Category: Fantasy Page 16 of 34

Dead Man in a Ditch (Audiobook) by Luke Arnold: A Murdered Elf, An Old Friend, and a Hint of Magic

Dead Man in a DitchDead Man in a Ditch

by Luke Arnold

DETAILS:
Series: The Fetch Phillips Archives, #2
Publisher: Orbit
Publication Date: October 9, 2020
Format: Unabridged Audiobook
Length:  11 hrs., 51 min.
Read Date: February 11-15, 2022
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What’s Dead Man in a Ditch About?

Fetch, Man for Hire, has two clients/cases this time out.

First, the police want his help—they have a corpse that appears to have been killed by magic. They’re not broadcasting this idea, but that’s the best theory they have. They figure this is more up Fetch’s alley than theirs, they can’t officially hire him, but they’ll make sure that there’s a solid reward ready for him if he can bring them answers.

The other case involves an older elf—her husband is missing, and is probably dead. She wants Fetch to figure out who killed him—even better, if Fetch can tell her why there are debt collectors from the wrong side of the tracks sniffing around…

There’s not a lot of overlap in these cases, beyond the suggestion that there’s still a little magic in the world, despite what everyone knows/assumes. Maybe this time Fetch will find the thing everyone wants.

Too On the Nose

There’s a lot of material that’s a commentary on the presence, use, and abuse of guns in the real world. Arnold was not subtle at all—I’m not saying he should’ve been, but it would’ve been a bit easier to take if he had. I really don’t like authors taking a moment to do a PSA for whatever their cause is in the middle of a book.

Now, if they can work it in subtly? I don’t mind, in fact, I’m frequently impressed by it (whether or not I agree with them). But this was a tad too blatant for me.

The Narration

There’s got to be an advantage in narrating the audiobook for your own novel—you know how the strange names are pronounced already, you know exactly what tone is called for in each scene, and so on. On the other hand, you probably have to resist the impulse to do one more edit on each passage.

If you happen to be a pretty experienced actor, that has to be all the better.

Basically, I’m saying that Arnold is a perfect narrator for this and he did a bang-up job of it.

So, what did I think about Dead Man in a Ditch?

I thought I liked this novel more than the first in the series—I actually still do, but I’m rating this lower (I would like to ask 2020 me a couple of questions). Focusing on the present, even if the past looms large over the present, allows Fetch’s cases to mean more and be developed in a better, fuller sense.

I’m intrigued by the direction that Fetch seemed to be headed at the end here (although, I kind of thought that’s where he was headed already), but let’s never mind that.

I loved Fetch’s inner monologues, the voice is fantastic and I could listen/read it all day. I’m not quite as on board with the story—it’s good, just slow. Still, I’m glad I listened to this, and expect most fantasy/PI fans will be, too—particularly if they’re fans of both genres.

I’m just going to repeat what I said last time, because it still applies (maybe more than last time). Do I recommend this book? Oh yeah. You’ll probably like it more than I did (I’m a little worried about hitting “publish” on this, as I know I’m one of the less enthusiastic readers of this). And even if you don’t, you’ll be just as impressed as I am with Arnold’s imagination and skill.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Ohh, right…Peter Jackson Knew What He Was Doing (thoughts inspired by The Fellowship of the Rings Audiobook)

Tom BombadilSo I’m listening to the audiobook for The Fellowship of the Rings right now, and I spent some time today on the Tom Bombadil section—sooo much time (my rough estimate is 96 minutes).

I remember the first time I went through the book wondering what the purpose of all that time in the book was, but assumed I didn’t just didn’t get something, or that there’d be a payoff by the end of The Return of the King. I was curious about how the movies would handle that portion, but eventually, I shrugged it off and forgot about it. I remembered it when I walked out of the movie, thinking, “Hey, they left that bit out!”* and “good move.”

* After The Hobbit trilogy, it is hard to think of Jackson leaving things out, but it was something he did once upon a time.

Now I know that I’m not alone in not appreciating the Bombadil bits, and I can understand some of the defenses. Understand, but don’t buy them. I just don’t see the point of almost everything that happens for that hour and a half. (Feel free to tell my why I’m wrong!!) That said, Serkis almost made this bit tolerable. Almost.

