Category: Fiction Page 131 of 348

Towel Day ’21: Some of my favorite Adams lines . . .

(updated 5/25/21)

There’s a great temptation here for me to go crazy. I’ll refrain from that and just list some of his best lines . . .*

* The fact that this list keeps expanding from year to year says something about my position on flirting with temptation

The Hitchhiker’s Guide to the Galaxy

bullet Time is an illusion. Lunchtime doubly so.
bullet This must be Thursday. . . I never could get the hang of Thursdays.
bullet “You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”

“What’s so unpleasant about being drunk?”

“You ask a glass of water.”
(I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny. It’s possibly the line that made me a fan of Adams)
bullet He had found a Nutri-Matic machine which had provided him with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.
bullet In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . .
bullet “Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”
bullet The ships hung in the sky in much the same way that bricks don’t.
bullet For a moment, nothing happened. Then, after a second or so, nothing continued to happen.
bullet He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which.

The Restaurant at the End of the Universe

bullet It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.
bullet Reality is frequently inaccurate.
bullet Life is wasted on the living.

Life, the Universe, and Everything

bullet The Hitchhiker’s Guide to the Galaxy has this to say on the subject of flying. There is an art, it says, or rather, a knack to flying. The knack lies in learning how to throw yourself at the ground and miss.

(It goes on for quite a while after this—and I love every bit of it.)

bullet “One of the interesting things about space,” Arthur heard Slartibartfast saying . . . “is how dull it is?”

“Dull?” . . .

“Yes,” said Slartibartfast, “staggeringly dull. Bewilderingly so. You see, there’s so much of it and so little in it.”

So Long, and Thanks for All the Fish

bullet Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right. You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already knowexcept that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.
bullet Here was something that Ford felt he could speak about with authority. “Life,” he said, “is like a grapefruit.”

“Er, how so?”

“Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”
bullet Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her.”Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”

Mostly Harmless

bullet A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.
bullet Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyways, so their opinion can and should be discounted.

Dirk Gently’s Holistic Detective Agency

bullet There is no point in using the word ‘impossible’ to describe something that has clearly happened.
bullet If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands.
bullet Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.

(I’ve often been tempted to get a tattoo of this)

The Long Dark Tea-Time of the Soul

bullet There are some people you like immediately, some whom you think you might learn to like in the fullness of time, and some that you simply want to push away from you with a sharp stick.
bullet It can hardly be a coincidence that no language on earth has ever produced the expression, ‘As pretty as an airport.’
bullet The impossible often has a kind of integrity to it which the merely improbable lacks.
bullet She stared at them with the worried frown of a drunk trying to work out why the door is dancing.
bullet It was his subconscious which told him thisthat infuriating part of a person’s brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.
bullet As she lay beneath a pile of rubble, in pain, darkness, and choking dust, trying to find sensation in her limbs, she was at least relieved to be able to think that she hadn’t merely been imagining that this was a bad day. So thinking, she passed out.

The Last Chance to See

bullet “So what do we do if we get bitten by something deadly?” I asked.

He looked at me as if I were stupid.”You die, of course. That’s what deadly means.”
bullet I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually around lunchtime.
bullet I have the instinctive reaction of a Western man when confronted with sublimely incomprehensible. I grab my camera and start to photograph it.
bullet Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.
bullet The aye-aye is a nocturnal lemur. It is a very strange-looking creature that seems to have been assembled from bits of other animals. It looks a little like a large cat with a bat’s ears, a beaver’s teeth, a tail like a large ostrich feather, a middle finger like a long dead twig and enormous eyes that seem to peer past you into a totally different world which exists just over your left shoulder.
bullet One of the characteristics that laymen find most odd about zoologists is their insatiable enthusiasm for animal droppings. I can understand, of course, that the droppings yield a great deal of information about the habits and diets of the animals concerned, but nothing quite explains the sheer glee that the actual objects seem to inspire.
bullet I mean, animals may not be intelligent, but they’re not as stupid as a lot of human beings.

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

bullet I’ve come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you’re thirty-five is against the natural order of things.

And a couple of lines I’ve seen in assorted places, articles, books, and whatnot

bullet I love deadlines. I love the whooshing noise they make as they go by.
bullet A learning experience is one of those things that says, “You know that thing you just did? Don’t do that.”
bullet The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
bullet Solutions nearly always come from the direction you least expect, which means there’s no point trying to look in that direction because it won’t be coming from there.

