Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 76 of 153

IndieCrimeCrawl — Highlights from July 15

Wow, there were a lot of tweets with the hashtag #IndieCrimeCrawl today — primarily all sorts of great deals from Indie Publishers that really made me regret not having a book budget this month. You really should go check them out.

Beyond that, there were two blog posts about Indie Crime Fiction that I wanted to make sure got put in front of a few more eyeballs:

  • A Time to Write: Crime Fiction and the Independent Press — from Pen & Ink Reviews
  • What is Indie? — from It’s an Indie Book Blog. Yeah, sure, it’s a little over the top — the Indie scene/market likes to think of itself as inclusive and welcoming and where everyone can “be ourselves” but there’s a strict orthodoxy and orthopraxy to it, just as much as everywhere else. Beyond that, though, it’s a good post (and isn’t it pretty to think so).

Wonder what tomorrow will bring . . .

Finest Sh*t!: Deviant Stories by Nick Kolakowski: This collection of short fiction is a great display of Kolakowski’s strengths IndieCrimeCrawl

I’m going to be kicking off my involvement in #IndieCrimeCrawl with the latest from Nick Kolakowski. About a year ago, he emailed me to take a peek at his novel Boise Longpig Hunting Club, a fast, energetic, visceral read. Then came his Love & Bullets Hookup Trilogy — which was as entertaining as you could want. Now it’s time for his new short fiction collection, which I pre-ordered the instant I heard about it. One of the best things about Indie Crime Fiction is the depth of strong voices with perspectives you don’t find every day. Nick Kolakowski is a prime example of this. Check out all of his work, you’ll be in for a treat.

 Finest Sh*t!Finest Sh*t!: Deviant Stories

by Nick Kolakowski
Series: Loose Rounds, Book 2

Kindle Edition, 202 pg.
Final Round Press, 2019

Read: June 14 – July 3, 2019

           With a feral yelp, Raoul worked the dial until he landed on a station thundering drums and guitar, a solid backbeat for Luis and Jesus slicing and shoveling mounds of peppers and onions and pig. The music blasted the asphalt amphitheater of the parking lot, signaling that the truck was officially open for business.

The first customers drifted toward them. Give me your hungry, your nearly broke, your masses yearning for lunchtime deliciousness, Jesus thought as he wiped his hands on his apron and prepared to meet the first of the lunch rush. And I’ll give you two tacos for three dollars.

That’s from “Taco Truck,” one of the ten short stories that appear with a novella in Nick Kolakowski’s latest collection, Finest Sh*t!: Deviant Stories. There are tales of revenge, heroism, thwarted revenge, and people driven to extremes no one should be driven to — even some SF. Essentially, like with the best of Crime Fiction (no matter when it’s set) we have people in desperate situations (sometimes of their own making, sometimes out of their control) doing what they needed to.

As with every short story collection, there are some of these short stories that really, really worked for me, and others that didn’t do much for me at all — that’s just how it goes. But even the stories that I didn’t appreciate had that Kolakowski quality that I’ve really come to enjoy.

The novella, The Farm takes up about half of the book. It begins in 1931 and ends in 2008, following one farming family through the generations. This family goes through wars, violent crime, financial hardship, betrayal — and more than a few of the more positive parts of life, too. There’s some poetry, too. I guess that qualifies as one of the more positive aspects, but I’m not always sure. In the end, I really liked this novella — but it took some effort to get into it. That’s probably on me. Kolakowski fits a novel’s worth of a family saga into this roughly 100 pages — which is quite a feat. There’s part of me that would like to see it developed into a 350-400 page novel to flush out some of the details, but I think he’s right to keep it brief. It alone is well worth grabbing the collection.

This collection covers all sorts of tones, topics and perspectives. As I’ve come to expect from Kolakowski, I wouldn’t have predicted anything that I found in these pages. My rating may be on the low side, but that’s just because I couldn’t really sink my teeth into anything — I typically rate short story collections low. But there’s gold in here — a little dross (but what I think is dross will probably appeal to others). If you’re not familiar with Kolakowski, this is a great way to introduce yourself to one of the strongest voices in Crime Fiction today. If you are familiar with him, you don’t need me to tell you how good these stories can be.

