Category: Fiction Page 135 of 341

Pub Day Repost: Bone Canyon by Lee Goldberg: Eve Ronin Digs Up Bones, Secrets and Ugly Truths in this Great Follow-Up

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On January 5, 2021

In Fiction, Lee Goldberg, Mystery/Detective Fiction/Crime Fiction/Thriller

Bone Canyon

Bone Canyon

by Lee Goldberg
Series: Eve Ronin, #2

eARC, 288 pg.
Thomas & Mercer, 2021

Read: December 20-23, 2020
Grab a copy from your local indie bookstore!

What’s Bone Canyon About?

A wildfire was wiping out good swaths of L.A. County as the last novel wrapped up. Now, just a few weeks later, several things that were hidden pre-fire have been exposed—some of those things are human remains. Eve Ronin and her partner are called out to the site of one such discovery. They’re able to identify the remains, they belong to a young woman who’d reported being raped and soon disappeared six years previously.

Eve assumes there’s a link between the rape, disappearance, and her death. This is solidified when it’s determined the woman was murdered. Even if it proves untrue, she needs to start her investigation somewhere, so she starts by looking over the initial investigation and is less than impressed with the way it was handled. So, she plunges into re-investigating the rape and disappearance while also trying to get a handle on this murder. It’s not long before she’s getting pressured to drop the rape angle.

When another group of remains is found in the same general area—these belonging to an older woman, things get more complicated. How many murderers is she looking for?

Duncan “Dunkin’ Donuts” Pavone

I only gave Eve’s partner four sentences in my post about Lost Hills, I think I should’ve spent a little more time on him, I have a sneaking suspicion that he’s the secret weapon in this series. He seems like a Spenser’s Frank Belson-type (I have to admit I see Ron McLarty, TV’s Belson, in my mind during his scenes). He’s a slob, constantly covered in crumbs (donut or otherwise), cynical, seemingly lazy—but at heart a dedicated and good detective. Watching him at work in the interrogation room should be enough to make anyone doubt the image he projects.

When we first meet him, he’s got his eyes on his retirement date and is counting down to it, which is why he’s saddled with the homicide detective no one wants as a partner. He seems to tolerate Eve and will sprinkle some tips and cynicism her way. But that’s about it. By the end of the first novel, there’s more than toleration at work. By the time Bone Canyon opens, he’s really trying to mentor her, trying to guide her, and prepare her as much as possible for her future (not that he’s obvious about it, or even willing to admit it, but it’s there). In a lot of this novel, it’s clear that he cares for Eve as a partner, and is likely more concerned with the future of her career than she is. He won’t necessarily agree with all of her wild theories, but he’s at least willing to entertain them, to look for evidence to back them up.

It’s a nice shift, and if she can win Duncan over, there’s reason to hope that she can get others in the Department to work with her.

While I’d been hoping that Goldberg would find a way to keep him in the series after his retirement (somewhere around 100 days after this novel), I wasn’t sure he would. I guess I’m still not positive that he will, but Goldberg provided a way to do so. I’m relieved—Eve needs a cop she can trust in her life, even if he’s retired.

Which leads me to:

Cop or Politician?

Several times, superiors in the Sheriff’s office, a friendly D.A., and her own mother accuse Eve of playing political games with this case for her own career advancement. In Eve’s mind, she’s not making political moves for her own gain, but for the sake of the case. It’s all about justice for the victims, she insists. She doesn’t trust anyone in the Department, so she has to go at things in her own way.

Sure, she made some moves circumventing the chain of command to keep things moving, to prevent leaking and anyone stopping her. But she denies being overtly political about this, and only admits it in retrospect. Which I found a little odd, remembering something she thought about the Harry Bosch audiobook she was listening to in Lost Hills:

[Bosch’s] problem, she thought, was that he didn’t know how to play politics. She’d already proven that she could.

As much as Eve thinks of herself as a loner—due to circumstances forcing her into the role, rather than that being her nature—there are events here to teach her that ain’t necessarily true. She’s never going to win any popularity contests (Duncan will testify that she’s unlikeable), but if she pays attention, Eve’s going to find more allies. She doesn’t have to be Renée Ballard.

* We know she’s a Harry Bosch fan, I wonder what Eve thinks about Ballard.

…or Is She a Media Star in the Making?

The other thing that’s constantly being thrown at Eve is her social media stardom—the viral video that got her promoted into the Homicide Division was just the start. Someone leaked video of her heroics at the close of the previous novel which just compounded things for her. So many of her fellow detectives and deputies just assume she’s all about getting fame and glory for her own advantage (many of these people are just jealous and would do whatever they could to get a share of her fame so they could cash in on it). It’s truly the last thing she wants, unlike the other accusation.

Ironically, her family is pushing her to embrace this notoriety and cash in on it (mostly for their selfish benefit, not her good)—and both an agent and a TV Writer/Producer are circling her. Everyone’s telling her that a series/movie is going to happen no matter what, if she wants any influence on how it happens, she has to sign up.

Goldberg had already firmly established that this series takes place in the shadow of the Entertainment Industry, would-be actors, film crew members, bona fide stars, and others (like a fellow detective) wanting to get into the industry. So this subplot doesn’t feel out-of-place at all, it’s the world Eve Ronin deals in.

I really like this aspect of the story—as long as it doesn’t become too dominant—and watching Eve try to figure out how to use her notoriety to help (or at least, not hinder) her police work is as interesting as watching her figure out how to survive as a political animal.

Now, that’s a nice touch…

There’s a little treat for readers of Goldberg’s Ian Ludlow series. I loved it. But if you’re not reading that series, don’t worry, you won’t even realize that you missed something.*

* Still, I should take a beat to ask you why you aren’t reading the Ian Ludlow books. You should fix that. Click here to see what I’ve had to say about those.

