Category: Science Fiction Page 20 of 34

Junkyard Bargain (Audiobook) by Faith Hunter, Khristine Hvam: Shining Takes to the Road for the Next Step

Junkyard Bargain

Junkyard Bargain

by Faith Hunter, Khristine Hvam (Narrator)
Series: Shining Smith, #2

Unabridged Audiobook, 5 hrs., 40 min.
Audible Originals, 2021

Read: March 2-3, 2021

The Law was uncertain. Vengeance wasn’t.

What’s Junkyard Bargain About?

Shining Smith needs to gear up and improve her weapons and armor if they’re going to take on the task they have ahead of them. This means traveling to Charleston, and selling some of the junk from her scrapyard, and making the right deals.

Standing in their way are rival bike gangs, corrupt police, sex slavers, and random other criminals. Whatever else happens—Shining isn’t going to allow those slavers to hang on to their captives (and likely won’t let them hang on to their lives, either). She needs to avoid the police, strike careful deals with the gangs, and survive the rest—all the while she’s noticing changes in her cats and expands the control Shining’s won enhancements have on those closest to her.

It’s really hard to explain without pretty much recapping everything in the first book.

How’s the Narration?

In short, Khristine Hvam is the perfect reader for Hunter’s work. She gets how Hunter’s mind works, she knows how to bring the characters to life and how to infuse them with the right kind of humanity. You read enough of an author’s books and it’s just impossible to think of anyone else doing it. Just not sure what else to say about her work.

So, what did I think about Junkyard Bargain?

After Junkyard Cats took several unexpected turns in the latter half, I didn’t know what to expect from this beyond more of the same. This novella may have ended up where it seemed to be heading from the beginning, but the route it took bore so little difference to what was expected that it’s hard to recognize that. Hunter is filling this post-apocalyptic world with more dangers and strangeness than we’d been exposed to last time, and you know the next installment will increase the danger.

When talking about the last book, I said that it was too brief and not deep enough. This isn’t the case this time—and not just because it was 40 minutes longer. This time it felt like there was a solid match between depth and time—to the point I wondered how she fit it all in the novella-length book.

There were some great action scenes, some solid surprises, and good character development. And…cats with telepathy. I can’t wait to see what #3 has in store.


3 Stars

2021 Audiobook Challenge

Ready Player Two by Ernest Cline: A Very 80s Sequel (IOW, Wholly Unnecessary and Completely Inevitable)

Ready Player Two

Ready Player Two

by Ernest Cline
Series: Ready Player One, #2

Hardcover, 336 pg.
Ballantine Books, 2020

Read: January 4-8, 2021
Grab a copy from your local indie bookstore!

Like Marty McFly, I woke up at exactly 10:26 a.m., to the song “Back in Time” by Huey Lewis and the News.

This was courtesy of my vintage flip-clock radio—a Panasonic RC-6015, the model Marty owns in the film. Id had it modified to play the same song at the same time Marty hears it, after he finally makes it back to the future.

I threw back the silk sheets of my king-size bed and lowered my feet to the preheated marble floor. The house computer saw that I was awake and automatically drew back the bedroom’s wraparound window shades, revealing a stunning 180-degree view of my sprawling woodland estate, and of the jagged Columbus skyline on the horizon.

I still couldn’t quite believe it. Waking up in this room, to this sight, every day. Not long ago, just opening my eyes here had been enough to put a grin on my face and a spring in my step.

But today, it wasn’t helping. Today I was just alone, in an empty house, in a world teetering on the brink of collapse.

What’s Ready Player Two About?

While still basking in the immediate afterglow of his victory, sudden power, and fame, Wade Watts discovers a secret innovation that OASIS founder James Halliday had tucked away for the winner of his contest.

Some see this new tech as a giant leap forward and a way to lay the groundwork for saving humanity from the worsening climate crisis, food shortages, and so on. Others see it as a tool to distract people and divert resources from better solutions to the problems that plague the world.

Releasing this tech had an unintended consequence—a new riddle from Halliday. No one was sure what the prize would be, but after his last riddle, who could pass it up? This one didn’t focus on the life and interests of James Halliday, or even Og (Halliday’s former partner and Wade’s new friend), but on Kira Morrow—the other member of GSS’s founders. Og’s wife and the great unrequited love of Halliday’s life.

Years go by, no one makes a lot of progress on that riddle—Wade’s group grows apart, teens grow into adults and friendships take on different meanings (well, there’s one splintering, but the rest are from growth). And then one day, something happens to force Art3mis, Shoto, Aech, and Parzival to regroup and get serious about solving this riddle, or they—and millions of others—would die.

A Very 80s Sequel

The general approach to 80s movie sequels seems to be, “the same as the original, but just different enough to justify the new movie.” And that’s really what we got here. Instead of Halliday’s Easter Eggs, we get the Seven Shards to find. Instead of Joust, we get Ninja Princess; instead of Rush, we get Prince; instead of Steven Spielberg, we get John Hughes; and so on.

