Tag: 2 Stars Page 2 of 8

Time Travel + Brain Stealing = Murderous Appliances and Good Times by Richard Steele is a Thing that I Read

Time Travel + Brain Stealing = Murderous Appliances and Good TimesTime Travel + Brain Stealing = Murderous Appliances and Good Times

by Richard Steele
Kindle Edition, 141 pg.
Tenth Street Press, 2019
Read: July 15, 2019

A few weeks back, I received a request to read/review this book, this is what Steele entered under “Tell me about the book”:

Time Travel + Brain stealing = Murderous Appliances and Good Times

Following the death of his parents, who died in a cliché’ [sic] and completely unimportant way, young Joe Brown is about to find out that living in a town conveniently named Doomsville, does have its draw backs [sic].

For reasons unknown, Joe now must face the demonic creations of a stereotypically bad villain known only as ‘The Master’, who has a penchant for pickled brains and poor puns.

Dumpsters of Doom, Toasters of Terror and the occasional Cheese Sandwich of Carnage all set out to hunt poor Joe and retrieve his brain to fulfil The Master’s destiny.

With the help of his best friend, a disturbingly gross Godmother and some random stalker he just met, Joe Brown is about to learn that what’s between his gunk ridden ears could be the key to saving the world and time itself.

Come and embark on an epic mind-bending, time-travelling quest full of confusing sub-plots, poorly constructed characters, science fiction that only a Flat Earther would believe, and every inappropriate joke you’ve ever thought of but couldn’t say out loud at your Grandmother’s funeral.

I take full responsibility for not reading that as closely as I should have. For example, that first line isn’t a tag line, or a quick synopsis as I assumed. That’s the title. I’ll tell you now if I’d realized that I would’ve stopped reading there. But no, I took it as a tag line and moved on. I ignored the inability to correctly use accent marks on “cliché” (that sounds persnickety, but there’s a pretty high correlation to typo-ridden submissions and bad books in my experience). This seemed just goofy enough that it might be a good way to spend a day or so, I could use some light-hearted fun.

I didn’t realize that “disturbingly gross”, “poorly constructed characters,” “inappropriate”, and “stereotypically bad” weren’t modest descriptions, but selling points in Steele’s mind. Then when he sent me the file, he ended it with, “Good luck, you’re a brave soul indeed…” This should’ve been a warning sign. I took it to be a little self-deprecating humor. Now I don’t think that’s the case, he really meant that this is a book not-for-the-faint-of-heart.

Now, throughout the process, Steele has been a pleasure to work with, and very accommodating—I want to be clear that this isn’t personal. It’s all about my reaction to his novella, not him.

The novella itself? “Self-indulgent twaddle” shows up in my notes at one point, and I think that pretty well sums it up. Juvenile. Vulgar (and not in an interesting way). Enough scatological humor to make a 13-year-old boy say, “Stop!” The plot seems unnecessarily convoluted, yet pretty simple. Although, plot isn’t what this novella’s about—it’s about the telling. They way that Steele tells the story, the voice, the manner, the attitude. That’s the star of the story.

And it didn’t work for me. At all. I couldn’t connect with the story, the characters, the narrator, the style, the voice, the vocabulary. Anything.

Steele clearly worked hard. You could feel on every page the effort to shock, disgust, and be stranger than he had been previously. Mark Leyner can do that kind of thing and make it seem interesting, effortless, engaging and fun. Steele just makes me want to find a new hobby.

The very chatty and fourth-wall ignoring narrator warns in the third paragraph of the Prologue,

Things are going to get stranger than having your sister accidently [sic] kiss you at a county fair kissing booth, only for her to line up for seconds.

Right there, I should’ve stopped and called it a day. Instead, I rolled my eyes and plowed on, little realizing that was going to be the high-point of the book’s figurative language.

I’ve already cited everything you need to know about the plot and characters in the first citation. I’m just going to leave it there…I try to find something positive to say about every book. But I just can’t here beyond saying that I can tell that Steele put a lot of effort into this. I just don’t understand why anyone would.

Your mileage may vary, obviously. If you find something redeeming/entertaining about this novella? Good on you. I’m curious about what you liked, but I won’t argue with you. But there’s just no way I can recommend this to anyone.

Disclaimer: I received a copy of this from the author in exchange for my opinion and this post. Clearly, this didn’t keep me from speaking my mind.

