Category: Fiction Page 86 of 341

An Easy Death by Charlaine Harris: An Intriguing UF/Western/Alt-History Mix

An Easy DeathAn Easy Death

by Charlaine Harris

DETAILS:
Series: Gunnie Rose, #1
Publisher: Saga Press
Publication Date: October 2, 2018
Format: Hardcover
Length: 306 pg.
Read Date: September 8-9, 2022
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What’s An Easy Death About?

I’ve tried this, and it gets too detailed (read: dull), so I’m going to borrow from Simon & Schuster’s website:

In a fractured United States, a new world where magic is acknowledged but mistrusted, a young gunslinger named Lizbeth Rose takes a job offer from a pair of Russian wizards. Lizbeth Rose has a wildly fearsome reputation but these wizards are desperate. Searching the small border towns near Mexico, they’re trying to locate a low-level magic practitioner believed to be a direct descendant of Grigori Rasputin.

As the trio journey through an altered America—shattered into several countries after the assassination of Franklin Roosevelt and the Great Depression—they’re set on by enemies. It’s clear that a powerful force does not want them to succeed in their mission. Lizbeth Rose has never failed a client, but this job may stretch her to her deadly limits.

The Worldbuilding

It’s always interesting to see how someone launching an SF/F series introduces the world and its rules (eh, even in Crime/Non-Genre fiction this can apply), in this case, the Alternate-History, too. Harris takes a pretty bare-bones approach, on pages 3-4 you get a decent sketch of where this Earth’s history diverged from us and a hint about the resulting politics. A few details will be added along the way, but not many (all that you need, and not a word more).

Throughout the book, she tosses in just enough to get you through the magic system, although most of that is left vague and mysterious.

You might be curious about several other things—both on the history and magic front. But you don’t need to know about it for the novel to work, and Harris is just focused on Lizbeth and her clients. The rest just doesn’t matter.

It’s both frustrating (as someone who is curious about more than a few things) and refreshingly satisfying (who needs the info dumps and background?).

So, what did I think about An Easy Death?

I enjoyed it. I think of all the books I’ve been recommended for this 12 Books Challenge, Zane’s is most likely to get me to read another by that author/in that series.* I’m very curious about what a second Gunnie Rose adventure looks like—how it differs (and how it doesn’t) from this one.

* Although, to be fair, if a second book in the King Oliver book was actually out, it’d probably be a tie.

Gunnie’s a compelling character, that’s for sure. But, like the world-building, Harris has been sparing with the details about her. I think a lot of my conclusions about her so far are based on my preconceptions and assumptions about characters like her more than on what Harris provided. The differences in my mind between her and Shining Smith (for example) are mostly based on genre and the time setting of the books. What I do know, I like—and I want to fill in some of those missing details. I’m not sure either Gunnie or Harris are going to be all that forthcoming with the details, they seem to be playing things close to their vests.

The Alternate-History stuff was interesting enough, but it’s not going to bring me back by itself. The idea of California-Oregon-Washington making up a Holy Russian Empire is intriguing, don’t get me wrong, but I’m not sure we’re going to get more about it than what’s provided in this novel. As for the rest? Eh, I could go either way.

But the sparse and stark, Depression-era territory of Texoma and the pseudo-Western atmosphere and storytelling possibilities? That’s a draw I feel, particularly with Gunnie around.

But that’s for the series as a whole. What about An Easy Death? If in the first chapter or so you decide you want to see what happens to Gunnie, you’re going to be in for a fun ride featuring some good action scenes, a mysterious quest, and strange magic. If you’re not particularly interested in Gunnie’s character by the end of Chapter 3? Close the book and move on.


3 Stars

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Fatal Forgery by Susan Grossey: A New Type of Crime Calls for a New Type of Investigator

I’ve got a Q&A with the author coming up in a little bit, be sure to check back later for that.


Fatal ForgeryFatal Forgery

by Susan Grossey

DETAILS:
Series: Sam Plank Mysteries, #1
Publication Date: December 17, 2018
Format: Kindle Edition
Length: 282 pg.
Read Date: September 3-5, 2022
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But the theft of that which represents money—of pieces of paper that can be exchanged for money—well, there we have something new. Mr Fauntleroy is not accused of going into his bank’s vaults and taking money belonging to others, but of changing pieces of paper to make it look as though their money belonged to him. We police officers will have to learn new skills to catch such people.

What’s Fatal Forgery About?

It’s 1824, and Henry Fauntleroy is one of the leading bankers of London—it’s a smaller bank, but it has a stellar reputation. Fauntleroy is the son of one of the founders, and while he’s an utter and complete cad in his personal life, he earned both his position and reputation—it wasn’t handed to him.

But then evidence comes to light that he’s been forging documents and moving large sums of money around in some sort of complicated scheme. He’s determined to plead guilty and avoid a trial. While the winds of reform are blowing, this type of offense is a capital crime. Fauntleroy knows this and is still ready to plead guilty and accept the sentence.

