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The Reach of Shadows by Tony J. Forder: A Gripping Mystery, a Haunted Past, A Strong Novel


The Reach of ShadowsThe Reach of Shadows

by Tony J. Forder
Series: DI Bliss, #4


eARC, 372 pg.
Bloodhound Books, 2019

Read: January 18 – 21, 2019

‘Three days on, are you any closer to finding out who murdered our daughter?’ Tony Coleman asked. His hands were resting palm down on the bed, fingers splayed as if he were about the leap into action at any moment. The shock was palpable in every line of his face, and the man’s glazed eyes told Bliss that so much grief was yet to sink in. It was looking at faces just like this throughout his career that caused Bliss to take his cases personally. He never forgot a murder victim , but it was the expression on the faces of those they left behind that haunted him most of all.

Some time back, I noticed a strong link between how a novelist depicted the grieving of a murder victim’s family (particularly if it features the family identifying the body) and my overall reaction to the book. It’s the little things that are the most telling, right? Now, by the time I got to this father, I was already pretty sure that Forder knew what he was doing with this book, but it was nice to get the confirmation.

There is so much going on in this novel that it’s hard to know where to start. The book opens with a bang, with DI Bliss finding someone prowling around his house in the middle of the night. He pursues them on foot, in totally inappropriate clothing for such a thing. His pursuit is only called off when he’s struck by a car while crossing the road. When DS Chandler, his partner, comes to the hospital to bring him home, she tells him they have a stop to make — at a murder scene. He’s been ordered there despite his need to recover from the injuries sustained by being hit by a car.

Bliss is informed later that the reason he’s being pressured to work on this while recuperating is that the victim, Jade Coleman, had recently filed a complaint with the police about a stalker — and two of Bliss’ detectives had interviewed her. Nothing came of this complaint, and now she’s dead. So did they miss something? What should these two have done better/differently?

So Bliss has quite a few plates spinning right away — recovering from a concussion, broken ribs, etc.; solve a murder; ensure that the stalker investigation isn’t going to blow up in anyone’s face; when a few more plates are introduced: The Independent Office for Police Conduct (a replacement for The Complaints department) is looking into some of his cases — recent, and less-so. In fact, their investigation goes back over a decade, to when Bliss had been investigated for — and exonerated from — his wife’s murder. Bliss’ superiors are supporting him, and encouraging him to defend himself however is necessary — but he wants to find Coleman’s murderer, too. Bliss does keep the more senior members of his team in the loop about the IOPC investigation and they all want to help him as they can. So we have a whole lot of detectives trying to do a whole lot in a very short time.

Now, I haven’t read the previous three DI Bliss novels, and I don’t know what kind of overlap those books have with the particulars of the IOPC investigation — I think if I had more of a history with Bliss I could’ve cared more about this story, I could’ve appreciated the dangers he was in. Now, you never want the protagonist of the book you’re reading to be framed for a crime (especially if you get the sense that they’re one of the good guys in the world), but I just don’t have the investment to really care. So my primary concern was the Coleman case (and it was ultimately Bliss’ too).

The ways in which I wanted to be invested, but couldn’t, in the storylines about Bliss’ past were matched in the ways I was invested in Coleman’s case — there were some very believable red herrings dealt with, and Forder faked me out more than once. I’m not saying I got fooled by the same red herrings that distracted the detectives, but that Forder makes the reader thing he’s doing X with the plot while he’s setting up a Y. I was pretty impressed with the way he kept the characters and readers on their toes with the various stages and phases of the Coleman investigation while dealing with the crisis prompted by the Bliss investigations.

There is a great supporting cast around Chandler and Bliss — all of whom I wanted more time with — either above or below them in rank. I don’t know that if the book wasn’t quite as busy as this one if we’d have got to enjoy more of them, or if this is typical of the series. I can’t think of one of them I wouldn’t mind a few more pages with. Bliss is a very interesting character — he’s a good man and an old-school cop who’s doing his best to adapt and evolve into the modern concept of a detective. Chandler is a loyal friend, partner and sidekick — who could be more, who could (and maybe should) be a DI herself, but it perfectly content where she is. Watching them navigate the challenges of leadership and the pressures from above as tools to solve Coleman’s murder as well as being obstacles to efficient detecting is a lot of fun.

