Category: Fantasy Page 42 of 47

A Few Quick Questions With…M. T. Miller

On March 16, 2016

In A Few Quick Questions With..., Books, Fantasy, M. T. Miller, News/Misc., Writing

I posted about M. T. Millers’s Risen: First Book of the Nameless Chronicle yesterday (if you didn’t read it, take a moment now — or skip what I said and go get the book). Miller was kind enough to participate in a Q&A with me. I asked some Risen-specific questions and then a couple less-so. I kept it short and sweet, because I’d rather he work on his next book than take too much time with me, y’know?

What got you into writing? Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)

Misfortune got me into writing. Due to an unforeseen death, me and my SO found ourselves severely lacking in currency, so I took a ghostwriting gig to plug the leak and save the ship. After some time, having seen quite a bit of the more popular stuff first hand, I decided I was just as good. Time will tell if I was right.

As for my major influences, I’d say those would be George R. R. Martin, Scott Lynch, and on a less conventional note, whoever it is that did the story for the Nier/Drakengard series of games. I think his name is Yoko Taro. I see their presence quite clearly in my work. Martin taught me how to swing the axe, but to do it effectively as opposed to liberally. Lynch helped me with the same thing, but did so with the wit and style I can only hope to match some day. As for Yoko Taro, well. . . he taught me how to handle unhinged characters in a way that works.

How many stories do you have in mind for this? I assume you know what’s going on with Nameless — who he is, where he’s from, what kind of supernatural being he is and so on — how hard is it to give your readers bits and pieces of this information here and there? How long before he figures it all out? Sister Chastity seemed to know — did she? (feel free to not answer those last two — or to make your answer as teasing as you want)

The whole story is planned to run for some six installments, each longer and more complex than the last. For instance, book two will be roughly twice the size of the first one. Of course, I might increase or decrease the number in the future by splitting or fusing story arcs. We’ll see.

I’ve found it much easier than expected, and more fun for that matter, to spread little clues about. I’m not a very subtle person; I go straight for the throat, and I feared that the whole mystery thing would suffer for it. Luckily, I seem to have gotten it under control. At least for now.

Several big reveals will happen sooner than you might think, but answers always come with more questions.

The Sister has seen her fair share of weirdness, but her relation to the Nameless was more defined by his charity than what she knew or didn’t know.

In the writing of Risen, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.

I never expected the epilogue to come out as good as it did. I wrote it in one sitting, and it came out absolutely perfect. It still gives me the chills.

“Horace” is a great name, but not a common one — is there a story behind your selection of it?

There’s a story behind every name, even the lack of one. For me, the name “Horace” invokes the Old West, the American Civil War, and the like. Given that the Nameless Chronicle is more or less “Old West meets apocalyptic fantasy,” it just felt right.

Risen by M. T. Miller

By HCNewton

On March 15, 2016

In Fantasy, Fiction, M. T. Miller

Risen: First Book of the Nameless Chronicle

by M. T. Miller
Series: The Nameless Chronicle, #1

Kindle, 87 pg.
2016

Read: March 11, 2016

This kicks off with one of my favorite first chapters in months. Sure, it only takes a second or two to know what’s going on in it, but it’s really well done, even if it isn’t a mystery (I’m not sure it was supposed to be, but it seemed that way). Risen grabbed me right off and didn’t let go until the end.

Our protagonist is suffering some sort of amnesia — he doesn’t know who he is, where he is — even when he is. He finds himself in a city that’s definitely seen better days. It’s pretty much the poster child for dystopian ruins — Chicago in Divergent, for example. But with fewer people (maybe).

He enlists the assistance of a homeless man to guide him through both the culture and geography of this city and the surrounding. They encounter a street gang that seems to run just about all the city, a severely under-staffed church that seems to be just about the only place in town not run by the gang, and an extended family (of sorts) that lives outside the city.

And by “encounter,” on the whole, I’m speaking of the violent type. Nameless remembers very little, but he seems to remember how to fight. Each fight does tell us a little more about the world and Nameless, so they’re not just fun bits of gratuitous violence.

There’s some supernatural stuff going on (not just in this city, but on the other side of the country), possibly Spiritual forces (in the religious sense), and . . . who knows what all, really?