At least one magistrate involved wants to make sure that the investigation is handled properly and there isn’t a rush to judgment/punishment. Sam Plank is a constable that works for him and has the same concerns–he is the one who arrested Fauntleroy and becomes somewhat invested in the investigation and his welfare (beyond what’s called for in his duties). Plank is convinced that everyone is missing something vital in this case, but he’s struggling to see what it is.

Will he be able to put the pieces together in time to save Fauntleroy’s life?

Financial Crimes

I get the impression that the monetary system was in a time of transition at the time the book was set, and the kind of crime at the center of this book was a new thing that the legal system wasn’t quite prepared for. Much like we might be today with cryptocurrencies and we’re still trying to figure out how to effectively police identify theft-type crimes. I’ve lost track of the number of books that I’ve read this year that include a discourse on cryptocurrencies (and I have a book to start this week that will likely feature a few of them), so it was nice to walk into a book about financial crimes that was sure not to include one—but behind all this is the equivalent, which is thankfully much easier to understand.

Now, I’m not a complete dunderhead when it comes to finance and economics, but (in both real life and fiction) things don’t have to get too detailed before my mind checks out. I was a little daunted about trying to understand 1820s banking in the first place—much less any kind of scheme involving defrauding it. But Grossey’s depiction of it was easy to follow—she wrote it in such a way that you don’t have to come in knowing the nuts and bolts* of the machinery to follow Fauntleroy’s crimes

* Nor will you walk out knowing them—it easily could’ve become a Tom Clancy-deep dive into Nineteenth Century monetary systems.

Martha Plank

I think that Sam’s wife, Martha, is going to turn out to be one of those supporting characters that turns out to be one of the MVPs of the series. At first glance, she seems to be simply a nice, supporting wife, who understands her husband’s moods better than he does—and understands that she’ll take a backseat to his job (at least from time to time). But at one point, she takes the reins for a bit and gets more information out of a witness than Sam would’ve been able to—and with far less fuss and bother.

I’m not saying she’ll become the asset that Marybeth Pickett is to Joe’s investigations, but I wouldn’t be surprised if it turns into something in the same vein.

So, what did I think about Fatal Forgery?

While Plank was clearly drawn to the case, trying to understand what made Fauntleroy ticked, and was disturbed by some of his non-financial crime activity, there isn’t the same kind of emotional investment that characterizes so much of Police Procedural/Detective Fiction today. Part of that has to do with the era, I’m sure—Plank caring the way that Renée Ballard or Malcolm Fox does about a case would be unseemly. Still, he spends personal time on the case—even using a date with his wife as a pretense to go track down someone associated with Fauntleroy–and will later go to great lengths to wrap things up.

I liked that feel to the character, and think it serves to help establish the setting. But that might say more about my preconceptions about the time—and how it’s been depicted in the fiction I’ve read.

I wondered if the setting—and the type of crime—would end up being a hurdle to reading and/or enjoying the book. But neither proved to be the case, I was pleased to see how easy it was to get into the book. And the pages just melted away when I got past the first chapter or so, which felt more like a speed bump than a learning curve. In the end, the setting and subject made this a very pleasant change of pace.

Fatal Forgery isn’t the kind of thing that would catch my eye when I browse, and ultimately, not it’s exactly my cup of tea–but I’m shooting to read at least one more in the series because I enjoyed this and am curious about what else can be done with the character (and I can see that easily turning into me reading all of them). I do know one reader who will likely burn through the whole series as soon as I give her the first one—if you’re like her and a Regency-era police procedural with a minimal amount of violence piques your interest at all (even if it makes you mildly curious)—give this a try.

Disclaimer: I received this book from the author in exchange for this post and my honest opinion.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Soul Taken by Patricia Briggs: Mercy May Find Herself Up Against a Horror Movie Character

Soul TakenSoul Taken

by Patricia Briggs

DETAILS:
Series: Mercy Thompson, #13
Publisher: Ace
Publication Date: August 22, 2022
Format: Hardcover
Length: 388 pg.
Read Date: August 29-30, 2022
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“The thing that we thought might end up with Adam dead looks like it will work out okay,” I told her dryly as her feet hit the ground again. “We have another situation to replace it that might end up with Adam dead. Or me dead. Or maybe the whole pack. But at least we solved one deadly situation before we picked up another one.”

“Business as usual,” said Tad.

What’s Soul Taken About?

Wulfe continues to act strangely—for him, that is—as he was last time. Then he goes missing. And Marsilia tasks Mercy with finding him, or she and the Pack will face the consequences (not life and death consequences, either—something worse).

But it’s not just Wulfe who’s missing—there are others, too. The paths seem to lead to a Fae artifact believed to have been destroyed and a local Urban Legend/subject of a new Horror movie.

Sure, this isn’t as strange as the miniature zombie goats, but it’s close. And slightly less cute.

Sherwood Post

“I’ll call Samuel and bug him.”

“Why not ask Sherwood?” Adam said.

“Did he sound like someone who was going to spill the beans to you?” I queried. “He talks more, but he doesn’t say more. He hasn’t changed that much.” I found that reassuring.

