In Media Res: The Existence and Attributes of God by Shephen Charnock, edited by Mark Jones

The Existence and Attributes of GodThe Existence and Attributes of God: Updated and Unabridged

by Stephen Charnock, edited by Mark Jones

DETAILS:
Publisher: Crossway
Publication Date: October 18, 2022
Format: Hardcover
Length: 1,615 pg.
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What’s The Existence and Attributes of God?

Crossway has given the world a gift by publishing an unabridged edition of Charnock’s classic work on God’s attributes. Over 14 Discourses (that really could be published individually as books), Charnock describes some of God’s attributes. He starts with almost 100 pages on God’s existence—mostly drawing on the so-called “Classical” proofs, then he moves on to eleven attributes of God, with two bonus discourses on related practical matters.

Some (but not all) of the language has been updated (there’ve been some footnotes added to help explain the bits that haven’t been), punctuation has been modernized, as have paragraph sizes (maybe sentence length, too). Jones cleaned up some of the section numbers and whatnot, too.

Jones has also provided footnotes showing more of Charnock’s citations than the original manuscripts did, demonstrating the wide range of sources he drew from. The nicest addition to this edition from Jones, however, (unless you’re a student or someone wanting to plunge deep into his citations) are the summaries of each discourse, helping the reader to know what they’re in for and what to keep an eye out for.

So, What Am I Thinking About The Existence and Attributes of God?

This is just a great work—it’s not the easiest read in the world, but it’s not that bad, either. Charnock’s on the accessible end of the Puritan spectrum. (Jones’ editorial work no doubt helped a bit with that).

I wasn’t crazy about the two practical discourses—Discourse 2: On Practical Atheism and Discourse 4: On Spiritual Worship. Which were offshoots of Discourse 1: On God’s Existence and Discourse 3: On God’s Being a Spirit. Not that there was anything wrong with them or that I didn’t benefit from the experience of reading them—I absolutely did. But they’re not what I came for, I was reading for explorations of God’s attributes and/or existence. Now, if each discourse had a practical follow-up, I wouldn’t be writing this paragraph. But these two outliers just seemed out of place.

Charnock does a fantastic job explaining these attributes. I’ve read a handful of works (largely shaped by him) in the last few years on these ideas—and I still learned something from each chapter, rather somethings.

Obviously, this isn’t a definitive, exhaustive work—it cannot be (and would be blasphemous to suggest otherwise). But when you’re in the middle of a chapter, it’d be easy to think it is. Not just because of the depth he goes into on each topic, but the angles he approaches it from. In the middle of the Discourse on God’s Knowledge, I was astounded, for example, by how many different ways he talked about it. Now that I’m looking back over the whole first volume, the chapter on God’s eternity is the one that stands out as the high point.

Ask me in a month, and I’m sure I’ll say something else.

So far, I’ve read about God’s Existence (and practical atheism), God’s Being a Spirit (and spiritual worship), God’s Eternity, Immutability, Omnipresence, and Knowledge. Coming up are discourses on His Wisdom, Power, Holiness, Goodness, Dominion, and Patience.

I’m looking forward to diving in. It’s easy to see why this work has stood the test of time and can’t imagine anything in the 21st Century topping it (maybe someone will get their act together in the 22nd).

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Saturday Miscellany—6/17/23

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet The big idea: do we need to dismantle the literary canon?—it’s a perennial question, that almost perennially renders interesting ideas, like this one.
bullet Why you should read horror (even if it scares you)—I’m not sure I’m convinced, but…
bullet AI Writing Proves The Author Is Very Much Alive
bullet How I Learned to Stop Worrying and Embrace the TBR Pile—something I need to read every time I start to feel bad about my mountain
bullet The great Gail Simone asked “What was the first novel that you felt taught you something meaningful?”—the resulting Twitter thread is great to read #ThisBookTaughtMeSomething
bullet When Counting Gets You Nowhere—for a guy who spends time every month thinking about numbers, it may seem strange for me to say how much I liked this post. I’m still going to talk about numbers because it scratches a particular mental itch, but Bookforager is right about what counts.
bullet My Ideal Summer Reading Program—Similar point, just as good.
bullet 5 Ways to Spend More Time Reading—most of these ideas aren’t new to the topic, but Amanja’s spin is good enough to read. #5 is so, so, true.