All this is told with grim humor and a strong narrative voice that keeps the reader engaged in the story and characters — not just in the “I wonder what’s going on in this strange world” kind of way. Even knowing practically nothing about Nameless (making me a lot like him), I liked him as a character and want to read more about him.

My one complaint is length — just about everything is too short. The story is too short, most of the scenes are, too. But I’m pretty sure that’s just my wanting more for myself — to give us longer scenes would ruin the pacing, would mess with the way Miller’s constructing the series. And really, when you get down to it “I wanted more!” is more of a compliment than a complaint — but I’m calling it one nonetheless.

A fast, gripping read that’ll leave you wanting more. A perfect little palate-cleanser between heavy reads. I’m eagerly waiting for further adventures of Nameless and finding out more about him and his world.

Disclaimer: I was provided a copy of Risen by the author in exchange for an honest (and, it turns out, over a month overdue) review.

—–

3.5 Stars

The Story of Lucius Cane: Book One by Vanya Ferreira

By HCNewton

On February 26, 2016

In Fantasy, Fiction

The Story of Lucius Cane: Book One

by Vanya Ferreira

Kindle Edition, 27 pg.
Vanya Ferreira, 2016

Read: February 23, 2016

This first installment is a tale of a couple of atypical takes on supernatural staples.

It’s London in 1794 and we meet a different kind of vampire (for reasons that are sort of explained), but except for one little quirk of personality, he seems like your typical pre-Victorian Vampire. The quirk does seem to save lives, so it’s endearing.

Jack ‘The Hound’ Estenborough is lycanthrope-ish. A former pirate, now loanshark (and his own leg-breaker). A man as synonymous with violence as he is with body hair.

The two are manipulated into a showdown, and face-off in a knock-down, drag out fight which is the kind of thing everyone who watched a Lon Chaney flick as a kid wanted to see.

This was a quick story, so there’s not a lot to say, not much time for character development or anything like that. It wasn’t the most skillfully told story, but it got the job done and kept you reading.

There was a good chunk of info dumping with one character, where he only hinted at things for the other. Obviously, the treatment of the other primary character was better — but I didn’t mind the info dump too much, the title tells you the story’s not about The Hound, so no need for gradual reveal — also, it was a fun, quick info dump.

Ferreira made some odd vocab choices — some words (especially in idiomatic phrases) that are almost, but not quite right. But when someone living in Serbia writes in English, I figure that’s a risk you run — and it’s never too distracting.

There were a few questions left by the story, but you can tell that Ferreira has an answer ready for them, he just needs the space to relay them. That, and the cliff-hanger ending, demand a series of these stories (as does, the title, I guess) — or a novel. I don’t care which, as long as I get to read it.
—
Disclaimer: I was provided a copy of this story by the author in exchange for an honest review.

—–

3 Stars

The Sword of Summer by Rick Riordan

By HCNewton

On November 11, 2015

In Authors, Fantasy, Fiction, P-U, Rick Riordan, YA/MG/Children's Books

The Sword of Summer

by Rick Riordan
Series: Magnus Chase and the Gods of Asgard, #1

Hardcover, 491 pg.
Disney – Hyperion Books, 2015
Read: November 6 – 7, 2015

Maybe you’re thinking, Oh, Magnus, you didn’t really die. Otherwise you couldn’t be narrating this story. You just came close. Then you were miraculously rescued, blah, blah, blah.

Nope. I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water.

The medical term for that is dead.

Gee, Magnus, what did it feel like?

It hurt. A lot. Thanks for asking.

Welcome to Rick Riordan’s latest tale of the offspring of mythological deities and the humans silly enough to fall for them. We’ve done the Greek pantheon, spent some time with the Egyptians, and came back for another round with the Greeks — this time with their Roman counterparts, but now we’re in for something new: Norse mythology. A whole new kettle of fish. This involves a new type of central character, a new kind of setting, new challenges. Which gives us the best thing from Riordan since the Percy Jackson & the Olympians series.