—–

2 Stars

LetsReadIndie Reading Challenge

Humor Reading Challenge 2019

Carioca Fletch (Audiobook) by Gregory McDonald, Dan John Miller: A Bad Fletch Book — whodathunkit

Carioca FletchCarioca Fletch

by Gregory McDonald, Dan John Miller (Narrator)
Series: Fletch, #7 (#5 Chronologically)
Unabridged Audiobook, 6 hrs., 3 min.
Blackstone Audio, 2018
Read: May 21 – 25, 2019

Just in case people were thinking I’d drunk too heavily in the Fletch/Gregory Mcdonald Kool-Aid bowl, this should alleviate any concern. I just don’t like this book.

Following the events of Fletch, our now-jobless journalist is enjoying life in Brazil, he’s got a girlfriend, is making some investments and friends and is about to enjoy Carnaval. Quite by accident, he runs into the newly-widowed Joan Allen Stanwyk, and things get a little awkward for a bit. But before he can follow up with her, an elderly Brazilian woman claims that he’s the reincarnation of her murdered husband, come back to identify his murderer.

This distracts Fletch greatly and between that, and a new group of acquaintances who seem to be rich young men who devote all their time to wine and women, Fletch can’t deal with Joan. He first has to spend some time trying to deal with the problems of their debauchery, this supernatural claim and learning about the Brazilian culture in general.

This might, might, be an okay book if it was about any other American hiding in Brazil, learning about the culture and people. But it’s not a Fletch book. He doesn’t solve the mystery by being clever or interviewing anyone. It’s not a particularly funny book, either. It’s mostly Fletch bouncing from situation to situation with little control or agency for a couple of hundred pages, and then solving a decades-old mystery by a cheap stunt.

What redeems this book is the Joan Allen Stanwyk material that bookends it. Those are the only chapters that really feel like Fletch (and, they’re grounded in the rest of the series). Also, Fletch’s background in, interest in, and history of investing in art is shown here in embryo—as well as the other things he does to pay for his villa, GCN stock, racehorses, and so on. So that’s good, but we didn’t need to see it, the character was good enough without that.

Naturally, Dan John Miller had nothing to do with any of my problems, he does a great job as usual.

This was just a misfire for Mcdonald (not the only one in the series), and is easily forgotten—and should be.

—–

2 1/2 Stars
2019 Cloak & Dagger Challenge

The Blue Zones Solution (Audiobook) by Dan Buettner, Joe Barrett: Uninspiring tales about efforts to prolong longevity

The Blue Zones Solution (Audiobook)The Blue Zones Solution: Eating and Living like the World’s Healthiest People (Audiobook)

by Dan Buettner, Joe Barrett


Unabridged Audiobook, 7 hrs., 5 mins.
Blackstone Audio, Inc., 2015
Read: July 12 – 16, 2019

As part of some medical education I’m getting, The Blue Zones was recommended to me. I couldn’t find an easily accessible copy of it, but my library did have one of the follow-ups, The Blue Zones Solution on audio. So I gave it a whirl.

There are a couple of aspects to the beginning of this book, he does a quick pass through over some of the “Blue Zones” from his first book (areas with above-normal centenarian population) to extract some common principles. This was too-much of a follow-up on what he’d already done to be a benefit to those who hadn’t read the first book. He also detailed ways his foundation tried to create Blue Zones in the US following these principles for communities that requested it.

Something bothered me about the way that was carried out, but I can’t articulate it without having the book in front of me to point to specific passages.

Lastly, he talks about ways you can create mini-Blue Zones in your home. Most of the advice given here is better delivered in other sources (like say, How Not to Die by Michael Greger).

Most of the support for the principles—especially as described here, is anecdotal, and the mantra “Correlation does not imply Causation” that was pounded into my head in college kept running through my mind. Maybe the original book would’ve convinced me—this did not. There was certainly a cornucopia of anecdotes (and a couple were hard to follow from chapter to chapter, to be honest, but that might be due to my lack of interest).

One of the principles is a commitment to/participation in religious practices. Religious activity is recommended without any regard for the truth involved. That bothers me tremendously. His later treatment of “Adventists” as a group equivalent to an ethnicity or population of a city/island/geographic area—and again, it was only the lifestyle habits, not the premises, presuppositions, and beliefs that undergird those habits that were encouraged. Selling the tree without the root isn’t going to produce much fruit or shade.