This really is a well-written, well-conceived and well-executed book — I think most of my lack of engagement (not that I wasn’t pretty engaged, I just think the book expected/deserved more on my end) comes from the fact that I was getting to know Bliss, Chandler and the rest. As I’ve said — the novel was just built on a lot of history, and not having any familiarity with that history, I couldn’t care as much as I should have. If I had the foundation, I’d have liked it more — and I already liked it a good deal. I do think this is a fine jumping on point — as long as you go into it knowing that you’re coming late to the party and won’t care about missing some things. Because of the way that this book seems to have wrapped up that stage of Bliss’ life, I’m not sure I want to go back and read the first three books (but I might), but I do want to see what happens in Bliss’ future — I haven’t talked much about Chandler, but I’m very interested in what lies in her future.

So, to wrap up, this is a strong novel that I couldn’t appreciate as much as I wanted to — but I really liked and it made me want to read more about these characters. My guess is you’ll react the same way (unless you’ve had the good sense to try these novels before hand — you are in for a treat).

My thanks to Bloodhound Books for the invitation to participate in this tour and the materials (including the book) they provided.

—–

3.5 Stars

LetsReadIndie Reading Challenge
2019 Cloak & Dagger Challenge

BOOK SPOTLIGHT: The Reach of Shadows by Tony J. Forder

Today I welcome the Book Tour for the aptly named The Reach of Shadows by Tony J. Forder (note: shadows have a long reach). Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: The Reach of Shadows by Tony J. Forder
Publisher: Bloodhound Books
Release date: January 9, 2019
Format: Paperback/ebook
Length: 372 pages

Book Blurb:

Recovering from injuries sustained in a road collision, DI Bliss is taken directly from hospital to a fresh crime scene and ordered to investigate the vicious stabbing and murder of Jade Coleman.

When Bliss realises the victim had reported being stalked, and that two of his own team had been drafted in to take her statement, he is given the unenviable task of interviewing both of his detectives.

Increasingly it appears that the stalker may be their killer. However, several other people soon become part of the team’s suspect list.

Bliss also finds himself being questioned about his own past, and has to battle to defend himself whilst continuing to investigate the murder.

Soon more questions arise.

Why would anybody target Jade Coleman?

Why are the team unable to identify the victim’s close female friend?

And why did Jade recently leave her job without any explanation?

With his work cut out, and his team under pressure, can Bliss solve the case before more victims show up?

Or will the shadows of his own past reach out and drag him under before he can succeed?

About Tony J. Forder:

Tony J. ForderTony J Forder is the author of the critically acclaimed, internationally best-selling crime thriller series featuring detectives Jimmy Bliss and Penny Chandler. The first three books, Bad to the Bone, The Scent of Guilt, and If Fear Wins, are now joined by The Reach of Shadows, published in January 2019.

Tony’s dark, psychological crime thriller, Degrees of Darkness, featuring ex-detective Frank Rogers, was also published by Bloodhound Books. This is a stand-alone novel. Another book that was written as a stand-alone was Scream Blue Murder. This was published in November 2017, and received praise from many, including fellow authors Mason Cross, Matt Hilton and Anita Waller. Before it had even been published, Tony had decided to write a sequel, and Cold Winter Sun was published in November 2018.

Tony lives with his wife in Peterborough, UK, and is now a full-time author.

Tony J. Forder’s Social Media/Links:

Website ~ Facebook ~ Twitter: @TonyJForder
Goodreads ~ Barnes & Noble ~ Bloodhound Books


My thanks to Bloodhound Books for the invitation to participate in this tour and the materials (including the book) they provided.

A Few Quick Questions With…Matthew Hanover

Matthew Hanover’s Not Famous was released last week (see my initial post about it)– and he was clearly and understandably busy with that. Still, he took the time to answer a few questions for me — which I greatly appreciate. As usual, this is designed to whet your appetite for the author so you go check out their website/twitter feed/etc., but more importantly, you check out their book. I hope that’s what happens here.

I threw in a bonus question about the Nick Hornby/Ben Folds album Lonely Avenue to see just how deeply the Hornby-fan in him ran. Also, his book is about a musician — we should talk music, right?