After a lot of speculation, we finally get to know Sherwood Post’s actual identity. And, um. Wow. As she clearly intended, the answer Briggs gave us only leads to more questions.

Several more questions.

For example: was this identity her plan when she first introduced the character? (likely, but I can see a scenario where it wasn’t) Given how this changes what we know about the world, when did she decide to shake things up to this extent? Lastly, when do we start seeing the ripple effects from this revelation? Okay, maybe one more: how many other things has she been lying to us about? (okay, that last one is a joke. Pretty much)

Unintended Consequences

Mercy (and therefore, we) are aware of a decent segment of the supernatural/paranatural population of the Tri-Cities area (although I think I remember her being surprised by some early on in the series)—she knows all the werewolves, many of the Fae, the goblins, vampires, etc.

But we learn along the way in this book that because of Mercy’s declaration a few books back that the area is under the Pack’s protection many “lower powered” supernatural beings have moved into the area for that protection. Mercy and the Pack were unaware of this until they met some in the midst of their investigation. Briggs didn’t spend much time on the idea, but it laid the groundwork for potentially several future storylines.

Even aside from that, I thought it was a great idea—and really seems likely to have happened given Mercy’s action.

So, what did I think about Soul Taken?

I’m never going to complain about getting to spend time with Mercy and the crowd. But I felt let down with this novel. The premise was promising, maybe even more than that; I thought the threats brought by Marsilia and how that played out were intriguing; I was glad to see who the Big Bad behind it all was; and the future ramifications for the seethe are promising. But the stuff in between the premise and the defeat of the Big Bad? Eh. Even the big fight scene wasn’t that good—nor am I that invested in the means by which they were defeated (dancing around a spoiler there).

Really the things that interested me the most about the book were the ongoing arcs and development—the stuff about Sherwood, the lesser powers, some internal Pack matters, and Zee (there was a lot of great material with Zee here). When the subplots and the things the novel isn’t about are what grab me, there’s a problem with the book. The solution was too rushed, it was all too easy, really. If Briggs had taken another hundred pages or so to really dig into the premise and the hunt for the Big Bad, maybe that would’ve worked (but that’d make the book super-sized by her standards).

I just wanted more, I guess. It was fun enough to justify the time and I’ll be back for more—but I expect more from Briggs. I do think long-time fans will enjoy Soul Taken—and despite what it might sound like, I did—but it will leave you wanting.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

When Archie Met Lily

84 years ago today, Archie Goodwin—one of my top 5 All-Time Favorite Characters — met the only woman who could keep his attention for more than a few months, Lily Rowan. Lily shows up several times in the series and threatens to steal every scene she appears in (and frequently succeeds). Check out this post from Today in Mystery Fiction for the details—one of my favorite scenes, from one of my favorite books in possibly my favorite series—(I think I have 3 or 4 copies of it), so I had to say something.

 

Besides, it’s not like I have a long list of dates associated with fictional events (but really should work on one).

How they met 84 years ago, when Archie’s only in his mid-30’s, is beyond me. But Math was never my strong suit, I’m sure it makes sense, surely Charlie Epps (or Larry or Amita) could explain it to me.

Blood Sugar (Audiobook) by Sascha Rothchild, Allyson Ryan: She Didn’t Kill Her Husband, But…

Blood SugarBlood Sugar

by Sascha Rothchild, Allyson Ryan (Narrator)

DETAILS:
Publisher: Penguin Audio
Publication Date: April 18, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 38 min.
Read Date: August 31-September 1, 2022
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This is one of those books that grabbed my interest and then I immediately forgot about it for months. Thankfully, the library system here had it in their audiobook catalog where I stumbled on it. Knowing what I know about it now, I’m pretty annoyed that I took this long to get to it.

The Hook

The book opens with the protagonist/narrator in a police interrogation room. Ruby Simon is being questioned about her husband’s death. She’s innocent–100% guiltless–it’s clear from the get-go, that she did not murder her husband.

But…there are three other people that Ruby has killed over the last couple of decades. She’s never even been looked at as a suspect in these deaths–they’d previously been judged to be accidental, in fact.

But after death #4, it’s hard to believe that with all this smoke, there might not be a fire.

What Comes After the Hook

The first part of the book focuses on the events in the interrogation room–the detective presses for details on these four deaths, and as Ruby dances around her answers, we get to see her life story in flashbacks. Her childhood (punctuated by a murder), her party days as a teen (punctuated by a murder), her college years and training as a psychologist (punctuated by a murder), and then her falling in love with her husband and beginning their life together (punctuated by his death by natural causes).

The rest of the book focuses on the legal battle that ensues–the investigation that follows, her eventual arrest, the decimation of her career and reputation that results, and the eventual resolution of it all.

Conflicting Impulses

Ruby is a completely horrible person, she’s a murderer–and in two of the three cases, it’s entirely unjustified. The motives behind those two are so…pointless is the best I can come up with. The third murder probably wasn’t necessary, Ruby could’ve found a non-lethal solution to the situation–but you can understand and appreciate why she did it. She deserves to be behind bars (at least), she needs to be tried, convicted, and punished. It’s the right thing.