I don’t have any strong opinions about this as an audiobook, although I found Barrett’s pronunciation of “plantain” annoying (however correct). But so much of the benefit of the book depends on looking at the PDF that came with it. That’s where some of the data and all of the recipes are. So much of the useful part of the book isn’t in the audio. That’s not a deal killer, but as I was pretty down on the book already, it didn’t help.

The book didn’t do anything for me at all. I’m just not the audience for it, maybe if I’d read the first book and was curious about applying the lessons, I’d be interested. But I just didn’t see the point of this one.

—–

2 Stars

2019 Library Love Challenge

So Let It Be Written by Mark Eglinton: A Disappointingly Delivered Account of a Rock Star’s Career

So Let It Be WrittenSo Let It Be Written: The Biography of Metallica’s James Hetfield

by Mark Eglinton

Paperback, 219 pg.
Lesser Gods, 2017
Read: October 29 – 30, 2018
Here’s the Publisher’s synopsis:

           The first and only biography of one of the best front men of the modern era.

With James Hetfield at the helm, Metallica went from being thrash pioneers to heavy metal gods. He overcame adolescent upheaval and personal demons—including his parents’ divorce, his mother’s untimely death and severe alcoholism—to become metal’s biggest star.

So Let It Be Written does justice to the many hats Hetfield has worn, with his strong leadership, signature vocal style, powerful guitar-playing and masterful songwriting. Author Mark Eglinton uses exclusive, firsthand interviews—with prominent rock stars and key figures in Hetfield’s life—to construct the definitive account of Hetfield.

There are many problems with this book. If it is a definitive account of Hetfield, it’s because there’s not a lot of competition. The firsthand interviews seem to be with people who knew Hetfield in school or shortly thereafter — or friends of former bandmates. For insights from people closer to him, Eglinton seems to rely on interviews published in magazines or done on TV or in a documentary. I could be wrong about that — there might be more original research performed by him, but given the utter lack of citation, it’s hard to say for sure.

This book is primarily about Hetfield’s professional life, following the account of Hetfield’s mother’s death, we maybe get two full paragraphs (scattered over chapters) about Hetfield’s family (but repeated statements that family is the most important thing to Hetfield), and his friendships outside the band aren’t given much more space.

Rather than a biography of James Hetfield, this comes across as the story of Metallica with a focus on the input, influence, and antics of Hetfield. With a special emphasis on glorying in the music and lyrics of the albums leading up to Metallica/The Black Album, and in denigrating everything from Load through the build-up for the release of Hardwired… to Self-Destruct, which wasn’t released in time for him to come up with a strong opinion about (with some okay words directed to the documentaries and films produced in that time).

It’s clear that Eglinton was a fan of early Metallica, and has a wide appreciation for and knowledge of the metal scene. He has the knowledge base and the passion to produce a strong book about the band — but he seems to lack the ability to focus on the life of one man. Somehow, the author wrote a similar looking book, James Hetfield: The Wolf at Metallica’s Door, seven years earlier than this — and it was longer. I’m not sure how he pulled that off — my guess is more analysis of the contents of albums and/or his estimation of their worth. I’m curious about the differences between the two, but not enough to put up with reading it to compare.

James Hetfield is a deeply flawed, incredibly talented, and interesting figure. A biography of him should be intrinsically and automatically fascinating, and it takes a certain kind of author to take that potential and turn it into a disappointment. Sadly, Eglinton is just that kind of author.

Don’t bother.

—–

2 Stars
2018 Library Love Challenge

✔ Read a memoir or biography of a musician you like.

Between the Shade and the Shadow by Coleman Alexander: A disappointing fantasy

Between the Shade and the ShadowBetween the Shade and the Shadow

by Coleman Alexander

Kindle Edition, 487 pg.
The Realmless, LLC, 2017
Read: July 24 – 26, 2018
There is some really fine writing, and some decent storytelling in this novel — maybe some of the emotions are overwrought, and there’s some poorly written scenes and whatnot. But on the whole this is an impressive work. The problem is, the only way I know that is because I forced myself to finish the book because I told Alexander I would. If this were a library book, I’d have been done with it by the 10% mark — if I’d bought it? I probably would’ve made myself go on to 20%. But I literally had to force myself to finish this — which was a pain until the last 20% or so, but that’s just because momentum had kicked in and my Kindle was telling me there wasn’t a lot of time remaining to finish.

That might have been mean of me to say, but what else am I supposed to say? I really didn’t like this book — I guess I can see where some would — I was reassured on Goodreads what patience would pay off. And you could argue it did — but I shouldn’t have to be that patient.