Magnus Chase is a homeless teen, orphaned a couple of years back when his mother was killed. Since then, he’s lived on the streets of Boston, spending his days in museums and libraries, learning as much as he can about whatever, and establishing relationships with generous restaurant employees and fellow homeless people. Two of whom track him down one day to let him know that there are people looking for him. It turns out that this is his sixteenth birthday and life just got a lot more dangerous for him. The people seeking him are family and they’re sure that he’s about to be hunted by beings he doesn’t believe exist.

The quotation above shows how well that being hunted works out for Magnus.

But he goes down fighting — to save himself, bystanders, and a couple of friends. So a Valkyrie (who happens to be Muslim, a combination that fascinates me) takes him to Valhalla — where he makes some more interesting friends, and enjoys a quality of (after-)life that’s far better than the streets. But then, someone casts doubt on the worthiness of his selection, which puts that Valkyrie in hot water.

So now Magnus has to take things into his own hands, prove that he’s worthy, defend the Valkyrie, and prevent Ragnarok from starting — or, if things go wrong, kick it off. It could go either way, really. One of the best pieces of advice he gets — the thing that inspires him is:

The thing about fate, Magnus: even if we can’t change the big picture, our choices can alter the details. That’s how we rebel against destiny, how we make our mark.

Now it’s just a question of what kind of mark he leaves.

Love, love the voice/attitude, I’ve seen some criticisms of it from parents, but I think it’s fun, and it’s just the kind of thing to feed into his audience (both the target and those who’ve grown up reading Riordan and still read him despite no longer being age-appropriate). It’s the clearest, crispest, funniest narrative voice since the Percy books — and might end up surpassing them by the end of this series.

I really don’t know that much about Norse mythology — world tree, Ratatoskr, Asgard, Valhalla, Odin, ravens, Hel, etc. I’ve got, but the details are really fuzzy. Most of what I know about Norse myth comes from Kevin Hearne’s Iron Druid Chronicles and Jacqueline Carey’s Daisy Johanssen/Agent of Hel Urban Fantasy books. So I’m learning a lot — and I assume younger readers will, too. The few pages of supplemental materials in back of the book are such a nice help! I really enjoy Riordan’s take on these mythological figures — both those I know and those I’m new to. I think the Thor you meet in these pages is fantastic. Yeah, Hearne’s Thor is a better character, but Riordan’s Thor induced more chuckles.

There are some great chapter titles here — I tend to ignore them (anything beyond a number is a distraction), which is short-sighted, I realize, but that’s what I do. In this book? It’d be really dumb to skip them. Every now and then I’d stop to go back and read the last few that I’d missed. If they’re not the funniest (and most creative) lines in the book — they’re in the top 2%.

The tie-in to the Percy Jackson books is obvious (and I felt really stupid having to have it spelled out for me in the opening chapters rather than sussing it out much earlier) and unexpected, but I can’t wait to see how that develops. But even more entertaining are the jokes about aspects of the Percy-verse — flat-out funny, and nice bit of fan service, too. Oh, and they won’t make a lick of difference to the Riordan-novice.

I just realized that I haven’t even addressed the titular sword. I don’t know what to say about it without ruining anything, but if I was eleven years old? It’d be my favorite sword ever — better than Excalibur or anything that Tolkien could offer (as someone much older than 11, I don’t think that, but I wouldn’t argue with my younger self).

One other thing — I read a review from one review site that I respect that dampened by enthusiasm for getting this — but I decided that Riordan had earned my trust (and I was curious), so I gave this a shot. That review complained about the sarcasm — I don’t get that, but apparently that’s a thing for some parents. And they complained about the addition of cussing — now maybe I missed it, but outside of the taking the names of Norse gods in vain (and that could be argued), the only cussing I saw was in dialogue tags. As in “…,’ he cussed.” Seriously? If we have to shield our middle graders from the concept of cussing, they’re not going to survive the middle grades. There were a few other complains that were about as baseless as these — I kept waiting to see these problems as I read and missed every single one.

Which isn’t to say this is a perfect book — but man, it’s the best he’s done in quite a while. The problems I have are really not worth getting into, they don’t ruin the experience, and if you’ve read Riordan before, you’ll be expecting them (they’re less problematic in this book than the last 2-3). The Sword of Summer is funny, exciting, with real heart — just the thing for middle grade readers (or those who don’t mind reading below their fighting weight).