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Let Me Tell You a Story Podcast 140: The Irresponsible Reader—features this guy doing his best to sound interesting

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Robert B. Parker’s Bad Influence by Alison Gaylin—Gaylin takes the baton from Lupica for this series and has Sunny protect a social media influencer. I’ll hopefully have something posted about this soon.
bullet 100 Places to See After You Die by Ken Jennings—an entertaining and informative tour guide through afterlifes. I had a lot of fun with it.
bullet George the Bannana: Book Two by Elliott Linker—George and Elliot return to take on the bad guys from Book One. I’m really looking forward to seeing how the local 9-year-old creator handles this follow-up.
bullet The Worst We Can Find: MST3K, RiffTrax, and the History of Heckling at the Movies by Dale Sherman—I cannot read that title without singing “la! la! la!” Looks good.
bullet Girlfriend on Mars by Deborah Willis—a satire about reality TV, billionaire-funded space travel and environmentalism, and maybe more.
bullet On Earth as It Is on Television by Emily Jane—a novel about First Contact and contemporary American culture
bullet Wannabe: Reckonings with the Pop Culture That Shapes Me by Aisha Harris—pop culture and cultural critique
If you want to hear a sound of happiness...Turn the page of a book. - Piotry Kowalczyk

Flop Dead Gorgeous by David Rosenfelt: An Old Friend Brings a Challenging Case for Andy Carpenter @stmartinspress @netgalley

Flop Dead GorgeousFlop Dead Gorgeous

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #27
Publisher: Minotaur Books
Publication Date: July 04, 2023
Format: eARC
Length: 272
Read Date: June 13, 2023


What’s Flop Dead Gorgeous About?

Jenny Nichols went to the same high school as Andy Carpenter—but when he went to law school, she went to California and became a movie star. She comes back to Paterson frequently, even adopting a miniature French poodle from Andy’s rescue foundation and striking up a friendship with Laurie.

She’s staying in Paterson while filming her next movie in New York and Andy hosts a dinner with her and several others—during the dinner, her ex-boyfriend, current producer, and co-star (all the same person) shows up and causes a scene in an effort to see her. While Andy does nothing at all (his strength), Willie, Laurie, and Marcus shut down the producer and his bodyguards. They leave and the night goes on as before and everything seems fine.

Because this is that kind of book in that kind of series, that “fine” doesn’t last long. Jenny wakes up in the middle of the night to find her ex stabbed to death in her kitchen. With no one else in the house—and few people knowing she was staying there at all—the suspect list is really short, and it’s no time at all before Andy is hired to defend Jenny.

Wait, What?

I may be revealing what a horrible (as opposed to irresponsible) reader I am here—but in the second chapter, Rosenfelt said something that stopped me cold. Andy’s hosting that dinner for Jenny with a bunch of his friends and colleagues, including Sam, Willie and Sondra Miller, Vince Saunders—you know, the people you’d expect. Except for this: Marcus and his wife Julie. Did we know Marcus had a wife? Has she shown up a lot and I’ve totally forgotten her? I really don’t think so, but I don’t have time to read 20+ books (I can’t remember when he shows up first, book 2 or 3, I think) to see.

Part of my shock here has to do with the idea of Marcus having any kind of personal life is strange. It’s like when you’re in second grade and see your teacher in the grocery store. But I just have no recollection of this woman.

And, really, that’s not the strangest Marcus moment in the book…

Poor Eddie Dowd

Andy’s on his third associate in the series—the lawyer who does most of the actual lawyering, instead of the investigating and courtroom antics. He’s the guy who puts together briefs, looks up precedents, writes motions, and so on. This associate is usually comedic in some way, too.