Towel Day ’21: Do You Know Where Your Towel Is?

(actually updated and slightly revised this 5/25/20!)

The Hitchhiker’s Guide to the Galaxy has a few things to say on the subject of towels.

A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have “lost”. What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.

Hence a phrase that has passed into hitchhiking slang, as in “Hey, you sass that hoopy Ford Prefect? There’s a frood who really knows where his towel is.” (Sass: know, be aware of, meet, have sex with; hoopy: really together guy; frood: really amazingly together guy.)

Towel Day, for the few of who don’t know, is the annual celebration of Douglas Adams’ life and work. It was first held two weeks after his death, fans were to carry a towel with them for the day to use as a talking point to encourage those who have never read HHGTTG to do so, or to just converse with someone about Adams. Adams is one of that handful of authors that I can’t imagine I’d be the same without having encountered/read/re-read/re-re-re-re-read, and so I do my best to pay a little tribute to him each year, even if it’s just carrying around a towel.

Some time in 7th or 8th grade (I believe), I was at a friend’s house—his brother let us try his copy of the text-based Hitchhiker’s Guide game, and we were no good at it at all. His brother had a copy of the novel, however, and we all figured that the novel held the keys we needed for success with the game (it did not). It was decided that I’d be the one to read the book and come back in a few days as an expert. Adams’ irreverent style rocked my world—could people actually get away with saying some of these things? His skewed take on the world, his style, his humor…and a depressed robot, too! It was love at first read. One of those experiences that, looking back, I can say shaped my reading and thinking for the rest of my life (make of that what you will). If carrying around a (massively useful) piece of cloth for a day honors his memory? Sure, I’m in.

One of my long-delayed goals is to write up a good all-purpose Tribute to Douglas Adams post, and another Towel Day has come without me doing so. Belgium.

Next year . . . or later. (he says for at least the 7th straight year, a work ethic I like to believe Adams would recognize).

In the meantime, here’s some of what I’ve written about Adams. A couple of years back, I did a re-read of all of Adams’ (completed) fiction. For reasons beyond my ken (or recollection), I didn’t get around to blogging about the Dirk Gently books, but I did do the Hitchhiker’s Trilogy:
bullet The Hitchhiker’s Guide to the Galaxy
bullet The Restaurant at the End of the Universe
bullet Life, The Universe and Everything
bullet So Long, and Thanks For All The Fish
bullet Mostly Harmless
bullet I had a thing or two to say about the 40th Anniversary of The Hitchhiker’s Guide to the Galaxy
bullet (this link will go live later in the morning of 5/25/21) I took a look at the 42nd Anniversary Illustrated Edition of The Hitchhiker’s Guide to the Galaxy
Also, I should mention the one book Adams/Hitchhiker’s aficionado needs to read is Don’t Panic by Neil Gaiman, David K. Dickson and MJ Simpson. If you’re more in the mood for a podcast, I’d suggest The Waterstones Podcast How We Made: The Hitchhiker’s Guide to the Galaxy—I’ve listened to several podcast episodes about this book, and generally roll my eyes at them. But this is just fantastic. Were it available, I’d listen to a Peter Jackson-length version of the episode.

I’ve only been able to get one of my sons into Adams, he’s the taller, thinner one in the picture from a few years ago.

TowelDay.org is the best collection of resources on the day, recently posted this pretty cool video, shot on the ISS by astronaut Samantha Cristoforetti.

Even better—here’s an appearance by Douglas Adams himself from the old Letterman show—so glad someone preserved this:

Love the anecdote (Also, I want this tie.)

The Jigsaw Man by Nadine Matheson: A Jaw-Dropping Debut

The Jigsaw Man

The Jigsaw Man

by Nadine Matheson
Series: DI Anjelica Henley, #1

Hardcover, 388 pg.
Hanover Square Press, 2021

Read: May 17-20, 2021
Grab a copy from your local indie bookstore!

“You never know though. This could still be a nice, straightforward investigation.”

Henley didn’t reply as she picked up her bag, because every nerve in her body told her Pellacia believed that even less than she did.

What’s The Jigsaw Man About?

Someone is killing people, dismembering them, and then scattering the parts of the bodies near the river (not necessarily in that order).