—–

4 Stars

Long Black Curl by Alex Bledsoe

By HCNewton

On August 7, 2015

In Alex Bledsoe, Authors, Fantasy, Fiction, General Fiction/Literature, Tufa

Long Black Curl

by Alex Bledsoe
Series: Tufa, #3

Hardcover, 377 pg.

Tor Books, 2015

Read: June 11 – 13, 2015

5 Stars
This book was practically un-put-downable. Not because I was driven to find out what happens next — like a Finder, or Child etc. This is one of those kind of books you don’t want to put down because you don’t want to leave that world, not for a minute, to step back into this one, as nice as it is — filled with your stuff, and your great wife and frequently tolerable children. But this book’s little corner of Appalachia that touches another world (in more ways than one) is a place you just want to exist in. Granted, I’d rather be in one of the earlier books than this one (not a reflection of the quality of the book, just the events portrayed).

Not all that long ago, especially by Tufa standards, Bo-Kate Wisby and her beau, Jefferson Powell wreaked all sorts of havoc. They were so terrible that they were banished from the community, unable to return — or, worst of all, make music. WHen you think of some of the despicable things that have happened or have been described in the previous two novels by citizens in good standing, you get an idea just how bad this was. Both have spent decades yearning to return, to play music — but have had to settle for incredibly successful careers in the music business. Which would be a special kind of torture and pleasure — being that close but not able to partake, still being able to appreciate it though. Somehow, however, this curse was lifted without anyone realizing it.

Well, anyone but Bo-Kate. She returns to get revenge and bow the Tufa to her will, destroying their heritage, their way of life and instituting her own. Her approach is not subtle, she clearly learned a little bit from the “Shock and Awe” tactics of a recent war. My jaw almost dropped when i saw the first step that was taken by Bo-Kate. I — like most of the Tufa — didn’t think that was possible, or at least likely. Although there was something to appreciate about that action, there wasn’t in the rest of what she did to the community — I can’t think of any fictional character I’ve had such a visceral reaction to (especially this quickly) this side of Joffrey ~~Lannister~~ Baratheon, first of his name.

It should go without saying with this world, the way the rest of the Tufa respond and defend themselves isn’t how you’d expect. Which goes double for how things play out.

Thankfully, I did really enjoy the rest of the Wisbys — especially Bo-Kate’s sister. I hope to spend more time with them. Actually, I liked getting to know all the new characters — including Bo-Kate’s allies (or those characters who weren’t new, but we hadn’t really spent time with). The characters in this community are so well drawn, so real that you almost don’t need a plot to enjoy a book about them.

As always, I’m jealous of the relationship between these people and music. I don’t have it — a couple of my kids do, at least. I think the way the two banished Tufa react to their returning musical ability tells you almost everything you need to know about them. These are books that need to come with their own score, their own soundtrack. Sadly, I don’t think humans are capable of putting out anything worthy of the books. As good as some of the music inspired by this series has been, it’s not good enough to live up to Tufa standards.

Two things that detracted from the book for me. First is the sex. Not that Bledsoe’s a model of Victorian attitudes toward sex before this, but Long Black Curl is pretty sexually explicit — moreso and more often than before (I’m reasonably sure, but am not interested enough to go back and check). I don’t think it was necessary, but don’t think it hurt things. It was just one of those things that seemed to stick out to me.

Secondly, this is absolutely the most straight-forward of the series, which is both a strength and a weakness. It’s more accessible. There’s almost no doubt whatsoever whats going on. The previous two books haven’t been exactly subtle about the magic and how it works out in the lives of the Tufa — but (and I’m struggling to express this the way I want to) they mostly just let us see what happened and say “hey, that’s magic.” There’s some winking and nudging, but primarily the reader has to do the heavy lifting. To switch metaphors, Bledsoe gave us all the numbers and equations, but we had solve for x on our own. But here? It’s all spelled out. It’s somewhat refreshing, but a little disappointing, too.

But that’s just a little tarnish to the series. It’s still one of the best out there. This book changes the world, but not so much that you won’t recognize it — this is all about growth, development. It does my heart good to know that Bledoe is writing #5 at the moment, so we’ve got at least a few hundred more pages of this world to come.