Eddie shows up a little bit here, but nowhere is used to lighten the mood—we don’t even get one example of his overuse of sports metaphors. It was likely necessary to cut his jokes for space and/or to make up for the running joke (see below), but I couldn’t help but feel bad for the character. He barely got to do anything—particularly nothing interesting.

The Running Joke

There’s a running joke throughout this book that I can’t bring myself to ruin—or repeat. Initially, I wondered about Rosenfelt’s continued use of it—but in the end, I wouldn’t cut a single instance of it, and the later in the book we got the funnier I found each reappearance.

I don’t remember Rosenfelt going back to the well so often like this often (ever?).* Sure, he repeats jokes from book to book—Andy’s trying to retire, Edna’s lack of interest in work, Marcus’ lack of talking, etc. But fifteen+ appearances of a gag in one novel? I think this is new. I don’t know that we need it in every Andy Carpenter book from now on, but I wouldn’t mind it frequently.

* Fill up the comments here with the times he’s done it before and I’ve forgotten about it, by all means.

So, what did I think about Flop Dead Gorgeous?

I know I complain often about not knowing what to say about an Andy Carpenter novel that I haven’t said a few times before. And really, aside from what I’ve noted in the two sections above, I’m not sure what to say.

The one thing that I want to talk about the most is the one that I cannot discuss—the killer and the motive behind the killing. I can’t even think of a vague way to praise the choices Rosenfelt made in this novel’s structure. But for my money, the choice of the killer, motive, etc. are praiseworthy.

I do like the way Rosenfelt is aging Ricky—especially while not aging Tara—and letting Ricky pay attention to this case. Good character work.

Flop Dead Gorgeous features some of Rosenfelt’s funniest material in years. More of Andy in court (or so it seems) than we’ve been treated to lately. Good character work (both with regulars and new characters)—except for poor Eddie. The best mystery Rosenfelt’s given us in a long time. And Andy’s narrative voice has never been better (rarely been worse, too)—there are a couple of paragraphs that made me stop and note, “This is why I keep coming back to this series.”

We’re twenty-seven books in and I still laughed and was left on tenterhooks to see how Andy was going to prevail. That’s no mean feat. Rosenfelt hasn’t lost a step, and neither has this series. Naturally, I recommend Flop Dead Gorgeous to your attention.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Ballad of Bonaduke—Episode 25: Nothing by R. T. Slaywood: This Ain’t Nothing

The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 25: Nothing

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #25
Format: Kindle Vella Story
Read Date: June 15, 2023

My grift had brought me here. Call it luck, call it destiny, hell call it bad stuff I was done running away. Done hiding. Done. I clenched my jaw and pulled open the disabled sliding door that I somehow knew would be unlocked.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

Before then, he gets himself drunk and we get some of his tragic backstory. As he ponders this, he decides to use some of his ill-gotten-gains to buy more booze and walks into a liquor store robbery. He foils it in some sort of magical fashion, gets some more to drink, and heads off to the park to drink until he’s arrested (probably for the failed robbery). At least that’s his plan, but it gets interrupted by being hit by a car. He wakes up on some sort of short, metal bed and is unsure what’s going on. It turns out that some group is subjecting him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. Taking refuge in a homeless encampment, Bonaduke has to make some decisions. He starts to get his thoughts in order when the police begin a raid at the camp. During the raid, he’s apprehended by…well, we need to find out. But first, the interrogation kicks off—Bonaduke tries to work his grift to get him out, and while that effort starts off promisingly…it didn’t quite go the way he’d intended. He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good.

What’s Nothing About?

Before he can register what he’s doing, Bonaduke races to the woman to try to free her. There’s some commotion from the rest of the squatters and one—presumably a leader of some sort—moves to intervene.

A physical altercation ensues and Bonaduke finds a way to use his grift to help himself and…

I don’t know, we’ll see how badly this goes for him* in the next episode.

* Or how well, I should say—he’s due, right?

So, what did I think about Nothing?

Oh ho! This was good—plenty of action, a little exploration of Bonaduke’s abilities, and the kind of cliffhanger ending that leaves you in anticipation (rather than an eye-roll because it’s clearly manipulative (although the point of a cliffhanger is to manipulate, you know what I mean)).