Now, I liked the basic game design in the first book and it worked almost as well here. Some of the elements were great—like where the group had to go back to the pre-K level education planet and work through some of those games (and got to ride The Great Space Coaster!). I loved the John Hughes material (even stuff from movies I haven’t seen/obsessed over—which are the minority). But others didn’t work as well for me—the Sega Ninja/Ninja Princess bit seemed a bit too much like the Joust section—and even throwing in the twist to make it hard for Wade, it wasn’t that interesting. And don’t get me started on the interminable Prince* chapter—it felt like it was 110 of the 336 pages in this book.

* And no, it’s not just because I’m not a Prince fan—I probably like more of his songs than Rush’s. Which isn’t saying a whole lot.

Thematically this was the way to approach this book—it’s as 80s as you can get. It plays to Cline’s strengths, too. But, I wanted something newer, fresher in this book, and it just wasn’t there.

LØhengrin

Along the way, Wade makes a new friend, LØhengrin. She’s a young gunter, working hard on this second riddle, a popular YouTuber, and an unabashed fan of Wade’s (her avatar’s name is a clear tribute to his Parzival). Without her, Wade wouldn’t have made the progress he did before the threat—and it’s unlikely he’d have completed it.

The arc concerning LØhengrin and her crew is probably the best thing about this novel, actually. Which is only the secondary reason I have for mentioning her.

My primary reason is the voice-over that opens each episode of her YouTube show:

“Some people define themselves by railing against all of the things they hate, while explaining why everyone else should hate it too. But not me. I prefer to lead with my love—to define myself through joyous yawps of admiration, instead of cynical declarations of disdain. “

I just love the way that’s put. I should be more like that.

So, what did I think about Ready Player Two?

It was better than the Ready Player One movie. I should start there.

Unless you’ve been reading this blog since 2014, you won’t have seen me fanboy over Ready Player One (and even that was listening to the audiobook for my third time through the book). I get many of the criticisms and complaints readers have had over the book—and I share none of them. For me, it was a pure joy from beginning to end. I loved it. Which suggests that I’d be the ideal reader for this one, right? Wellllll…sort of.

Even if it doesn’t sound like it, this book was a lot of fun, and I enjoyed the whole thing. I’ve liked these characters and this world for a decade now, and getting to spend some more time with them was a blast.

But…it was too much of a re-hash. As a certain Canadian Band sang, “It’s all been done before.” The higher stakes didn’t feel that real—the motivation seemed hollow, you didn’t read this worried that millions were going to be killed, it’s not that kind of book, so it didn’t seem as urgent. Wade’s narration at the beginning of Ready Player One tells us from the get-go that he’s writing about how he won—so there’s no worry that he’ll fail there, either. Somehow, though, I felt more suspense through all of that book than this.

I thought Cline did a better job of some of the emotional/psychological material in this book—Wade’s (and Samantha’s) motivations and reactions to events and people are dealt with a greater subtlety and authenticity than Cline showed in his first novel—and Wade’s emotional maturity–eventual as it may be–is really portrayed well (we’re never really shown where his friends needed it).

Actually, that point could probably be generalized to the book as a whole—the writing is probably better, it’s a higher quality prose. But, I still think the book is lesser.

Completists are going to want to pick this up—and they should, as long as they go in with low expectations. But on the whole, you’d be better off reading the previous one again (or for the first time)


3.5 Stars

 

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Phantom Song by Kate Sheeran Swed: Cyborgs, a Vigilante, and an Opera Star in a Solid Follow Up Novella

Phantom Song

Phantom Song

by Kate Sheeran Swed
Series: Toccata System, #2

Paperback, 179 pg.
Spells & Spaceships Press, 2019

Read: February 15, 2021
Grab a copy from your local indie bookstore!


Before I dig into this, here’s a warning—this is the second novella in a trilogy. I cannot talk about this in any understandable fashion without talking about a couple of the things from the first book. Most of what I want to say is no big deal, but one thing is a spoiler for an important revelation in the first book. If it were me, I wouldn’t mind knowing what I’m about to say when I started Parting Shadows Still if you’d prefer to be careful—you should just go read what I had to say about Parting Shadows and move on.

Are You Still Reading? Good.

So in Parting Shadows, we hear something about a vigilante running around Landry City—Astra speculates about that vigilante being one of the SATIS girls. Also, when Isabelle goes to the Opera in Landry City, something happens that rattles her—but other events are going on which makes that not such a big deal.

Phantom Song tells us about what happened at the Opera and about the vigilante. And that’s just the early chapters.

