing will work and then sets out to create one.

I don’t know where Jacka is going to go with all of this, obviously. But I love this setup.

Alex and Stephen

It wasn’t until I was just about done with the book that I finally figured out what Alex and Stephen had in common—which is odd, it was staring me in the face for most of the novel. But before that, I really wouldn’t have said they had much in common at all.

Stephen is our entry point to this world, and he only knows a little bit about it so as he learns, so does the reader. Alex pretty much knew everything that was going on in his world, so he had to catch the reader up—or he could help Luna understand something (and make it easier for the reader to learn that way). Stephen has to learn almost everything by getting someone to teach him, or through trial and error—either way, the reader is along for the ride and learns with him.

Similarly, Stephen’s really just starting to get the knack of his abilities where Alex was already a pro—sure he had more to learn (and his power increased), but Stephen’s not even a rookie, really when things get going.

Stephen had a loving and supportive father growing up, a strong group of friends, and experience outside the area of magic users—something we never got a strong idea that Alex ever had. Alex had trauma and hardships behind him—Stephen doesn’t. So their personalities, outlooks, etc. are very different from the outset.

It’s not really that shocking that the protagonists of two different series wouldn’t be that similar. And yet…we’ve all read a second or third series from an author with a protagonist that’s just a variation of their initial breakout character. So it’s good to see that Jacka’s able to make that transition between his two series—it gives you hope for what he’s going to do in the future.

Oh, what did I finally realize the two characters shared? They watch and learn. Alex does it because that’s essentially what his abilities were—he could sift through the various futures and decide what to do based on that. Stephen just doesn’t know enough about anything so he has to sit and observe—and from there he can decide how to act. But where others will try to think first and act second, Stephen and Alex watch first—and for a long time—before they think and then act. It’s something not enough characters (especially in Urban Fantasy) seem to spend much time doing. So I’m glad to see it.

So, what did I think about An Inheritance of Magic?

I am just so excited about this series. I didn’t know how Jacka could successfully follow up the Verus series. I trusted he would, because he’s earned that over the last decade—but, I didn’t expect that I’d respond so positively so soon.

We need to start with Stephen’s spunky attitude—with a little bit of a chip on his shoulder due to his circumstances in life (that grows to a degree as he learns how much he and his father missed out on and starts to guess why)—is a real winner. He’s got a gritty (in an Angela Duckworth sense, not Raymond Chandler or William Gibson sense) outlook, is generally optimistic—and can even be funny—all the attributes you want in an underdog.

Then there’s the world-building that I tried to sketch out above—and did a not-wholly-inadequate job of. I want to know more about it—and figure increased familiarity is just going to make me more curious.

I have so many questions about the family members who’ve inserted themselves in Stephen’s life related to their motivations, trustworthiness (I suspect at least one will turn out to be an ally, however temporary), goals, and abilities. I have those questions about Stephen’s guides and allies—and think at least one of them is going to turn on him in a devastating way (thankfully, he doesn’t trust most of them completely). There’s also this priest who keeps assigning him theological work to study. Some good theology, too. I don’t fully know where this is going—but I’m dying to find out.

Are we going to get a Big Bad—or several—for Stephen to face off against? Or is this simply going to be about a series of obstacles Stephen has to overcome until he can carve out an okay existence for himself? Is this about Stephen becoming one of those 1% and the corruption of his character that will necessitate?

I’m not giving this a full 5 stars mostly because of the introductory nature of the book—also because I want to be able to say that book 2 or 3 is an improvement over this (which I fully expect). But that says more about me and my fussy standards than it does about this book. I loved it, and am filled with nothing but anticipation for the sequel/rest of the series. It’s entirely likely that as this series wraps up that we’re going to talk about the Alex Verus series as Jacka with his training wheels on.

I’m now in danger of over-hyping. Also, I’m going to just start repeating laudatory ideas. Urban Fantasy readers need to get on this now.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Catching Up with Toby Daye

I’ve been thinking about this post since September of 2022, I just knew I couldn’t write about Be the Serpent without seeing what McGuire did next—my mind wouldn’t let me decide what I thought about it until then. And then after Sleep No More, I had to tackle The Innocent Sleep, and then…well, I kept getting distracted or busy. But I have to put something down about these three so I can intelligently talk about Silver and Lead, and I really want to do that. So, I’m trying a different kind of post than I’m used to.