You can absolutely start here, but I think you’d be better off starting with the first, The Hum and the Shiver to you can catch all the nuance and atmosphere and all that. What it means that character X shows up and does Y. That kind of thing. Either way, dive into this world.

—–

4 1/2 Stars

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente

By HCNewton

On March 6, 2015

In Fantasy, Fiction, YA/MG/Children's Books

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

by Catherynne M. Valente

Hardcover, 247 pg.
Feiwel & Friends, 2011
Read: February 19 – 20, 2015

But what September chiefly noticed were their hats.
Any child knows what a witch looks like. The warts are important, yes, the hooked nose, the cruel smile. But it’s the hat that cinches it: pointy and black with a wide rim. Plenty of people have warts and hooked noses and cruel smiles but are not witches at all. Hats change everything. September knew this with all her being, deep in the place where she knew her own name . . . For one day, her father had put on a hat with golden things on it and suddenly he hadn’t been her father anymore, he had been a soldier, and he had left. Hats have power. Hats can change you into someone else.

There’s much more to be said about the true nature of seasons, sentient keys, the immorality of novelists, the thoughtfulness of smoking jackets, the desires and drives of shoes….But I’m getting ahead of myself.

So last week, I found myself on the end of a batch of pretty heavy books, and needed something light and breezy — hopefully cheery, too. So I grabbed this off my daughter’s shelf (had been meaning to get around to it since I bought it for her 3 years ago). It didn’t at all fit the bill for what I wanted, but thankfully was an enjoyable read about a girl named September and the improbable trip she takes to (and around) Fairyland.

Those were all big words, to be sure, but as it has been said, September read often, and like it best when words did not pretend to be simple, but put on their full armor and rode out with colors flying

Who couldn’t love a hero like that?

While her father is off fighting in Europe during WWII, and her mother is spending her days with Rosie the Riveter (and doing her best to take care of her daughter, it should be stressed — she hasn’t been abandoned), September is convinced to join someone calling himself The Green Wind to go for a ride on his flying leopard to visit Fairyland.

Once there, she meets all sorts of incredible people, creatures, animals . . . and other things that I can’t really describe. She befriends a Wyvern and sets off on adventures — eventually being drafted by the unpopular, practical and efficient Marquess (who replaced, the wonderful and beloved Queen) into retrieving a magic object for her. This quest sends her (literally) all around Fairyland in an effort to obtain this object and save her friends.

The sensibility here is something like taking The Phantom Tollbooth, The Last of the Really Great Whangdoodles and throwing them into a blender with Neil Gaiman’s children books. Almost. To me, and I get the sense that I’m in a distinct minority here, this comes across more as a technical exercise — “how many strange and quirky things can I work into a narrative?” Despite the setting, target audience and obvious authorial skill it feels joyless, there’s no sense of play. Unlike the other works I’ve compared it to, there’s almost no fun here.

Yes, it’s a children’s book. But it’s not just for kids — in fact, there’s a lot here that very few children will pick up on (I’m willing to bet that I missed a trick or two). Not as amusing as I hoped for/expected, still, a good read for children or adults who aren’t afraid to read a book marketed for children.

—–

3 Stars

Review Catch Up: Beautiful Redemption; Breach Zone; Chasing the Prophecy; Fiddlehead

By HCNewton

On January 21, 2015

In Authors, Fantasy, Fiction, P-U, Science Fiction, Steampunk, YA/MG/Children's Books

I’ve got a backlog of 40-plus reviews I’ve been meaning to write — some of them, I just have to admit aren’t going to get done. But I’m going to try my level best. The four books I’ve decided to tackle in one fell swoop are the concluding novels from series I enjoy, and yet I’ve had trouble reviewing them. On the whole, there’s no reason for it — I should’ve had at least a few paragraphs of material on these, but I can’t seem to muster it (especially given how much time has gone by).

But I do want to clear these off my to-do list, so, without further ado, a few words on these series finales:

Beautiful Redemption

by Kami Garcia and Margaret Stohl

Paperback, 451 pg.
Penguin Books, 2012
Read: November 19 – 20, 2013

On the one hand, this was not at all like the rest of the series — and yet it was a very fitting conclusion. Garcia and Stohl wrapped up everything that needed wrapped up, answered every lingering question (not always as I expected), and generally, did so in an emotionally satisfying way. I wouldn’t have thought that this book would lead to a spin-off series, but it fits.