—–

3.5 Stars

IndieCrimeCrawl — Coming next week!

As the graphic indicates, I’ll be part of the Indie Crime Crawl happening over this wee Internet thingy next week. (BTW, isn’t that the best graphic I’ve hosted here? Makes me look a lot tougher than I can hope to be). It was organized by Eric Beetner and IRR favorite, Jo Perry and promises to be a great time.

I’m not going to promise what will be here, but I have many plans, we’ll see what time and energy levels are up to as far as seeing them through. Regardless, what I’ll be chipping in will be just a drop in the bucket — both Indie Crime Fiction Publishers and Bloggers are participating in this celebration of some of the most fantastic Crime Fiction around! There’ll be reviews, guest posts, special offers and who knows what else from Publishers and Bloggers.

Check in here, I’ll be trying to share some of the highlights, but the best thing to do is track the Twitter hashtag #IndieCrimeCrawl. Probably too much for any one person to read — unless they put their books down for a week (who’d be that crazy?) — but it’s worth trying (and isn’t that what Pocket was invented for?)!

Here’s the Publishers involved:

and (at least some) of the bloggers:

(why they put me with these luminaries and heavy hitters, I’ll never know)

This looks like a blast — and TBR fodder for months! Join in the fun!

The Butcher by Nathan Burrows: A dark comedy with a strong agenda and a sweet center

The ButcherThe Butcher

by Nathan Burrows
Series: The Rub-a-Dub-Dub Trilogy, #1

Kindle Edition, 316 pg.
2018
Read: July 4 – 5, 2018

This is a pretty challenging post to write — it feels like saying almost anything about this book will be spoiling something — but that’s simply not going to be the case.

We’ve got four major characters to focus on — Andy Robertson is an intern in the marketing department of a local grocery store chain. He’s as desperate to keep his job as the CEO of the company is to win the hearts and minds of shoppers, too). Emily Underwood is a rookie food inspector, having recently got far enough in her training that she can be let loose to do inspections on her own — I don’t know if this is more a commentary on the area she’s assigned to or her luck (probably the latter), but she should have armed backup. The places and staff she’s inspecting are so strange, you almost don’t need anything else to make a fun read. Frank and Tom Prince are our last two — they’re brothers, struggling to maintain the family pig farm and butcher shop — neither of which are having the best year, but maybe some good word of mouth and turn things around. When disaster strikes for them at the farm, something happens that gives Frank the tastiest sausage they’ve had in ages — and their customers think so, too.

Mix these people, concerns and places in life together and you end up with one of the zanier (but grounded) dark comedies around. This doesn’t start out as Crime Fiction, but in a Fargo-esque turn of events, it ends up as one. (Either the film or the series will fill things for our purposes). Some everyday people get desperate, make some bad choices and things spiral out of control before they realize what they’re doing/becoming.

The humor is hard to pull off — there’s some really dark material under consideration, and Burrows is also looking at political and societal trends to talk about here. It’s an ambitious undertaking and he acquits himself well. I could’ve used another 2-4 more inspections by Emily. The book doesn’t need them — and honestly, they would’ve felt like padding. But I really liked watching that poor girl floundering through her career is fantastic.

This doesn’t feel like a 316 page book — anything north of 200 pages doesn’t seem right (but what do I know?). Everything that happens, all the character moments, are tightly packed and blend together in a cohesive whole that seems ready to burst — not unlike a Pinch’s Sausage, I guess. Yet, Burrows keeps this from being convoluted and keeps it just on the complicated side — given all the moving parts he’s juggling that’s a pretty decent accomplishment. From the great first chapter until the perfect closing line (I can’t think of a better final line that I’ve read this year) — this is a wonderfully constructed book.

A dark comedy with a strong agenda and a sweet center, this is a flavorful literary snack that’ll be sure to bring a smile to your face and a chuckle along, as well. I had a great time reading it, and you will to.