This book overlaps the events of Phantom Song but largely happens in its aftermath. We begin with a cyborg attacking a transport ship carrying a friend of Isabelle’s, Claire, and her mother. Claire is injured, but her mother gets her to safety. She wakes up as a cyborg herself—it was the only way to keep her alive. We later learn that it was SATIS who arranged for that. While she waits to see how raising an assassin goes, she has one constructed, too.

Claire spends her nights as that vigilante in order to find the cyborg that attacked her family (actually, she’s just hunting for the cyborg, the vigilante stuff is a side effect—but let’s not get into that). During the day, she’s the star of Landry City’s Opera.

Astra comes looking for the vigilante—to see if she’s right about the SATIS tie and to recruit some help in her efforts to stop Keyes. The two end up joining forces to take down the Cyborg first.

On Odd Prejudice

For a society so run by various AIs, there is a deep-seated prejudice against humans with cybernetic augmentation—no matter the reason for it. The prejudice is so strong that hospital staff—the same people that just saved Claire’s life through the implants—treat her with scorn because of them. It’s powerful but makes no sense.

Then again, no one said prejudices have to make sense. The ones that seem most prevalent in human society certainly don’t. So, spot on there.

Because of this hatred, Claire has to adopt a new identity and cover her cybernetic parts with long sleeves, dresses, and mask. Which works because of her new identity’s celebrity, but wouldn’t cut it in any other circumstance. That’s a nice touch—and the lengths Claire has to go to to protect herself paves the way for a very successful way to protect her double life.

So, what did I think about Phantom Song?

I know even less about Gaston Leroux’s Phantom of the Opera than I do, so I’m not going to pretend to be able to talk about this take on Phantom.

This is a short enough work—and so easy to spoil its own events, much less those of the prior book, that I feel like I’ve been unusually shallow talking about it. But that’s all you’re getting from me.

After doing all the heavy lifting in the first novella—setting up the rules of the world, the way AIs work, SATIS and her girls, and so on, Swed can just play in this novella. The story is more developed, she can sink deeper into the characters (having characters who have had a natural emotional development also helps), she can involve more characters and plotlines. In short, she can do more. Which leads to this being a more enjoyable read.

I don’t think this works that well as an entry point into the series—it’s a trilogy, that makes sense. But this is a great way to follow up on Parting Shadows and sets the stage for a big conclusion in Prodigal Storm. Which is exactly what you want in the middle book of a trilogy.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 2/12/21: Phantom Song by Kate Sheeran Swed

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from page 56 of:
Phantom Song

Phantom Song by Kate Sheeran Swed

“The new ballet dancer entered from the wrong wing tonight,” she said-slash-sang, switching on the apartment’s news holo as she passed through the living room. She loved to fill her home with layers of background noise, constant streams of chatter over music over more chatter. She had no trouble flitting around or holding conversations without paying attention to any of it.

Sam, on the other hand, could never fully tune out the babble of voices. He tended to get pulled in. But Aunt C had given him a place to stay, and he didn’t feel right complaining.

She bustled into the kitchen and set her bags on the counter without glancing at him, removing containers that smelled like chicken and peanut sauce, with a tang of something peppery.

Parting Shadows by Kate Sherran Swed: Vengeance, A Heartbroken AI and some Bad Parenting Characterize this SF Novella

Parting Shadows

Parting Shadows

by Kate Sheeran Swed
Series: Toccata System, #1

Paperback, 135 pg.
Spells & Spaceships Press, 2019

Read: February 5-6, 2021
Grab a copy from your local indie bookstore!

What’s Parting Shadows About?

We’ve all read variations on this story before. You’ve got a brilliant scientist who convinces a sentient AI to break her programming by falling in love with him, then her to break his true love out of prison, ends up marrying the person and not the AI. This drives the AI to a decades-long-vendetta where she kidnaps a baby, molds the child into an assassin to exact her revenge for her. Okay, maybe we haven’t read that story before, thankfully we can now.

Based, to some extent, on Dickens’s Miss Havisham, SATIS is a tragic figure. I wavered between feeling sorry for it/her and being angry for the way it manipulated and abused Astra (the kidnapped baby). Okay, I didn’t waver too much.

Astra, it turns out, is pretty well-adjusted for someone that a deranged AI programmed from infancy to be a killer. She definitely has a better moral compass than you’d expect. Better. Not perfect. I grew to really like her.

So, what did I think about Parting Shadows?

There are a few other aspects of the book I’d like to talk about, but I think I’m going to hold my fire until book two or three when I have a better idea of how things go.

On the one hand, I’d like this to get a full novel-length treatment, there are a few things I think really need developed more (well, maybe not need, but it’d make me happier). But, this concise, punchy length is just what this story needs, who cares that I want to see some things expanded.

Now, everything I know about Miss Havisham comes from her appearance in the second Tuesday Next novel, and a vague sense from general cultural references, so I’m not how great a job she does at capturing that essence. But the way she talks about it, I’m betting she did it justice.