And yet she’s innocent here. She loved her husband, would never have killed him, and shouldn’t be dragged through the mud over this. The reader/listener constantly finds themselves rooting for this character that in normal circumstances you want to be pursued by a dogged investigator.

It’s similar to Dexter or Hannibal–with them, we embrace their homicidal acts and desires while rooting for them. There’s part of you that wants Dexter to get away with it so he can take down another serial killer. A similar part of you wants Hannibal to slip away from custody because he’s disturbingly charming. But it’s different in Blood Sugar–we have an actual injustice, and we instinctually recoil from that and want her exonerated.

But…you can’t get away from the injustice of her getting away with the other murders.

At the same time, you resent Detective Jackson for doing his job. He’s absolutely wrong about Jason’s death and shouldn’t be in Ruby’s life. But in any other book/series, we’d be rooting for him. He might as well be Harry Bosch or a similar character–he’s got all these pieces before him and is assembling a case that’s 75% correct. He’s doing everything right, and has an actual killer in his sights–and you want him to fail. Not only that, you probably are angry with him and have some active distaste for him.

But if this book was told from his perspective? You’d love him and admire his ingenuity and intuitive leaps.

For a long-time reader of detective fiction, this is a great twist on the conventions.

Ruby’s Antagonist

Someone has to be behind all her problems right? Det. Jackson isn’t going to look into Jason’s death without someone or something prompting him. Once you figure that out–which will probably happen before the actual reveal–it’s delicious. This might be my favorite thing that Rothchild does in this book.

For a book that’s full of confusing impulses for the reader, it’s nice to have an adverse reaction to someone that’s straightforward and uncomplicated.

A Brief Thought about the Narration

Ryan did a great job of this–she made Ruby Simon a human being. Her portrayal helps you identify and embrace Ruby as the innocent–with a shady past. You want to believe her when she says that she’s not a sociopath.

There were a couple of scenes (with one of Ruby’s patients in particular, and some involving Ruby’s dog) where I was moved because of the narration. I don’t know if they’d have been as effective (or affective) if I’d read the book, but with Ryan’s work, I was absolutely gripped.

So, what did I think about Blood Sugar?

I thought this was a great listen–a great experience.

I relished this approach to the story and characters, and the way you were forced time and time again to re-evaluate the characters, their actions, and your reactions to them.

Do I want a steady diet of this? No. Do I hope that a future Rothchild novel is either more conventional–or tweaks conventions in a different way? Absolutely. I can see Rothchild being a Lisa Lutz-type of writer. With stand-alones where you never know what you’re going to get–other than some wry humor, deep characters, and an approach to Crime Fiction that you hadn’t considered before.

I strongly recommend you pick this up in audio or print.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Spider-Man’s Social Dilemma by Preeti Chhibber: A Fun Time with Everyone’s Favorite Webhead

Spider-Man’s Social DilemmaSpider-Man’s Social Dilemma

by Preeti Chhibber

DETAILS:
Publisher: Marvel Press
Publication Date: July 26, 2022
Format: Hardcover
Length: 325 pg.
Read Date: September 6, 2022
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What’s Spider-Man’s Social Dilemma About?

So this is a Peter Parker in High School story—he’s been Spider-Man for 6 months or so, he’s fought some bigger villains, but he’s still got a lot to learn. J. Jonah Jameson is campaigning against him. He’s learning how to balance school and web-slinging. It’s definitely set in 2022, and isn’t in a comic timeline or one from any of the movie universes. It feels a little like the early Ultimate Spider-Man, but MJ is closer to the MCU version.

Sandman and Beetle have attempted to steal a 100+-year-old device that is powered by something alien (or so rumor has it). But both of them are acting a little strangely lately—Peter can’t say what it is exactly, but they’re more violent, more determined. He’s still able to hold his own against them, but it’s a little work.

So, what did I think about Spider-Man’s Social Dilemma?

I really don’t have a lot to say about this—it’s a fun Spider-Man story. And who needs more than that? But let me try…

It’s fun and fast-paced, with good action. Chhibber combined tried-and-true Spider-Foes with a new threat, I appreciate mixing the two rather than just giving us one more ride with the Green Goblin—or someone we’re not at all familiar with. The action scenes are handled deftly and you can see them as clearly as if a Romita or a Bagley were bringing them to life.

Chhibber clearly knows this universe well and has a strong affection for the series—and that shines through. I may not have been able to keep up with the comics over the last decade or so, but Spider-Man has long* been my favorite, and to see him handled like this does my heart good.

* In this case, long = since 1980.

Yeah, this is targeted for an MG audience—but it didn’t feel that way. It felt more All-Ages to me. A classic Spider-Man story—with requisite numbers of laughs, action, and optimism. If Marvel Press has Chhibber return (and the stage is set here for a sequel), I’ll be first in line for this. It was a blast.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Travel by Bullet (Audiobook) by John Scalzi, Zachary Quinto: The Dispatcher is Back Again

(and clearly, I can’t think of anything to put in the headline)

Travel by BulletTravel by Bullet

John Scalzi, Zachary Quinto (Narrator)

DETAILS:
Series: The Dispatcher, #3
Publisher: Audible
Publication Date: September 1, 2022
Format: Audible Original
Length: 3 hrs., 44 min.
Read Date: September 2, 2022

What’s Travel by Bullet About?

