Category: Fiction Page 5 of 317

The Killer’s Christmas List by Chris Frost: There’s Nothing Holly and Jolly About This Christmas

Cover of The Killer’s Christmas List by Chris FrostThe Killer’s Christmas List

by Chris Frost

DETAILS:
Series: DI Tom Stonem, Book 1
Publisher: Harpernorth
Publication Date: October 29, 2024
Format: eBook
Length: 320 pg.
Read Date: December 11, 2024
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A Quick Note

For reasons he’s probably detailed somewhere (and I likely read/heard and forgotten), Chris McDonald wrote this under the pen name Chris Frost (and who knows, McDonald might be a pen name, too). But as he’s not being covert about it (his Twitter account uses both names), I’m going to talk about them as if they’re the same person, because McDonald’s work informs the way I reacted to this.

What’s The Killer’s Christmas List About?

Previous drafts of this have been over-complicated as I explain too much and yet try to be spoiler-free, or they’ve been so bland as to be useless (“A new DI is assigned to a holiday-themed murder. Detecting ensues.”). So I’m going with the crutch of the Publisher’s description of this “anti-cosy Christmas” mystery:

In the picturesque village of Kibblesworth, DI Tom Stonem is dreaming of a quiet Christmas alone.

But in the shadow of the Angel of the North, a body lies waiting. The dead man is posed with a child’s Christmas list in his pocket, and the first mysterious item – 1. No angel – is crossed off.

When a second body is found – a woman, stabbed in the abdomen after her work Christmas do – Stonem is convinced there’s a grim connection between the crime scenes and the seemingly innocent list. 2. Red partee dress. Could this be a murderer’s twisted code?

As a blizzard rages in the Tyne & Wear countryside, the body count is snowballing. Can Stonem stop the killer before they get everyone on their Christmas list?

He’s So Good at This…

This is a minor thing, but Frost is so good at this (like McDonald, see A Wash of Black)—I can think of other examples, too, but few are as smooth as Frost/McDonald is. Stonem is really introduced to us as he arrives on the crime scene as his first day on the job in this station. So we get a blend of our introduction to him, the other officers, and the crime all at once.

The skeleton of the series is established, the kind of detective Stonem is, the identities and character of those he works with, and the kind of crimes we’re going to be seeing—both for the rest of this series and the rest of this novel. It’s so economical, so organic, and efficient that I can’t help but admire it. You start off with the whole world for DI Tom Stonem delivered in a chapter or two, rather than getting it in dribs and drabs like most people do. I have no problem with that approach—but when you see it done like this, it just seems so right.

The Flashbacks

We get regular flashbacks to someone’s childhood throughout the book—it’s a child who doesn’t have a lot in life, and a couple of parents who need financial help, and probably addiction treatment (and a lot more, too). It’s clearly connected to the killings the book focuses on. But, of course, just how it is connected is held back.

As a story-telling tool, I typically don’t like this approach.* It just seems mawkish, usually ungraceful, and I really dislike the way it’s generally used to give us insight into a killer (or someone associated with the crime) without identifiying the person, it just grates on me like nails on a chalkboard**. However, the way that Frost used it ended up really working for me, and was some of the more effective writing in the novel. Good on him.

* I say that, but I probably get sucked in regularly. But at least I don’t think I like this approach.
** Readers of a certain age should ask their parents. And maybe suggest an updated comparison for me to use.

Spoilerish thought, maybe skip this paragraph: This did not go the way that Frost seemed to be telegraphing—it may be that he had a better idea partway through and changed things, but it was probably (and it makes him seem cleverer) that he faked the reader out. A couple of times in the case of this reader. I’m so glad that he did—not just because I enjoy it when an author fakes me out without cheating, but because the way it ended up works so much better than where I thought he was going.

Just how Christmas-y is This?

Not very. Christmas plays a role in motive, and the thing is set in the days leading up to December 25th. But there’s not a very holiday feel to this. Some Christmas mysteries (even involving murder, kidnappings, serial killers, and other acts of violence) still give you a Christmas cheer vibe or something like that. There’s so little of that here as to make it negligible. The holiday is important to the plot, but not to the “vibe,” for lack of a better word.

Basically, read this one whenever you get around to it. You don’t need to sip on egg nog with Andy Williams playing in the background to appreciate it.