What I can say, is that she told a fun story, one that left me guessing and one that left me eager for the sequels. Which is more important than her take on her inspiration (if she’d nailed the Havisham, but told a dull story? That would’ve been crossing the line).


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 2/5/21: Parting Shadows by Kate Sheeran Swed

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from page 56 of:
Parting Shadows

Parting Shadows by Kate Sheeran Swed

Astra would never be a hero. Heroes had hearts.

She wrenched her hand away from Henry’s. “Stay away from me, and you’ll be fine,” she said, straightening away from the glass wall. Someone passing brushed by her shoulder and murmured an apology. She was vaguely aware that the braided guard had returned to Conor’s door. She could feel the woman’s eyes locked on her, as though Astra might pull a battering ram out of her pocket and attempt to rush the fortress.

She ignored them. She ignored everyone.

“I’m not worried about me,” Henry said.

Astra forced herself to turn away, nearly forgetting the cactus and swiping it off the wall at the last moment. “Then you’re even more of a fool than I thought.”

The Salvage Crew (Audiobook) by Yudhanjaya Wijeratne, Nathan Fillion: A Unusual Tale of Artificial Intelligence, Cascading Failure, and Poetry

The Salvage Crew

The Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

Unabridged Audiobook, 8 hrs., 21 min.
Podium Audio, 2020

Read: January 20-22, 2020

Red Dwarf Remix?

I’m not suggesting for a second that Wijeratne’s mind worked this way (at least I don’t mean to), but this is the impression I got as this started.

The Red Dwarf TV Show/Novels had a couple of great ideas at the beginning—an AI that ran the ship, that had a strange personality, an odd sense of humor, and wasn’t entirely reliable. The second was that the ship generated a holographic officer based on the memories and personality of one of a dead member of the crew (whoever was highest ranking/most needed among the dead). A long time ago, it had been determined that AI with memories and real emotions actually perform better than those not based on actual humans.

Our main protagonist and narrator in this novel is an AI, made from the memories and personality of an engineer who served his whole professional life in space (after leaving his family’s farm). He’s now in charge of a small salvage crew for the company Planetary Crusade Service, sent to a tiny planet Urmahon Beta to recover as much as they can from an old colony ship that presumably crashed there.

His role is Overseer, and his crew nicknames him OC. This is OC’s first command, if it goes well—and a few others—he can move up to a larger, better body/command. In a few decades or so, he could work is his up to a large ship, overseeing a major operation. Again, that’s if everything goes well.

Everything Doesn’t Go Well

OC is promised an “A-Team” of a crew for his first command. He doesn’t get one. They’re not a B-Team either. There are not enough letters to describe how far this trio is from an A-Team. For that matter, I’m not sure OC is A-Team material either—they land far off-course (turbulence during descent, we’re told).

Almost instantly, the crew starts falling apart, ignoring orders and protocol. They begin to build a base to work from, but get distracted by things like indigenous flora and fauna, personality conflicts, and evidence that suggests they may not be the only salvage crew on the planet (there’s a rival company with bionic operators with aggressive tendencies).

From a rough start, it gets worse, and the next few weeks are a spiral of cascading failure, disease, injuries, strife, crop failure, questionable vodka distillation, bargain-basement tech, and…well, I can’t keep going. It gets messy, and what starts off as a quirky, comedic version of The Martian with a side of Red Dwarf turns into something tense, taut, dark, and suspense-filled. It doesn’t stay that way, depending on how you want to count things, ends up taking one or two other overall flavors, while never completing shedding the offbeat humor that characterized the book since the opening paragraph.

Poetry and Other Quirks

I’m going to focus on OC, rather than the rest of the crew (and they are all worth writing about) to keep this short (and because you really need to get into spoilers to do a proper job of talking about the humans). He is funny. There’s a snarky, offbeat humor to his narration and dialogue throughout.

He’s also a poet. I’m not saying he’s a good one, but he is one. Frequently in Fantasy novels (particularly older ones that wear their Tolkien-influence on their sleeves), you get a lot of poetry/songs/etc., but that’s rarely a feature of Science Fiction novels. The Salvage Crew is the exception to this rule. OC writes it, recites it to his crew to encourage them, he quotes and ruminates on other’s poetry…he’s the most poetic AI I think I’ve ever encountered in a novel. He’s also a Buddhist, and will often apply that to his situation.

He also has the best curses. He’s frequently letting off steam by cursing his crew, PCS executives, or local fauna to a horrible future reincarnation. I could have listened to some of those for a solid hour.

Fillion’s Narration

It’s tough to say for certain, but I think that Fillion raised this about a star in my book (maybe just a half). It’s his voice, his charm that hooks you in and gets you to like, believe in and root for OC. That said, at some point, I stopped thinking of this as Fillion, and just let OC tell me a good story.