That said, there have been some good things to come out of that character, and I figured I’d take the opportunity to boost the signal on them, since I’ve been thinking about them while listening to this part of the book. For example:

bullet The song, “In The House of Tom Bombadil” by Nickel Creek, which I could (and have) listen to on repeat for the better part of an hour.

bullet A few strips from the Sheldon comic by Dave Kellett (he may have others, but these are what I can find):
bullet CONVENTIONS!!!
bullet Support Group for Lame Sci-Fi and Fantasy Characters
bullet What Else Did We Miss from “The Lord of the Rings”?
bullet More Tom! More Tom! (meeting Lewis and Tolkein while time-travelling)
bullet Tra-la-lee!

All these are available in Pop Culture!…Building a Better Tomorrow by Avoiding Today by Dave Kellett, one of my favorite comic collections from the last few years.
Pop Culture

I really don’t have a point or anything, just needed to do something in response to the Tom Bombadil experience.

A Wizard’s Guide to Defensive Baking (Audiobook) by T. Kingfisher, Patricia Santomasso: If You’ve Ever Wondered How to Weaponize a Sourdough Starter, I’ve Got Just the Book for You

A Wizard's Guide to Defensive BakingA Wizard’s Guide to Defensive Baking

by T. Kingfisher, Patricia Santomasso (Narrator)

DETAILS:
Publisher: Tantor Audio
Publication Date: October 11, 2021
Format: Unabridged Audiobook
Length: 8 hrs., 30 min.
Read Date: February 2-3, 2022
Support Independent Bookstores - Visit IndieBound.org

If you have ever prepared for a siege in two days, then you know what the next few days were like. If you haven’t, then you probably don’t. Well…a big formal wedding is about the same (and because we do cakes, I’ve been on the periphery of a few), except that if things go wrong in a siege you’ll all die horribly, and in formal weddings, the stakes are much higher.

What’s A Wizard’s Guide to Defensive Baking About?

Mona’s a 14-year-old orphan, working in her aunt’s bakery. She’s also a magic-user. Her forte is magic involving baked goods and dough. Sure, that seems like an odd thing to have as a focus of one’s magic abilities, but in this world, it really isn’t. One of Mona’s acquaintances can reanimate dead horses. Nothing else, just dead horses. I guess what I’m saying is that atypical magical specializations are typical for this world.

Mona isn’t exactly a powerhouse either, she possesses enough magic to do a few tricks (making gingerbread men dance) and give a little extra something to her baking—her aunt won’t let her rest on that and actually has to learn to be a good baker while she’s at it.

Despite not being that powerful, Mona finds herself targeted by someone who seems to be killing every mage they can find. One thing leads to another, as they tend to do, and soon Mona finds herself at the forefront of an effort to defend her Duchess and their city-state against an invading army.

Caveat Lector (or Auditor)

The very best thing about being a baker is watching somebody bite into a blueberry muffin or a fresh slice of sourdough dripping with butter and seeing them close their eyes and savor the taste. You’re making their lives better, just a little tiny bit.

You know the rule, never go grocery shopping when you’re hungry? That applies to this book, too. The number of breads, pastries, cookies, and other assorted baked goods described and celebrated in these pages is unusually high for a fantasy novel. But probably about par for a novel with the word “baking” in the title. If you’re hungry—especially if you’ve been restricting carbs for whatever reason—you’re going to be in trouble.

This is not a reason to avoid the book, it’s just a friendly heads up. Eat well before diving in, or have some good snacks on hand.

Patricia Santomasso

This isn’t one of those audiobooks where I’m going to say that the narration elevated the text—Kingfisher’s prose doesn’t need it. But I can easily imagine her doing that for other books.

That said, her narration practically oozes charm. I could’ve listened for twice as long and been just as entertained with her work. She infused Mona with the right combination of timidity, determination, and spunk (and, sure, fear) to bring her to life in the narration.

So, what did I think about A Wizard’s Guide to Defensive Baking?

I’d picked this book up a handful of times over the last year or so, but hadn’t found the time to work it in. Then my library added the audiobook to their digital collection and that took care of that issue. I really should’ve made the time for this last year (or the year before).