So, what did I think about The Killer’s Christmas List?

This is not Frost at his best, I’m sorry to say. Something about the prose felt clunky and occasionally overwritten—maybe Frost and his editor got in some strange groove and didn’t read as critically as they could’ve in the last passes. Was anything so bad that it took me out of the book? No. I winced a little and moved on. But it’s kind of a shame. Also…there were a couple of lines of investigation I just can’t imagine an experienced detective (or one who’s watched more than 3 episodes of Law & Order) didn’t take from the get-go. It didn’t hurt Stonem or his team, it just felt weird not to at least have them mentioned. And I grumbled about it to the book, which thankfully didn’t reply.

But whatever.

The plot though? Really good. Frost’s storytelling makes up for my quibbles—the way he develops the story, the momentum he gathers, and the twists were really nicely done. I’d sussed out the killer ahead of time (but I couldn’t have been wronger about motive)—and Frost convinced me I was wrong until he got to the reveal.

I liked Tom Stonem—he’s not as instantly compelling as Erkia Piper was, but it didn’t take too long for me to appreciate him, and I think in future books, I’ll end up liking him as much as, if not more, as Piper. And I’m really curious about where Frost intends to take him. Some of the rest of the team will be fun to hang out with, too. They’re not the typical detective team that I meet in British Police Procedurals (which frequently feel interchangeable between series).

The Killer’s Christmas List was a solid and quick read that was pretty satisfying. I’m looking forward to more of these.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: How the Grinch Stole Christmas! (Audiobook) by Dr. Seuss, read by Walter Matthau: A Great Read by One of the Greats

Grandpappy's Corner Logo with the Cover of How the Grinch Stole Christmas! by Dr. Seuss

How the Grinch Stole Christmas!

by Dr. Seuss, read by Walter Matthau

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: June 27, 2006
Format: Unabridged Audiobook
Length: 12 minutes
Read Date: December 13, 2024

An Audiobook of Seuss?

I repeatedly saw an advertisement on some social media site from Penguin Random House for this audiobook, and honestly didn’t see the point—isn’t half the reason to read a Seuss that distinctive artwork? Why lose that? And who could possibly tackle the narration?

Curiosity got the best of me and I clicked. Walter Matthau? And Libro.fm was selling it for less than $2? Well, okay.

What’s How the Grinch Stole Christmas! About?

The Grinch Frowning

Yeah, okay. That was a dumb question.

So, what did I think about How the Grinch Stole Christmas! Audiobook?

Really, there’s no question what I think about the story itself. Or Seuss’ rhymes, invented words, and everything else.

The essence is what did I think of Matthau’s narration? First, it’s so strange to hear his distinctive voice and accent rather than Thurl Ravenscroft and Boris Karloff. It’s hard to remember that Seuss never intended his Scrooge to sound like them.

Once you get past that (and it’s easy)…Matthau is so good at this. He’s just naturally crotchety (or at least he seems that way, he was probably a real charming guy), and that makes him an excellent choice for this book and this character. That’s not to say that he can’t pull off the character change, because he’s a pro (and not always a grump).

This is a great way to spend 12 minutes—and it’ll easily become something I regularly return to. And I can’t wait to introduce this to the Grandcritter when he’s got the attention span.

Give up a cup of coffee and get this.

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The Ballad of Bonaduke—Episode 64: Mourning Meeting by R. T. Slaywood: Looking Back and Looking Forward

Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 64: Mourning Meeting l

by R.T. Slaywood

DETAILS:
Series: Mourning Meeting , #64
Format: Kindle Vella Story
Read Date: Decemeber 20, 2024

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

Bonaduke gets fed up with his little groups plans and aims–deciding his own goals deserve attention and effort–he’s also not so sure about theirs. So, he heads back to the city. Does some fruitless stuff and goes back.

What’s Mourning Meeting About?

This episode is broken cleanly into two parts–the first part consists of Bonaduke thinking back on his relationship with his wife–particularly the beginning of it. It’s sweet, we get a little more of an idea of who his wife had been other than “wife.” Not too surprisingly, this doesn’t do much for his mood and he wake up pouting.

He doesn’t get to stick with that long–if only because there are too many people around making him talk. They have a plan to take on a group of vampires and cajole Bonaduke into helping out–it takes a little work, but they get there in the end.