You’ve spent a lot of time blogging your way through the production of Not Famous — which, incidentally, forces lazy bloggers to get more creative than usual when coming up with interview questions — why did you decide to do that? Did thinking about what you were going through via reporting it help you in any way?
My hope was to build an audience before my novel came out and help motivate me to get the novel finished.Talking about my novel’s progress on my website and on Twitter did help me connect with potential readers and book bloggers like you, so I guess it worked!
In the writing of Not Famous, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV.”
I think the biggest surprise was how much I cared about the story and the characters. There came a point where, even though I was the writer, I felt I was just transcribing the story as the characters I’d developed would play it out naturally. As nice as that sounds, it was really difficult other times… If I didn’t feel inspired to write, I didn’t force it. There were definitely stretches of weeks and months at a time I never touch it.
I’ve made it clear that Lacy is the character that I’m most interested in — where did Lacy come from? Was it a conscious choice to make her role in the Nick/Alli relationship so pivotal, or did that just happen as you wrote?
Lacy, as you know, is Nick’s half-sister. Originally, she was just his sister, but as various plot points evolved, I felt it was necessary to put as much distance between them as I could, and so she became the daughter of their mother’s second marriage which contributed to his struggle to connect with her, and gave him a stronger opportunity to redeem himself with her. It seemed like an interesting way to explore a different kind of relationship (other than a dating relationship), and the problems that exist in that dynamic. Intertwining those to arcs was a real learning experience because I wanted it feel natural, and not forced.
Is “Lad Lit” all you write/want to write? Can you articulate what draws you to the genre? Is there a genre that you particularly enjoy reading, but could never write?
As far as novels go, yes. When I first read books by Nick Hornby and Jonathan Tropper, they were totally the kinds of stories I want to read… and eventually discovered I wanted to write. I do like science-fiction and post-apocalyptic novels, and I’ve written one sci-fi/paranormal short story… but I don’t think a novel in those genres in my future. Lad lit has always been the genre I’ve been most drawn to, and there’s quite a few stories in my head trying to get out!
What’s next for Author Matthew Hanover? Is Novel #2 underway, or are you solely focused (for now) on getting this launched?
I’ve been plotting out my next novel since before Not Famous was finished. I’m not actively writing it yet, and I should tell you straight out it is not a sequel, but is set in the same universe as Not Famous. Some characters you met in Not Famous will make an appearance… but this will be an office comedy / romantic dramedy. I hope to start it soon!
Oooh, sounds great. Hope to see it soon.

Bonus Question: Best song on Lonely Avenue and why?

Wow, what a great, and difficult question. How about I give you my top five? I’m guessing since you’re a Nick Hornby fan you’ll understand!

5. Picture Window
4. From Above
3. Claire’s Ninth
2. Practical Amanda
1. Your Dogs

As for why? I think these are the most solid songs on album… they’re all different… each tell vastly different stories…

Technically cheating — but I figure Rob Fleming would approve of the Top 5 approach. Good answers, too — although if we were hanging out in Championship Vinyl, I’d be compelled to tell you that you got 3 out of 5 correct, but your order is wrong. Good thing we’re not there, right? 🙂

Seriously, thanks for taking the time to answer these questions, I hope that Not Famous does well — and I look forward to your future work.

Opening Lines – A Brutal Bunch of Heartbroken Saps by Nick Kolakowski

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author — but nothing beats a great opening for getting a reader to commit. This is one of the better openings I’ve read recently. Would it make you commit? How can you not?

Listen.

At some point, a poor sap will look at you and say, “This is the worst day of my life.”

But as long as you have breath in your lungs to say those words, you’re not having your worst day. You haven’t even hit rock bottom, much less started to dig. You can still come back from a car wreck, or that terrifying shadow on your lung X-ray, or finding your wife in bed with the well-hung quarterback from the local high school. Sometimes all you need to solve your supposedly world-ending problems is time and care, or some cash, or a shovel and a couple of garbage bags.

If you see me coming, on the other hand, I guarantee you’re having your worst day. Not to mention your last.

Let me show you how bad it can get. How deep the hole goes. And the next time your idiot friend says something about worst days, as the two of you stand there watching his house burn down with his pets and one-of-a-kind porn collection inside, you can tell him this story. It might even shut him up.