Bonus points for the rather realistic self-injury resulting from a thrown punch.

No complaints from me on this one. I’m eager for the next episode.


3.5 Stars

The Friday 56 for 6/16/23: The Worst Man by Jon Rance

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56% of:
The Worst Man

The Worst Man by Jon Rance

Wilf sits at the table staring blankly at his plate, and it’s obvious that eventually one of us will have to ask the burning question, and right now all eyes are on me. I clear my throat.

‘Everything all right?’ I say, trying to sound as casual as possible even though it’s glaringly obvious that everything is not okay. This is one of those moments in life that requires great seriousness and sensitivity and probably shouldn’t be handled in a pub after ten pints of beer.

This Bird Has Flown (Audiobook) by Susanna Hoffs, Juliet Stevenson: The Portrait of a Music Star as a Thirtysomething

This Bird Has FlownThis Bird Has Flown

by Susana Hoffs (Author and Narrator), Juliet Stevenson (Narrator)

DETAILS:
Publisher: Little, Brown & Company
Publication Date: April 4, 2023
Format: Unabridged Audiobook
Length: 12 hrs., 35 min.
Read Date: May 11-16, 2023


What’s This Bird Has Flown About?

Jane Star is your proto-typical one-hit-wonder. She rocketed to stardom via a cover song and its music video (which was intended to be a feminist critique of something, but really just made her into a sex kitten). She struggled to come up with another hit and eventually her career died down and she disappeared off the scene.

Following a major breakup, she’s trying to get her career re-established (if only so she can move out of her parent’s house). Her manager/friend arranges for Jane to spend some time in London with her to write—which turns into a once-in-a-lifetime chance to play with the man whose song put her on the map at the Royal Albert Hall. Can she use this to re-launch herself?

Meanwhile, she strikes up a whirlwind romance with a man she met on the flight to London. This is both an inspiration for her writing and a major distraction from it.

The Love Story

It absolutely didn’t work for me. At all. It was a lust/infatuation story fit better for teenagers than a world-weary rock star and a college professor.

And a lot of the “sexy” moments seemed to be trying too hard to be sexy, which just feels desperate.

So why did I persist?

The One Hit Wonder Looking for Another

The story about Jane Star, trying to cling to marketability and relevancy—and maybe, just maybe regaining some sort of career is the part of this novel that makes putting up with the rest worth it.

It’s hard not to wonder how much of Jane’s experience is based on Hoffs—but it’s an idle thought because what Jane is going through is more interesting than my own speculation. She’s trapped by that one cover song that thrust her onto the world stage and is something she just can’t live up to.

She’s trying so hard to recapture that magic, to live up to expectations that she can’t write anything. And anyone who’s lived through some sort of creative block will be able to identify with this.

But then there are some moments where she remembers why she’s a musician, gets to sing or play. Even gets to write a little. And it’s magic. Not just for Jane, but for the reader—Hoffs describes the sensation in a way that it’s impossible not to get caught up in it.

I love a good rock’n’roll novel, and Hoffs delivers here.

How was the Narration?

This is really where the book shone for me—Hoffs handled the narration and the dialogue for Jane, Stevenson did the rest of the characters.

Sure, we all know that Hoffs can sing—but she can handle other voice performance areas as well. I was really impressed by what she did and was thoroughly engaged throughout.

But Stevenson? Wow. Knocked. It. Out. Of. The. Park. Her accents, her emoting, her…everything. I hated every time a scene with her ended, and was only placated by knowing another was on the way, with her doing another voice or three. Her work as Pippa, Jane’s manager, alone made me a fan.

So, what did I think about This Bird Has Flown?

Overall, I enjoyed this. I didn’t get that invested in the “love” story but thought it resolved okay (probably more than okay if you are able to get invested in it). The novel wouldn’t hold up without it (although you could improve it without changing most of the rest of the novel), so I’m not going to trash it too much.