So, what did I think about Mourning Meeting ?

Not only do we get a better understanding of Bonaduke (sure, you could argue that we should understand him better by this point–and you’d be right–but I’ll take it), we get some plot advancement, but this is also one of the better written episodes of this series.

Really, I have no complaints and would be very happy if this was the beginning of a trend.


3.5 Stars

REPOST: The Legendary Mo Seto by A. Y. Chan: And Though She Be But Little, She Is Fierce

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Cover for The Legendary Mo Seto by A. Y. ChanThe Legendary Mo Seto

by A. Y. Chan

DETAILS:
Series: The Legendary Mo Seto, #1
Publisher: Aladdin Paperbacks
Publication Date: June 4, 2024
Format: Hardcover
Length: 309 pg.
Read Date: August 8-10, 2024
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What’s The Legendary Mo Seto About?

This is one of those books that I could easily tell you everything in my enthusiasm, but that’d take away the need for you to read the book—and Chan’s much more entertaining than I could be. So, I’ll try to keep it to the essentials.

Modesty (please call her Mo) Seto is a devoted student of taekwondo and has been competing—and dominating—in competitions for years. But a fellow student recently hit a growth spurt that passed Mo by and he has started to beat her in competitions. This is getting to her, it’s just not fair. After coming in second to him (again), she sees a call for open auditions for people in her age range for a role in an upcoming martial arts movie starring her favorite movie star/martial artist in the world.

Technically, Mo is too short for their requirements—the height issue again, will she ever just grow? She comes up with a cunning plan* to get into the auditions anyway with the help of her best friend and his grandfather posing as her guardian. Why a faux grandfather? There’s no way that her mother would allow her to do anything like this and her father is away on a sudden business trip and isn’t communicating with Mo or her mother the way he usually would.

* Slightly more elaborate than anything Clark Kent has tried, and just as believable. Just roll with it.

We follow Mo through the audition process—which starts to take on unexpected peril as the set becomes plagued by threats and unexpected problems—possibly caused by sabotage. Oh, yeah, and her classmate/rival is also going up for the part.

Can Mo get the part without the truth being discovered? Will Mo be disillusioned by seeing behind the Movie Magic? Will Mo’s dad start responding to her? And what’s up with this old book with a little-known martial arts form Mo just found in her basement? More importantly, can she use any of it to her advantage?

The BTS Stuff

Let’s get this out of the way: This is an MG Novel, not Cinéma vérité. There’s no way that the auditions can work the way portrayed in the novel—especially when it comes to kids. It is impossible that any of Mo’s antics and hijinks to get her into—much less stay in—the auditions would work. If you’re looking for accuracy and an honest look at making martial arts movies with actors under 18, look elsewhere.

That said, there’s enough of a flavor of Hollywood to all of this to work. The attitudes of the casting people—the shallowness of the initial assessments, the stress of the director, the attitude toward the fight choreographer/stunt professionals, and so on—really feel like what you expect. They’re entertaining enough that you really don’t care how realistic things might be, too—feeling about right is good enough.

For my money, the best part of this is watching Cody Kwok in action and how everyone reacts to him. Kwok is a Jackie Chan-esque figure (only younger). He’s known for doing his own stunts—many of which are just incredible—as well as not being tied down to any one genre (but making them all, eventually, about martial arts). Kwok, his entourage, and the film’s executives know what they’re doing when it comes to preserving his image and promoting it, and the auditioning kids (and media) see exactly what they’re supposed to. Chan does an excellent job portraying both that and showing the reader that the Superstar’s image might not really be the truth.

Characters Who Aren’t Mo

There’s a really strong cast of supporting characters who are as engaging as you want, I want to touch on just a few of them because it’d be too easy just to talk about Mo, and that’s not giving Chan’s work the credit it needs.

Mo’s rivals in the auditions are largely bullies when it comes to Mo (and some of the others), but they’re not all that bad. They’re just adolescent twerps who are probably covering up insecurities (well, a couple of them are entitled jerks who are on their way to being 80s movie villains)—the way they treat Mo is bad enough so you don’t make the mistake of liking them, can root for Mo against them, but you’re not going to worry about what they’ll do to her.