Let me tell you about Bill, my last client.

from A Brutal Bunch of Heartbroken Saps by Nick Kolakowski

A Few Quick Questions With…Gray Basnight

Earlier today, I talked about Gray Basnight’s thriller Flight of the Fox and now I get to present a little Q&A I did with him so you can get acquainted with him. I did zero prep for this beyond reading the small “About the Author” paragraph at the end of the book, so I appreciated the opportunity to get a peak behind the curtain. I hope you do, too.

Tell us about your road to publication — was your plan/dream always to become a novelist and your other jobs were just to get you to this point, or was this a later-in-life desire?
I’ve always been a writer and long aspired to be a published novelist. One key reason why I worked in broadcast for three decades was to be in an environment where the written and spoken word mattered. When I was laid off during the financial crisis, I decided it was time to take my fiction writing more seriously.
I don’t want to ask “where do you get your ideas?” But out of all the ideas floating around in your head, why’d you latch onto “A Math Professor being chased by drones”? (to be highly reductive) — what was it about this character, this idea that drove you to commit months/years to it?
The truth is, I haven’t a perfectly coherent answer about the specifics of how Sam Teagarden came to be. I wanted to create a protagonist who was an Everyman, or at least as far from a secret agent with karate chopping skills as I could make him. A math teacher seemed to fit the bill.

As for drones, I have no idea where they came from, except to say that they began making news while I was starting this novel, related to their potential for mail order package delivery. From there, remote controlled assassins seemed a logical progression. By the way, I’m confident – and I fear – this will become a reality in the not too distant future.

Pangolin is such an interesting character — I can easily see him starring in his own book. Can you talk about where he came from?
Thanks for that. I’m glad you liked good ole Pangolin. In terms of plotting and pacing, he was a bit of a challenge because he’s an important character introduced in the final third of the novel. Technically, that’s a no-no. But when he appeared on my pages, I liked him so much I kept him along for the duration. He’s an ex-Navy pilot who despairs over the evolving intrusion of technology, computers and A.I. into our economy and general way of life. As a kid I always liked a comic book hero called Magnus, Robot Fighter. It’s curious to me that Hollywood hasn’t yet discovered Magnus for the lucrative franchise I believe he would be. So Pangolin is my Magnus.
Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery/suspense/thriller reader?
I’m a voracious reader. With some exceptions (steampunk/boys with swords) I read a little from all genres. As a writer, I think it’s important to do that.

For personal enjoyment, I tend toward crime/espionage and literary fiction, plus well-crafted biography from the non-fiction shelf. Chernow’s bio of Grant was wonderful. What a unique and important American that man was.

I’ve often heard that writers, or artists in general, will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
True, true, true. As for the absolute worst thing, I haven’t seen it—yet. Nothing has really crushed me, except for a face-to-face insult levied by a famous editor at one of the large publishing houses who hadn’t read my manuscript but was confident it was unworthy of her time, which she let me know in no uncertain terms. As Frank Sinatra sang, “some people get their kicks stomping on a dream.”

As for altering my approach to writing, thankfully, that has not happened. All I can do is sit down and try my best with the skills I possess. And, hey, sometimes the result is pretty good.

What’s next for Gray Basnight?
Lots. I’m putting final touches on a sequel to Flight of the Fox.

I have a finished YA manuscript that I’m confident has commercial viability – I only need one agent or publisher to see what I see!

I’m excited about another project I’m now outlining after having written a crappy first draft a couple of years ago. I’ve never outlined before, but so far, it’s going surprisingly well. The plot centers on an event in the Confederacy that springboards to an adventurous contemporary story.

Behind all that, there’s a bottleneck of about a dozen projects that may or may not get further fleshed out, including some first drafts that are already done.

My hope is to keep writing, and to keep readers interested!

Thanks for your time — and thanks for Flight of the Fox, I really enjoyed it, and hope you have plenty of success with it.

A Few (more) Quick Questions With…Russ Colchamiro

Russ Colchamiro came back for round 2 — and I’m very happy about that. I hope you enjoy this:

Tell us a little about your road to publication.
Finders Keepers is loosely based on a series of backpacking trips I took through Europe and New Zealand, set against a quest for a jar of the Universe’s DNA. Very much in the spirit of The Good Place, Bill & Ted’s Excellent Adventure, and Hitchhiker’s Guide to the Galaxy.