Oh, I’m also suspending my typical no spoilers rule here. Read at your own risk, this is the only warning I’m giving.


Be the SerpentBe the Serpent

by Seanan McGuire

DETAILS:
Series: Toby Daye, #16
Publisher: DAW
Publication Date: August 30, 2022
Format: Hardcover
Length: 305 pg.
Read Date: August 31, 2022-September 5, 2022; August 25-29, 2023
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It felt like I was standing outside this scene and watching it unfold, like none of this had anything to do with me. Like I should have been able to smile politely, say, “No, thank you,” and walk away, leaving everything exactly as it was before I got out of bed this morning.

I don’t know how many friends of mine have stumbled on books 2 or 3 of this series and never kept going. Or stumbled and were pushed on (and were so glad they did). I sort of get that, but I didn’t have that reaction. I did stumble here on book 16, Be the Serpent. Obviously, by this point—it doesn’t matter, I’m going to shake it off and keep going. Toby, Tybalt, May, Quentin, and the rest (the list is getting ridiculously long) mean too much to me to be put off by one novel.

But I do have to wonder what was going on in McGuire’s mind for her to give us this book—I have no proof of this, but in my head-canon, she was so focused on the last pages of this novel and what she was setting up that she didn’t pay enough attention to the execution of this novel. That doesn’t sound like McGuire to me, but it’s the best I’ve got.

The opening is fantastic—and the way that Toby and Rayseline executed their plan was so well done, and the prospect of watching Raysel heal in the midst of Toby’s chaos seemed like a fun lark. And then the horrific happened—the scene where Toby finds Stacy’s kids dead or dying is possibly the most gut-churning thing she’s written (and that’s saying something)*

* If you want to argue that she’s topped that in some recent InCryptid novels, I won’t fight you.

The problems start a chapter or two after that. Once Toby realizes why Stacy killed her kids (because she’s not really Stacy, but Titania, realizing she’s Stacy all along. I don’t know a shorter way to describe it all), she sets out to destroy Titania—but she can’t. No matter how often she tells herself it’s not her, no matter that the “Stacy consciousness” tells Toby to do it, no matter how many frelling times she has that conversation with anyone (including herself several times)—Toby can’t just do it. That’s almost understandable.

But also, McGuire has to tell us several times how this whole thing is tearing Toby apart. But I honestly don’t “see” it happening. I hear about it—I see it when she’s interacting with Stacy’s surviving kids or husband. But otherwise? I really don’t.

I could’ve been satisfied with the ending had it ended 2 pages or so into the last chapter (because that was just a great moment).

But no…we’ve got to do the whole Titania comes back, puts the hurt on Toby, and then rewrites history—wiping Toby’s mind and rewriting her history—having (pretty quickly) found a loophole in Oberon’s decree (he must be pretty rusty from all the nothing he’s been up to for the last few centuries). Sure, the first two parts of that list were certain to happen eventually.

But I just hate, hate, hate the whole “we’ll rewrite history/perception/whatever” storyline. Buffy in the asylum, Picard’s whole other life in “The Inner Light” (although he at least starts off remembering reality), um…other examples I should have at hand, but don’t. At the time, I told friends (and maybe my readers in a WWW Wednesday post or a Saturday Miscellany) that I hate the ending, but trusted McGuire would make me come around to it in the next book (and prematurely resented her for making her eat my words).

In the end, that didn’t happen—I still am going to consider Be the Serpent as the low point of this series. However…I really liked the lemonade she turned this giant pile of lemons into. Which brings us to….

Cover of Sleep No More by Seanan McGuireSleep No More

by Seanan McGuire

DETAILS:
Series: Toby Daye, #17
Publisher: DAW
Publication Date: September 5, 2023
Format: Hardcover
Length: 310 pg.
Read Date: October 26, 2023-October 27, 2023; January 13-16, 2025
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“Romantic love is not required to live a full and happy life, my seedlings,” Father had told us, watching carefully to be sure we took his message to heart, “but if you cannot love one who loves you truly in return, find friends, find companions, find people who will tell you the truths you cannot carry and unveil the lies you cannot see. Most of all, cleave to each other, for you will be the only sure support you have in all this world.”