A recent pandemic* has resulted in all Dispatchers being strongarmed into working long and hard shifts in hospitals. Their work isn’t that effective in light of the disease, but that doesn’t change the requirement. In the middle of a shift, Tony Valdez is called to the ER.

* It was never named, but you’re probably not wrong to assume it’s one you recognize.

A friend (or a reasonable facsimile thereof) and colleague, who spends a lot more time on the morally ambiguous side of the vocation, is in the ER after throwing himself out of a moving vehicle and getting hit by a car. Clearly, things aren’t going well for him. He looks to Tony for help, and well…things go bad from there.

The duo finds themselves mixed up with a handful of the city’s richest and most powerful, who are busy trying to get the best of each other while staying off the radars of both the Chicago Police and the FBI.

As much as Tony might try to fool the reader/the police/himself, he’s no stranger to the morally ambiguous—sure, he tries not to stray as far as his friend does, but still. Making this book, like the others in the series, another bit of Urban Fantasy Noir.

The Urban Fantasy-ness

I’ve always thought there was a vaguely SF feel to this series like it’s set a couple of decades in the future or something. In retrospect, I don’t know why. It was just an impression I picked up. This one struck me as incredibly contemporary and made me feel pretty silly for thinking that about the others.

When I wasn’t kicking myself for getting the chronology wrong, I spent a little time admiring the simplicity of Scalzi’s approach to Urban Fantasy and how it makes The Dispatcher stories really stand out. In most UF, you get something like magic, or a lycanthrope, or a vampire—and then before you know it, you’ve got all of those. But here, this world is just one tweak away from our world—no wizards, no Fae, no were-anythings—just that murder almost always doesn’t work (see earlier posts about this series for details if you want them, I don’t want to reinvent the wheel here).

The number of changes that this one butterfly wing flap makes in this world—health care, law enforcement, and crime (and who knows what else…)—is pretty monumental. You don’t need the Fae or a Council of Mages or anything to radically reshape the world. Yet it still is very recognizably our world.

Zachary Quinto

Quinto really needs to do more audiobook narration—I’m not sure how he got attached to this series, but it’s such a good thing that he did. He’s really able to embody Valdez and bring the stories to life. I really enjoyed this performance, and look forward to more.

So, what did I think about Travel by Bullet?

This was a blast—this world has always felt realized, but I felt more “at home” in it this time than I remember. I enjoyed this ride more than I remember enjoying the last one (not that I had any real problems with it). I don’t know if those two sentences are all that related, and if so, which came first—I also don’t think it matters.

This is a tight thriller—no wasted moments, but nothing’s rushed, either. Just settle in and enjoy the ride.

I feel like I should have more to say, but I don’t. All I can think to add at this point is that I want more of these, and hope that Audible and Scalzi provide them. Providing more soon would be a great bonus.


3.5 Stars

PUB DAY REPOST: Final Heir by Faith Hunter: It All Comes Down to This

Final Heir Banner

Final HeirFinal Heir

by Faith Hunter

DETAILS:
Series: Jane Yellowrock, #15
Publisher: Ace Books
Publication Date: September 5, 2022
Format: eARC
Length: 464 pg.
Read Date:  August 15-18, 2022
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What’s Final Heir About?

The Vampire War in Europe is over—and the old guard seems to be defeated. Edmund is on his way to NOLA to be crowned and then some stability–and whatever passes for peace with the Mithrans should settle in for some time.

But first…there’s the Heir to deal with. The last hope of the Sons of Darkness, the old ways—and possibly a turn to a darker time for humanity—still needs to be dealt with. Years ago, Leo Pellissier was given a prophecy about the defeat of the Heir and after Jane came to work for him, he decided she was at the center of the prophecy. Jane, as the Dark Queen, could defeat him. So Leo set to work organizing things in the way that only he can.

Now it’s the endgame—time for the rest of the dominos that Leo set up to fall, for Jane to end the Heir, and change everything for the Mithrans. And possibly the rest of the supernatural world. Assuming she can. There’s no certainty about that. There’s also no certainty about who will survive this endgame—even if she manages to vanquish the Heir,* she may not survive the attempt. Even worse (in her mind) family, friends, and allies may die.

* He’s a significant enough power that I don’t feel too silly using a word like vanquish.

This isn’t going to be easy. This is for all the marbles—and that’s a great way to end a series.

The Youngers

Of all the characters we met along the way, I may miss Alex and Eli the most (as soon as I say that, I start to think about Angie, and question myself—but I really don’t have time to go into that). Eli hasn’t changed much since we first met him—he’s opened up a bit more, he may be a bit more emotionally mature, but he’s essentially the guy we met at the beginning. Faith Hunter’s answer to Joe Pike. He knows his business, he enjoys the work (as grim as it is)—maybe finds a peace in a fight that he can’t find elsewhere. He’s also incredibly loyal, he takes care of his people—first and foremost, his brother.