—–

3.5 Stars

LetsReadIndie Reading Challenge 2019 Cloak & Dagger ChallengeHumor Reading Challenge 2019


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

BOOK SPOTLIGHT: The Butcher by Nathan Burrows

Today I welcome the Book Tour for the twisted and funny The Butcher by Nathan Burrows. Along with this spotlight post, I’ll be giving my take on the novel here in a bit. But before I get to talking about the book, let’s start by learning a little about this here book, okay? Before I forget, I should mention that for a limited time, The Butcher is available for 99p/99c. That’s a price that you cannot go wrong with.

Book Details:

Book Title: The Butcher by Nathan Burrows
Release date: July 1, 2018
Format: Paperback/Ebook/Audiobook
Length: 316 pages

Book Blurb:

She thought it was pork. She was wrong.

The first time hapless food inspector Emily Underwood meets butcher Frank Pinch, he’s not got much at all in his display counters. But what he does have is a rather unusual plan to restock his shelves. The next time they bump into each other, he’s won an award for his sausages but is running out of meat.

Can Frank keep up production of his unusually tasty sausages? Will Emily discover the source of Frank’s award-winning meat? And what will happen the next time she tries to inspect his butcher’s shop?

Book 1 in the Rub-a-Dub-Dub trilogy, this deliciously British dark comedy will change the way you look at sausages forever.

About Nathan Burrows:

Nathan BurrowsNathan Burrows is a writer based in Norfolk in the United Kingdom. His debut novel, a legal thriller called Blind Justice, was published in March 2018.

He’s also the author of a dark comedy trilogy set in Norfolk. The first in the series is The Butcher, a deliciously funny story about – amongst other things – sausages. The second in the series is The Baker, which features Norfolk’s most useless cult. And finally, The Candlestick Maker is about a fitness instructor with a difference.

The next book to be released will be Man Down, a return to more traditional thrillers. It’s a military story set in Afghanistan which will be released in the Autumn, 2019. Also releasing later in the year is Finding Milly, which explores just how far a man will go to find his missing daughter.

Nathan’s a keen reader as well as a writer. He occasionally runs marathons, has a Norwich City football club season ticket, and is the proud part-owner of a Daschund puppy called Bertie.

For more information, visit www.nathanburrows.com

Nathan Burrows’ Social Media:

Twitter ~ Facebook ~ Website ~ Amazon Author Page

Purchase Links:

Amazon UK ~ Amazon US ~ Google Books ~ Kobo


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

Pub Day Repost: Null Set by SL Huang: Cas Russell — the world’s most violent mathematician — gets proactive fighting crime.

Null SetNull Set

by SL Huang
Series: Cas Russell, #2

eARC, 288 pg.
Tor Books, 2019
Read: June 17 – 19, 2019

In the aftermath of Zero Sum Game, Cas and her associates are seeing the fallout from taking down those telepaths who’ve been reigning in expressions of human corruption, and it’s not pretty. So, she takes it upon herself (with a little help from her friends) to fight crime in LA — à la that rich guy in Gotham, that lawyer in Hell’s Kitchen, or the sole survivor of the Cavendish ambush of the Texas Rangers. She’s making a difference, but not as much as she wants, until she decides to take a more proactive approach.

I’ll skip the details, but what she comes up with (and talks her team into helping with) is a combination of technology, psychology and her genius. It’s so successful that every major criminal figure in LA would happily kill her several times over if they only knew what she was doing and who was doing it. Of course, many of these people are former/potential future customers. This little dance she does, while trying to get the goods on one player in particular, is a whole lot of fun to watch.

It’s also fascinating watching Cas’ develop a conscience, and then let it take her in ways that bring her into conflict with her team. They go along with her, but with reservations. In many ways, she’s grown from the woman we met in the opening of Zero Sum Game — but in so many ways she hasn’t. The heavy drinking she indulges in/retreats to testifies to that.