The creativity/musician/whatever storyline—along with the accompanying friendships and conflicts—was really well done and more than made up for my grinchy attitude toward the rest. I really got invested in it and thought my investment was rewarded.

I picked up the book because of a piece or two I’d read about Hoffs’ depiction of the musician’s life—and it paid off. It would’ve been nice if the rest had been as good, but I’ll take what I got. This Bird Has Flown is not great, but it’s a lot of fun with some fantastic moments. Give it a whirl.

If Hoffs tries her hand at novel writing again, I’ll be willing to try it.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Broken by Don Winslow: It Doesn’t Get Better Than This

BrokenBroken

by Don Winslow

DETAILS:
Publisher: William Morrow
Publication Date: August 10, 2021
Format: Paperback
Length: 335
Read Date: February 24-28, 2023


From the Back of the Book

No matter how you come into this world, you come out broken . . .
In six intense, haunting short novels, Don Winslow returns to the themes that are the hallmarks of his acclaimed body of work—crime, corruption, vengeance, justice, loss, betrayal, guilt, and redemption—to explore the savagery and nobility that drive and define the human condition.

In Broken, Winslow creates a world of high-level thieves and low-life crooks, obsessed cops and jaded private detectives, dope dealers and government agents, bounty hunters and fugitives. Diverse and richly drawn, these characters—some familiar, others new—are lost souls driving without headlights on the dark highway of modern America. Set in New Orleans and Hawaii, Southern California and south Texas, each story in this collection is distinctively Winslow, shaped by his trademark blend of insight, humanity, humor, drama, and consummate literary craftsmanship.

A powerful, gripping collection of tales that will become classics of crime fiction, Broken is Don Winslow at his nerve-shattering, heartbreaking best.

I’m not so sure I’d call these “short novels,” or novellas, or whatever. They’re long short stories. 50-60 pages or so each. But eh, who cares what they’re called? They’re a bunch of stories by Don Winslow—that’s enough for me.

Here are a few words about each.

Broken

Stunning. Gut-wrenching. Violent.

At its core, it’s about a narcotics officer in the New Orleans Police Department out for vengeance against the drug lord who killed his brother.

It’s about the price of vengeance, the hole a death can leave in a family, the costs of the War on Drugs to those on both sides, and what can happen when the watchmen aren’t watched.

Crime 101

Winslow is a master of style. It’s like he periodically decides to show the world that he’s the flashiest Crime Fiction writer in action. Sometimes he does it in a chapter (or less) of a novel, sometimes he does it for longer (I recall Savages being that)—this is one of those times. The entire thing is so quotable. The term cinematic comes to mind—you can practically see everything as you read it—maybe even reach out and touch it.

The story focuses on a master thief—so good that no one knows what he looks like. He’s referred to as the 101 Bandit because his targets seem to be focused up and down the Pacific Coast Highway, Highway 101.

Davis is everything you want a master thief to be (especially if you’ve watched too many movies). He’s cool, he drives flashy cars, he has exquisite taste in food and drink, and—because he lives by certain ironclad rules for his jobs–he’s never been caught.

Lou’s the detective who’s devoted to catching him. He’s not cool or stylish—he’s leaving his (cheating) wife, starting a new chapter in his life, and is determined to put the Bandit away.

Both are very good at their chosen professions—which is better?

The San Diego Zoo

Rightly or wrongly, I think of Winslow stories in one of two ways—they’re either full of gritty realism (think The Force, The Cartel trilogy, or Broken above). Or they’re this kind of crime story that you want to laugh at, even though it’s not really a comedy. They’re just as grounded, but there’s a joy to them that seems impossible to come from the same pen as the others.

This story belongs here. I shared the opening a couple of months ago—and it hooked me hard. I’m pretty sure that I texted the friend who gave me the book about my fanaticism for the story before I was half-done. I really think that I could read this daily for a month and still enjoy it.

Oh, what’s it about? A chimpanzee has escaped from the San Diego Zoo and somehow got a pistol. One of the cops at the scene is instrumental in getting the gun away from the chimp without a tourist (or anyone) getting shot and helping the Zoo retrieve it. Then gets curious about how the chimp got the gun and does his best to answer the question, and the reader gets taken on a wild ride.