It original published in 2010, and got great notices, including in Publishers Weekly. As part of the launch—it was my debut novel—I landed a national distribution contract, with Finders Keepers on the shelves in 20 or so Barnes & Nobles throughout the U.S.

About a year ago I had a hankering to revisit the guys and see if it stood the test of time. Seeing how I could improve upon the original, I was inspired to write Finders Keepers: The Definitive Edition. It’s 15,000 words shorter than the original, with tighter pacing, some new content, and a few characters I reimagined to better match how I always intended them. This new, updated novel is indeed the final version. This is it!

In the Author’s Note you talked about your reasons for this new version of the novel, and how you cut a good deal of the original text. Talk to me about the process of revising — how painful was it to cut anything? What was it like to look back at an almost decade-old work with a critical eye?
It was trippy to go back and look at the manuscript with fresh eyes. Certain scenes were painful to cut because I loved them, as individual scenes, but I needed to serve the story, and keep the pacing as tight and lean as possible. The biggest change, where I had to take a humble, was some of the language. The original version was a bit raunchy, but as the series evolved, and as I evolved as a writer, I accepted that some of the sex comedy elements were distracting from the overall adventure. So I cut virtually every F-bomb, toned down some of the sex elements, and ultimately made it friendlier and more accessible for a wider audience. Consider the original as the Raw & Uncensored Edition, with an ‘R’ rating, whereas The Definitive Edition is ‘PG-13’.
I’m admittedly late to the Finders Keepers party — what kind of feedback have you received from readers who showed up earlier to the trilogy to The Definitive Edition? Anything surprising about the reaction (hopefully positive surprises, but I’ve been online long enough to not know to assume that)?
All of the feedback I’ve gotten is extremely positive. Finders Keepers is a 3-book series— Finders Keepers, Genius de Milo, and Astropalooza. The Definitive Edition much more closely matches the tone, length, and style of Genius de Milo and Astropalooza, so the entire trilogy feels much more like one cohesive adventure. I’m incredibly happy with the way it turned out.
Last time we talked, we spent some time talking about Finders Keepers when we were supposed to be talking about Angela Hardwicke and the anthology she was in. It’s time for some payback — talk a little about Angela — her tie to these books and her future.
Angela Hardwicke is my hard-boiled private eye, who briefly showed up in Genius de Milo with a much bigger role in Astropalooza. I’ve since written a few short Hardwicke mysteries in Crazy 8 Press anthologies. The biggest news is that I’ve also written the first draft of my first Hardwicke novel. I’ll be doing revisions over the next few months, with plans to publish either this year or in 2020. After that I plan to write Angela Hardwicke mysteries for years to come as an ongoing series. I’m not supposed to pick favorites, but Hardwicke I’ve never had more fun as an author than with Angela Hardwicke.
You’ve said Finders Keepers is loosely based on a series of backpacking trips you took through Europe and New Zealand. What inspired you to turn those adventures into a novel, and then expand it into a trilogy?
I know its cliché that a trip was life-changing, but in my case, it happens to be true. Before I went overseas, I hadn’t traveled much, and since then I’ve been halfway around the world, and made friendships that have endured all these years. Finders Keepers and the sequels are for readers who want to go on a wild cosmic ride that will, I hope, inspire you to think a bit about the meaning of life, your place in it, and the machinations of the Universe. And, of course, leave you with a smile on your face.
Thanks for your time, and I hope that Finders Keepers meets with all kinds of success!

BOOK SPOTLIGHT: Finders Keepers: The Definitive Edition by Russ Colchamiro

Today I welcome the Book Tour for the very strange Finders Keepers: The Definitive Edition by Russ Colchamiro. Along with this spotlight post, I’ll be posting a Q&A with the author (he came back for another round — the third author to do so!) and then I’ll be giving my take on the novel. Sounds like plenty of material to get to — let’s jump in. Don’t forget to enter the giveaway at the bottom of this post.