It’s DI Henley’s first day back in the field in months when these pieces are discovered. I think that qualifies as a blessing and a curse—it’s a blessing because these murders resemble the crimes of a serial killer she arrested years ago. The curse comes in because Henley is still haunted by this killer and what happened during his arrest. Stil, Peter Olivier, “the Jigsaw Killer,” is in prison—which is one of the more ironclad alibis around. The killers’ methods are so similar, there has to be a connection between the two. And there’s no one better suited to uncover that connection than Henley.

Olivier isn’t impressed with someone stealing his M.O., and he’s even less satisfied with Henley’s speed at apprehending the killer. So he decides to take care of things himself. Step one, get out of prison. Step two, find the killer—and unlike Henley, Olivier has a few suspects.

DI Anjelica Henley

The CSI team hadn’t arrived by the time Henley had left [spoiler]’s home. Anthony was en route to a shooting on the Kingsland Road, but had promised to dispatch two of his team with unrealistic promises of paid overtime. Henley could feel the anger overwhelming her as she walked back to her car. Someone had dropped the ball and no one was taking responsibility. She was doing everything that she was trained to do, to the best of her ability, but it didn’t feel as though it was enough. As if she wasn’t enough.

Henley is an all-too-familiar figure in Detective Fiction—smart, determined, driven. So much so that her husband wants her to get another job so she can spend more time with her family. But that’s not going to happen, she can’t do that. A couple of things that make her different from your typical driven, brilliant, cop that doesn’t always play well with others—Henley is a black woman DI. She has to be the best, she has to be driven and determined to survive in a position like hers. Almost everyone does a double-take as she identifies herself, someone who looks like she does is a DI?

She’s struggling with the trauma that came from the arrest of Olivier, and she appears to be losing that struggle, too. And that was before she had to deal with crimes that looked like his and interview Olivier on multiple occasions in order to try to understand the connection between Olivier and the new guy.

There’s something instantly appealing about Henlely—she’s a mess, but that doesn’t stop her. She has every reason in the world to leave the job, but she won’t for a few compelling reasons. Which actually makes her more vulnerable, watching her deal with her own issues in addition to the case makes for some really compelling reading.

The Rest of the Team

Stanford turned his back on the body. Henley knew how he was feeling. They thought they had seen it all, until life presented them with a fresh kind of hell.

As with most UK-based procedurals, there’s a great cast of characters around Hnely There are too many to really discuss the way I want to (and I don’t want to give short shrift to any). From the supervisor with complicated feelings toward her, a DS who might as well be a brother, a trainee who is in over his head (but finds a way to be valuable to the investigation), the best-friend of a medical examiner, to all those I can’t come up with a pithy phrase to describe, Matheson filled this novel with people, not two-dimensional (or one-dimensional) characters. You really can’t ask for more than that.

Peter Olivier

Unlike too many serial killers in fiction, Peter Olivier isn’t charming. He’s not some sort of misunderstood genius. The reader is never tempted to root for him as he goes up against the copy-cat or as he escapes. He’s a vile man, excellent at reading people either to attack or to convince them to become an ally.

I cannot stress enough that he’s the kind of serial killer I want to read about (and I really don’t want to read about too many of them anymore). I don’t want to sympathize with someone like that, I want it to be crystal clear that this guy is a monster, and deserves to be put away from society. Matheson gives us not just one, but two killers like that.

Questions to Wrestle With…

The best literature demands something of the reader. It often requires you to dig down deep inside and ask yourself some hard questions as you read.

The Jigsaw Man is one such book. As you read it, you have to ask yourself penetrating questions like:
bullet What’s the absolute minimum amount of sleep I need to function?
bullet Do I have to go back to work after lunch, or can I just keep reading?
bullet Will my kids be upset if I miss their soccer game/little league game/dance recital if I read throughout?
bullet Will my cats murder me in my sleep if their bowls are empty?
bullet How angry will my wife be if I ignore her for a couple of hours? (especially during the last 100 or so pages) How long will it take her to get over it?

So, what did I think about The Jigsaw Man?

I absolutely loved this. This is a dark, unsettling read—there are two pages toward the end that may be the most disturbing pages I’ve ever read. And yet…there’s something very appealing about the novel—it’s gripping and compelling, it’s also entertaining.

Henley might be a tangle of problems and issues (in addition to the positive qualities she possesses), but they’re not just there as quirks or to ground the character. There’s a reason for each of them, a story behind them, making her absolutely believable. The same could be said for the rest of the characters, too. Matheson has a real eye for character and displayed that throughout.