In very many ways this was a pretty standard fantasy story, and most of the story beats were just what you’d think they would be. But I didn’t care about that for a second. The execution is what counts—and Kingfisher’s execution won the day. Add in the very different magic system (or at least a very different application of a magic system) and you’ve got yourself a humdinger.

A Wizard’s Guide had heart, charm, and humor—it wasn’t non-stop jokes, but the narrative voice could make you think it was. The moving and affecting parts were moving and affecting, and the rest of the time I was probably grinning. This was a completely entertaining way to spend a few hours, you should check it out.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: The Broken Heart of Arelium by Alex Robins

I’m very pleased and excited today to welcome The Write Reads Blog Tour for The Broken Heart of Arelium by Alex Robins. I couldn’t fit this in to my schedule, sadly, but you should absolutely check out some of the posts about it at https://twitter.com/WriteReadsTours. But before you go, let’s learn a little about this book, shall we?

The Broken Heart of Arelium  Tour Banner

Book Details:

Book Title: The Broken Heart of Arelium by Alex Robins
Release date: March 16, 2021
Format: Paperback/Ebook/Audiobook
Length: 232 pages
The Broken Heart of Arelium

Book Blurb:

None can resist the ravages of time. Knowledge is lost. Memories fade.

But some things must never be forgotten.

Over 400 years ago, twelve great warriors united the beleaguered armies of men and scoured the war-torn lands of evil, pushing the enemy back into the underground pits and caverns from whence they came. To ensure their legacy, each of the Twelve founded fortress monasteries to impart their unique knowledge of war and politics to a select few, the Knights of the Twelve.

But now the last of the Twelve have long since passed from history to legend and the Knights, their numbers dwindling, are harbouring a dark and terrible secret that must be protected at all costs.

Merad Reed has spent half his life guarding a great crater known as the Pit, yearning for some escape from the bleak monotony. Then the arrival of Aldarin, one of the few remaining Knights of the Twelve, sets off a chain of cataclysmic events that will change Reed forever.

To the north, Jelaïa del Arelium, heiress to the richest of the nine Baronies, must learn to navigate the swirling political currents of her father’s court if she hopes one day to take his place. But the flickering flames of ambition hide the shadow of an even greater threat.

And deep within the earth, something is stirring.

Book Links:

Amazon ~ Goodreads

About the Author:

Alex RobinsAlex Robins was born in Norwich, England back when it was still trendy to wear lycra tracksuits and bright pink headbands. Norwich School Library was where he first discovered his love of reading, an old converted undercroft packed to the rafters with books. The first fantasy series he read was The Dragonlance Chronicles by Margaret Weis & Tracey Hickman, quickly followed by The Hobbit, The Lord of the Rings, and David Eddings’ The Belgariad.

At the age of twelve Alex moved across the channel to Nantes in France. Speaking very little French, the first few years were difficult and sometimes lonely as he scrambled to get a grip on the intricate grammar and vocabulary of the French language. His taste in books branched out from epic fantasy to science-fiction, mysteries, thrillers, and historical fiction, but he always came back to his favourite fantasy authors when looking to escape the outside world.

After degrees in agronomy, project management, and computer sciences, Alex founded his own company dedicated to online voting. He met his wife during a game of badminton and they spent several years getting trounced in various regional tournaments before getting married. Alex now lives in the sunny Loire Valley in western France, surrounded by imposing castles, sprawling vineyards, and two children. After reading fantasy books for the last thirty years he decided to write one. The Broken Heart of Arelium is his first novel, and the first in the War of the Twelve series.

Author Links:

Website ~ Twitter ~ Facebook ~ Goodreads

 


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Revenge of the Beast by Jack Meggitt-Phillips, Isabelle Follath (Illustrator): A Tale of Vengeance and Do-Goodery

Revenge of the Beast Tour Banner

Revenge of the BeastRevenge of the Beast

by Jack Meggitt Phillips, Isabelle Follath (Illustrator)

DETAILS:
Series: The Beast and the Bethany, #2
Publisher: Aladdin (US); Farshore (UK)
Publication Date: March 22, 2022 (US); September 30, 2021 (UK)
Format: eARC
Length: 272 pg.
Read Date: February 1-2, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Revenge of the Beast About?