One thing that happened at the end of the previous novel was that a telepath triggered something in her — how much of an effect this had, or whether it was time, or something else (probably a combination of the three) has loosened something in her subconscious. Memories — partial, confusing, scattered — are coming back to her — from a time that Cas had given up on ever remembering. The memories come back, unbidden, at the worst possible times and make her vulnerable when she needs to be focusing. They also point to mysteries, questions and so many unknown things that Cas decides she’s not going to acknowledge that this is problematic for her, her work and those who depend on her.

My problem is that I think Huang overestimated how interested people were in Cas’ background and trying to learn about it/deal with it. Maybe it just feels that way to me because I can’t muster up the level of enthusiasm that the novel seems to want me to have, and everyone else will be hanging on every word. What Cas is going through has roots in the conclusion to Zero Sum Game and in her murky past. Instead of dealing with the memories and issues they raise, she spends most of the novel running from the problems, not in denial, just in a refusal to work through them — until she can’t any more (and even then . . . ). If I knew her better, if I was given more of a reason to be curious about her past, I think this could be a very interesting plot line But we don’t, and we’re not — and I had a hard time getting above the level of mild interest in this part of the novel. Which isn’t good — because this is what the novel really wants to talk about, not Cas’ innovative solutions to fighting crime.

For people who haven’t read Taylor Stevens’ Michael Munroe novels, this paragraph won’t do much for you. You should read those, by the way, if you like Cas Russell. In the second book in this series, The Innocents, Stevens takes Munroe — her complicated, almost impossible to believe, hyperviolent protagonist with a self-destructive bent (hmmm, who does that sound like?) — and has her deal with some of her problems, taking a deep dive into her psyche at the risk of the job she’s taken on — and the innocents she’s supposed to be rescuing/saving. I’d liked Munroe in her first book, and continued to, but I struggled getting through that book — but once Munroe had dealt with (in some way) what was getting to her, she was a stronger and more interesting character. I cannot tell you how often while reading Null Set that I thought back to The Innocents. True, very different books, different problems plaguing the protagonists — but their reactions to the issues and how they intend to deal with the problems raised, remind me greatly of each other. I’m hoping what comes next for this series is as strong as it was for Stevens’.

Everything else about this novel was just as absorbing and captivating as Zero Sum Game. The supporting characters were, if anything, more interesting than they were last time — and the two new characters in Cas’ circle were welcome additions. The ethical dilemma posed by Cas’ actions was pretty interesting, and a good twist on the similar conundrum posed in (and, arguably, less clear — although, I’m with Checker in not seeing it that way). The characters’ reactions to her plans (and carrying them out) seemed authentic and not just something to create drama. If Huang had wanted to and just dialed back the A-Story and dialed up the B-Story, I’d have been more enthusiastic about this — probably as much as I was about Zero Sum Game, maybe moreso.

And you just cannot beat Huang’s combination of math and fight scenes — others dabble in it, but most don’t go as far (they’re probably not that good at math) or do it as well. I don’t know why these scenes work so well for me, but I just love them. Think of River Tam wielding a gun in “War Stories” — but if she was able to tell you what she was doing and why without sounding a little . . . well, River-like. I’m not doing a great job of describing it, but it’s hard. But if Huang decided she just wanted to publish a novella or two that really just consisted of fight scenes without a whole lot of plot? I’d be all over them. Nothing against plot or characters, but sometimes they just get in the way.

I did like Null Set — just not as much as I expected to, or wanted to. But I’m still in for more of this series. What Huang’s set up for the next novel (or more) — really has my interest. The possibilities for book three have really got my curiosity churning. Having (somewhat/largely) dealt with these issues around Cas, the door is wide open for what comes next — I literally can’t wait. This isn’t what I wanted from the second Cas Russell novel, but it’s good — and will likely be a strong foundation to build on. Recommended.

Disclaimer: I received this eARC from Macmillan-Tor/Forge via NetGalley in exchange for this post — thanks to both for this.