We spend most of our time watching this Alternate Version of Toby make her way through this version of Faerie that we all can kind of recognize, but not really. A good deal of the “fun” of all this is seeing the ways that Titania’s rewriting of things is similar—but not quite—to our version of things.

Toby, for example, has all the niceness, the kindness, the happiness that we all know she’s capable of—but she rarely gets to express (or she can only express in certain ways). August is…wow. The best older sister, really (sure, it’d be better if she didn’t believe that changelings were lesser beings, but…at least she doesn’t treat them as trash). Quentin, on the other hand, is an entitled jerk.

Thankfully, we get to come into this world just before it starts unraveling, partially because of Toby. Even as she really doesn’t know what she’s doing (or who she is, most importantly), she keeps being Toby—which means taking apart the plans and machinations of her opponents. Everything I think McGuire got wrong in the previous book, she did right here. We even get to revisit some of the bigger moments of the past.

I really liked the story; I thought McGuire executed it as close to flawlessly as is possible. I liked the conclusion—it was exciting, tense, and you honestly (especially now) had no idea how things were going to turn out. Sure, we know that bigger and worse things are on the horizon than we just dealt with—but okay. That’s pretty much par for the course.

Best yet? October and August have a relationship now. Simon and Toby are closer than they were. Yes, things are messed up ,and everyone will need to recover and reset. But…we’ve gained a lot.

Cover of The Innocent Sleep by Seanan McGuireSleep No More

by Seanan McGuire

DETAILS:
Series: Toby Daye, #18
Publisher: DAW 
Publication Date: October 24, 2023
Format: Hardcover
Length: 314 pg.
Read Date: October 31-November 1, 2023; January 24-31, 2025
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Love is a knife forever suspended an inch from your heart, and if it falls or you stumble into it, you can all too easily find yourself impaled and bleeding.

This felt like an incredibly unnecessary book. Sure, it seemed like a good idea—perhaps even entertaining just to see things from Tybalt’s perspective. But we already know this story. Why bother?

Oh, for so many reasons, it turns out. I ended up loving this book.Rather than picking up months later, like we did in Toby’s POV, we see this from the instant Titania did her thing—or pretty much. We get more than simply Tybalt’s POV—we get to see how all this nonsense is impacting the rest of Faerie—or isn’t, as the case sometimes is. We see just how far the range of the changes are. Most importantly, we see what happens to people who aren’t that close to Toby—the collateral damage.

And that damage is devastating—and is getting worse.

Then we get to see some of the specific incidents described in Sleep No More from Tybalt’s POV, or at least what others tell him. Still, it’s not Toby’s viewpoint. We come away from all of it with a greatly expanded understanding of everything that happened to the characters we know and love (or just know). Also, between the two books, we really learn so much more about Titania than we did before (naturally). And now we really want to see Maeve in action—as apocalyptic as that likely will be.

Could McGuire have done this as a larger-than-usual book from shifting POVs? Probably. But the pacing would’ve been weird, getting the different POVs on the same events would get tiresome (and hard to decide which POV would come first)…and, I think it’d have just been a mess. So much better this way.

My beef with this one—and I think it’s the only one I have in both Sleep No More and The Innocent Sleep is Tybalt’s lack of emotional control. Yes, it has to be hard to see Toby like this, to see her not know you at all—but for crying out loud, man! You’ve been around for centuries, you know the whammy that magic can do to someone’s mind and body (you’ve experienced it first hand!!)—magic from one of the Three? Hold yourself together, know that you’ve got a chance to help everyone—especially Toby, and stop acting like a child when she’s around.

Do the greatness of Sleep No More and The Innocent Sleep make up for Be the Serpent? No. Do they make it more forgivable? Ehhh, kind of. Mostly, I know for future re-reads to expect some rough riding, but that it’s worth it. As I said above, the lemonade she made from Be the Serpent is mighty tasty. And I’m okay with that.


This post contains affiliate links. If you purchase from them, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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When Archie Met Lily

“I’ll show you the phone.” It was a voice behind me, and I turned. The girl in yellow slacks was there close. I realized with surprise that her head came clear to my chin or above, and she was blonde but not at all faded, and her dark blue eyes were not quite open, and one corner of her lips was up with her smile.