So, what did I think about Bone Canyon?

This rocked. I think it was a step up from Lost Hills, which I’m pretty sure was the best thing Goldberg has written. He does all the same things that made Lost Hills a success and then progressed them a little bit. I raced through these pages—both because the prose invites you to and because I just had to see how it all ended.

Eve’s a great character—she’s flawed, she has a lot to learn, but she has potential as a detective and is driven to fulfill that potential. Her cases are twisty enough to keep you guessing and turning pages. and Goldberg’s writing is at his best.

I liked Lost Hills enough that pre-ordered this book as soon as I could, and have already done the same for the third book, knowing only its title (I’d buy books 4 and 5 right now, too, for what it’s worth). They’re that good—and I think you’ll likely agree. Jump on the Eve Ronin train, you’ll be in for a great ride.

Disclaimer: I received this eARC from Thomas & Mercer via NetGalley in exchange for this post—thanks to both for this, but aside from giving me something to opine about, this didn’t impact what I said.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Twisted Twenty-Six by Janet Evanovich: Stephanie’s Discontented but Provides Readers with the Best Book in Years

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On January 5, 2021

In Janet Evanovich, Mystery/Detective Fiction/Crime Fiction/Thriller, Stephanie Plum

Twisted Twenty-Six

Twisted Twenty-Six

by Janet Evanovich
Series: Stephanie Plum, #26

Paperback, 305 pg.
G.P. Putnam’s Sons, 2019

Read: December 25, 2020
Grab a copy from your local indie bookstore!

“You still want to chase after this guy?”

“You bet your ass. Just because he made fools out of us three times, don’t mean one of these times we won’t luck out. Notice he called us losers and not quitters. That’s on account of we never quit. In my mind, that’s the difference between being a loser-and a winner. A winner is willing to look like a idiot for as long as it takes to get the job done. I figure you stick with i it long enough ~ and you win. Unless you die or come down with some disease like shingles or cancer of the rectum. If I ever got cancer of the rectum, I’d go to the best rectumologist out there. Like I’d get a celebrity rectumologist. I wouldn’t mess around with some local yokel.”

“All good to know,” I said.

I don’t even need to provide dialogue tags to that, do I? If you’ve read a single Stephanie Plum novel, you know who’s saying what there.

What’s Twisted Twenty-Six About?

When we last left Stephanie*, her Grandma Mazur had left for a getaway with her new love, who just happens to be a semi-retired mobster. We pick up a week or so later, Grandma Mazur and Jimmy Rosolli had been married, and then forty-five minutes later, Rosolli died (of natural causes, I feel compelled to add). Still, even a 45-minute marriage makes Grandma a widow, but more importantly, a widow of some status in the neighborhood.

* Yeah, I know, right? I’ll talk about that in a minute.

We don’t know a lot about Jimmy’s criminal life, but among his group, he had a particular importance. He was “Keeper of the Keys.” Now, no one—not Grandma, not the cops, not almost anyone that Stephanie can talk to about Jimmy knows what that means. The few that do know, aren’t talking to anyone about them (also, they don’t believe Stephanie or Grandma when they say they don’t know where the keys are).

So Jimmy’s partners are looking for the keys, their rivals are looking for the keys. And everyone thinks Grandma Mazur either has them or can get them (she is the beneficiary of his will, after all). And none of these men are willing to take any means necessary to get her to talk. Stephanie, Ranger and Morelli team up to keep Grandma Mazur and the Plums safe.

All the while, Stephanie and Lulu are on the hunt for people who missed their court dates for the Bail Service, Stephanie is dealing with a destroyed car, Stephanie is fending off advances from Ranger—and not doing fending off much from Morelli, you know, typical stuff.

A moment of chronological accuracy

At one point, Stephanie is lamenting to Lulu about how her life isn’t working out the way she wants and states her age—a larger number than Lulu is ready for (okay, I wasn’t ready for that amount of candor, either—but the math works), and a sign that maybe Evanovich is going to start aging her in real time. It’s not long before Stephanie blows off that moment of honesty as a joke and we’re elft wit an indeterminate age again.

Still, for a couple of poages, it looked liek Evanovich might have been making a big step.

Old Dog, New Trick?

From the start of this series, there’s been a little carry-over from one book to the next—Stephanie’s sister’s marriage and kids, glacially slow advancement of her relationships with Ranger and Morelli, and so on. But largely, these are stand-alone books and can be read in any order.

Until now (obviously).

The end of Look Alive Twenty-Five leads into this book. The ending of this book propels the reader into Fortune and Glory (aka Tantalizing Twenty-Seven). This is new. This is a positive movement, there’s something to sink our teeth into. Not much, maybe, but it’s something.

I’m not sure why Evanovich has changed her approach. I’m not sure I care, either. I’m just happy to see that it has happened, and wonder where she’s going with all of this.

So, what did I think about Twisted Twenty-Six?

“I don’t want to do this job anymore. I’m not good at it. I don’t like it. I don’t like being in the bad neighborhoods looking for the bad people.”

“What would you rather do?”

“I don’t know,” I said.

“Do you have a direction?”

“No.”

“Babe.”

“Yeah, I’m a mess.”

“You aren’t a mess,” he said. “You’re just a little burned out.”

“It’s more than that. I’m stagnant. There’s no growth in my life.”

“That’s okay as long as you like what you’re doing. Not everyone needs to keep moving up the ladder.”