It’s not the best narration I’ve ever heard, but it’s really good and it made me hope that Fillion does more audiobooks.

Co-written by AI?

So, there was apparently actual AI software involved in the writing of this. I learned about this when I started writing this post, and I’m not sure I understood everything I skimmed (I didn’t want to take the time to read carefully instead of just posting this). I’m intrigued by this notion, but am relieved to see that the software only “helped” with portions of the book and that Wijeratne was the final word.

So, what did I think about The Salvage Crew?

Roughly the first half of the book* is about what I expected—an amusing SF adventure—and was a lot of fun to listen to. The rest of the book isn’t what I expected from the premise in terms of story or tone. And I was riveted. There are portions of the book that get into more philosophical territories, and while I wasn’t as interested in them as I think the novel wanted me to be, they were really well constructed and told.

* This is an estimate, I didn’t jot down notes about when the tenor of the plot/novel changes)

I’m really glad I took a chance on this book, I’ll definitely listen to future audiobooks by Fillion (assuming any are produced) and am probably going to be trying some of Wijeratne’s other novels. I heartily recommend it to SF readers/listeners.

Disclaimer: I received this eARC from Podium Audio via NetGalley in exchange for this post—thanks to both for this.


4 Stars

2021 Audiobook Challenge

Pub Day Repost: We Could Be Heroes by Mike Chen: A Super-Powered Thief and Vigilante Together Could Be Extraordinary

We Could Be Heroes

We Could Be Heroes

by Mike Chen

eARC, 336 pg.
Mira Books, 2021

Read: January 11-14, 2021
Grab a copy from your local indie bookstore!


At this point with Mike Chen, I don’t bother looking at the book blurb, I just read what he publishes. But so I could decide how much to say in this post, I had to go look at the blurb. Just between you and me, I think I wouldn’t have given as much away as it did, but now I feel a little freer about what to say.

Jamie Sorenson/The Mind Robber

Two years ago, Jamie Sorenson woke up in an apartment with no memory of who he was or how he got there (the name is something he picked). He’s a coffee snob, has taken in a stray cat that he’s named, “Normal.” He reads a lot of autobiographies and memoirs from the library, because he likes hearing life stories since he doesn’t have one.

Oh, and he has super-powers. He can read people’s memories, and erase a little bit of them. He uses these abilities to rob banks as “The Mind Robber.” He’s not living an extravagant lifestyle with these funds, in fact, he lives fairly frugally. His goal is to save up enough to finance his retirement on a tropical beach—just him, Normal, coffee, and books. If he can just pull off one or two more without getting caught, he should be able to do just that.

He was almost caught once, and he’s pretty sure he won’t be able to evade capture too easily next time. He was almost caught by:

Zoe Wong/The Throwing Star

She, too, woke up without memories in an apartment two years ago. She had a name tag, so at least she didn’t have to come up with a name. She spends her time watching horror movies on an app on her phone and drinking so much I think I might have liver damage from reading about it. She makes ends meet by working for a food delivery service.

She doesn’t drive for one, though, she has super-powers, too. Including speed—not Flash or Quicksilver fast, but she’s fast. So fast that she can deliver food fast enough to maintain a 5-Star rating, even though she’ll take quick detours to beat up criminals. She’s also super-strong (not quite Superman-level, but more than Captain America) and has a couple of other tricks up her sleeve.

She’s assembled enough of a uniform to stand up to the punishment her speed puts on normal clothing and to protect her identity, and was dubbed “The Throwing Star” by the press. Although, she’d prefer Shuriken, not that anyone asked. Besides, she’s pretty sure she’s of Chinese descent, not Japanese, so both names are problematic.

The Team Up

Jamie regularly attends a support group for people with Dementia or other memory problems. No one’s treating them there, it’s just a place for emotional support. One day, not long after he’s almost captured by The Throwing Star, Zoe walks in. Afterward, the two have a quick conversation by the coffee pot and (thanks to their abilities) recognize each other. For the sake of the group, they don’t start battling each other, instead, they talk.

A few things happen, and then Zoe decides to ask Jamie to help her with her memory—surely, he can use his powers for something other than crime, right? They strike a little quid pro quo deal and get to work.

From this point, two things happen, one harder to believe than the other. First, they start to uncover things about Zoe’s past (and Jamie’s, although he’s really not that interested at first) that lead them to a therapeutic organization that seems to have something else going on. And, the two begin to become friends.

It’s that “something else,” naturally, that gets their attention. It’s not long before they discover that not only does this organization (or maybe just what it’s a front for) hold the key to their pasts but has a secret plan to change to the world as we know it. To combat it, this thief and this vigilante might have to be something more, they might have to be heroes.