At the end of The Beast and The Bethany, Bethany, Ebenezer, and Claudette (the Wintlorian purple-breasted parrot) were sure that The Beast was vanquished and they could start living their lives in a new direction.

They’re de-Beasting their lives—getting rid of just about everything that The Beast magicked into existence for Ebenezer over the centuries—and they’re devoting their energies to do-gooding. Bethany needs to make up to people for all her pranks, and Ebenezer has a lot of karmic debt to pay off (and Bethany’s pushing him). He also is doing what he can to stay off the radar of the organization that’s been chasing the Beast for more centuries than Ebenezer’s been alive. That’ll be easier to do without magic items laying around.

But as the title of this book suggests, they were wrong. The Beast isn’t done yet, and he’s out to get back at those three—and anyone else who happens to be in the general vicinity while he’s at it.

Their do-gooding efforts stumble, the items they tried to divest themselves of start to behave strangely—and dangerously—for their new owners. No matter what they attempt to do, something goes wrong. It’s time for some drastic measures.

Comparatively Speaking, are We Sure The Beast is the Worst?

There are a handful of new characters introduced in this book, which helps in a few ways—it shows how much Bethany has changed Ebenezer’s life by expanding his social world, and it adds a little flavor to the series. But there are three new characters* in particular I want to single out: The Cussocks. Mr. and Mrs. Cussock run the theater that plays a significant role in the novel and their daughter, Gloria. Gloria reminds me of the TV version of Nellie Oleson, without the redeeming characteristics. Nellie knew how she should act and just didn’t care. I don’t think Gloria knows how she should act, she’s pure id. Once you get to know her parents, a bit, you start to see why. I’m not going to get into it, but just know that Gloria lives in the same orphanage that Bethany used to live in, because they just can’t stand her (and have no problem letting everyone—including her—know that).

* I’m pretty sure they’re new, they may have played minor roles in the first book. But I don’t think so, and I’m too lazy to check..

It’d be easy in a book like this to make The Beast the epitome of all evil, and every human and animal nothing more than a potential victim. Bethany and Ebenezer have some restitution to do and need to reform, but they’re trying. But as long as people like the Cussocks are around, the reader has to remember that people are capable of the same kind of evil as The Beast is. They don’t have magic to help, and they don’t get their sustenance from eating humans—which almost makes it worse, you could make a pragmatic argument for a lot of what The Beast does. But the Cussocks don’t have that going for them.

(but to be clear, all four of them are truly reprehensible characters)

True Horror: The Food

Sure, there’s a magic being eating people, producing magical items, and inflicting all sorts of psychological damage; a possibly sociopathic little girl inflicting pain on her peers; and a centuries-old man wandering around in this book. But the true horror? The food designed by Bethany and others.

Bethany considers herself a sandwich artist. No, she’d probably be inclined to add the “e,” she’s a sandwich artiste. Some of the flavor combinations she comes up with would make me run start swallowing Bertie Bott’s Every Flavour Beans by the handful without wondering/caring what flavors they’d be. They’re fully at the intersection of incredibly imaginative and incredibly unappealing.

It’s the kind of humor that an MG reader is practically guaranteed to enjoy.

Illustrations

I’m pretty sure neither of these books would be as successful without the contributions of Isabelle Follath. Her illustrations—sort of a mash-up of Eugene Yelchin, Quentin Blake, and Jules Feiffer—are attractive, eye-catching, and augment the text without being a distraction. I made more notes than usual about liking the artwork in this novel. Rather than further demonstrate how poorly I describe art, I’ll just say that her stuff is great and leave it at that.

So, what did I think about Revenge of the Beast?

I know when I posted about The Beast and The Bethany, I was aware that it was the first of a series, but I have to tell you, I thought it made a great stand-alone book. So much so that I forgot there were more books to come, I got this one primarily out of curiosity about how Meggitt-Phillips would approach this, rather than a curiosity about the characters or story. I was satisfied with where the first book left things.