I have to read a State of the Series in these words (see also: the quotation at the top). I doubt that Evanovich set out to do that, but “mess,” “stagnant,” and directionless are words I’d use to describe this series lately. But like Stephanie’s (no doubt) futile efforts at self-improvement, over the last couple of books I’m seeing signs that Evanovich might be trying to add some direction and clarity to the series

I do not think it’ll ever reach the comedic heights it once hit. Nor do I think that Evanovich is going to suddenly become the new Grafton (not that I’d complain), but it seems like she’s taking the storytelling component of this seriously again. I could be 2-3 books away from again wondering why I’m sticking with these series. But until I get to that point, I’m going to enjoy the ride.

As for this book? It was fun—I admit to laughing out loud on a few occasions. I liked the story (I’m not convinced the bad guy was set-up correctly before the reveal, but…I’m not going to argue about it). The action was decent. I didn’t roll my eyes at the destruction of the car, and best yet, I think this is one of the best uses of Stephanie’s parents in ages (if not ever).

This might actually be a decent jumping-on point (Look Alive Twenty-Five would be marginally better) for this long-running series. This is definitely one to use to come back to the series after a time away. Or if you’re just plugging away with a new annual entry, you’ll be satisfied. Give this series a shot, it’ll be worth it.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Persons of Interest (Audiobook) by Peter Grainger, Gildart Jackson: DC Smith’s Tie to a Murder Victim Leads to a different Twisty Case

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On January 4, 2021

In Audiobook, DC Smith & Kings Lake, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Time’s gotten away from me on this one, been trying to get it done since August and keep getting distracted. But…I won’t let myself listen to the next one until I get this posted. So…

Persons of Interest

Persons of Interest

by Peter Grainger, Gildart Jackson (Narrator)
Series: A DC Smith Investigation, #4

Unabridged Audiobook, 10 hrsl, 30 min.
Tantor Audio, 2017

Read: August 14-18, 2020
Grab a copy from your local indie bookstore!

Allen wrote a short email of his own to Detective Inspector Reeve. The first version included the phrase, “Tell Smith to carry on as normal.” Then he had second thoughts and deleted that, telling Smith to carry on as normal might not be wise, because “normal” for Smith was not the same as it was for other people. [guessing on punctuation, etc.]

What’s Persons of Interest About?

DC Smith is called to a nearby prison to answer some questions. It appears that a murdered prisoner had a connection to Smith. Smith has never had anything to do with this man. Oh? Then why does he have your phone number? This is technically true, but it hasn’t been Smith’s number since the first book in the series. DC’s written off pretty quickly as a suspect (thankfully! I’ve made it clear that I just don’t like those stories), but he is curious about the man having his number.

But he can’t focus on that—the case belongs to a different jurisdiction, in the first place. In the second place, there’s a major new drugs task force temporarily in Kings Lake and he needs to focus on the new initiative. DC is enough of a cynic to have little use for it, seeing it as a PR stunt more than anything else.

Sadly, because of this task force, Smith and his team realize that something has happened to the drug trade in Kings Lake recently, power has shifted and the old players aren’t in the game anymore, or are playing a diminished role. So who’s running the show now, and how did this happen without any of the police aware?

Oh, and there is that nagging curiosity in the back of his mind about the murdered prisoner.

The On-Going Arcs

I really appreciated the way that Smith is still dealing with the, er, shortcuts he took to make sure he passed his physical exam. It was semi-comedic in the previous book, but that’s over and now DC is paying for it.

The new team member is becoming part of the crew but there’s still some room to grow—which is how it should be. There are some other internal moves, and potential moves, even some cooperation where I wouldn’t have expected it. I’m looking forward to seeing how it all resolves. I’m being vague, but it’s hard not to be without spilling details.

The story involving DC’s True Crime Writer friend was really scaled back, and I kept wondering if it was going to come into play more in this book. It didn’t, which I assume means that it’ll play a big role in Book 5. Which works for me. It’s not my favorite part of any of these books, but I’m really curious about how it’s going to play out.

Jackson’s Narration

Everything I’ve said before still holds. The perfect combination of text and narrator, protagonist and portrayer.

That’s it, that’s all I can say.

So, what did I think about Persons of Interest?

The reason that it’s taken me months to post about this book is that I don’t know what else to say about this series. I think that there are a couple of more compelling police procedural series out there, but I can only handle so much of them at one time. It feels like I could listen to this series on a loop and be perfectly content for a few weeks.

I love the cast, I love the way Smith’s mind works, I love his quiet little humor (he reminds me of a more realistic Francis Xavier Flynn making jokes that only he will understand or appreciate), I really like the cases this team works, and Jackson’s narration puts it over the top.

I’m not 100% convinced that this case was as compelling as the previous three, but the way Grainger tells the story makes up for that. I can’t wait to get back to Kings Lake Central and see what they get up to next.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 1/1/21: Dead Perfect by Noelle Holten

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On January 1, 2021

In Currently Reading, DC Maggie Jamieson, Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Noelle Holten, Quotations, The Friday 56

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from 56% of:
Dead Perfect

Dead Perfect by Noelle Holten

…I apologize if this is slightly repetitive. Remember when we were talking about strange people you may have come across or who’ve made you uncomfortable? Can you just remind me of them again and maybe what made you feel weird around them?’

‘Erm … All right. Is this one of those times I have to just give you what you ask and trust that you have your reasons?’

‘I’m afraid it is.’

Light It Up by Nick Petrie: Peter Ash Throws a Monkey Wrench into a Denver Conspiracy

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On December 31, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Nicholas/Nick Petrie, Peter Ash

Light It Up

Light It Up

by Nick Petrie
Series: Peter Ash, #3

Paperback, 381 pg.
G.P. Putnam’s Sons, 2018

Read: December 28-29, 2020
Grab a copy from your local indie bookstore!

“I could really use your help,” Henry told Peter. “Maybe a week, two at the most. Just until I get things squared away,”

Peter didn’t have to think before he answered.

“No problem.” He’d send June a postcard. Maybe leave out a few details. He didn’t want to worry her. “Sign me up.”