“Come on, Escamillo,” she said, “I’ll show you the phone.”

I told her, “Much obliged,” and started off with her.

She brushed against me as we walked and said, “I’m Lily Rowan.”

“Nice name.” I grinned down at. her. “I’m Escamillo Goodwin.”

According to Some Buried Caesar, 87 years ago today, Archie Goodwin—one of my top 5 All-Time Favorite Characters—met the only woman who could keep his attention for more than a few months, Lily Rowan. Lily shows up several times in the Nero Wolfe/Archie Goodwin series and threatens to steal every scene she appears in (and frequently succeeds). Check out this post from Today in Mystery Fiction for the details—one of my favorite scenes, from one of my favorite books in possibly my favorite series—(I think I have 3 or 4 copies of it), so I had to say something.

Besides, it’s not like I have a long list of dates associated with fictional events to commemorate (but I really should work on one).

How they met 87 years ago, when Archie’s only in his mid-30s today, is beyond me. But Math was never my strong suit, I’m sure it makes sense, Charlie Epps could probably explain it to me.

Regardless, it’s a great exchange—the first of many between the two. Lily will go on to have great scenes with Mr. Wolfe, as well–one of the more memorable happens at a crucial point in In the Best Families where she does something that no one else does in the Wolfe/Archie books.

Why does she call him Escamillo? (a nickname she never drops, I should add). Well, a couple of pages before that exchange of names, Wolfe and Archie were crossing a field between the road (and their disabled car) and a nearby house, and well…

“Stop! Don’t move!”

I stopped dead, with [Wolfe] beside me. I thought he had discovered something psychological about the bird on the fence, but he said without looking at me, “Stand perfectly still. Move your head slowly, very slowly, to the right.”

For an instant I thought the nut with the gun had something contagious and Wolfe had caught it, but I did as I was told, and there was the second surprise. Off maybe 200 feet to the right, walking slowly toward us with his head up, was a bull bigger than I had supposed bulls came. He was dark red with white patches, with a big white triangle on his face, and he was walking easy and slow, wiggling his head a little as if he was nervous, or as if he was trying to shake a fly off of his horns. Of a sudden he stopped and stood, looking at us with his neck curved.

I heard Wolfe’s voice, not loud, at the back of my head, “It would be better if that fool would quit yelling. Do you know the technique of bulls? Did you ever see a bull fight?”

I moved my lips enough to get it out: “No, sir.”

Wolfe grunted. “Stand still. You moved your finger then, and his neck muscles tightened. How fast can you run?”

“I can beat that bull to that fence. Don’t think I can’t. But you can’t.”

“I know very well I can’t. Twenty years ago I was an athlete. This almost convinces me . .. but that can wait. Ah, he’s pawing. His head’s down. If he should start… it’s that confounded yelling. Now… back off slowly, away from me. Keep facing him. When you are 10 feet from me, swerve toward the fence. He will begin to move when you do. As long as he follows slowly, keep backing and facing him. When he starts his rush, turn and run—”

I never got a chance to follow directions. I didn’t move, and I’m sure Wolfe didn’t, so it must have been our friend on the fence—maybe he jumped off into the pasture. Anyhow, the bull curved his neck and started on the jump; and if it was the other guy he was headed for, that didn’t help any, because we were in line with him and we came first. He started the way an avalanche ends. Possibly if we had stood still he would have passed by, about 3 feet to my right, but either it was asking too much of human nature to expect me to stand there, or I’m not human. I have since maintained that it flashed through my mind that if I moved it would attract him to me and away from Nero Wolfe, but there’s no use continuing that argument here. There’s no question but what I moved, without any preliminary backing, And there’s no question, whoever he started for originally, about his being attracted by my movement, I could hear him behind me. I could damn near feel him, Also I was dimly aware of shouts and a blotch of something red above the fence near the spot I was aimed at, There it was—the fence. I didn’t do any braking for it, but took it at full speed, doing a vault with my hands reaching for its top, and one of my hands missed and I tumbled, landing flat on the other side, sprawling and rolling, I sat up and panted and heard a voice above me:

“Beautiful! I wouldn’t have missed that for anything.”

I looked up and saw two girls, one in a white dress and red jacket, the other in a yellow shirt and slacks. I snarled at them, “Shall I do it again?”

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