Aside from Jane, no character in the series has changed—grown, developed, and matured–than Alex Younger. He started off as a rebellious, unhygienic, hacker—focused only on what he could do with his computer. And maybe not letting his brother down (too much) again. He’s now an adult, he’s responsible, he can handle himself in a fight, and there are things/people he cares about in his life—he’s still a wiz with the computers, thankfully. He’s essentially a version of Alex with a different weapon-set.

Their humanity (Eli is still largely human) is one of the few lasting examples we have in the series at this point, and they keep things grounded in the middle of all the vampires, weres, witches, extradimensional beings, and whatnot. They’re great because of that, they’re great outside of that, too.

I do feel bad for poor Eli—in the last couple of books, he’s really taken a beating. It’s even worse in this novel. If he survives to the end (I’m carefully not answering), he’s going to have physical and psychological scars that are going to last. I know he wouldn’t have it any other way, he gets them doing what he thinks is right. But still, you can’t help but feel for the guy.

Beast

The Beast and Jane dialogue/interchanges in this novel were fantastic. I relished each of them.

Once again, Beast has her own agenda—as is her right and fitting for her character. But given the stakes here, some of the information she decides not to pass on to Jane is hard to believe. Sure, Beast may not get all the details, but I don’t see how she doesn’t understand the urgency and the importance of what’s going on.

But you know what? I just didn’t care. I like how Beast is her own creature—she comes through for Jane when the chips are down, but on her terms.

Homecoming Week

There are so many supporting characters in this book, that it’s really hard to fathom. There are so few characters from the series (that are still living/undead) that don’t at least get a named drop or a check-in. But several show up for more. There were characters that we’d lost track of—a couple that I’d forgotten even existed played a role in this book.

Hunter pulled out all the stops for this book.

I’m probably not alone in spending time reflecting on the series as a whole as I read this book, and bringing up so many names from the past (ones we may have regretted losing track of—and a couple we were probably happy to have lost) really helped with that.

The Chapter Titles

I don’t think I’ve talked about the chapter titles in these books before—and that’s a crying shame. I’m not a big fan of chapter titles in general, but this series has featured some doozies. Several of them in Final Heir are amongst the best in the series. I really don’t have a lot to say about them—but complimenting the chapter titles is overdue. There’s a lot that Hunter does right in these books, and this is just one of the more consistent and amusing.

Final Heir as a Series Finale

I’m not entirely sure it’s fair to do, but I can’t help but think about other series finales–particularly in the UF genre.* Last year, I compared the Alex Verus finale to the Iron Druid Chronicles. Final Heir doesn’t match up well with either of them–it’s more like the ending of the Kitty Norville series (and not dissimilar to the ending of The Hollows)—Jane and her friends and allies are up against a vampire (and his forces) bent on world domination in a final face-off. Okay, now that I start thinking about it, there are a lot of parallels between the two–but this isn’t the time for that.

* Benedict Jacka’s been talking about ending his series recently, and a lot of what he’s had to say is helpful when thinking about things like this. I’m not going to use his categories to talk about Final Heir because of spoilers, but if you haven’t read these posts (even if you haven’t read the Alex Verus series)—go check it out after you read Final Heir.

Hunter has spent several books lining things up for this confrontation—not unlike Leo Pellissier’s machinations in getting Jane to this point. Looking back at all the ins and outs from this perspective really is impressive. Final Heir is filled with combat and battles—maybe more than most novels in this series, they’re definitely more savage and meaningful. I don’t have a word-count, but I’d wager the final battle is longer than any we’ve yet encountered in the series. Hunter really gave her fans what they’ve been wanting (and will be missing). This is an epic villain, with giant stakes, it has to be an epic scene.

Better yet, following the battle, the novel’s dénouement also serves as one for the series—and if the final battle gave fans what they wanted, then they’re going to be knocked for a loop by the dénouement. We get the few dangling threads tied up and a good look at what the future offers for most of the characters.

I had expected a lot from the finale aspect of this book, and Hunter surpassed it.

So, what did I think about Final Heir?

I think this is a bit more rambling than I want to be—it’s also longer than it necessarily needs to be. Part of that is because there’s so much to talk about in this novel—and I’ve barely scratched the surface so I don’t give it all away. Part of the longer-than-usual nature of the post is also that there’s part of me that knows I’m pretty much done with these characters when I hit “Schedule.” Sure, I’ll listen to the audiobook sometime next year, and I’ll likely re-read/re-listen to the series sometime after that. But all of that is revisiting. Finishing here is finishing the series, so I’m trying to drag it out.