Later, he’d wish he’d answered differently.

He’d have plenty of reasons.

But he knew he’d have answered exactly the same way.

What’s Light It Up About?

Peter meets and befriends a Vietnam vet on a project in Oregon. His friend, Henry, needs to return home to Denver—his daughter and son-in-law run a security company, escorting money for the cannabis industry. On a recent run, the son-in-law and his team went missing (along with the money). Henry needs to go help run things and hopefully come across a clue about the disappearance. He asks Peter to come along, and he does.

Four days later, Henry, Peter, and two others are taking care of another shipment of money. It’s a very routine run—until it’s not. They’re attacked by a group of professionals and it’s a very ugly event.

It’s no longer about Peter trying to help out a friend, it’s now about Peter striking back at the people who attacked his team and making sure they don’t do anything like that again.

A Three-Headed Monster

There are essentially three villains to this book. I’d like to talk about all three of them, but I don’t think I really can without taking something away from the experience—one calls the shots, one is the man on the ground making the plans and seeing that they’re implemented, the third is the guy who carries out the plan.

This latter we’ve seen before—he’s all about killing and raping*—maybe a little pillaging while he’s at it. He really just wants to watch the world burn. The man at the top is another guy we’ve seen before (a good version of him, don’t get me wrong).

* No, he doesn’t rape anyone in this book. There are some passing references to times he has, and he definitely looks forward to doing it in the future.

It’s the middle man that’s the guy who captured my attention. The man at the top is probably convinced he’s doing the right thing (for at least some people), the guy at the bottom of the chain of command doesn’t care about right and wrong. But the other one—he knows that what he’s doing is wrong, he is deliberately choosing evil. He has compelling reasons for that, but he’s going in with his eyes wide open.

Also, he has an interesting tie to Peter, one that adds a new layer to Peter.

No Army of One

Peter likes to think of himself as a lone wolf—he can do it all himself. Maybe even thinks he needs to (the book delves deep into this toward the end, but I’m not interacting with that part). But he’s not one—unlike Jack Reacher (the easiest guy to compare him to) who will pick up an ally or two for a book, and then will leave them in the dust while “The Lonely Man” (from The Incredible Hulk) plays in the background.

Peter didn’t want to leave June behind, but needed to (and wants to get back to her). And while he considers Lewis a friend, doesn’t try to get him involved in his messes. But they don’t let him—he needs help, so they come to him, over his objections.

Peter’s an action hero for our time—he’s dealing with PTSD (not stoically enduring, he’s trying to deal with it, he’s got a counselor), he has a sense of humor, and he’s a social creature. He needs people—for community and for assistance from time to time—and he’s the kind of guy that people are drawn to.

There’s a moment where Lewis describes why Peter’s men followed him where they did in Iraq. It’s something about his personality, is leadership, his character—he still has that, he just has different people following him in the trouble spots in the U.S.

The Lone Wolf Hero is a mainstay, it’s a fixture in Fiction—but a hero like Peter? He’s so much easier to believe. Easier to root for. He has more to lose, so you care more for his success.

A Missed Opportunity

When it looks likely that Peter’s going to be facing some legal troubles, Lewis arranges for a lawyer for him. She comes on the scene like some sort of oversexed Rita Fiore (from the Spenser/Jesse Stone series), intimidating police and protecting Peter. She’s not cartoonish, but she’s trending that way. She has a couple of good scenes, but then she practically vanishes.

This isn’t a legal thriller, and a lawyer shouldn’t play a huge role—but if you’re going to put a flashy character show up, use them. There’s no reason to believe that she’ll be around in future books—unless Peter moves to Denver.

I did like her, I thought she had some good scenes, but it felt like hiring Meryl Streep to play a role listed as “Lady in Restaurant” in the credits.

So, what did I think about Light It Up?

This series gets better and better. I thought the whole idea of the security for the cash shipments for the new (at least then) cannabis industry in Colorado was great. It’s the kind of thing that was just waiting for a thriller writer to jump on, and Petrie took full advantage before anyone else saw it.

There’s a mano a mano fight at the end—fantastic. Just fantastic. There’s plenty of action before that—a chase scene, the ambush of the security team, and some others—just those would’ve been enough to make me commend and recommend this thriller. But that climactic combat? Just wonderful.

Like with Burning Bright, I lost sleep over this—and did not care. Solid (at least) action, an ingenious premise, good character development, some well-written and well-conceived antagonists (scratch that, they’re flat-out bad guys). There’s nothing to complain about here. Get your hands on this one.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Olive, Mabel & Me by Andrew Cotter: Two Very Good Dogs and the Human Who Introduced them to the World

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On December 30, 2020

In (Auto)Biography, Dogs, Non-Fiction

Olive, Mabel & Me

Olive, Mabel & Me: Life and Adventures with Two Very Good Dogs

by Andrew Cotter

Hardcover, 205 pg.
W. W. Norton & Company, 2020

Read: December 24-26, 2020
Grab a copy from your local indie bookstore!

What’s Olive, Mabel & Me About?

In short, it’s about a guy and his dogs.

Andrew Cotter is a freelance sports journalist who found himself (like many people) with an excess of time on his hands in the early days of COVID. With no sports to cover, he needed an outlet, so…you know what? It’ll be easier to post the video that catapulted Cotter and his dogs into the attention of people around the world. He’s this guy, and they’re these dogs:

In the Introduction, Cotter talks a little about that video, those that followed, and the reaction to them—and then he moves on, only making small asides to them until the last chapter when he talks a little more about them. The book isn’t about the Youtube/Social Media sensation, it’s about the man and his dogs that happened to end up as part of that sensation.