On the other hand, you get Mo’s friends who just make you like her more—if someone as cool as Nacho (real name, Ignacio) is her best friend, she must be pretty cool herself. And Nacho is cool—he’s supportive, understanding, artistic, and nerdy in all the ways that Mo isn’t. Mo’s a little too hyper-focused on herself at the moment, but Nacho gets it and is willing to wait for her.

His grandfather is a hoot. Gramps is an honorary grandparent to Mo, as well as Nacho’s actual grandfather. He’s recently widowed and lonely, but he hasn’t let it get him down—at least not in front of the kids. He’s a loving and goofy character who really comes through for Nacho and Mo—he’s the kind of grandfather I’d like to be.

One of the auditioners who befriends Mo is named Sanjay. I hope they find a way to bring him back for the rest of the books in the series. He’s apparently pretty good at karate and is as gregarious as the others are antagonistic. He’s one of those kids who cannot stop talking once he starts and is not self-aware enough to realize he’s doing it or how people react to him. He’d probably be pretty annoying in real life but as a comic relief character? He’s great.

Lastly—Mo’s parents. Parents in MG novels are so tricky to get right (I’ve often thought), and Chan gets it right. Not just the characters, but how they treat Mo—and how Mo sees them and how they treat her. Mo’s dad introduced her to taekwondo and Cody Kwok. He’s her biggest fan and source of encouragement—he also pushes her (generally) in the way she needs to keep going. When he’s not there, the impact on Mo’s confidence and emotions cannot be overstated.

Things are complicated with her mother. Mom comes close to being a stereotype, at least the way the narration describes her. But I’m not sure she is, essentially they don’t get each other—from Mo’s perspective, her Mom doesn’t like who Mo is. She doesn’t want a daughter into taekwondo (especially not to the near-obsessive level Mo is), but would rather she pursued something more acceptable, like dancing and Chinese immersion camp, a dainty academic superstar in the waiting. The reader will see that Mo’s not understanding her mother quite right, but there’s nothing malicious in it. It’s just a tricky mother/daughter dynamic (that appears to be starting to work itself out).

Mo Herself

In case I gave the wrong impression when I talked about Nacho, Mo is a cool person, but since we see the whole book from her point of view, it might seem biased. Mo is a confident, optimistic, go-getter. The fact that she’s probably not going to keep growing past her 4’9″ stature while everyone around her (especially Dax) is still growing, isn’t doing her esteem any favors. Her recent tournament loss is doing a number on her—she’s upset that Dax’s size puts her at a disadvantage and is ready to give up, but she’s also so determined that she just can’t. Chan portraying both competing impulses is a tricky proposition, but she pulls it off.

The chance to work with Kwok is the opportunity of a lifetime for Mo. She’s re-read his autobiography a few times (can quote portions of it), and has watched countless interviews—she knows him as well as anyone who hasn’t met him can (and as well as many people who have met him could). She’s such a superfan that it’s hard not to want to see a few Kwok movies yourself. When she describes one of his films, she always introduces it as “my favorite Cody Kwok movie”—it doesn’t matter which one she’s talking about. It’s a tiny touch, but I loved it. Her enthusiasm is infectious.

Actually, not just her enthusiasm for Kwok—but for everything. Her despondency is a little catching, too, and comes when it should. But her personality can’t stay down for long. She grows a lot over the course of the novel*—as she needs to, it’s the point of adolescence anyway. But she also has plenty of room to grow, and that’s easy to see, too. It’ll be fun watching that over the rest of the series.

* That’s growth in terms of character. Much to her chagrin, she’s as tall at the end of the summer as she was at the beginning.

So, what did I think about The Legendary Mo Seto?

I had about as much fun as is permitted by law while reading this.

Sure, it’s an MG book, so I’m a few decades older than the target audience. I guessed almost all of the big reveals (I think attentive MG readers will get most of them, too), I’m pretty sure I know how the next two books are going to go, and I rolled my eyes at some of the sillier aspects of the book. That’s not a problem with Chan’s writing—I think it means she hit her target. The fact that she was able to write for them while keeping an old guy like me entertained is to be commended.