Sunset

I will always and forever take an excuse to read about Boone Daniels from The Dawn Patrol and The Gentleman’s Hour. In this story, Boone is off to chase down a beloved and legendary surfer who’s skipped on bail. How beloved? Some time ago Boone tagged this man with the nickname “ELT” for “Everyone Loves Terry.”

But now Terry’s on the verge of ruining a bail bondsman’s business. And yeah, he’s beloved—except by those he’s taken advantage of (like Boone, who keeps letting him do it).

I’m on the verge of retelling the whole thing in a lousy way. So I’ll just shut up. It’s a great cat-and-mouse hunt starring the world and characters from The Dawn Patrol (my personal favorite Winslow novel).

Even if you don’t regard the initial novel as an almost-Platonic ideal, even if you’ve never read that novel, you’ll find something to enjoy in this story.

Paradise

The trio at the center of Winslow’s Savages and The Kings of Cool head to Hawaii to vacation and hopefully start doing some business. Because it’s this particular trio and they attract trouble, things go horribly wrong. But they go wrong in a flashy, stylish, and violent way. There’s some connection with other Winslow works, too.

It’s been years since I read them, so I can’t say for certain—but I think this isn’t as good as Savages, but better than The Kings of Cool. But both were so good, I’m not sure it matters.

The Last Ride

This was simply heartbreaking. It’s a story about a guard at an ICE detention center for children who’s had enough. The sight of one particular girl locked up moves him in a way that others haven’t. So he takes matters into his own hands.

So, what did I think about Broken?

This is a fantastic collection—not a dud in the batch, although I liked some more than others, but that says more about my tastes than the quality of the stories. This really feels like a broad overview of “here’s the spectrum of what Crime Fiction can be” (except for cozy, I don’t know if Winslow is capable of cozy). Each story is distinct and self-contained*—it’s hard to think that some are written by the same man—with different voices, different types of stories, and so on.

* Although there are some links between some of these stories in the volume—as well as ties to earlier novels.

One reason that I don’t want to quibble too much with the whole “short novel” descriptor is that unlike many short stories or novellas—every one of these stories packed the punch of a novel. The plots, intricacies of story and character, the emotional weight, and whatever else you want to ascribe to the reading experience felt more like it belonged to a 200+ page novel rather than a 50± page story.

Anything else I can think to say at this point is just a repetition. This is a great collection from a master of the craft. Don’t miss it.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Book Blogger Hop: Do You Read Children’s Books?

Book Blogger Hop

 

This prompt was submitted by Billy @ Coffee Addicted Writer:

Do you still enjoy reading children’s books?

I have relatives that would consider 90+% of what I read to be childish, but that’s probably not the same thing.

Even before the new feature I started this year, Grandpappy’s Corner, I’ve always gladly accepted requests from Children’s and Picture Book Authors to talk about their books–and I’ve even bought a few for myself over the last couple of years. There’s something about them that just sparks joy (also, it’s pretty low investment of time and energy in return for that spark).

Some of my favorite books over the last few years have been written for kids–and several of my favorite books ever fit have been, too.

There’s that oft-quoted line from C.S. Lewis

I am almost inclined to set it up as a canon that a children’s story which is enjoyed only by children is a bad children’s story.

I’d absolutely agree with that.

I think a better question is why wouldn’t you like children’s books?

When I started this, I thought it was going to be a longer piece. But, eh…who needs that?

Do you still read children’s books?

WWW Wednesday, June 14, 2023

I’m not sure that I have anything to ramble on about before the main event today, so let’s just dive into the triple Ws.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading the new Sunny Randall book from the new Sunny Randall author: Robert B. Parker’s Bad Influence by Alison Gaylin and am listening to the intriguing If I Understood You, Would I Have This Look on My Face?: My Adventures in the Art and Science of Relating and Communicating by Alan Alda (Narrator) on audiobook.

Robert B. Parker's Bad InfluenceBlank SpaceIf I Understood You, Would I Have This Look on My Face?