The Dogs Before

We begin with Cotter talking about his family’s history with dogs—his grandparents had quite a .few, and he and his mother, did, too. I was predisposed to like him going in, but it was his description of his bullmastiff that solidly won me over.

Then came college and his early career days, when it just wasn’t possible/feasible to own any kind of dog. Then he got together with his partner, Caroline, and she, too wanted a dog, when possible. A few years later, they moved out of London and it was time.

There’s some great discussion about the pros and cons of various breeds and I laughed more than once in that chapter.

Olive and Mabel

Then we meet Olive and the book takes off. She’s a delightful Lab* and it’s clear that Cotter is smitten with her. Cotter talks about her and some of their adventures together, and it’s all well and good. I’m not going to say more, because you want to read it the way Cotter tells it.

* A tautology, I realize.

Then after a few years, Mabel comes along—a very different dog, with a personality that’s very different, but wanting to learn from Olive. Then it becomes adventures for the three of them. The bond is strong and obvious, and it’s the kind of thing that dog lovers will respond to.

Climb Every Mountain

One of Cotter’s favorite activities—and one he involves the dogs in as often as he can—is walking up mountains. He recounts several such walks with the two, the sights they saw, the mishaps, and so on—he even talks some about times he went without them (like, say, Mt. Fuji). Now, I cannot foresee me ever sharing this interest, or even wanting to (it’s beside the point why I wouldn’t—besides, I have to go to work tomorrow, so I don’t have enough time).

But I enjoyed Cotter’s discussion of his hobby—I don’t get it, but that’s okay, he does, and he can talk about it in a way that keeps it interesting, even for us homebodies. It’s this that keeps it from simply a guy rattling off cute stories about his dogs and makes it into something only he can tell—cute stories about Andrew Cotter and his dogs. It’s a fine distinction, but an important one, if I’m going to read a book about it.

So, what did I think about Olive, Mabel & Me?

I love my dogs dearly but couldn’t necessarily see how explaining that relationship and affection might stretch more than a couple of pages.

Yet in writing about your dogs, you very quickly realize that you are writing about all aspects of your life, because there isn’t really a part of it that the dogs don’t touch. They entwine themselves around it all—the serious matters and trivial, the fun and the less so. As you have read, they are there for the exciting adventures but also for the mundane. They are with you for everything, and everything is all the better for them.

Cotter was smart to take the opportunity created by his videos to write a book—nothing against him, but I wouldn’t have picked up this book if I hadn’t been a fan. But I’m very glad I did, this is a heartwarming read. It’s funny—he’s a very clever writer (and I’d be willing to read more things he wrote, as long as they weren’t too sports-heavy)—it’s touching, it’s relatable. It’s a cup of hot cocoa on a chilly day.

I think most dog people enjoy talking to others about their dogs. This was a lot like that—but Cotter didn’t let me share similar tales about my canine companions, which is fine—he’s a better storyteller. He even included pictures to gush over. Did I possibly give out an extra scritch or two to my own dog and grand-pup after reading this? Oh absolutely. I felt I owed Mabel and Olive some, so the dogs here were the beneficiary.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Bone Canyon by Lee Goldberg: Eve Ronin Digs Up Bones, Secrets and Ugly Truths in this Great Follow-Up

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On December 28, 2020

In Fiction, Lee Goldberg, Mystery/Detective Fiction/Crime Fiction/Thriller

Bone Canyon

Bone Canyon

by Lee Goldberg
Series: Eve Ronin, #2

eARC, 288 pg.
Thomas & Mercer, 2021

Read: December 20-23, 2020
Grab a copy from your local indie bookstore!

What’s Bone Canyon About?

A wildfire was wiping out good swaths of L.A. County as the last novel wrapped up. Now, just a few weeks later, several things that were hidden pre-fire have been exposed—some of those things are human remains. Eve Ronin and her partner are called out to the site of one such discovery. They’re able to identify the remains, they belong to a young woman who’d reported being raped and soon disappeared six years previously.

Eve assumes there’s a link between the rape, disappearance, and her death. This is solidified when it’s determined the woman was murdered. Even if it proves untrue, she needs to start her investigation somewhere, so she starts by looking over the initial investigation and is less than impressed with the way it was handled. So, she plunges into re-investigating the rape and disappearance while also trying to get a handle on this murder. It’s not long before she’s getting pressured to drop the rape angle.

When another group of remains is found in the same general area—these belonging to an older woman, things get more complicated. How many murderers is she looking for?

Duncan “Dunkin’ Donuts” Pavone

I only gave Eve’s partner four sentences in my post about Lost Hills, I think I should’ve spent a little more time on him, I have a sneaking suspicion that he’s the secret weapon in this series. He seems like a Spenser’s Frank Belson-type (I have to admit I see Ron McLarty, TV’s Belson, in my mind during his scenes). He’s a slob, constantly covered in crumbs (donut or otherwise), cynical, seemingly lazy—but at heart a dedicated and good detective. Watching him at work in the interrogation room should be enough to make anyone doubt the image he projects.

When we first meet him, he’s got his eyes on his retirement date and is counting down to it, which is why he’s saddled with the homicide detective no one wants as a partner. He seems to tolerate Eve and will sprinkle some tips and cynicism her way. But that’s about it. By the end of the first novel, there’s more than toleration at work. By the time Bone Canyon opens, he’s really trying to mentor her, trying to guide her, and prepare her as much as possible for her future (not that he’s obvious about it, or even willing to admit it, but it’s there). In a lot of this novel, it’s clear that he cares for Eve as a partner, and is likely more concerned with the future of her career than she is. He won’t necessarily agree with all of her wild theories, but he’s at least willing to entertain them, to look for evidence to back them up.

It’s a nice shift, and if she can win Duncan over, there’s reason to hope that she can get others in the Department to work with her.