Book Details:

Book Title: Finders Keepers: The Definitive Edition by Russ Colchamiro
Publisher: Crazy 8 Press
Release date: October 17, 2018
Format: Paperback/ebook
Length: 310 pages
Genre: Sci-Fi/Fantasy
Content Rating: PG-13 + M (A few f-bombs, and mild sex scenes + some casual drinking/pot smoking)

Book Blurb:

In the spirit of The Good Place, Bill & Ted’s Excellent Adventure, and The Hitchhiker’s Guide to the Galaxy, author Russ Colchamiro has gone back to the future to deliver his wildest, funniest novel yet–the updated Sci-Fi/Fantasy tale Finders Keepers: The Definitive Edition.

When a jar containing the Universe’s DNA falls from Eternity, bumbling backpackers Jason and Theo find their loyalties–and sanity!–put to the test. Unaware that a motley crew from another realm is chasing them across the globe to retrieve that radioactive vessel, these intrepid new friends are forced to contend with passion, responsibility, and their own mortality–and the fate of the Solar System, which hangs in the balance.

Traversing Europe, New Zealand, and the backbone of Eternity, Finders Keepers: The Definitive Edition ultimately asks one simple question: Is the life you’re living the life you actually want . . . or does the Universe have more to offer than you can possibly imagine?

Book Trailer

About Russ Colchamiro:

Russ ColchamiroRuss Colchamiro is the author of the rollicking space opera, Crossline, the zany SF/F backpacking comedy series Finders Keepers, Genius de Milo, and Astropalooza, and is editor of the SF anthology Love, Murder & Mayhem, all with Crazy 8 Press.

Russ lives in New Jersey with his wife, two children, and crazy dog, Simon, who may in fact be an alien himself.

Russ has also contributed to several other anthologies, including Tales of the Crimson Keep, Pangaea, Altered States of the Union, Camelot 13, TV Gods 2, They Keep Killing Glenn, and Brave New Girls. Russ is repped by The Zack Company.

Russ Colchamiro’s Social Media:

Website ~ Twitter ~ Facebook ~ Instagram

Purchase Links for Finders Keepers: The Definitive Edition:

Amazon ~ Barnes & Noble
Playster ~ Kobo ~ 24symbols
Add to Goodreads

Enter the Giveaway:

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My thanks to iREAD Book Tours for the invitation to participate in this tour and the materials they provided.

Flashback Friday: Fate Ball by Adam W. Jones

The post I’m working on just isn’t going to be finished on time — at least not while leaving me capable of working today. So here’s a post from the past about a book that I’ve thought about lately.


Welcome to Part One of our participation in the Fate Ball Book Tour — a brief interview will follow in a couple of minutes. Hope you enjoy both of these posts half as much as I enjoyed this book.

Fate BallFate Ball

by Adam W. Jones
PDF, 279 pg.
Wisdom House Books, 2016
Read: April 14 – 15, 2016

Parents always seem to think that saving the day is a good thing, but really it just postpones the inevitable. Sometimes, they should just let their kids crash and burn, so they learn their lesson the hard way. Parents can be the biggest enablers of them all when they’re acting out of love and kindness, but that usually just makes things worse.

That’s not the most dazzling piece of writing in Fate Ball, nothing catchy or inherently memorable, like I try to start with — but this is the heart of the book. People trying to help an addict not ready to be helped, and inadvertently making things worse.

In the prologue, Able Curran receives news that Ava Dubose has died — Chapter One takes us back 14 years to 1980 to meet her. In Chapter Two (one of the best chapters I’ve read this year), Able meets her — and falls for her almost instantly (and many readers will, too). Over the next few chapters, you see the two falling deeper and deeper in love — one of the cutest couples you’ve read.

All the while, you know that things are leading to the fateful phone call Able receives in 1994. We start to see some signs of trouble (well, those started before this) long before Able does. When he finally gets clued it, it destroys him — and they don’t see each other for some time. From there we watch these two lives intersect from time to time over the next 15 years (usually, Able trying to help her), as well as getting glimpses of their lives between the intersections.

This is really the story of two addicts — one who lets their dependency control and destroy them. The other who learns how to live with the problem, controlling and eventually overcoming. And even as you know it’s happening, you still hold out hope for Ave to shake things off, to achieve the serenity — or at least the contentment that she so desperately needs. Things get worse and worse — yet Jones is able to keep things from despairing, there’s a lightness to the prose that keeps things moving. While things fall apart for Ava, they move on for Able and their friends — success, new love, children, life.