This is a fast, engaging read that will entice readers from the jump and keep them turning pages (likely with a grin) almost as fast as Mo can dash around. Older readers will want to adopt Mo and Nacho as kid siblings (or false grandparents), and younger readers will want to be like Mo—and hang out with her friends. As good as the story and the writing are (and Chan’s subtle prose is deceptively easy)—readers are going to walk away from this book thinking primarily of this determined and brave girl, who will muster up whatever she has to in order to get a shot at her dreams.

I’m leaving things out that I should be saying, I know I am—but I can’t think of what they are at the moment. So be sure to see what other people on the Tour are saying. So let me just wrap up by saying that for the young or young-at-heart reader, this is a sure-fire win.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials (including the novel) they provided.

Instruction in Shadow by Benedict Jacka: Second Verse, Same as the First (in a good way)

Cover of An Instruction in Shadow by Benedict JackaAn Instruction in Shadow

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #2
Publisher: Ace Books
Publication Date: October 15, 2024
Format: Paperback
Length: 310 pg. 
Read Date: December 9-11, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s An Instruction in Shadow About?

This picks up mere hours after An Inheritance of Magic, and Stephen is feeling pretty good about himself. His job is going okay, he’s continuing to improve in his magic, he’s got a good lead when it comes to his father’s location—sure, things with his mother weren’t quite what he’d hoped for. But she left the door open to further communication.

And it doesn’t take long for things to start going wrong—but nothing disastrous.

The best way to summarize this book is to say that: everything from the last book continues along the same trajectory, but gets harder. This means nothing if you haven’t read that book, but you really should (at the very least, go check out my post about it). Among the ways that happens—a cult (or cult-like group) tries to recruit him, an assassin makes an (almost successful) attempt on his life, he gets suspended from work, and he runs afoul of a group of Russian criminals.

Worst of all, Stephen gets in deeper with his mother’s family.

The World and Its Magic System

We don’t learn much more about sigl work or Wells—we see more examples of what we’ve already seen at work, but that’s about it. Alright, we get to see what medical sigls can do, so that’s new.

What we get more of-—and it’s just the tip of the iceberg, I’m sure–is insight into the families and companies that run the sigl economy and Well markets. If there are ethics governing them in any way, shape, or form, Stephen hasn’t shown them to us. It’s all about power, manipulation, and things that happen under the table and behind the scenes. It’s both unthinkable that things operate in this fashion in the 21st century—and somehow the part of the book that seems the least fictional or fantastic.

Much of this comes from an info drop or two—but they’re worked into the narrative perfectly. They’re neither disruptive to the overall story nor are they clunky exposition.

So, what did I think about An Instruction in Shadow?

Let me start with this: I would happily read books 3 and 4 in this series in the next couple of months, and still be eager for more. The more we see about this world—and the more questions we have raise, the more I want to learn and see.

Am I a little worried about the arc that Jacka is suggesting for Stephen? Yes. Am I also almost certain that the arc won’t go the way it looks, and that there’s nothing to worry about? Yes.

I really just want more of it—-I am not certain that I care too much about the whole “where’s Stephen’s dad” part of the overall story, but I’m pretty sure that I don’t need to, because the series has been inevitably moving in that direction since the beginning, and when the time comes, I’ll get invested.

But Jacka has got me sitting on the edge of my seat when it comes to everything else. I want to see more of how this economy works—on the legitimate side, the illegitimate side, and then the murky overlap. I want to understand how Stephen is going to operate and keep his head above water in it. He’s not just a MacGuffin, but he kind of feels that way right now.

I’m feeling really inarticulate when it comes to this series—and this installment in particular. Everything I said about the first one is still true. We really just got more of what he’d already given, so my position and thoughts are pretty much the same, too.

I did think that despite his struggles and the aforementioned almost successful assassination, things went a little too easy for Stephen this time. I’d have liked a failure or two. Or at least another draw or two. Even when things were at their hardest for him in this book, he found a way to turn the oncoming defeat into a victory. I typically really appreciate that kind of thing (obviously), but I had very little doubt each time that Stephen was going to come out on top. I just want a little more suspense and doubt on that front. But this wasn’t a major distraction or detraction—it’d just be good for Stephen’s life to be seen as difficult as he sees it.

Also, one of the better parts of An Inheritance of Magic was watching the trial and error Stephen went through—it was very effective in terms of character development and showing us the way sigls work. Give me more of that and I’m happy.