While I’d been hoping that Goldberg would find a way to keep him in the series after his retirement (somewhere around 100 days after this novel), I wasn’t sure he would. I guess I’m still not positive that he will, but Goldberg provided a way to do so. I’m relieved—Eve needs a cop she can trust in her life, even if he’s retired.

Which leads me to:

Cop or Politician?

Several times, superiors in the Sheriff’s office, a friendly D.A., and her own mother accuse Eve of playing political games with this case for her own career advancement. In Eve’s mind, she’s not making political moves for her own gain, but for the sake of the case. It’s all about justice for the victims, she insists. She doesn’t trust anyone in the Department, so she has to go at things in her own way.

Sure, she made some moves circumventing the chain of command to keep things moving, to prevent leaking and anyone stopping her. But she denies being overtly political about this, and only admits it in retrospect. Which I found a little odd, remembering something she thought about the Harry Bosch audiobook she was listening to in Lost Hills:

[Bosch’s] problem, she thought, was that he didn’t know how to play politics. She’d already proven that she could.

As much as Eve thinks of herself as a loner—due to circumstances forcing her into the role, rather than that being her nature—there are events here to teach her that ain’t necessarily true. She’s never going to win any popularity contests (Duncan will testify that she’s unlikeable), but if she pays attention, Eve’s going to find more allies. She doesn’t have to be Renée Ballard.

* We know she’s a Harry Bosch fan, I wonder what Eve thinks about Ballard.

…or Is She a Media Star in the Making?

The other thing that’s constantly being thrown at Eve is her social media stardom—the viral video that got her promoted into the Homicide Division was just the start. Someone leaked video of her heroics at the close of the previous novel which just compounded things for her. So many of her fellow detectives and deputies just assume she’s all about getting fame and glory for her own advantage (many of these people are just jealous and would do whatever they could to get a share of her fame so they could cash in on it). It’s truly the last thing she wants, unlike the other accusation.

Ironically, her family is pushing her to embrace this notoriety and cash in on it (mostly for their selfish benefit, not her good)—and both an agent and a TV Writer/Producer are circling her. Everyone’s telling her that a series/movie is going to happen no matter what, if she wants any influence on how it happens, she has to sign up.

Goldberg had already firmly established that this series takes place in the shadow of the Entertainment Industry, would-be actors, film crew members, bona fide stars, and others (like a fellow detective) wanting to get into the industry. So this subplot doesn’t feel out-of-place at all, it’s the world Eve Ronin deals in.

I really like this aspect of the story—as long as it doesn’t become too dominant—and watching Eve try to figure out how to use her notoriety to help (or at least, not hinder) her police work is as interesting as watching her figure out how to survive as a political animal.

Now, that’s a nice touch…

There’s a little treat for readers of Goldberg’s Ian Ludlow series. I loved it. But if you’re not reading that series, don’t worry, you won’t even realize that you missed something.*

* Still, I should take a beat to ask you why you aren’t reading the Ian Ludlow books. You should fix that. Click here to see what I’ve had to say about those.

So, what did I think about Bone Canyon?

This rocked. I think it was a step up from Lost Hills, which I’m pretty sure was the best thing Goldberg has written. He does all the same things that made Lost Hills a success and then progressed them a little bit. I raced through these pages—both because the prose invites you to and because I just had to see how it all ended.

Eve’s a great character—she’s flawed, she has a lot to learn, but she has potential as a detective and is driven to fulfill that potential. Her cases are twisty enough to keep you guessing and turning pages. and Goldberg’s writing is at his best.

I liked Lost Hills enough that pre-ordered this book as soon as I could, and have already done the same for the third book, knowing only its title (I’d buy books 4 and 5 right now, too, for what it’s worth). They’re that good—and I think you’ll likely agree. Jump on the Eve Ronin train, you’ll be in for a great ride.

Disclaimer: I received this eARC from Thomas & Mercer via NetGalley in exchange for this post—thanks to both for this, but aside from giving me something to opine about, this didn’t impact what I said.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Cooking for Cannibals by Rich Leder: An Ex-Con turned Cook, Experimental Drugs, Reverse Aging and a Gerontologist make for a Very Strange Crime Novel

By

On December 23, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Cooking for Cannibals

Cooking for Cannibals

by Rich Leder

eARC, 371 pg.
Laugh Riot Press, 2021

Read: December 15-17, 2020

Don’t Suspend Your Disbelief, Throw it into a Small, Locked Room Somewhere

The core premise of this book is hogwash. Scientifically impossible. Accept that and move on. Leder doesn’t try to dress it up in pseudo-scientific jargon or explanations, he just says this impossible-to-believe thing happened. The characters only believe it because of what’s in front of their eyes and make no attempt to explain it to each other, either. So pretend the universe works the way he needs it to for this story, and you can have a lot of fun.

If you can’t do that, don’t even bother picking it up. Sure, go ahead and buy it, Leder could use the sale, but don’t bother reading the book.

What’s Cooking for Cannibals About?

It’s about what happens when an ex-con gets his big break, a behavioral gerontologist who prefers rats to people takes a dramatic step, and a group of seniors embrace a second chance.

Carrie

Carrie is a behavioral gerontologist who’s working at a secret pharmaceutical laboratory coming up with a medication to combat the effects of aging. The results are phenomenal. Unbelievable—it actually appears to reverse the aging process to a degree. A significant degree.

On the weekends, Carrie works for the Copacabana, a “low rent rest home,” where her mother lives, and has grown close to a number of the residents. She can’t help but want to help them and steals the medication from the lab one night.

This sets almost everything else in motion.