—–

3.5 Stars

Bark of Night by David Rosenfelt: Another winner of a case for the lawyer who’s gone to the dogs

Bark of NightBark of Night

by David Rosenfelt
Series: Andy Carpenter, #19

eARC, 304 pg.
Minotaur Books, 2019
Read: July 3 – 4, 2019

I know it’s practically de rigueur for me to start off talking about how difficult it is to talk about yet another Andy Carpenter book, but I’m going to try to resist this time (no promises that I won’t resort to it next time).

Instead, I want to focus on people who read this blog and haven’t picked up a book in this series — let’s see if I can help you come to the light. Andy Carpenter is a defense attorney — thanks to some high profile cases, some lucrative lawsuits, (and some other things), he’s an independently wealthy defense attorney (see the first couple of books for details). He’s also lazy. These two traits generate a lawyer/protagonist who doesn’t want to take on clients who doesn’t want to go to work (he’s the anti-Lincoln Lawyer). He’d rather watch sports, hang out with his wife, kid, friends and dog (especially the latter) and maybe check-in on the dog rescue he runs with a former client. He only takes on a case when he likes the potential client, he feels an injustice is being done, his wife talks him into it — or the life of a dog lies in the balance (there’s a strong link between the first reason I listed and the last). This time out, it’s pretty much a combination of those motivations. Nevertheless, when he takes on a client, he pulls out all the stops for him or her. Much like with Perry Mason, you have to wonder why prosecutor’s don’t just drop charges when Andy shows up in court — you can bet his client will be exonerated.

Andy’s vet calls him to his office to talk about something — namely, this dog that had been brought in to be euthanized. Before he did that, someone in his office scanned the microchip in the dog. The man who paid for the euthanization, wasn’t the owner f the dog — because he’d been murdered shortly before the dog appeared. After some digging, Andy discovers that the man who brought the dog in is very likely connected to the murder (especially when they look at his rap sheet). No one’s sure why he wanted a vet to take care of destroying the dog rather than doing it himself. But someone completely different has been charged with the crime, and Andy knows that this man is innocent — he has to be, there’s no other explanation how the would-be dog killer got involved.

From there, Andy and his team (his PI wife, her PI friend/Andy’s bodyguard, Andy’s CPA/hacker, his associate attorney) set out to defend their client, figure out why anyone would want to kill the victim (a documentary filmmaker, and not a particularly successful — or good — one), and maybe answer a few questions about the victim’s dog. Like most Carpenter novels, the mystery is just twisty enough to keep you guessing to the end. Andy’s courtroom antics are pretty subdued this time, but watching him in action is fun — particularly as he battles the Assistant D.A.

Andy’s team — and his friends who aren’t on the team — are as enjoyable to spend time with as ever. With some long-running series you stick with it because the characters are so near and dear to you. With some, you put up with characters because the author puts out great mysteries/adventures/whatever. It’s with the best series that you get both — a good mystery (in this case) and a cast of characters you look forward to seeing again. That’s definitely what we have in the Andy Carpenter books, and Bark of Night is a prime example of it.

As a capper, if the last few paragraphs don’t provoke a warm fuzzy or three in you, there’s something wrong with you and you should probably seek professional help. Rosenfelt is good at the heart-warming stuff, and he’s at the top of his game here.

Newcomers will get enough information along the way to hop on board here — there’s no need to feel like you need to go back to Book One (Open and Shut) and read them in order to catch all the nuance. Start here, and you’ll easily see why this book has charmed and entertained audiences enough to last for 19 books (and counting!). It’s a clever mystery, featuring characters that are reliably comfortable and funny — with just enough moments of seriousness and displays of skill that you can believe they’ll be defending someone and bringing a killer to justice at the same time. This is one of the better installments in the last few years (both for being enjoyable and for the mystery) and should move right to the top of your TBR (note that a “lesser” Andy Carpenter book is still fun, engaging and entertaining).

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post — thanks to both for this opportunity.