The pacing is perfect, and you find yourself turning the pages as fast as you can for the last 40-60 pages, because you just have to know what happens. That part of the book reminded me of the first time I read Clarice Starling walk into Buffalo Bills’ house. You’re on the edge of your seat, tense, and any little noise can startle you. It’s not often I feel like that and I love it when I do.

I definitely recommend this one to you, folks—but I should warn you, when you do, you’ll be waiting with bated breath for the next book in the series.


5 Stars
2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

A Few Quick Questions with…Jonathan Nevair

Earlier this morning, I posted my take on the novel Goodbye to the Sun–out today, I should add. Now, I get to present this Q&A the author was gracious enough to participate in with me. There are some great answers here (at least I think there are), hope you enjoy.


Describe your path to publication with this.
Goodbye to the Sun was the second novel I wrote. The first will never see the light of day and I now understand that it was more a personal exercise in getting my “literary legs” than a book to be shared with readers. I’d written academic essays, etc. for years but fiction was an entirely new language. One important piece of feedback I got from an agent on the first book was that while they enjoyed it, especially the world-building and prose, they wanted more investment in the main character – more emotional connection.

I took that to heart and Goodbye to the Sun was the result. I did a good deal of research on how to write characters that are emotionally charged and how to increase empathy and investment in a reader’s relationship to a protagonist. When it came time to construct the plot for Goodbye to the Sun, I decided to model the story off of one of the most heavy-hitting examples I could find – the tragedy. It had everything I needed to ground the story in a rollercoaster of emotional transformations, struggle, and hardship.

After an early structural edit and feedback from a sensitivity reader, Goodbye to the Sun was sent out into the literary agent ether, and then, someone I follow on twitter posted a call for submissions to a small indie press specializing in SFF and horror, Shadow Spark Publishing. They were closing to submissions the next day – talk about luck… I whisked off a query letter (an improvised one, not the official one I’d been using for agents) and got a response back and a request for a partial manuscript. From there a full request followed, and after some back and forth, I signed a three-book deal.

I knew I was in the right place for the series when I read the mission statement that Jessica Moon and Mandy Russell had on the publishing house website. It made clear that they were seeking authors whose works tested boundaries and experimented with approaches – they wanted fiction that pushed in new directions. The POV structure of Goodbye to the Sun is a bit unorthodox and I was thrilled when they read the manuscript and responded positively to the story and my writing. From there, it’s been the usual publication process – editing rounds, proofs, cover designs, etc.

All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to it?
This is a great question because I don’t usually stop and reflect on the process of literary invention. As an art historian and educator, much of my recent focus has been on ethics. At the time I was writing Goodbye to the Sun, I was teaching and writing academically about ethics in art and that spirit translated into the Wind Tide universe. One thing I am starting to understand is that while I may not consciously know it, I have something to say in my fiction writing – whether it’s human themes, issues relating to ecology, or just wanting to share an appreciation of the wonders of the imagination (often visual) with others through the written and spoken word (that’s one of the reasons I love my job as an educator – putting visual experience into words and sharing my perspective with others, and engaging in a back-and-forth with others about their impressions, is one of the best parts of being an art historian).

What really made me stick with this story is the characters. Razor and Keen became intimate and close companions and something about them forced me to commit to their journeys and see them through to a narrative resolution. I didn’t grasp it until I’d written Goodbye to the Sun, but I’m a character-driven writer. I adore world-building, both settings and cultures, but when it comes down to it, I build them to put characters into the settings – to live with them in those worlds and experience what they experience, struggle alongside them, and revel in their growth and evolutions.

Clearly, you put a lot of time and effort into the world/culture-building for the novel—were there historical analogues for some/all of these groups? What kind of research did you do for this?
This is one of the reasons why I am enjoying writing science fiction – it presents a whole new, expanded set of research experiences necessary to build convincing and interesting secondary worlds. I spent time reading about tidal cycles, wind, and tropical weather to construct the two main planetary settings for Goodbye to the Sun. Some other random world-building research tangents arose like the nature of cave systems, bioluminescence, and a very intimate reading on trees (Wohlleben’s The Hidden Life of Trees) to help develop not only the famed cantinool trees on Heroon but also a broader ecological philosophy emphasizing a hidden biological communication network tied to a cause-and-effect system of human interaction with terraforming, etc.