For the first four or five books, this series served to fill the time while I was waiting for other Urban Fantasy books to come out. But around then it took on the role of being something I needed filler for while waiting for the next Yellowrock book. And lately, it’s one of those series I organize my reading schedule around. Listening to the series on audio over the last year has really helped me see all the ways Hunter’s been preparing the characters and the readers for these events, and it’s truly impressive. As it now stands, the Jane Yellowrock series ranks near the top of the UF pantheon for me (completed or on-going series), beating out stiff competition.

But let’s set that aside for a moment and just focus on this book—it’s full of all the action, the heart, the magic, and sense of family we’ve grown accustomed to. Jane Yellowrock finally finds her place in this world (sure, she found it before, but it’s more solidified now), her priorities are intact, she’s doing good in ways she hasn’t been able to before–and those that she cares about (many she’d never have considered caring for 15 books ago) are in good places. Just for the character work alone around Jane, this book is worth the time.

I think someone new to this series would come away from this one entertained and impressed—I don’t know why someone would do that, but I’m sure someone will.

From the jaw-dropping (whoa, Hunter’s taking no prisoners!) first chapter to the last lines that genuinely made me misty, Final Heir was a great ride. If I have to say au revoir to Jane, Bruiser, Eli, Alex, and the rest—especially Beast—this is was quite the way to do it. Bravo, Faith Hunter.

Disclaimer: I received this eARC from Let’s Talk! Promotions and Berkley Publishing Group via NetGalley in exchange for this post — thanks to all for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

The Orville: Sympathy for the Devil by Seth MacFarlane: A Quick Dose of Preachiness in a Tie-In Wrapper

Sympathy for the DevilSympathy for the Devil

by Seth MacFarlane

DETAILS:
Series: The Orville 
Publisher: Disney Press
Publication Date: July 19th, 2022
Format: Kindle Edition
Length: 120 pg.
Read Date: September 3, 2022

The “Back” of the Book

Here’s what the Publisher said about the book, anything I say will ruin the book (and not because it put me in a foul mood):

An original novella set in season three of The Orville—straight from the pen of Seth MacFarlane, creator of the beloved sci-fi TV show!

When Captain Ed Mercer and the crew of the U.S.S. Orville come face-to-face with one of humanity’s most vile ideologies, they must solve the moral conundrum of who to hold accountable for evil deeds real… and imagined. Occurring just after episode 308, this is the Orville like you’ve never seen it before.

The Orville

I watched all three seasons of the show this year, after putting it off since I started to hear positive things about Season 1. I really appreciated most of this not-Star Trek, although like the show it totally isn’t ripping off,* it’s not perfect.

* Wink.

One thing that The Orville surpasses its inspiration in is its sanctimoniousness. When this show gets preachy, there’s nothing that compete with it. For the most part, I could endure those episodes, but a couple of them got pretty difficult. The last half of this book was pretty much one of those episodes. It’s a lot harder to tolerate without F/X to look at.

So, what did I think about Sympathy for the Devil?

There was almost nothing about this that made it an Orville story. Maybe others can describe this without giving everything away, but I can’t. Sure, every primary cast member from season 3 is in the novella—and some characters from other seasons are mentioned—so it’s technically an Orville story, but just technically. A good tie-in story should feel like a long or an in-depth version of the source IP. This couldn’t feel less like an episode.

And the writing? It was clearly written by someone who doesn’t do prose that often—scripts, sure. It was lazy writing, the descriptions of characters were clunky, the dialogue was iffy, and the pacing was poor. We don’t see a single character from the show until the 50% point.

Would I read another novella set in this universe? Oh, absolutely. Even another one by MacFarlane. I like the universe enough to give it another try. I just hope it’s a fun, SF adventure next time (maybe even with a touch of the condescension, it’s what the viewers expect). The only thing that was clearly delivered was the message.

The Marauders, the Daughter, and the Dragon by K.R.R. Lockhaven: Adventure and Second Chances on the High Seas

The Marauders, the Daughter, and the DragonThe Marauders, the Daughter, and the Dragon

by K.R.R. Lockhaven

DETAILS:
Series: The Azure Archipelago, #1
Publisher: Shadow Spark Publishing
Publication Date: August 16, 2022
Format: eARC
Length: 331 pg.
Read Date: August 1-3, 2022

A Couple of Preliminary Matters

I was supposed to post something about this a couple of weeks ago in return for my advanced copy—August 23 was my plan—but I just didn’t like anything I wrote there (and have ended up deleting almost all of it, almost everything here is new today). It was one of those perfect-is-the-enemy-of-done situations. I want to apologize to Lockhaven for that, and stress that you should all do what I did: go buy a copy of this book and enjoy a bit of happiness. Also, go check out the Q&A we did about this book.

I’m still not crazy about this post, but it’s done. So it’s got that going for it. Here it is in a nutshell: this novel is appealing, sweet, and earnestly fun. You should read it.

What’s The Marauders, the Daughter, and the Dragon About?

The League of Islands has a new governor. He came to power by tapping into, and exacerbating, human prejudices against other species—orcs, ciguapas, fauns, and so on. One of those humans, is the co-owner of the Red Dragon Inn, John Brine. John’s daughter, Azure (yes, she’s “The Daughter”) is not a fan of the new governor or his “Human First” policies. Years ago, the two were incredibly close, but things have been increasingly strained for some time, her father deciding to close the Inn to accompany the governor on the ship he’s taking to his inauguration, was the last straw. The two have a major blow-up before he leaves.