Jimmy

Jimmy’s done time a couple of times—assault, burglary, that kind of thing. As a result of this, he can’t get a job unless he lies about his background. As soon as the truth comes out, he loses the job. While he’s trying to go straight, Jimmy can’t go for more than a few weeks without having to start over again, losing jobs and places he rents. He’s a “rockstar butcher” but wants to cook. He just can’t get the chance.

After his most recent dismissal/eviction, he’s given a tip about a job—there’s a retirement home in need of a cook, they provide room and board, in addition to a paycheck. This is everything he needs, if he can get the job. Which is where he meets Carrie, becomes smitten with her, and sees what happens to the residents there when they start using that medication.

Sadly, his new parole officer is determined to find him in violation of his parole for being fired/evicted and will send him back to prison. Unless, of course, Jimmy starts paying him a weekly bribe.

The Copa Crew

Carrie’s mother and her friends are the ones who make the decision to hire Jimmy after he wows them with his sample meals. And instantly, the reader enjoys them—there’s a great, familial interaction between them and it’s just charming. Once they start taking this medication? Well, they become even more entertaining.

The Fixer and the Cleaner

You can absolutely make the case that Carrie and Jimmy are their own antagonists (with some help from the Copa Crew), they’re just not cut out for this kind of thing. But formally, I guess we have to give that credit to the two bodies that funded the pharmaceutical experiments, as represented by the Fixer and the Cleaner, both in LA to make sure that no one finds out about the drug or that their employers had anything to do with any secret drug research.

The Fixer is a suave, calm, and collected Latino who enjoys creative ways of torture. The Cleaner is a Russian in love with Hollywood and all things American film (like poorly educated, heavily accented Chili Palmer), but he loves fire and burning things/people even more. Neither is the kind of guy you want to draw the attention of. Sadly, Carrie does (and because of that, so does Jimmy)

So these two come to LA to find the stolen pills, recover them, eliminate anyone who knows anything about the pills, and any other trace of them—records, people who’ve used or developed them, etc. (without realizing the other is doing the same). It’s their entrance into the story that gets everything really rolling. The question is simply, who will be alive after they’re done?

And sure, the California Legal System was also out there, looking into Jimmy and his activities. But comparatively speaking, that’s a pretty low worry.

Lecter-ish, but with a Sense of Humor

So, Cannibalism is in the title for a reason. Technically, yeah, there’s some cannibalism. But it’s not that anyone wants to eat humans, it’s just a side effect of the drug that the users become very hungry, and are not that selective where their meat comes from.

If it also turns out that eating human remains cleans up other problems by eradicating evidence? Well, that’s just a bonus.

It’s not grizzly, it’s not detailed—it’s also not justified. I think everyone involved is disgusted on some level. It’s simply they’re hungry and they have access to some well-cooked human remains.

The Two Styles of Rich Leder

This is the third novel I’ve posted about by Leder, and he seems to write two different types of books. There’s the McCall & Company series, which is a fairly straight-forward series about a would-be actress who takes over her father’s PI business after his death. It’s light fun in the vein of Stephanie Plum, but a little less wacky. I read the first book, and have intended to read the rest (my mother has read at least one, probably more, of the rest). Then there’s Let There Be Linda, a book I described as “strange, bloody, a little violent, and impossible to explain in a way that does it justice.” Which could really be said about this book, too.

It’s hard to see both of these coming from the same source. I don’t know if one’s necessarily superior to the other, but one’s a lot more marketable than the other, for sure. I’m not sure there’s a lot of overlap in the audiences for both, too. Linda and Cooking for Cannibals are marked by black comedy, one unbelievable occurrence being accepted as fact, and stories that are nigh-impossible to predict.

I do think this is largely more successful, and only slightly less imaginative, than Linda. Leder has a tighter focus on the narrative here, and it just makes the whole thing more compelling and interesting.

So, what did I think about Cooking for Cannibals?

Seriously, if you’re going to read one black comedy about anthropophagites this year, make it Cooking for Cannibals. As I wrote that, it occurred to me that late last year, I read another black comedy about anthropophagites. This is a pretty odd trend, but I can assure you that neither of them has had an impact on my diet.

There’s a lot of funny stuff in this novel. There are also few things with a pretty high “ick factor.” But what comes through most strongly? There’s a sweetness to the way that Jimmy, Carrie, and the Copa Crew interact. The relationship that springs up between Jimmy and Carrie is the focus, but there’s a nice connection between Jimmy and the people who give him his chance to cook (and they love his food), Carrie and her mother find another layer to their relationship in these pages, and so on. Sure the sweetness is buried underneath torture, killing, fire, rats, threats, and more—but it’s there.

The major note I had about the writing was that it felt like the concluding chapter ends 1-4 paragraphs too early. At least at the moment. But honestly, it’s the perfect conclusion to this story as it is. I just had to think about it for a couple of minutes first.

If you’re willing to give this kind of thing a shot, you’re going to have a pretty good time. Leder can pull off the outlandish ideas in a piece of Crime Fiction and it’s rewarding to see him do it.

If you read what I said, and you’re on the fence? You should probably avoid it.

Disclaimer: I received a copy of this novel from the author in exchange for this post and my honest opinion. While I appreciate it, my opinions are my own.

4 Stars

The Friday 56 for 12/18/20

By

On December 18, 2020

In (Auto)Biography, Currently Reading, Dogs, News/Misc., Non-Fiction, Quotations, The Friday 56

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from page 56 of:
Olive, Mabel & Me

Olive, Mabel & Me: Life and Adventures with Two Very Good Dogs by Andrew Cotter

She just wouldn’t leave Olive alone. And Olive, having enjoyed four years of peace and solitude, was clearly rather put out by the visitor—asking, with those Labrador eyes that tell all, “Is this thing going to be staying long?”