If you’re into Paranormal YA, this was a very satisfying conclusion, and probably the best of that genre I’ve read.
4 Stars

Breach Zone

by Myke Cole

eBook, 384 pg.
Ace, 2014
Read: January 31 – February 04, 2014

I really, really liked all of Myke Cole’s Shadow Ops series — a gritty, believable mix of Contemporary Military and Fantasy, and yet, I’ve never reviewed one of his books. Don’t ask me why.

This, the conclusion to the trilogy, is just outstanding. You know how at the end of (pretty much) every fantasy novel, there’s this big, epic battle that takes up most of the last ¼ – ⅓ of the novel? That’s pretty much this entire book. Okay, not really — there’s plenty of backstory, character development and wrapping up the trilogy. But while reading, it sure felt like it was an epic fantasy battle on the streets and in the waters of New York. Somewhere in there, Cole looks gain at questions of patriotism, duty, ethics and morality — and how people of integrity can try to harmonize them all (and, more often, how those with integrity can’t harmonize them all). Seriously, awesome stuff.
4 Stars

Chasing the Prophecy

by Brandon Mull

Hardcover, 512 pg.
Aladdi, 2013
Read: December 2 – 5, 2013

Wow — Mull concluded his Beyonder’s trilogy in a fantastic fashion. Given the target audience, I couldn’t believe how many deaths there were in this book. But, not in a gory or exploitative way. Just a huge body count. But, the core of this book remained the same: these two Beyonders, Rachel and Jason, risking everything for the sake of Lyrian. There’s sacrifice, honor, loyalty, and courage — all the necessary elements of a tale full of heroes — natives and Beyonders, warriors and children, those with many lives and those with only one to lose. Which is not to say it’s not fun — there’s a lot of fun to be had by the characters and the readers. Great way to go out.
4 Stars

Fiddlehead

by Cherie Priest

Paperback, 368 pg.
Tom Doherty Associates, 2013
Read: November 12 – 14, 2013

Nice looking book — love the cover, the layout and the graphics are great. I miss the brown ink — what gives, Tor? Sure, the content is the important thing, it’s just nice when the package it’s wrapped in is nice to look at. Speaking of content — this (like the rest of this group) is a fitting — and thrilling — conclusion to the series. Lincoln (wheelchair-bound following the unsuccessful assassination attempt at Ford’s Theater) and President Grant working together near the end of the Civil War to protect a freeman scientist who built an early computer — the eponymous Fiddlehead. Fiddlehead is the best chance to end the War without making everything worse. The presidents, with the assistance of Pinkerton agent Maria Boyd and intelligence from — well, everywhere else this series has focused — in order to begin to deal with the Rotters. I think it’s possible that Boyd is my favorite character in the series — in the Top 3, anyway.

I just didn’t want this series to end, I understand it needed to, but man…just didn’t want that.
4 1/2 Stars

The Slow Regard of Silent Things by Patrick Rothfuss

By HCNewton

On November 13, 2014

In Authors, Fantasy, Fiction, P-U, Patrick Rothfuss

The Slow Regard of Silent Things

by Patrick Rothfuss

Hardcover, 159 pg.
DAW Books, 2014
Read: October 30 – 31, 2014You know what? I’ll be honest here. It’s been so long since I’ve read The Wise Man’s Fear that I’ve forgotten everyone’s name except Kvothe and Bast (although I frequently think Bash). So when I heard that this little book would be focusing on Auri, I thought Denna instead. A couple pages in I knew I was wrong, so I took a quick trip to http://kingkiller.wikia.com/ and got my names straight. Finally having the right character associated with the name, I was probably more excited than ever about this book, more time with the mysterious and strange Auri? Yes, please.

There’s no real plot-line, no story — it’s more of a slice-of-life kind of thing. How does Auri spend a week — in what seems a representative, yet atypical, sample. It’s truly rewarding to see how Auri’s mind works — and to get an inkling of an idea how she fits in (or, at least, fit in) to The University.