That said, if you’re going to write an unnecessary sequel, this is the way you want to do it. Give some good backstory about the antagonist and one of the protagonists, and help the reader understand how they got started five centuries ago. Then while you’re doing that, show how everything you thought happened at the end of the first book wasn’t at all what was going on—so we need to read the sequel. It was really well-conceived in that way. But given the two that exist, we definitely need a third (which is, thankfully, on the way)

I think it’s best if I think of this in two different ways, it’s a creative way to tell this story, the morals are there for those who want to see them (again), but are easily ignored if that’s what the reader prefers. The humor is a bit subtler this time out, but it’s just as funny if you’re looking for it. I was honestly surprised by a couple of plot developments, too. But…it just didn’t work as well for me as its predecessor. Like I said with And Your Enemies Closer, a lot of that is likely just the way second novels in a trilogy strike me. But I don’t think it’s all of the reason why. I think it’s probably a function of separating (for good and understandable reasons of plot) Ebenezer and Bethany for so much of the book. The series is stronger when they’re together.

On the other hand, if I got this book when I was in Fifth Grade? I’d really dig it, and it would earn a spot in my Roald Dahl-Daniel M. Pinkwater-Norton Juster re-read cycle, right alongside The Beast and The Bethany, and I’d get it read at least four more times before the third volume is released. Since that guy is the one that Meggitt-Phillips is writing for, not the guy with four adult children—I figure that’s good enough.

At least three of my four kids would’ve loved this when they were the right age (and it’s possible that the fourth one would’ve, too)—and I’m willing to bet that whatever parents are reading this would find similar results in their homes. They should pick this up and see.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided, via Netgalley and Farshore.

BOOK SPOTLIGHT: Revenge of the Beast by Jack Meggitt-Phillips, Isabelle Follath (Illustrator)

I’m very pleased and excited today to welcome The Write Reads Ultimate Blog Tour for Revenge of the Beast Jack Meggitt-Phillips and illustrated by Isabelle Follath. It’s the follow up to their delightful The Beast and The Bethany, which you really should read if you haven’t. I’ll be posting my take on the novel in a bit here, but for now, let’s learn a bit about it.

Revenge of the Beast Tour Banner

Book Details:

Book Title: Revenge of the Beast by Jack Meggitt-Phillips, Isabelle Follath (Illustrator)
Release date: March 22, 2022 (US); September 30, 2021 (UK)
Publisher: Aladdin (US); Farshore (UK)
Format: Hardcover/Paperback/Ebook/Audiobook
Length: 288 pages

Revenge of the Beast

Book Blurb:

Lemony Snicket meets Roald Dahl in this riotously funny, deliciously macabre, and highly illustrated sequel to The Beast and the Bethany in which Bethany and Ebenezer try to turn over a new leaf, only to have someone—or something—thwart them at every turn.

Once upon a very badly behaved time, 511-year-old Ebenezer kept a beast in his attic. He would feed the beast all manner of objects and creatures and in return the beast would vomit him up expensive presents. But then the Bethany arrived.

Now notorious prankster Bethany, along with her new feathery friend Claudette, is determined that she and Ebenezer are going to de-beast their lives and Do Good. But Bethany finds that being a former prankster makes it hard to get taken on for voluntary work. And Ebenezer secretly misses the beast’s vomity gifts. And neither of them are all that sure what “good people” do anyway.

Then there’s Claudette, who’s not been feeling herself recently. Has she eaten something that has disagreed with her?

Book Links:

Amazon US ~ Amazon UK ~ Goodreads

About the Author:

Jack Meggitt-PhillipsJack Meggitt-Phillips is an author, scriptwriter, and playwright whose work has been performed at The Roundhouse and featured on Radio 4. He is scriptwriter and presenter of The History of Advertising podcast. In his mind, Jack is an enormously talented ballroom dancer, however his enthusiasm far surpasses his actual talent. Jack lives in north London where he spends most of his time drinking peculiar teas and reading P.G. Wodehouse novels.


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Catch-Up Quick Takes: I Don’t Have Much to Say About these Recent Books

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


The Sentence Is DeathThe Sentence is Death

by Anthony Horowitz, Rory Kinnear (Narrator)

DETAILS:
Series: A Hawthorne and Horowitz Mystery, #2
Publisher: HarperAudio
Publication Date: May 27, 2019
Format: Unabridged Audiobook
Length: 8 hrs., 36 min.
Read Date: December 22-23, 2021
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(the official blurb)
A notorious divorce lawyer is bludgeoned with an expensive bottle of wine and Horowitz finds himself dragged away from his day job by Hawthorne to chronicle the investigation.