Again—I thoroughly enjoyed this book and am eager to read more. I just wanted it to be a teeny bit better.

If you’re into inventive UF, there’s no better time than now to jump on this series—I think you’ll be as invested in getting more as I am.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Ballad of Bonaduke—Episode 63: The Wall by R. T. Slaywood: We Don’t Need No Plot Advancement (apparently)

Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 63: The Wall

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #63
Format: Kindle Vella Story
Read Date: Decemeber 12, 2024

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

Bonaduke gets fed up with his little groups plans and aims–deciding his own goals deserve attention and effort–he’s also not so sure about theirs. So, he heads back to the city. Does some fruitless stuff and goes back.

What’s The Wall About?

Basically, Bonaduke goes back home after his escape in the city fizzles.

So, what did I think about The Wall?

After being so ticked by the previous episode, it was probably a bad idea to read this immediately. But I did.

And, well, it was just wheel spinning, getting is back to where we were at the beginning of Episode 58. We’ve accomplished nothing.


2 Stars

The Ballad of Bonaduke—Episode 62: Contract by R. T. Slaywood: After All That?

Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 62: Contract

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #62
Format: Kindle Vella Story
Read Date: Decemeber 12, 2024

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

Bonaduke gets fed up with his little groups plans and aims–deciding his own goals deserve attention and effort–he’s also not so sure about theirs. So, he heads back to the city. He comes across his sister-in-law and is prepared to get those answers he’s so determined to get and…is interrupted.

What’s contract About?

So, we get so many answers about the beginning of this story as Bonaduke gets in position to get his answers. Honestly I don’t know if I understand the answers, but we get them. And then Bonaduke gets his chance to ask his sister-in-law anything he wants, with a guarantee of honesty.

Annnnd…you’ve got to read it.

So, what did I think about Contract?

If you can’t say anything nice…


2 Stars

Enough Rope by Dorothy Parker: Songs in a Minor Key

Cover of Enough Rope by Dorothy ParkerEnough Rope

by Dorothy Parker

DETAILS:
Publisher: Boni & Liveright
Publication Date: December 1926
Format: eBook
Length: 86
Read Date: December 2-3, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Enough Rope?

It’s Dorothy Parker’s debut collection of poems, I think ninety of them–but I ran out of fingers and toes and had to make a guess.

Some are flat out funny, some are sweet (okay, not really that many), some are acidic, some are witty, some are ascerbic, some are lightly self-mocking–some are self-hating. It’s quite the range. Some are just somber and sober, without any species of humor (I think)–but those are few and far between. All show a degree of wit that too many poems I read don’t show (which is why I don’t read many.)

I should just go onto the next section because I guess I’ve slipped into answering:

So, what did I think about Enough Rope?

I enjoyed it. Some of these were just delightful. Some made me think a little. I know that Parker can tend toward dark thinking, but there were one or two that could give Plath a run for her money.

Some of the poems by her that I knew already, like “Résumé” or “One Perfect Rose” were part of this collection and were just as good as it was when I discovered it in High School. “Verse for a Certain Dog” is going to be a favorite of mine for quite a while.

One that I don’t think I’ve read before is called “Finis.” It struck me as something akin to Auden’s “Funeral Blues,” in lamenting a lost love–until the final couplet which turns the whole thing into a jab at the man.

Overall, you get the sense of someone who is a jaded romantic. She understands love–she’s wary of it, knowing the pain it can bring–but she also knows the highs that come with it, and longs for it. And through the highs, lows, bliss, and agony–has kept her sense of humor and a perspective that all things will pass. After all, you might as well live.

It occurs to me (seconds before I hit “publish”), that this is possibly best exemplified in the last poem in the collection:

The Burned Child
Love has had his way with me.
    This my heart is torn and maimed
Since he took his play with me.
    Cruel well the bow-boy aimed,

Shot, and saw the feathered shaft
    Dripping bright and bitter red.
He that shrugged his wings and laughed—
    Better had he left me dead.

Sweet, why do you plead me, then,
    Who have bled so sore of that?
Could I bear it once again? …
    Drop a hat, dear, drop a hat!