The voice isn’t that of Kvothe, it’s nothing like Kvothe’s voice — which is a huge relief for many who wondered if Rothfuss could sound any other way. No, it’s just how Auri should sound. He (not at all surprisingly) captured her essence so well. For someone we know so little about, it’s astounding to me how often I read a line or paragraph or whatever and said, “Yes, this is her exactly.”

It’s tough for me to know how to say anything about this (in case you hadn’t noticed), so let me just stop trying: The Slow Regard of Silent Things is a nice read. A light, sad, whimsical read — with bit of darkness in the background (it only shows up in the vaguest sense). Just a pleasure.

I don’t know if Rothfuss has more things like this planned, or if the next things we’ll see out of him is the end of the Kingkiller Chronicles. While hoping for the latter, I’ll take either after reading this.

—–

4 1/2 Stars

The Blood of Olympus by Rick Riordan

By HCNewton

On November 5, 2014

In Authors, Fantasy, Fiction, P-U, Rick Riordan, YA/MG/Children's Books

The Blood of Olympus

by Rick Riordan

Hardcover, 516 pg.
Disney-Hyperion, 2014
Read: October 25 – 28, 2014
Well, after ten novels, it’s time to say good-bye to Percy, Annabeth, Grover, and the other residents of Camp Half-Blood — not to mention their new-found allies and friends (when they’re not trying to wipe them out) from Camp Jupiter. But first they have to stop Gaea and her army of giants from wiping out the gods, humanity, and all life as we know it.

Just another day for these demi-gods, really.

As is the norm for Riordan’s books, our heroes are faced with a series of tasks which build up to a major confrontation — this time, a couple of them. It’s amusing as usual to see these kids outwit various minor gods, titans, etc. Good teacher that he is, Riordan gives his readers plenty of education about the Greek and Roman pantheons under the thin disguise of plot development.

The big epic battles that he’s been building for since the beginning of this series — well, they were epic. They were tension filled. And still managed to be funny. And will likely be read with breaths caught, and lumps in throats. Possibly the funniest visual in Riordan’s works appears in the midst of one of these battles, and for a second I was torn between enjoying it and turning the page to find out what happened next.

My one quibble was that the resolution to the Gaea story was a little too easy, a little too quick after all this build up. Still, the way he wrapped up the other story lines and conflicts was sufficient, so I was able to move past it easily. Riordan continues dabbling in themes I’d prefer not to see in MG books, but I know I’m in the minority on that.

At the end of the day, especially at this point in these series, it’s the characters that readers care about. I read this ahead of my son (who started these back when there were only three in the original series, and is now a good deal older than the target audience) and made a joke about something bad happening to Grover — and the glare he gave me probably took a year off my life. It’d that kind of dedication that Riordan instills in his fans. As such, there’s plenty of development and resolution given to these characters — Riordan doesn’t spell out their futures the way that Rowling did at the end of her series, but he gives us enough to be able to say good-bye.

Riordan does right by his characters — Reyna, Jason, and Frank particularly. Annabeth and Piper shine like neither has before. And Leo Valdez is even more of a star than he was before (if I’m going to talk about my son’s soft spot for Grover, I’d better be honest about my Leo-centric focus). I’m not saying they all survive, or are otherwise unscathed, but Riordan treats his characters with respect and keeps his readers turning the pages.

It’ll be odd not getting a new adventure with these characters next year, but I’m looking forward to seeing what Riordan does with the Norse pantheon (and learning about them, too).

—–

4 Stars

Opening Lines – Pickles and Ponies: A Fairy-Tale

By HCNewton

On October 31, 2014

In Blog Series, Currently Reading, Fantasy, News/Misc., Opening Lines, Quotations, YA/MG/Children's Books

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I’ll throw it up here. Dare you not to read the rest of the book.

Yeah, yeah, I know…another modern fairy-tale intro. What can I say, I’m a sucker for ’em?

Once upon a time, in a land far away, a prince was in rather a pickle. Not a literal pickle, of course— prince-sized pickles are rather hard to come by. No, the type of pickle this prince was in was a thoroughly metaphorical one. To be honest, he might have preferred the vegetable.

from Pickles and Ponies: A Fairy-Tale by Laura May