What did you recently finish reading?

The most recent books I’ve finished are David Rosenfelt’s Flop Dead Gorgeous and It’s Great to Suck at Something by Karen Rinaldi on audio.

Flop Dead GorgeousBlank SpaceIt's Great to Suck at SomethingE

What do you think you’ll read next?

My next book should be The Worst Man by Jon Rance because I forgot that it’s what I put here last week. Oops. And my next audiobook should be Murder Your Employer: The McMasters Guide to Homicide by Rupert Holmes (yeah, it turns out, that one), Narrated by Neil Patrick Harris and Simon Vance.

The Worst ManBlank SpaceMurder Your Employer

Tell me about what you’re reading!

Grandpappy’s Corner: Little Aiden – A Love Book for Toddlers by Albert and Anna Choi, Bettina Braskó (Illustrator): Will Make You Say, “Awwww.”

I’m posting about the two books (so far) in the Little Aiden series today, which is turning into a bigger challenge than I expected. The two books are pretty similar in terms of style, quality, etc. So, yeah, the second post might sound a lot like the first—occasionally I’m just going to copy and paste. Sorry about that. But they should be different enough to justify your time as well as mine.


Little Aiden - A Love Book for Toddlers

Little Aiden – A Love Book for Toddlers

by Albert and Anna Choi, Bettina Braskó (Illustrator)

DETAILS:
Series: Little Aiden 
Publisher: Mytogo Publishing
Publication Date: May 22, 2023
Format: eBook
Length: 41 pg.
Read Date: June 10, 2023

What’s Little Aiden – A Love Book for Toddlers About?

This book is basically someone* narrating a day in Aiden’s life (or a bunch of activities over a few days), assuring him of their love in all the things he’s up to—when he’s being brave, when he’s being calm, when he’s sad, anxious, scared, and so on. All throughout the day and with a promise that this love will continue.

*Presumably his mother, given the art—although you could make the case that it’s from the point of view of the dad seeing both of them. It really doesn’t matter.

Let’s Talk about the Art for a Minute

The art is as adorable and eye-catching here as it was in the other Little Aiden book. Fantastic expressions, great background illustrations, etc. These are going to be very fun for a toddler—and whoever is reading with the toddler—to stop and talk about.

Braskó’s use of Aiden’s teddy bear is fantastic, once I saw what she did on the “Brave” illustration I had to go back through the whole book just looking for what was going on with the bear. (adding the rest of the toys to the mix on the “Confident” page was great, too)

I like her use of the first Little Aiden book here—that was such a nice touch. I wonder how many toddlers will notice?

Be sure to check out some of the samples on Braskó’s website.

How is it to Read Aloud?

I don’t mean this in a bad way—but this isn’t going to do much for the adult reader. It’s a simple and repetitive text. You don’t get to do any fun rhymes, tongue twisters, silly voices, or goofy noises (well, maybe a couple). And it’s okay, because it’s not that kind of book.

It’s the kind of book that’s intentionally repetitive—this is how you can help the child learn. It’s written simply for the same reason. Short and clear sentences that make it easy to grasp the point.

It’s also the kind of book that’s easy to stop reading to discuss—what Aiden is doing, the art, what his Teddy Bear is doing (alongside or in contrast to Aiden), or whatever. And that’s where the engagement for the adult reader is going to come in.

And, hey, some of the pages serve as a good reminder to the adult that it’s okay for the toddler to be frustrated and angry—because it’s really easy for parents/caretakers to forget that sometimes. It’s good for us to vocalize that.

So, what did I think about Little Aiden – A Love Book for Toddlers?

This is just so sweet. There’s some fun to be had (primarily from Braskó’s art, because the text is earnest), but it’s largely warm and sweet reminders of a parent’s affections.

It just made me melt, it’ll likely do the same for you.

It’ll be a great springboard for a parent/grandparent/caregiver to use to talk about all the different ways and times they love the toddler they’re reading with—and who can’t use something like that?

Another heartily recommended book from this series.


4 Stars

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