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Sizar by Susan Grossey: Another Trip through Cambridge’s Underbelly

Cover of Sizar by Susan GrosseySizar

by Susan Grossey

DETAILS:
Series: Cambridge Hardiman Mysteries, #2 
Publication Date: December 5, 2024
Format: eARC
Length: 292 pg.
Read Date: December 2-3, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Sizar About?

A Cambridge student is found hanged, presumably by his own hand. But Master Vaughan calls on Hardiman to look into the circumstances of the suicide—what was it that drove this promising scholar to do this? It’s not long before another student is found dead—and this time it’s clear that someone killed him. This forces everyone to take another look at the hanging—was it self-harm?

Hardiman finds himself out of his depth again—but his determination and level thinking helps him to get at things that others miss or disregard. Soon, he’s looking into a gambling ring, the darker parts of student culture, and what may be a group of conspirators.

The Mystery

It didn’t take too much time to get a real handle on a motive for this. And not much more (or less) to suss out a really strong suspect. With that out of the way pretty quickly, you can focus on Hardiman and his world. How does he try to piece things together, what kind of evidence gets him moving the right way (and what detours does he take).

You also get to soak in the rest of the novel—the other plotlines, arcs, and characters. Grossey gives us a lot to focus on beyond the mystery in this book—and watching Haridman work through it all—false trails as well as the right moves—is better than trying to guess the solution.

Hardiman’s Personal Life

We get some more of the Book Club and library—and that bookstore owner really proves his worth as a friend. Who needs the Internet, apparently, as long as you have a friend who runs a Cambridge bookstore?

Actually, where the first book was largely focused on Hardiman’s day job as an Ostler as well as his investigation, this book focuses on his friends and other associates (while touching on his work a little, too).

It was great to see him like this—with friends, watching relationships develop, talking to the family of the officer he served with in the war—and so on. This aspect of the novel worked really well, it helped him become more than just a wounded vet with a need to expand his vocabulary. This humanized him and helped round him out. It was a good move, and made me like him more.

So, what did I think about Sizar?

The pacing of this is slow and methodical—a lot of that has to do with the era, they don’t have the need to rush that people at the end of the 20th Century/beginning of the 21st have. Also, communication works slowly across a city, or even further. Also, part of that is the slower pace that most (not all) British mystery novels take to investigations.

I understand it, but it bugged me a little. But that’s a personal failing, nothing wrong with the novel.

Even with the historical helps at the end, a lot of university/law enforcement structure makes me stumble (and I hate to take a break from the narrative to go look up facts), but it doesn’t take me out of the story, it’s just momentary “huh?” I’m getting better at is, thanks to the supplemental material Grossey gives. The evolution that these systems re going through at this point aren’t making things easier for me (or are they? I’m not sure).

The whodunit was a bit disappointing, and the why was pretty obvious—but how Hardiman solved things and resolved things, more than made up for that part. Really the procedural aspects are the bigger draws for most readers anyhow when it comes to procedurals. And none of what I said here addresses Grossey’s use of red herrings and twists, and both of those more than make up for what I might say is obvious or disappointing (and can make you doubt yourself a little bit)

Hardiman is a heckuva protagonist in a very interesting world—this is a unique series and one I heartily suggest you check out.

Disclaimer: I was provided with a copy of this book by the author in exchange for this post and my honest opinion.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Ballad of Bonaduke—Episode 61: Chains by R. T. Slaywood: A Negotiation

Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 61: Chains

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #61
Format: Kindle Vella Story
Read Date: Decemeber 6 2024

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

Bonaduke gets fed up with his little groups plans and aims–deciding his own goals deserve attention and effort–he’s also not so sure about theirs. So, he heads back to the city.

What’s Chains About?

Using Keys’, well, key. Bonaduke gets some of his memories back and demands his sister-in-law gives him some answers. This is cut short by the gentleman who was with her in the last episode–he traps Bonaduke and we learn a little bit about what started the whole series. Along the way, an unlikely advocate for Bonaduke shows up and, while I won’t say a bad situation is made worse, it’s sure not made much better.

So, what did I think about Chains?

I don’t know, honestly. What we learned–or started to learn–was interesting, but the rest of it…I dunno. It felt…I dunno. It’s either too simple for Bonaduke to get out of this, or it’s going to get stretched out to a pointless extent. I’m really going to have to wait until the next episode or two to decide.


3 Stars

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