Azure regrets things almost immediately and tries to catch him before he leaves. It doesn’t work, so she and her friend/companion/might-as-well-be-sister, Robin (a talking bird summoned from another dimension), finagle their way on board. Azure has to swallow her objections and pretend to be a supporter, so she can stay on board and try to patch things up. While there, Azure becomes convinced that there’s an ulterior motive for this voyage and tries to suss it out. Whatever it is, it’s going to be big and bad for a good portion of the populace of the League.

That doesn’t work and Azure and two non-humans on board are cast off and end up on an island. They encounter a group of quasi-pirates (the “Mauraders) who bring them on board and end up agreeing to help Azure put a stop to whatever the governor is up to.

And, yes, there’s a dragon along the way. But I don’t want to tell you anything about him.

The Daughter

It’s Azure’s status as “the Daughter” that provides the heart for the novel—without it, there wouldn’t be a story. She wouldn’t be the protagonist of anything—she’d have stayed home, working in the Inn. She’d likely have griped about the political situation, but wouldn’t have done anything beyond that.

But she loves her father, and can’t stand to see him taken in by this Governor. So she abandons the inn, pushes down her anxieties, and sallies forth to save her father and hopefully, their relationship.

There are other storylines, other emotional arcs—some you may appreciate more than this one. But none of them happens without this—and the novel doesn’t care about the rest as much as it does this one. It’s also incredibly relatable—sure, not every daughter (or son) who reads this will have that kind of relationship with their father (or mother), but there are very few of us who don’t have some sort of relationship they’ll risk everything for.

The Marauders

I do not know how someone couldn’t like this group. It’s a group of men and women who, for various and sundry reasons, have embraced life on the seas, of swashbuckling their days away (at least until they have to embrace responsibility or parenthood)—they’re not ambitious enough to make a serious effort at transporting passengers or cargo. They like the idea of a life of piracy but aren’t that into all the violence or theft and all that. They like to sail, have adventures, and sit around drinking, telling stories, and singing songs all night. If not for the fact I get seasick just thinking about getting on a boat, it sounds like a great life to me. Oh, and that no one should have to hear me sing.

The camaraderie of this group and the way they embrace Azure and the others is more attractive than their way of life. You can’t help but want a group of people like this to spend your days with.

I should mention their songs. I have little patience for songs/poetry/etc. in the middle of a novel. My brain just turns off when I encounter them, despite years of trying to do otherwise—it doesn’t matter how good they might be, I just can’t do them. But these songs? I actually read most of them on my first attempt. And I enjoyed them.

The Dragon

Yeah, this is too risky to talk about without spoilers. There’s a dragon, it flies around doing dragon-y things.

Comparing Lockhaven’s Works

Comparing this novel to Lockhaven’s previous novel is a classic case of comparing apples to oranges (making Zoth-Avarex’s Escape Plan a Clementine, I guess). The Conjuring of Zoth-Avarex was a comedy with a bit of satire. MD&D, is a humorous fantasy or maybe a light fantasy (last year, Lockhaven described it as “hopepunk” in our Q&A). The former went for as many laughs as it could while telling a story. This tells a story, and throws in a few laughs (or grins or chuckles) along the way. The comedy isn’t the focus, it’s the characters and their journey.

So, what did I think about The Marauders, the Daughter, and the Dragon?

I want to talk more about some of these characters and ideas—Elijah, the talking skeleton; Nargol and Orok, the orc couple; I don’t believe I’ve even heard of ciguapas before, and now I want them everywhere; Roger, the happy and nice crew member on the Governor’s ship—but in the interest of space, and of just getting something completed, I’m going to pass over it. But I assure you that this collection of characters is just fantastic and you’ll want to spend a lot of time with them.

There is a sweetness to this book that you just don’t find very often—particularly in Fantasy. There is that hope implied in the way Lockhaven described it, and an earnestness, a straightforwardness to almost every character and their motivation that fuels this hope and sweetness. It’s worth reading the novel just for this.

That’s also part of the problem—just about everything is too straightforward, there’s almost no nuance, no shades of anything, no complexity. I’m not saying the book or the characters needed to be complicated, obtuse, murky, or compromised, etc. But it leads to the book feeling shallow on occasion.

The magic system is intriguing—and I’m curious to see how it is expressed outside of the circumstances of this book. I don’t often encounter a multiverse in a fantasy novel, and that alone would almost be enough to bring me back.

While reading, I got caught up in the spirit of the book—that doesn’t happen that often—that hope and earnestness seeped into my subconsciousness and affected how I saw the world for a couple of days. I like this book—I heartily recommend it, and the overall impact more than makes up for any shortcomings (real or perceived). I’m eager to see what lies ahead for Azure and the rest.

Disclaimer: I received this eARC from the author in exchange for this post and my honest opinion.


4 Stars

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