—–

4 Stars

Bullet Points about Even Dogs in the Wild by Ian Rankin: Another winner from one of the best in the biz

Even Dogs in the WildEven Dogs in the Wild

by Ian Rankin
Series: John Rebus, #20

Hardcover, 347 pg.
Little, Brown and Company, 2016

Read: June 10 – 12, 2019

This post is overdue, and I can’t seem to find time to do it right. So, I won’t. Here’s a quick and dirty way to get it taken care of. I wish I had it in me to do a better job, but I don’t. Here’s the blurb taken from Rankin’s site:

           Retirement doesn’t suit John Rebus. He wasn’t made for hobbies, holidays or home improvements. Being a cop is in his blood.

So when DI Siobhan Clarke asks for his help on a case, Rebus doesn’t need long to consider his options.

Clarke’s been investigating the death of a senior lawyer whose body was found along with a threatening note. On the other side of Edinburgh, Big Ger Cafferty – Rebus’s long-time nemesis – has received an identical note and a bullet through his window.

Now it’s up to Clarke and Rebus to connect the dots and stop a killer.

Meanwhile, DI Malcolm Fox joins forces with a covert team from Glasgow who are tailing a notorious crime family. There’s something they want, and they’ll stop at nothing to get it.

It’s a game of dog eat dog – in the city, as in the wild.

Even Dogs in the Wild brings back Ian Rankin’s greatest characters in a story exploring the darkest corners of our instincts and desires.

If I had the time to do this properly, here are the things I’d be talking about.

  • Rebus as consultant/PI — this is really the perfect role for him, he’s not that great at procedure anyway. Calling his own shots, following his instincts, going about things, he’s a better fit for this kind of thing than a certain retired LAPD Detective.
  • This proves to be the kind of case made for Rebus — the solution lays in the past, but the ramifications are in the present.
  • Cafferty isn’t the suspect here (he’s not innocent, he never is), but he’s the victim — and maybe a concerned citizen?
  • There’s little in Crime Fiction better than Rebus and Cafferty on the same page — that’s as true here as ever.
  • Clarke’s role seemed diminished in favor of Fox and Rebus (particularly the former), but maybe that’s just me — what she does, however, allows Rebus to do what he does best
  • The Clarke/Fox friendship is an interesting one — and different from the Clarke/Rebus friendship. I’ll enjoy watching this develop.
  • I’m already really enjoying the Fox/Rebus friendship/mentorship. That’s not something anyone would’ve seen coming the first time we met Fox, or the first time we saw the two of them cross paths. The fact that they’ve got a strange friendship/mentorship going on is just wonderful.
  • There’s more going on in Fox’s personal life than we’ve really ever seen with Rebus or Clarke on an extended basis.
  • Fox’s share of the story is really strong and displays the character we’ve come to know over the past few novels, but evolving to take on some of Rebus’ better traits, but none of his . . . well, worse.
  • For a period of time, through no fault of his own, Rebus takes guardianship over a small dog. This was just fantastic and one of my favorite things to happen to him in years.

Combine all of the above with Rankin’s consummate skill and you’ve got another winner — the twentieth Rebus book and the character, the writing, and the perspective is a strong and fresh as it ever was. A sure-fire win for old fans that would probably convert a newbie, too.

—–

4 Stars

2019 Library Love Challenge 2019 Cloak & Dagger Challenge

Marah Chase and the Conqueror’s Tomb by Jay Stringer: An Archaeologist and a Spy Walk Into a Bar . . .

Marah Chase and the Conqueror's TombMarah Chase and the Conqueror’s Tomb

by Jay Stringer
Series: Marah Chase, #1

eARC, 320 pg.
Pegasus Books, 2019

Read: June 26 – 29, 2019

Right after I finished Stringer’s How to Kill Friends and Implicate People, I jumped onto NetGalley to request this — despite being woefully behind on everything else (including NetGalley books!), curiosity prevailed. I had to know how Stringer would approach this particular premise and character.