I’m pretty sure that from the start Mabel saw Olive as some sort of replacement mother. They are, in fact, related in that curious mixed-up dog dynamic, where romantic liaisons are free and easy and they don’t feel tied down by human constraints or propriety. Olive’s father Henry was also the father of another litter, which contained Mabel’s mother Izzy. Working it out, that makes Olive a half-aunt to Mabel, if there can be such a thing. One of these days we’ll get everyone together on a Jerry Springer-style program and Henry will be confronted by his numerous partners and offspring. Child support will finally catch up with him and it will all get messy.

One thing that was more simple and obvious was Mabel’s love for Olive, and within just a few weeks, some—if not all—of that love was reciprocated. Neither would now want to be without the other, but Olive could probably spend more time without Mabel than vice versa.

Catch-Up Quick Takes: Dash & Lily’s Book of Dares; Undeading Bells; Paranormal Bromance; My Calamity Jane

By

On December 18, 2020

In Audiobook, Carrie Vaughn, Fiction, General Fiction/Literature, Kitty Norville, Urban Fantasy, YA/MG/Children's Books

The point of these quick takes post to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

Dash & Lily's Book of Dares

Dash & Lily’s Book of Dares

by Rachel Cohn, David Levithan, Ryan Gesell (Narrator), Tara Sands (Narrator)
Series: Dash & Lily, #1
Unabridged Audiobook, 6 hrs., 40 min.
Listening Library, 2010
Read: November 14-17, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
I picked this up as the result of “I need something to listen to and the library’s app just happened to have it at the top of the list.” This was about the time that the Netflix series was about to launch, so a good part of my Twitter feed was talking about it. I’d read something by Levithan years ago and had good memories, figured I’d try it out.

It was adorable. It was sweet. Pure silly fun. The narrators did a pretty decent job convincing me that they were teenagers. I think Lily can do better than Dash, but that’s probably just me. I doubt I’ll continue on in the series, but I’m glad I gave this a shot.

3.5 Stars

Undeading Bells

Undeading Bells

by Drew Hayes, Kirby Heyborne (Narrator)
Series: Fred, The Vampire Accountant, #6
Unabridged Audiobook, 11 hrs., 34 min.
Tantor Audio, 2020
Read: November 9-13, 220
Grab a copy from your local indie bookstore!

(the official blurb)
The wedding is nigh—Fred’s just got a little to take care of first. He’s got to hire someone to help him deal with his rapidly expanding business, he has to submit to some tests from the Blood Council, Amy needs some help with her new business model, and so on. But the main event is the wedding—which brings out friends (old and new) and enemies (old) alike.

This is the same kind of book that I’ve come to expect—fairly episodic with a nice through-line, amusing stories, an overall “blue sky” feel, with some fun situations for our Vampire Accountant to get himself out of.

I appreciated the new hire on the accountancy side, her particular supernatural type was a lot of fun. I also was impressed by what we learn about the Sheriff of Boarback. That was a simply great idea. I’ll also admit to being touched by the last few pages of the book, Fred’s in uncharted territory for him, and he does it well—public Displays of Affection and a little bit of rebelling.

I’ve spent most of this year dipping into this series when I needed a fun palate cleanser, and now I’ve caught up. Apparently, he’s working on the next book now, so I know I’ll be able to come back at some point, but…man…what am I supposed to do in the meantime.

3.5 Stars

Paranormal Bromance

Paranormal Bromance

by Carrie Vaughn, Neil Hellegers (Narrator)
Series: Kitty Norville, #12.5
Unabridged Audiobook, 2 hrs., 11 min.
Tantor Audio, 2018
Read: October 26, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Three guys who never should’ve been turned, and likely wouldn’t have survived as vampires if they weren’t in Rick’s Denver, are the focus of this novella. Since they’ve been turned, they camp out in their basement apartment and live largely human-ish lives. Basically, they’re the kind of guys who need advice from Kitty Norville, but who’ve never called into her show (or even listened)

Because they’re clearly the weakest, most pathetic excuses for Vampires (one sells collectibles online, another reviews video games) they’re targeted as a way to Rick by an enterprising reporter. While dealing with that, Sam starts to fall for a mortal—exactly the kind of woman he would’ve dreamed about dating as a human, but now he’s still feeling like she’s out of his league.

Watching Sam and his roommates deal with his friendship with the woman on the one hand and then the reporter on the other brings out the kind of fun that Vaughn didn’t often get to show in the Kitty-verse. It was a pleasant way to spend a few hours while packing/cleaning—and like I’ve said, any time in the world of Kitty Norville is a pleasant time.

3 Stars

My Calamity Jane

My Calamity Jane

by Cynthia Hand, Brodi Ashton, Jodi Meadows, Sophie Amoss (Narrator)
Series: The Lady Janies, #3
Unabridged Audiobook, 13 hrs., 28 min.
HarperAudio, 2020
Read: August 31-September 3, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Man…of all of these in this post, this is the hardest to not write a lot about. I’m not sure this is my favorite of the series, but in many ways, it’s stronger—definitely an improvement over My Plain Jane (which I liked, don’t get me wrong).

Wild Bill’s Traveling Show is just a cover for him, Calamity Jane and Frank Butler to hunt garou throughout the Wild West. Annie Oakley is unaware of this, but is a crack shot and needs to make money (or get married off to someone she can’t stomach). She ends up signing on to the show, just in time for it all to fall apart. The group ends up in Deadwood, where a supposed garou-cure is being peddled.

Sure, Calamity Jane is the focus of the book, but for me, it’s all about Annie Oakley, she was a delight, and her stumbling romance was as sweet as you could ask for. I also loved that we got an Al Swearengen who never made me think of Ian McShane once.

These goofy supernatural alt-history books are just a lot of fun, and I’m eager to see what they do with Mary, Queen of Scots.

3.5 Stars

2020 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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