Hawthorne seems to be more disagreeable this time out—almost like he was trying to be off-putting. Horowitz (the character) is a decent source of comic relief as he struggles to prove himself.

The mystery was pretty compelling—and while I think I got it before the duo (well, before Horowitz, anyway), it was a bit trickier than the first. All in all, it’s a fun listen.
3 Stars

The Iggy Chronicles, Volume OneThe Iggy Chronicles, Volume One

by Spencer Quinn

DETAILS:
Series: Chet and Bernie
Publisher: Atria Books
Publication Date: August 13, 2013
Format: Kindle Edition
Length: 49 pg.
Read Date: December 30, 2021

(the official blurb)
I’ve had this short Chet & Bernie story on my Kindle for ages, I think I started it a few times but got distracted quickly. Which makes no sense, because it’s not like it took too long to read.

It’s a fast read featuring Chet’s buddy, Iggy, and Bernie’s neighbor, Mr. Parsons. Bernie’s sharper than ever and he makes quick work of the mystery the duo literally stumbles into. It’s not a must-read, but it’s a fun one.
3 Stars

Zoth-Avarex's Escape PlanZoth-Avarex’s Escape Plan: A Pick-Your-Own-Path Experience

by K.R.R. Lockhaven

DETAILS:
Series: Zoth-Avarex, #2
Publication Date: June 13, 2021
Format: Kindle Edition
Length: 43 pg.
Read Date: December 31, 2021

(the official blurb)
Not surprisingly, Zoth-Avarex, was not happy being thwarted The Conjuring of Zoth-Avarex, and he wants revenge. Lockhaven presents this quest in a Choose-Your-Own-Adventure style. Without, it should be stressed, being so close to the style as to infringe on any trademarks or anything.

I laughed at this, it was truly ridiculous. I don’t know that this is the sequel I wanted/expected, but I’m glad we got it.
3 Stars

DogtologyDogtology: Live. Bark. Believe.

by Jeff Lazarus

DETAILS:
Publisher: Greenleaf Book Group Press
Publication Date: June 2, 2015
Format: Hardcover
Length: 189 pg.
Read Date: December 30-31, 2021
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
The central conceit here is that humans are so obsessed with their dogs, have devoted so much time, energy, and work that it’s become a religion, with humans worshipping canines. This book is a look at that devotion and the rituals and beliefs that accompany it.

When this book sticks to poking fun at the obsessive nature of dog owners, and having fun with the nature of dogs, it’s pretty amusing. But it treads a little too close to mocking actual religion for me to get excited about it.

I’m not sure I laughed at all, but it’s frequently funny.
3 Stars

Gone MissingGone Missing

by Linda Castillo, Kathleen McInerney (Narrator)

DETAILS:
Series: Kate Burkholder, #4
Publisher: Macmillan Audio
Publication Date: June 18, 2012
Format: Unabridged Audiobook
Length:10 hrs., 8 min.
Read Date: January 3-5, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
Hey, Castillo found a way to get Kate out of town to investigate a crime involving the Amish. This has been my biggest (or one of my biggest) concerns with the series, that at the rate things were going, the Amish in her community would all die before we got to book 10.

There is a string of Amish youth going missing—enough that it’s got the attention of the state to assemble a Task Force—Kate Burkholder and John Tomasetti are recruited to be part of it.

What they end up finding is pretty disturbing, but a little less disturbing than the last couple. I like where the series is finding itself and can see me sticking around for a little longer than I feared I might have.
3 Stars

Two Witches and a WhiskeyTwo Witches and a Whiskey

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: The Guild Codex: Spellbound Series, #3
Publisher: Tantor Audio
Publication Date: February 27, 2019
Format: Unabridged Audiobook
Length: 8 hrs., 9 min.
Read Date: January 11-12, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
Okay, this is more like it, a very good way to bounce back from the last book which was a bit of a disappointment to me. I wasn’t terribly worried about the series—I have a friend who’s further ahead of me (I think she’s done), and I assume she wouldn’t have recommended it if there was a problem.