In some hands, you’d be beaten over the head with the contrast, Jones doesn’t do that however. It all spools out naturally, easily (the kind of ease that takes work to pull off). You like everyone here enough that you’re pulling for them, no matter what stupid choices they make. Jones as come up with a perfect blend of humor, romance, drama, and tragedy.

There are plenty of little touches along the way to keep things light, to immerse you in the world — which is good because the book could become too fixated on Able and Ava.

His mother was always asking, then answering her own questions. That’s why she was always right. She could have a whole conversation with herself, even a fight depending on the subject matter, and no one had to say a word. All Able needed to do was just nod his head once in a while and she would take care of the rest.

This is not the best book I’ve read — not even the best novel on addiction. But it works well enough that it doesn’t matter. I’m not saying it’s a bad book, or there are glaring problems — but objectively, I just think it could be better. But when you’re reading it? It delivers everything you want, and some things you don’t expect. I really enjoyed this and think you will, too.

Disclaimer: I received a copy of this book from the kind folks at Wisdom House Books in exchange for an honest review.

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4 1/2 Stars

The Impossible Dead by Ian Rankin: Malcolm Fox Uncovers Corruption both Past and Present

The Impossible DeadThe Impossible Dead

by Ian Rankin
Series: Malcolm Fox, #2

Hardcover, 391 pg.
Reagan Arthur Books, 2018
Read: December 24 – 26, 2018

Detective Paul Carter has been found guilty of some pretty clear-cut criminal activity. Fox and his team have been brought into investigate a neighboring force, Carter’s own, to see who might have been involved with him — or at the least covered up for him. They weren’t involved with the original investigation, but that doesn’t keep anyone from hating them as they come in for the follow-up.

Not too surprisingly, they’re getting nowhere fast. So they go fishing — not talking to the detectives they’re looking into, but witnesses and others. One of them ends up dead not long after Fox talks to him. There’s enough hinky in the crime scene, what the witness had told Fox — and the fact the detectives in charge are the same ones that Fox and his team are looking into, that Fox determines he needs to look into things.

There’s a tie between this murder and an old cold case involving a firebrand politician tied to the more militant wing of Scottish Nationalism. Fox is convinced that the two crimes are linked and he sets about proving who killed one man as a way to finding the killer of the other. This two-pronged focus of the book keeps Fox, his partners, and the readers on their toes.

Despite all the differences between the two characters (which will become even more obvious, it seems in the next Rebus book), they ultimately operate best in the same way, as lone wolves. But when Rebus goes off on his own and causes trouble, it’s just par for the course. When Fox does it, it’s out character — he’s a team player (at least he wants to be), so there’s a lot of mechanics involved in getting him off on his own. In The Complaints it took a conspiracy to isolate Fox, here, it takes one detective Fox crossed to take advantage of his tenuous link to a crime.

But on his own, Fox will do more to uncover the facts not just of the murder he’s wanting to investigate, the investigation he’s supposed to be running, and a very cold case. Yes, he does work with his friends who are still on the inside, to confirm or deepen his knowledge (and he does feed information back to them), but he’s very much on his own.

There’s a good amount of family drama again for Fox — grounding Fox and giving a dimension to the character that is good to see (even if it doesn’t always bring out the best in him).

I very much enjoyed watching Fox work — and try to stay near the system, if he can’t stay in it. The solutions to the crimes are well done — by both Fox and Rankin. We even get a little bit of a cameo-like appearance of good ol’ Rebus. Nothing about this really blew me away, but I was gripped throughout, and entertained by the whole thing. Rankin’s good enough that he doesn’t have to dazzle you as a reader to be very aware that you’re in the hands of a master. Fox would be worth following on his own, and I’m glad we got to see him for a couple of books before he comes park of the greater universe surrounding Rebus.

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4 Stars
2018 Library Love Challenge

Pub Day Repost: Dry Hard by Nick Spalding: Who needs to drink when you can have this much fun reading?