The Mad Scientist

A mad scientist at work is a mainstay of Super-Hero Fiction and Chen delivers that well. Not just a mad scientist, but one who doesn’t see herself in that way. Indeed, she’s going to save humanity from itself and the world from humanity while she’s at it. And sure, she’s doing this on her own, without consulting the countless lives that she’s going to radically alter, because when you’re a super-genius with a messianic-complex (among other psychiatric problems) playing with unimaginable technology, who cares what anyone else might think?

That sounds almost dismissive, and I don’t mean it to be. She’s a well-drawn character, absolutely convinced she’s doing the right thing, and is pretty convincing about it. Don’t get me wrong, I love a super-villain who’s just out to watch the world burn, or driven by pure avarice. I was raised on that stuff. But a super-villain convinced they’re the city’s/nation’s/world’s savior? There’s something more compelling about them, and that’s what we have here.

Extraordinaries

One challenge that non-Marvel/DC Super-Hero Fiction has it coming up with what they’re going to call their costumed, super-powered crime-fighters. Most of the time, I note the term and move on, while it’s usually a serviceable term, it’s a challenge to come up with something that really clicks on this front.

Chen’s world uses the term, “Extraordinaries.” That’s catchy, a little quirky, and it sticks with you. Sure, this is a minor point, but you add up enough of these minor points, and you elevate a good book into something more.

The Mike Chen Factor

The something more…does this have it? Readers of this blog know that I’m always game for a Super-Hero novel, and from early on, it was clear that this was a good one. And that’d be enough for me to recommend it, maybe even highly recommend it. But Here and Now and Then and A Beginning At The End have taught me that I should expect something more than just a good Time Travel/Dystopian/Super-Hero novel from him. The Mike Chen Factor.

And while I didn’t go looking for it—that would distract me from this entertaining story—I did keep wondering when it’d crop up (and if I’d recognize it right away). I think it popped up in a couple of different places and while I espied one instantly (or pretty quickly) the other slipped by me until it was in full bloom—making it my favorite.

The first thing that makes this more than a good Super-Hero novel is that it’s about the role our memories play in who we are—our identity, our personality, how we act. Two characters whose tabulas are about as rasa as you can get make excellent candidates to explore this. In the end, one character’s deliberate choices in spite of natural inclinations and what we learn about their past becomes something they didn’t expect. While the other character is driven by their past (especially the parts they can’t remember but shaped who they are) and ends up being a better (more complete) version of what they were all along.

So, you know, if you were looking for Chen to settle a debate, I think you can skip that.

The other expression of the Mike Chen Factor was the friendship that develops between Jamie and Zoe. This was something special. Too, too, too often when we look at relationships in fiction (in whatever medium) we focus on romantic relationships, familial bonds, or even that between enemies. We don’t see enough explorations of friendship. I wish we had more of them—Rick and Louis aren’t the only one’s with a beautiful friendship, a well-written one is a great thing.

And Jamie and Zoe’s friendship promises to be a beautiful friendship, it’s off to a great start, anyway. I think the reader sees it before either of them do, which is an added layer of fun. But before they realize it their mutual aid pact starts to carry shades of something else. They banter, they tease each other (including in that almost-cruel way that only good friends can), they look out for each other beyond what’s needed for their project and care about each other. Eventually, they’re inspiring each other to be more than they think they are.

So, what did I think about We Could Be Heroes?

This was great. It was a good Super-Hero Story that had a lot of other things going on. Like Chen’s other work, it could probably spawn a sequel or two—but probably won’t.

Can you enjoy this without spending time thinking about what he’s exploring in terms of identity, memory, and friendship? Sure—I don’t know why you’d want to, but if you’re just looking for a compelling story featuring people in outlandish dress flexing super-abilities, this would absolutely fill that need. On the flip side, if you prefer to focus on the other material? This would work, but you’d have to put up with the Super-Hero stuff, and that might be harder for you. If you’re a Greedy Gus like me and want it all? You’re definitely in for a treat.

There’s a little something for everyone here, get to it.

Disclaimer: I received this eARC from Harlequin Trade Publishing via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

We Could Be Heroes by Mike Chen: A Super-Powered Thief and Vigilante Together Could Be Extraordinary

We Could Be Heroes

We Could Be Heroes

by Mike Chen

eARC, 336 pg.
Mira Books, 2021

Read: January 11-14, 2021
Grab a copy from your local indie bookstore!


At this point with Mike Chen, I don’t bother looking at the book blurb, I just read what he publishes. But so I could decide how much to say in this post, I had to go look at the blurb. Just between you and me, I think I wouldn’t have given as much away as it did, but now I feel a little freer about what to say.

Jamie Sorenson/The Mind Robber

Two years ago, Jamie Sorenson woke up in an apartment with no memory of who he was or how he got there (the name is something he picked). He’s a coffee snob, has taken in a stray cat that he’s named, “Normal.” He reads a lot of autobiographies and memoirs from the library, because he likes hearing life stories since he doesn’t have one.