Tori and her friends get themselves tied up in a big ol’ mess that will result in Tori dying unless they can pull off the impossible, or at least the incredibly unlikely.

The police (both real and supernatural) are lurking around the edges, the druid she met last time is back, and we learn a bit about Kai’s past and background. A fun story and some good character growth.
3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: The Thirteenth Hour by Trudie Skies

I’m very pleased and excited today to welcome The Write Reads Blog Tour for the first in a Gaslamp Fantasy series, The Cruel Gods, The Thirteenth Hour by Trudie Skies. I didn’t have time to read it, which is disappointing, because I’ve heard nothing but good things for a few months now about this book–but I wanted to take a moment to help spread the word about it with this Spotlight. After you read this, you should absolutely check out some of the posts about it at https://twitter.com/WriteReadsTours.

The Thirteenth Hour by Trudie Skies Tour Banner

Book Details:

Book Title: The Thirteenth Hour by Trudie Skies
Release date: October 13, 2021
Format: Hardcover/Paperback/Ebook
Length: 535 pages
The Thirteenth Hour

Book Blurb:

When the saints fail, the sinners step up.

Cruel gods rule the steam-powered city of Chime, demanding worship and tribute from their mortal subjects. Kayl lost her faith in them long ago, and now seeks to protect vulnerable and downtrodden mortals from their gods’ whims. But when Kayl discovers powers that she didn’t know she had—and destroys a mortal’s soul by accident—she becomes Chime’s most wanted.

Quen’s job was to pursue sinners, until the visions started. Haunted by foreboding images of his beloved city’s destruction, Quen hunts soul-sucking creatures made of aether who prey on its citizens—and Kayl is his number one target.

To ensure Chime’s future, Kayl and Quen must discover the truth of Kayl’s divine abilities before the gods take matters into their own hands.

For a city that bows to cruel gods, it’ll take godless heathens to save it.

The Thirteenth Hour is the first book in The Cruel Gods series—a gaslamp fantasy featuring magical portals, gothic cosmic deities, quaint Britishisms, and steampunk vibes. This is an adult book containing strong language and mature themes that some readers may find disturbing. For a full list of content warnings, visit Trudie Skies’s website.

Book Links:

Amazon ~ Goodreads

About the Author:

Trudie SkiesTrudie Skies has been living inside fantasy worlds ever since she discovered that reality doesn’t quite live up to the hype. Through the magic of books, she wishes to share these worlds of hope and heroes with other weary souls. Living in North East England, Trudie spends most of her free time daydreaming about clouds, devouring whatever fantasy books or video games she can get her hands on, and chasing after her troublesome dogs, who would like to reassure you they are very good boys.

Her debut YA fantasy series, Sand Dancer, was published through Uproar Books. Trudie is now writing adult gaslamp fantasy with her new series, The Cruel Gods.

Author Links:

Website ~ Twitter ~ Facebook ~ BookBub ~ Goodreads

 


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

The Hobbit (Audiobook) by J.R.R. Tolkien, Andy Serkis (Narrator): Serkis (Naturally) Knocks It Out of the Park with this Audiobook

The HobbitThe Hobbit, or
There and Back Again

by J.R.R. Tolkien, Andy Serkis (Narrator)

DETAILS:
Publisher: Recorded Books
Publication Date: September 20, 2020
Format: Unabridged Audiobook
Length:10 hrs., 25 min.
Read Date: January 18-22, 2022 
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What’s The Hobbit About?

I suppose it’s theoretically possible that in 2022 someone will be reading a book blog and not know the basics of this, right?

So a Hobbit (Bilbo Baggins) is recruited (quite presumptuously) by the wizard Gandalf to join a band of thirteen dwarves on their odyssey to sneak back into their territory which had been taken over by the dragon, Smaug. Their goal is to steal back the treasure (particularly an heirloom of the king’s family, the Arkenstone). There’s really no reason to think that Bilbo, who hates the idea of adventure and just wants to stay in his comfortable home all day (like 99.9997% of Hobbits) will make a capable burglar. But Gandalf insists on it, overrules the objections of the dwarves, and tricks Bilbo into accepting the role.