Dry HardDry Hard

by Nick Spalding
eARC, 293 pg.
Amazon Publishing UK, 2019
Read: November 19, 2018

Kate Temple’s in PR, Scott Temple’s a marketing director for a distillery. Both of them rely on alcohol to get through their days (and nights). They used to have each other to rely on and curb their use, but as they’ve become more successful, they have to do more things away from each other and they really don’t have anyone to watch out for them. Also, because they spend less time with each other, both have a hole they need to fill throughout their days — which usually involves more drinking.

Things are getting bad enough that they both endanger their jobs (not to mention the property and safety of others) thanks to drunken escapades. But this doesn’t give either of them much pause — if anything it drives them to the bottle even more. Their teenaged daughter, Holly, can’t understand why these two can’t see how bad their drinking is, how much it’s hurting their marriage, how much it’s affecting her life. So, at Christmas, she decides to secretly film them at their drunken worst (which starts pretty early in the evening) and then she shows it to them, hoping this video intervention will awaken them to their problem.

It doesn’t work — her parents defend their drinking, downplay the mortifying things they do on video and generally blow her off. So in a fit of adolescent pique, she uploads the video to YouTube so her friends can see it. But the video catches the attention of a couple of popular YouTube celebrities and next thing they know, Kate and Scott are a viral sensation.

This very public shaming convinces them that they need to make some changes, and decide to cut out drinking totally. Holly tries to get them public support by uploading videos chronicling their efforts to live dry for a year, attaching the hashtag #DryHard. Things do not go well — well, maybe well, but not smoothly.

Now, here’s where Spalding distinguishes himself from almost every other writer on the planet — he makes all of that hilarious. Yes, Holly’s going through a lot because of her parents, but even in the way that Spalding describes it, her hardships are funny. At the 14% mark, I wrote in my notes “I have no idea if he can tell a story, but Spalding can make me laugh!”

I can thankfully report, he can tell a story — and still makes me laugh. The comedy comes from the situations, from the slapstick-y way his characters navigate the situations, and just the way he narrates (typically through the protagonists’ voices). It’s not just one thing that he does well — he can bring the laughs through multiple channels. Yes, the couple are careening toward rock bottom, but you laugh about it; yes, they’re dealing with very serious life and death issues — but Spalding makes you find the humor in the situations; they have monumental struggles that don’t go away just because they sober up, but you’ll ber chuckling and chortling while watching them flounder.

Oh, also, this has nothing to do with the plot, but Spalding’s description of Gin Fawkes — a flavored gin using orange peel and cinnamon produced by Scott’s distillery — is enough to make me consider becoming a teetotaler. Fantastic stuff. Funny and horrifying in equal measures.

This is the story of a family in crisis and the great lengths they go to to preserve that family. That right there sells me on the book — everyone wants the same thing — Kate and Scott’s marriage to recover. There’s not one person in the family thinking of pulling away, there’s not one more committed than the rest — both spouses are flawed and fallible, even Holly makes mistakes and loses her way, however briefly. No one’s blameless, no one’s to blame, Scott and Kate have got themselves to this point together, and together they’ll make it out. Too many books like this will take the “side” of one spouse — one is committed, one is faithful, one is stupid and blind to their own faults and one is the bigger/wiser person, etc., etc. Spalding doesn’t do that — he presents the Temples as mutually dysfunctional, mutually aspirational, and human.

Unlike a lot of similar authors, if Spalding had the opportunity for an honest, heartfelt emotional scene or a series of laughs — he’d pick the laughs 99 times out of 100. Thankfully, if he could go for a fairly honest and quite heartfelt scene with laughs, he’d go for that too. If he’d gone for fewer laughs and more of the honest and heartfelt moments, he might have a more complex, realistic, and substantive novel. Something more akin to Jonathan Tropper or Nick Hornby at their best. Instead, Spalding produced an entertaining, funny and frequently hilarious novel. The substance is there — but it’s hidden and easy to miss between the chuckles.

If you take the time to look for the substance/depth — you’ll find it and appreciate its presence. If you don’t and just laugh, you’ll be fine and have a good time — either way, you win.

This was my first Nick Spalding book — it will not be my last. Fast and funny — I had a blast reading this and laughed out loud more than I can remember doing in a long time. Read this. You’ll enjoy it.

Disclaimer: I received this eARC from Amazon Publishing UK via NetGalley in exchange for this post — thanks to both for this.

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3.5 Stars

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