What a fun, strange, ride! This is pure escapist entertainment. There’s no message, there’s no pondering foibles of contemporary society, there’s no commentary on social ills (or celebration of social triumphs), just a wild and crazy story about a “renegade archeologist” and a spy battling a cult, a plot to take over the government, and historic artifacts that could easily change the course of civilization. (there is some pretty well-done character growth and development — which grounds the lunacy a bit)

It’s difficult — at best — to not mention the Pop Culture Icon that Marah Chase will remind readers of, and I’ve decided that I’m not up for difficult right now (after trying a few times). Marah Chase is essentially a contemporary, female Indiana Jones — without the legitimate day job. Circumstances forced (well, forcefully encouraged) her to abandon the more scholarly, accepted archeology and to become a “relic runner” or “gold dog.” Someone who finds historic, hard to find, artifacts and sells them to private collectors. It’s hard to say just how successful she is at it — enough to be a known figure throughout the Middle East (to people on both sides of the law), but not enough to get overly-choosy about what jobs she takes.

She’s on the run from a group that pretends to be an arm of ISIS to cover up their criminal activities after scooping a treasure from their grasp when a British spy recruits her to go on the hunt for an artifact rumored to be a powerful weapon. I’ll leave the details to Joanna Mason as she briefs Marah, but what’s driving her to get Marah on the hunt is that she’s convinced a powerful church has decided that a. the weapon is real and b. they are close to finding it. Marah’s always been fascinated by the researcher they’re basing their search on and she’s in probably the best position to stop them before it’s too late.

All she has to do is find the tomb of Alexander the Great — a location that has stumped archeologists, treasure seekers, and zealots for centuries — in the next few days. All she has to do is deal with white supremacist soldiers, faux-ISIS goons, a wealthy and powerful church, an ancient secret society, and worst of all, the granddaughter of the one man in history who may have found (and then covered-up) Alexander’s tomb — her ex.

Marah may be the star of the book — and her name’s in the title — but don’t think that Mason doesn’t play as nearly vital a role in these events. While Marah’s on the hunt for the tomb, Mason’s trying to prevent a bloodless coup from within her own government, one that’ll pave the way for the church to take over.

Both of these women seem to be the embodiment of an amped-up Murphy’s Law — If anything can go stunningly, horribly, mindbogglingly wrong, it will — and usually will involve mortal danger, and then leave you in a worse (and more dangerous) predicament. I quickly stopped thinking that anything would work for either of them and just held my breath until things went from precarious to worse. It’s a tribute to Stringer’s imagination that he was able to keep that up for as long as he did.

Both Marah and Mason are surrounded by a great cast of characters — enemies and allies alike. Honestly, either story line would’ve been enough to keep a novel going and be a lot of fun. You stick both of them together and you’ve got gold on your hands. I’m not sure this is the kind of story that invites in-depth analysis — it’s the kind of story that invites cheers, fist pumps, and would work best with a bowl of popcorn at your side.

For those looking for the Jay Stringer of the Sam Ireland books, they’re going to be disappointed. For those looking for a Jay Stringer using his skills to create a new world, new voice with the same quality, they’re in for a treat. His sense of humor is still evident, it just shows itself in different ways — just as delightful, however. The banter between Marah and her smuggler friend is like catnip to me — I could read it all day long. The action scenes, in particular, are outstanding — there’s one fight on board a plane that will . . . well, no, I’d better not.

Fast-paced, adrenaline-fueled, adventure with a couple of the most marvelous female protagonists you’ll find this year — Marah Chase and the Conqueror’s Tomb is a guilt-free pleasure and a fantastic introduction to what had better be a long-running series.

Disclaimer: I received this eARC from W. W. Norton & Company via NetGalley in exchange for this post — thanks to both for this opportunity.

—–

4 Stars

Opening Lines – Magic for Liars by Sarah Gailey

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author — but nothing beats a great opening for getting a reader to commit. This is one of the better openings* I’ve read recently. Would it make you commit? How can you not?

It might take a little while to get there, but I’ll tell you everything, and I’ll tell you the truth. As best I can. I used to lie, but when I tell you the story, you’ll understand why I had to lie. You’ll understand that I didn’t have a choice.

I just wanted to do my job.

from Magic for Liars by Sarah Gailey

* Technically not the opening, there’s a Prologue (or something, I don’t have the book on me) — it’s the start of Chapter 1. But I count that as the opening.

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