It was also the time when the most recent cycle of Star Wars movies hit theaters and as a big fan from my childhood, the films drove me to fantasize about living in a similar secondary fictional world. Rogue One was especially inspirational to me. The rebellion, as well as the very complicated set of players mixed up between opposing sides (and the emphasis on family vs. state that related to other important sources like Antigone), played an important role as a precedent. The Motes are indebted to that source as well as giving a nod to the Fremen in Frank Herbert’s Dune.

As a middle-aged person, I’m drawn to stories of people who’ve been pushed back into circumstances of their youthful years, and I’d read Legend by David Gemmell not too long before writing Goodbye to the Sun – Keen Draden probably has some Druss “qualities” sprinkled on him. I’ve also had a lifelong interest in martial philosophy and many texts written over the centuries provided source material for Keen’s warrior philosophy and the fighting scenes. Razor’s voice and tone were strongly influenced by some other writing research I did on character voicing. Although not written in the same POV, I was strongly affected as a writer by Essun in N.K. Jemisin’s The Fifth Season.

What was the biggest surprise about the writing of Goodbye to the Sun itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”
Oh, this one is easy! And I’ll take the, “I’d have skipped this and watched more TV for 200$, please.” Even though I set up plot points and had an outline, as well as a close sense of how this narrative would adapt a tragedy model, I got bogged down at ACT III – halted in my writing tracks. It took a month of talking to myself (out loud on walks with my dog, in my head, and many scribbles that were scrunched up and tossed in the trash) to find my way out. I learned two things from this: first, I needed to be open to change and surprises in writing, but have a general plan and an “arc” for the entire plot, and second, sometimes you need to just sit down and write to get out of a rut. These are, of course, personal reflections and not advice to anyone else writing fiction. I heeded my own words for the second book in the Wind Tide series, Jati’s Wager, and that one went much better with no torturous plot crises.

Let’s play “Online Bookstore Algorithm” (a game I’ve recently invented). What are 3-5 books whose readers may like Goodbye to the Sun?
Gareth Powell, Embers of War
Essa Hansen, Nophek Gloss
James S.A. Corey, The Expanse
Becky Chambers, A Long Way to a Small Angry Planet
Frank Herbert, Dune

Thanks for your time—and thanks for Goodbye to the Sun, and I hope you have plenty of success with it.


PUB DAY POST: Goodbye to the Sun by Jonathan Nevair: Broken People and Broken Worlds Hope for a Better Future

Goodbye to the Sun

Goodbye to the Sun

by Jonathan Nevair
Series: The Wind Tides, #1

eARC, 307 pg.
Shadow Spark Publishing, 2021

Read: April 27-May 3, 2021

What’s Goodbye to the Sun About?

Several years ago, Keen Draden served as a Legion soldier on Heroon. He left the planet a changed man, a damaged man who found the numbing he needed to get by in a bottle. Now a diplomat, he finds himself on a different planet—one with some parallels to Heroon, however. While in transit on the planet, his transport is attacked and he’s taken hostage by the losing side in a civil war in a truly desperate move.

When this scheme doesn’t work the way they expected, Razor (his captor) comes up with a new plan to get some value from Draden. He sees this as an opportunity to do some good, and achieve some personal goals (the latter are far more important to him than the good). The two leave the planet and begin traveling with Jati, another former Legion soldier—one who isn’t quite as far gone as Draden.

Jati has business that takes him to Heroon, Draden’s personal affairs take him there—and he needs to confront some ghosts from his past, as well; and Razor hopes—almost against hope—that Heroon holds the key for her people’s survival.

Sure, but What’s it Really About?

So that’s the plot—at least the beginning of it—but the novel is ultimately the story of someone (or multiple someones) rebuilding themselves. Not by casting aside the mistakes and tragedies of the past, but by absorbing the lessons learned from calamity, embracing what they meant, and doing when they could to turn the hardships into something for the greater good.

When the novels leans into that, it’s at its best and is the kind of thing I relish and enjoy pressing others to read. I’m not sure it stays that kind of novel long enough to justify enthusiasm, however—but I’ll get into that later.

In addition to that, this book is about family—natural as well as found family. Religion. Power. The obligation of the power to act on behalf of the powerless.

Worldbuilding

This is one of those SFF novels that makes it obvious and plain that there was a lot of detailed worldbuilding done before the book really even started being written (or so it seems). THere’s a complex history behind Draden’s time on Heroon, there are elaborate cultural practices, expansive technology, and layers of political realities and bodies.