Oh, and he has super-powers. He can read people’s memories, and erase a little bit of them. He uses these abilities to rob banks as “The Mind Robber.” He’s not living an extravagant lifestyle with these funds, in fact, he lives fairly frugally. His goal is to save up enough to finance his retirement on a tropical beach—just him, Normal, coffee, and books. If he can just pull off one or two more without getting caught, he should be able to do just that.

He was almost caught once, and he’s pretty sure he won’t be able to evade capture too easily next time. He was almost caught by:

Zoe Wong/The Throwing Star

She, too, woke up without memories in an apartment two years ago. She had a name tag, so at least she didn’t have to come up with a name. She spends her time watching horror movies on an app on her phone and drinking so much I think I might have liver damage from reading about it. She makes ends meet by working for a food delivery service.

She doesn’t drive for one, though, she has super-powers, too. Including speed—not Flash or Quicksilver fast, but she’s fast. So fast that she can deliver food fast enough to maintain a 5-Star rating, even though she’ll take quick detours to beat up criminals. She’s also super-strong (not quite Superman-level, but more than Captain America) and has a couple of other tricks up her sleeve.

She’s assembled enough of a uniform to stand up to the punishment her speed puts on normal clothing and to protect her identity, and was dubbed “The Throwing Star” by the press. Although, she’d prefer Shuriken, not that anyone asked. Besides, she’s pretty sure she’s of Chinese descent, not Japanese, so both names are problematic.

The Team Up

Jamie regularly attends a support group for people with Dementia or other memory problems. No one’s treating them there, it’s just a place for emotional support. One day, not long after he’s almost captured by The Throwing Star, Zoe walks in. Afterward, the two have a quick conversation by the coffee pot and (thanks to their abilities) recognize each other. For the sake of the group, they don’t start battling each other, instead, they talk.

A few things happen, and then Zoe decides to ask Jamie to help her with her memory—surely, he can use his powers for something other than crime, right? They strike a little quid pro quo deal and get to work.

From this point, two things happen, one harder to believe than the other. First, they start to uncover things about Zoe’s past (and Jamie’s, although he’s really not that interested at first) that lead them to a therapeutic organization that seems to have something else going on. And, the two begin to become friends.

It’s that “something else,” naturally, that gets their attention. It’s not long before they discover that not only does this organization (or maybe just what it’s a front for) hold the key to their pasts but has a secret plan to change to the world as we know it. To combat it, this thief and this vigilante might have to be something more, they might have to be heroes.

The Mad Scientist

A mad scientist at work is a mainstay of Super-Hero Fiction and Chen delivers that well. Not just a mad scientist, but one who doesn’t see herself in that way. Indeed, she’s going to save humanity from itself and the world from humanity while she’s at it. And sure, she’s doing this on her own, without consulting the countless lives that she’s going to radically alter, because when you’re a super-genius with a messianic-complex (among other psychiatric problems) playing with unimaginable technology, who cares what anyone else might think?

That sounds almost dismissive, and I don’t mean it to be. She’s a well-drawn character, absolutely convinced she’s doing the right thing, and is pretty convincing about it. Don’t get me wrong, I love a super-villain who’s just out to watch the world burn, or driven by pure avarice. I was raised on that stuff. But a super-villain convinced they’re the city’s/nation’s/world’s savior? There’s something more compelling about them, and that’s what we have here.

Extraordinaries

One challenge that non-Marvel/DC Super-Hero Fiction has it coming up with what they’re going to call their costumed, super-powered crime-fighters. Most of the time, I note the term and move on, while it’s usually a serviceable term, it’s a challenge to come up with something that really clicks on this front.

Chen’s world uses the term, “Extraordinaries.” That’s catchy, a little quirky, and it sticks with you. Sure, this is a minor point, but you add up enough of these minor points, and you elevate a good book into something more.

The Mike Chen Factor

The something more…does this have it? Readers of this blog know that I’m always game for a Super-Hero novel, and from early on, it was clear that this was a good one. And that’d be enough for me to recommend it, maybe even highly recommend it. But Here and Now and Then and A Beginning At The End have taught me that I should expect something more than just a good Time Travel/Dystopian/Super-Hero novel from him. The Mike Chen Factor.

And while I didn’t go looking for it—that would distract me from this entertaining story—I did keep wondering when it’d crop up (and if I’d recognize it right away). I think it popped up in a couple of different places and while I espied one instantly (or pretty quickly) the other slipped by me until it was in full bloom—making it my favorite.

The first thing that makes this more than a good Super-Hero novel is that it’s about the role our memories play in who we are—our identity, our personality, how we act. Two characters whose tabulas are about as rasa as you can get make excellent candidates to explore this. In the end, one character’s deliberate choices in spite of natural inclinations and what we learn about their past becomes something they didn’t expect. While the other character is driven by their past (especially the parts they can’t remember but shaped who they are) and ends up being a better (more complete) version of what they were all along.