Along the way, they have various adventures—in addition to some nasty geographical features, they meet goblins, giants, trolls, freakishly huge talking spiders, a ware-bear, elves, and several others. Some of those are allies, many are not. Eventually, they reach the Lonely Mountain, face off against the dragon, find themselves in the middle of The Battle of Five Armies, and then (as the title implies) Bilbo goes back home.

The Narration

I saw that Serkis recorded this and almost jumped immediately—but I made myself hold off until he did the follow-up trilogy. Well, that happened last fall, so after I wrapped up my Alex Verus re-listen, I moved on to this series. What a delicious listen!

Serkis does a great job bringing individual characters to life—and keeping them individual. A couple of times I wondered if he was doing a McKellen impression with Gandalf, but I talked myself out of it—ditto for the other characters. I thought his Smaug was excellent, too.

The moment that [name redacted out of habit, can’t imagine I’m spoiling anything] turns on Bilbo was so well done that I felt something like surprise while I was waiting for it.

But the big question for me going in was how was he going to approach Gollum. Would he be prevented from duplicating the voice/characterization from the films in this format, because it wasn’t owned by some film company or something? Or was Serkis just sick and tired of doing it and wanted to try another approach? Nope and nope. His audiobook Gollum sounded just like the movie Gollum and I could’ve listened to that section of the book on a loop for few times through. I just loved it. It almost didn’t matter what he did the rest of the time.

I typically listen to audiobooks at more than 1.0x speed—it varies from book to book, narrator to narrator, genre to genre—what speed I use. Frequently, too, I’ll start at something like 1.2 and then work my way up as I get used to a narrator/book. Not with this one—I wanted to soak in the performance. I don’t think I made it more than a paragraph or two before I slowed to 1.0 and kept it there the whole time, I just really got into his performance (I’m not sure that I’ll do that for LoTR, those are some long reads).

Oof, I really should’ve thought of this before starting the book…

If you’re reading, it’s easy to skip and/or skim through the songs. If you’re listening to an audiobook—unless you want to stop everything you’re doing to focus on fast-forwarding just enough, you’re stuck listening to them all.

Call me a Philistine if you will, but I just can’t do the songs. And I consistently forget how many of them there are in this book. I tried, I really tried to pay attention, but I couldn’t. I do think Serkis did a decent job carrying a tune with them. I’d love a Behind the Scenes look at how they decided on a tune for him to use.

So, what did I think about The Hobbit Audiobook?

I’m not the Tolkein-fanboy that I (and many acquaintances) would’ve assumed I am. This is only my third (complete) time through the book—I tried a handful of times in grade school, but couldn’t make it through. I got some encouragement from a big fan in college to push through it so I could get to The Lord of the Rings, but didn’t get around to it until the year before Jackson’s LotR was released. I really enjoyed it then, and my appreciation grows in the re-reads. Serkis’ work here moved that up a lot, too.

It’s just a fantastic audiobook—any problems stem from the original text, not Serkis’s performance—if anything he helped the text (not that it needed much). I can’t wait to see what he does with LoTR, those books demand a bit more, and I’m confident he’ll live up to expectations, now I just want to hear it for myself.

If you’re at all curious about this, you should give it a shot—you’ll be glad you did. If you have no curiosity about this—are you sure? Should you reconsider your position? This’d be a great way on family vacations or something to introduce younger readers to the series, I’d think.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 1/14/21: Where the Drowned Girls Go by Seanan McGuire

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from Page 56 (and a little bit of 57) of:
Where the Drowned Girls Go

Where the Drowned Girls Go by Seanan McGuire

The matron narrowed her eyes. “Can scarecrows talk?” she repeated, tone clearly implying that there was only one right answer, and it wasn’t the one she expected from Emily.

…Silence and blending into the background were Cora’s forte. She was good at it. But she was also a hero, and heroes didn’t stand idly by while someone smaller was victimized.

“Scarecrows don’t talk,” she scoffed, loudly enough and clearly enough to guarantee she would be overheard. The matron stiffened. Cora acted like she hadn’t noticed, continuing blithely, “They’re just straw stuffed into old potato sacks. If scarecrows could talk, that would mean straw could talk, and if straw could talk, grass would be able to talk, and no one could mow their lawns.”

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