You don’t have to read much of the novel to get an idea about the detailed nature of the worldbuilding—and it’s one of those aspects that’s in your face at every step, and you’re still learning about the world as the novel ends—with more that needs understanding. THere’s something very attractive about that.

There’s something maddening about it, too—there are so many, many things I just don’t understand about this fictional world. While I don’t need to have an exhaustive knowledge of everything mentioned in the novel, I also shouldn’t have to shrug my shoulders and move on when I have no idea exactly what’s being talked about and am pretty sure I’ll never get an explanation for it.

For example, I have a very clear and detailed understanding of the dominant culture’s protocols to communicating gender identification when meeting someone by different means (there were frequent mentions of it), but I’m not sure if Draden was actually drinking mercury, or if Quicksilver was a brand name, a category of potent potables, or what. It’s a somewhat unimportant example, but it’s illustrative. (I could’ve used military, political or religious examples there, but this is the most concise and easily explained one).

Antigone

The novel is described as “a space opera inspired by the Greek tragedy, Antigone.” I read the Sophocles play back in High School and in College—I remember it being one of my favorites, and so I was excited to see how Nevair tackled it.

Sadly, it turns out I remember practically nothing about the play, much to my chagrin (I really thought I did), so I can’t comment on how the novel reflects the play. But I thought I’d mention it for those who read this blog and might be interested by the notion.

Plotting and Prose

When an author is painstakingly careful with every word, every phrase in his prose it takes two forms (broadly speaking, at least): the first is that it comes across as fantastically smooth, and feels effortless (think Eames or David). The other form almost seems to boast in the care used, the text beats you over the head with the amount of care exercised in selecting each word (think Jemisen or Rothfuss).

His book seems to fall into the latter category. I, obviously, can’t describe the amount of labor Nevair poured into the text, but it feels like each word in the final version was the result of rewrite after rewrite after rewrite to get it precisely the way that Nevair wanted it. This amount of care draws attention to itself in much the same way as the worldbuilding in this novel does.

Despite the clear labor over the words, it really seems (stress on “seems”) that the same level of planning wasn’t used for the story—it feels like there were multiple novels started in this book, and after a few false starts, the book finally had an arc that it stuck with through to the end. I didn’t get the sense that we’re going to take these two (and eventually three) characters on a journey from A to B via C, D, and E. It felt more like a journey from A to B via C—well, no, maybe D? On second thought, E.

I know that’s not how Nevair actually approached this. It just felt that way to me. I’d also say that story and character took a back seat to the themes Nevair wanted to explore and the worldbuilding. I’m all for expansive worldbuilding and overarching themes, but not at the expense of characters or plot.

So, what did I think about Goodbye to the Sun?

I don’t know. I respect and admire the obvious craft and care seen in these pages, I think most of what he tried to accomplish is well-worth exploring. I just think it could’ve been more effective. I think the care undercut itself.

But I don’t really want to say anything negative about the book because there were so many technical aspects, so much technique displayed, and all of that is commendable and well done. But I can’t bring myself to be entirely positive, either.

In the end, I think I’d encourage people to try it for the experience, but to go into it with the right perspective. And then I’d ask people to come back and talk about it. Maybe you can convince me one way or another.

Disclaimer: I received a copy of this from the author in exchange for my honest opinion.

Reposting Just Cuz: Death and Taxes by Mark David Zaslove: The most rootin’ tootin’ shoot ’em up about accountants you’ve ever seen

Like the Wolfe quotation from earlier today, it felt like this was a good day to re-run this:

Death and TaxesDeath and Taxes

by Mark David Zaslove
Series: Tales of a Badass IRS Agent, #1

 

ARC, 219 pg.
Aperient Press, 2018

Read: August 13 – 14, 2018
I’m not sure I can do this book justice with a hand-crafted synopsis, I’ll just copy and paste from Zaslove’s site:

Death and Taxes follows Mark Douglas, an ex-Marine turned IRS agent, who, along with auditing the weird and the profane, also spearheads weekend raids with his locked-and-loaded gang of government-sanctioned revenuers, merrily gathering back taxes in the form of cash, money order, or more often than not, the debtor’s most prized possessions.

Things turn ugly when Mark’s much-loved boss and dear friend Lila is tortured and killed over what she finds in a routine set of 1040 forms. Mark follows a trail dotted with plutonium-enriched cows, a Saudi sheik with jewel-encrusted body parts, a doddering, drug sniffing, gun-swallowing dog named The Cabbage, a self-righteous magician with a flair for safecracking, a billionaire Texan with a fetish for spicy barbecue sauce and even spicier women, and an FBI field agent whose nickname is “Tightass.” All of which lead to more and bloodier murders – and more danger for Mark.