So, you know, if you were looking for Chen to settle a debate, I think you can skip that.

The other expression of the Mike Chen Factor was the friendship that develops between Jamie and Zoe. This was something special. Too, too, too often when we look at relationships in fiction (in whatever medium) we focus on romantic relationships, familial bonds, or even that between enemies. We don’t see enough explorations of friendship. I wish we had more of them—Rick and Louis aren’t the only one’s with a beautiful friendship, a well-written one is a great thing.

And Jamie and Zoe’s friendship promises to be a beautiful friendship, it’s off to a great start, anyway. I think the reader sees it before either of them do, which is an added layer of fun. But before they realize it their mutual aid pact starts to carry shades of something else. They banter, they tease each other (including in that almost-cruel way that only good friends can), they look out for each other beyond what’s needed for their project and care about each other. Eventually, they’re inspiring each other to be more than they think they are.

So, what did I think about We Could Be Heroes?

This was great. It was a good Super-Hero Story that had a lot of other things going on. Like Chen’s other work, it could probably spawn a sequel or two—but probably won’t.

Can you enjoy this without spending time thinking about what he’s exploring in terms of identity, memory, and friendship? Sure—I don’t know why you’d want to, but if you’re just looking for a compelling story featuring people in outlandish dress flexing super-abilities, this would absolutely fill that need. On the flip side, if you prefer to focus on the other material? This would work, but you’d have to put up with the Super-Hero stuff, and that might be harder for you. If you’re a Greedy Gus like me and want it all? You’re definitely in for a treat.

There’s a little something for everyone here, get to it.

Disclaimer: I received this eARC from Harlequin Trade Publishing via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Velocity Weapon (Audiobook) by Megan E. O’Keefe, Joe Jameson: A Brother, A Sister, A Battleship, and the War that Unites Them

Veloctiy Weapon

Velocity Weapon

by Megan E. O’Keefe, Joe Jameson (Narrator)
Series: The Protectorate, #1

Unabridged Audiobook, 18 hrs., 22 min.
Audio, 2019

Read: July 9-15, 2020

What’s Velocity Weapon About?

There are two primary storylines—either one of them would have been a decent basis for a novel on their own. Combine them and you’ve got something special.

Sergeant Sanda Greeve is flying a fairly routine patrol when she’s attacked—a rare burst of heat in a long Cold War. She wakes up in a ship from the fleet that attacked her. Alone. Except for the AI that runs the ship (is the ship?). Bero, the AI, shows Sanda footage and evidence that the Icarions that build him wiped out all life in the system except Sanda 230 years ago.

The second primary storyline features her brother, Biran. Biran’s speaking at his graduation ceremony when his sister (and others) are attacked. The news disrupts the ceremony, and Biran uses finds himself in the position of having to calm those who are watching (live or on the news). In the days and weeks following, he rises to a prominent position—becoming the government’s spokesman, reassuring and leading the populace through this time.

We bounce back and forth as Biran tries to stave off a war, and to Sanda dealing with its results. It’s a great concept and you just don’t know what to expect even though Bero has told Sanda what’s happening.

And then another escape pod shows up and all bets are off.

The Stuff I Should’ve Paid More Attention To

There were some flashbacks to the invention of the Gate technology that makes interstellar travel possible, which was pretty interesting, but there was something about it that I just couldn’t focus on for very long.

Similarly, there was a tertiary story to the main two. This one focused on a street gang involved in some pretty petty crimes, but they stumbled onto something pretty big. This was interesting, but I couldn’t keep most of the characters straight and had a hard time following it. This was solely due to my focus, and as many times as I told myself to pay attention, I didn’t. I predict that this is going to come back pretty significantly in the sequel—I’m just hoping I can play catch up. If you read and/or listen to this book—learn from my mistake and pay attention.

How was the narration?

I liked it. Bero in particular is hard to get right—and vital to get right. Jameson does it. Everything else came out good, too, don’t get me wrong, but for this, the AI is essential. He captured the tones, flavors, and diverse set of characters in an engaging and convincing way.

So, what did I think about Velocity Weapon

When this came out, it looked intriguing. When I started seeing it show up on my Goodreads feed and book blogs I follow, I really became interested. But I didn’t follow up on it. I spent pretty much e the entire time listening to Velocity Weapon berating myself for that.

This is the kind of thing I like in SF. A clever story, compelling characters, and great tech in space. I liked the humans, I really enjoyed the AI (I sort of figured this would be a variation on the AI in Rockwell’s Serengeti books, and wow, I was wrong). It was a SF adventure, but it was also a straightforward thriller (with SF frills). I had a blast with this and am looking forward to the sequel.


4 Stars

2020 Library Love Challenge

Page 20 of 34

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