Enlisting his IRS pals – Harry Salt, a 30-year vet with a quantum physical ability to drink more than humanly possible; Wooly Bob, who’s egg-bald on top with shaved eyebrows to match; Miguel, an inexperienced newbie with a company-issued bullhorn and a penchant for getting kicked in the jumblies – Mark hunts down the eunuch hit man Juju Klondike and the deadly Mongolian mob that hired him as only an angry IRS agent can. There will be no refunds for any of them when April 15th comes around. There will only be Death and Taxes.

This is hyper-violent (not that filled with blood and guts, really — there is some), a lot of guns, bombs, more guns. Sometimes played for comedic effect, sometimes it’s the good guys vs. the bad guys. Sometimes, it’s a little of both. It never got to the overkill point for me, probably because this felt more like a cartoon than a “realistic” thriller.* What was overkill for me was the hypersexualization of every woman under the age of sixty. I didn’t need to hear that much about every woman’s physical appearance — there are more gorgeous women with perfect (sometimes surgically enhanced) bodies in this guy’s life than an episode of Miami Vice.

* Really, what thriller is realistic?

But man, is this funny. There are sections — sometimes a sentence or two, sometimes several paragraphs long — that are the literary equivalent of a shot of espresso, they are so taught with action, cultural references, and humor that you just revel in them. This reminds me a lot of the John Lago Thrillers by Shane Kuhn — I think Kuhn shows more discipline in his plots and characters, but on the whole, these two are cut from the same cloth. The same energy, a similar style, a similar sense of humor — and frankly, that stuff is catnip to me. I think the plot got a little convoluted, a little confusing — but it was worth working through.

Am I planning on reading Tales of a Badass IRS Agent, #2? Yeah, I will be keeping an eye out for it. This is a heckuva romp and will entertain anyone who gives it a shot.

Disclaimer: I was provided with a copy of this novel in exchange for my honest opinion, which you see above.

—–

3 Stars

Nero Wolfe on Taxes

I can’t tell you when this became a (largely) annual thing for me to post, but it was on a blog that pre-existed this one. As always, seems like a good day to post it.

Nero Wolfe Back CoversA man condemning the income tax because of the annoyance it gives him or the expense it puts him to is merely a dog baring its teeth, and he forfeits the privileges of civilized discourse. But it is permissible to criticize it on other and impersonal grounds. A government, like an individual, spends money for any or all of three reasons: because it needs to, because it wants to, or simply because it has it to spend. The last is much the shabbiest. It is arguable, if not manifest, that a substantial proportion of this great spring flood of billions pouring into the Treasury will in effect get spent for that last shabby reason.

–Nero Wolfe
from And Be a Villain

In Medias Res: A Man With One of Those Faces by Caimh McDonnell, Morgan C. Jones (Narrator)

As the title implies, I’m in the middle of this book, so this is not a review, just some thoughts mid-way through.


A Man With One of Those Faces
A Man With One of Those Faces

by Caimh McDonnell, Morgan C. Jones (Narrator)

Book Blurb:

The first time somebody tried to kill him was an accident.

The second time was deliberate.

Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history…

…or else they’ll be history.

I’m at the 48% mark—and this is just ridiculously fun. A great mix of dark humor, some silly humor, gritty crime drama, some fascinating characters, and three very different kinds of police detectives.

For me, this experience has been like the first time I read one of Jay Stringer’s Sam Ireland books—Ways to Die in Glasgow

I get the impression that Detective Bunny McGarry is who I’m supposed to be the most focused on, but he rankles me. Poor, incredibly ordinary-looking, Paul Mulchrone and the nurse, Brigit Conroy, who got him into this mess are who I’m the most invested in. But the DI Jimmy Stewart is the star of this book—I could listen/read to a five-book series about him starting tomorrow.

I can’t think of a way to sum up the plot or even speculate about what’s going to happen next—like I normally do in these posts. I just can tell that whatever happens next that I’m going to have a blast listening to it, and I’m prepared for just about anything to happen.

A Tale of Wonderful Whiffs by Sophie Loosveldt, Isabella Croker (Illustrator): Secret Agent Pug? A Spy *for* the House of Love?

A Tale of Wonderful Whiffs Tour Poster

A Tale of Wonderful Whiffs

A Tale of Wonderful Whiffs

by Sophie Loosveldt, Isabella Croker (Illustrator)

PDF, 39 pg.
Sunshine Stories, 2020

Read: May 12, 2021

What’s A Tale of Wonderful Whiffs About?

Ahh, pugs. Over at SheldonComics.com, you’ll see them described as “God’s Little Wierdos.” But in A Tale of Wonderful Whiffs, they’re some of the Universe’s “Secret Agents” here to spread love (through a varieety of means). Both ideas work, really, if you’ve ever spent time around them.

In particular, this book is looking at Pugini and her person, Sophie. There’s not really a narrative arc here, it’s a series of vignettes looking at the things that Pugini and Sophia do as these Secret Agents to brighten the lives of those they come into contact with and spread love.

It could be argued that Pugini’s method of spreading her message of love—via “tuneful toots” created from her “happy belly” which is “only sometimes SUPER smelly”—is pretty crass and not worthy of some of the elevated subject manner. But I can’t imagine anyone’s going to bother—particularly because it’s hilarious to a kid who’s still having picture books read to them.

The Illustrations

Croker provides some dynamic art. It’s very distinctive and attractive (although I thought the colors seems a little muted). I thought she nailed the art for Pugini—who is fairly cartoonish—especially the art revolving around Pugigini and hunting for snacks. It’s cute stuff that’s going to appeal to the target audience, I can assure you.

The, um, odor cloud depicting one of Pugini’s “fabulous farts” on one page is a great touch.

Okay, Sure, Maybe I’m Biased

A few years ago we adopted a senior pug/beagle mix, and I could see a little/lot of her in Pugini—her “squidgy face”, the “snorts and toots,” and the “hungry little monster nibbling on absolutely everything.” So, I’m an easy mark for this book—then again, how often do I have something less-than-complimentary to say about a Dog Book?

So, what did I think about A Tale of Wonderful Whiffs?

Sure, I’m not that wowed by the spiritual message of the book, but how many kids are going to grab on to it when they’re at the picture book stage anyway?

It’s a little saccharine-y, a little heavy-handed (but how many picture books are noted for their subtlety?). But ultimately it’s a cute book, with a nice premise, and some distinctive art. I’m not sure what else I have to say at this point, it’s a winner.

Get your hands on it had after a little fun with one of the goofiest critters around.


3.5 Stars

My thanks to Love Books Group for the invitation to participate in this tour and the materials (including the book) they provided.

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BOOK SPOTLIGHT: A Tale of Wonderful Whiffs by Sophie Loosveldt, Isabella Croker (Illustrator)

Today I’m pleased to welcome the Book tour for the children’s book, A Tale of Wonderful Whiffs by Sophie Loosveldt and illustrated by Isabella Croker. After this post, I’ll be giving my take on the book here in a little bit. But let’s start by learning a bit about the book.

A Tale of Wonderful Whiffs Tour Poster

Book Details:

Book Title: A Tale of Wonderful Whiffs by Sophie Loosveldt, Isabella Croker (Illustrator)
Publisher: Sunshine stories
Format: Hardcover
Length: 39 pages

Book Blurb:

Pugini
Pug on a mission

This is the story of little Sophie and Pugini.

Everyday adventures of whiffs and wonders.

Together they explore the mystery and beauty of the natural world.

There is more to life than meets the eye. With a heart full of hope and a furry friend overflowing with love little Sophie ventures on a bright journey into the magic of every new day.

We are surrounded by Secret Agents helping us understand that love is all and we are all part of it. Never alone, but all one.

About the Author:

Sophie LoosveldtI am a control freak by nature, which suits me very well as an air traffic controller at Gatwick. I would have never classified myself as creative. Having moved from Belgium to London, opening my horizons, I now realise we all are; naturally inventive, expressive and imaginative. All children are born with this creative seed waiting to sprout. It took a long time for my seed to crack and for me to bloom into myself.

It is important to allow yourself to dream and have trust in the world. As a late bloomer I have a strong desire to empower all children, so they can grow and learn to express themselves freely. Our inner child never forgets about the magic of our world. It is the key to connect to the present moment and to not get stuck inside our heads.

Purchase Link:

https://pugini.com/shop/

My thanks to Love Books Group for the invitation to participate in this tour and the materials (including the book) they provided.

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