Here’s the thing: a reader needs a way in. We shouldn’t have to take notes and flip back and forth to see how an author it using this term or that — especially when some terms are spelled so similarly that it’s difficult to differentiate between them at the beginning. This is truer when you’re using terms that in our world or in similar fantasy worlds can be used to mean something else. I don’t mean you have to hold our hands and spell everything out in the first few chapters, because that can be really dull. But you need to bring us into this world and give us enough tools to figure out what we’re talking about — it shouldn’t be the case where I’m a few hundred pages into something before I figure out that half of my problem is that these characters are mispronouncing things — like elf!

It’s not that I’m stupid. It’s not that I’m lazy. I’ve read plenty of fantasy novels that are stranger, more arcane, less like our world or traditional fantasy than this — the difference is, those authors were able to bring the reader into the world so that I could get oriented enough to follow the story and not have to wonder if what you think you’re reading is anywhere near the story. Maybe if I’d read the description of the book on Alexander’s website, or Goodreads (or the form he filled out on my blog) just before starting the book I’d have been better equipped — but it should be in the book, not on the back-of-the book (metaphorically speaking) where I get grounded in the world.

I’m not saying that people can’t enjoy this, or shouldn’t, either. But it absolutely didn’t work for me in every conceivable way.

Disclaimer: I received a copy of this novel from the author, it clearly didn’t bias me in his favor.

—–

2 Stars

Sixth Prime by Dan O’Brien: The beginning of a sweeping epic that came up snake eyes for me.

Sixth PrimeSixth Prime

by Dan O’Brien
Series: The Prime Saga, Book 1

Kindle Edition, 240 pg.
2016
Read: May 23 – 24, 2018
There’s a danger that most readers have familiarity with — a novelist oversharing the details of their worldbuilding so much so that it drags down the story and characters. The opposite danger isn’t seen as often — the writer withholding the details so much that you spend half your time figuring out what’s happening, rather than paying attention to characters and plot. It’s a tricky balance, no doubt — and sometimes a novel can overcome an author falling into either ditch. Sixth Prime was not one of those success stories — for whatever reason, to be careful, to be coy, because he didn’t notice — this book fell into the “not enough information” ditch, and couldn’t find its way out of it.

There are a few storylines, somewhat connected — it becomes somewhat clearer later how they are — there’s a murder investigation conducted by a corporation that supersedes the local authorities’ own investigation; a high-ranking military official on trial (and the strange aftermath of that); a jail-break leading to another jail-break on its way to an assassination; a scientific exploration goes awry; and a couple of competing treasure hunters hunt for an artifact. Somehow these all connect to an interstellar war and forces as old as creation itself.

The characters were lifeless, little more than names and job titles — with just a couple of exceptions. The characters in the murder investigation had promise — and if this book had just focused on that storyline, this’d be a much different post. At least one of the characters in the treasure hunting story have promise (but the more villainous one was so over-the top that literal mustache twirling wouldn’t have seemed out of place).

This entire novel seemed to be a set-up for the coming series — not a novel that’s part of a series. The various stories didn’t have endings, there wasn’t an overall arc to the novel that I could see — the stories stopped, or “resolved” by authorial fiat, nothing organic. This is a problem — I can accept not tying up everything in a tidy little bow, but there needs to be some sort of closure to a novel, some sort of point to that one thing. I’m not sure I’m being entirely fair here — 1 or two of the stories might actually have had a decent resolution, but by that point, I was out of patience with the entire endeavor. A dynamite ending, or compelling hook could’ve saved it (I think), but they were nowhere to be found.

Nothing about this really worked for me — one storyline came close — but being surrounded by the rest, it never stood much of a chance. A little more restraint, a little more discipline — maybe a longer book — I don’t know. There’s something missing, I’m not sure what it was, really.

Disclaimer: I received this novel from the author in exchange for my honest opinion as reflected above. Sorry about that, Mr. O’Brien, but thanks anyway.

—–

2 Stars

My Man Jeeves (Audiobook) by P. G. Wodehouse, Simon Prebble: Tales of Rich Fools Fail to Amuse

My Man JeevesMy Man Jeeves

by P. G. Wodehouse, Simon Prebble (Narrator)

Unabridged Audiobook, 5 Hrs., 8 min.
Blackstone Audio, Inc., 2006
Read: April 24 – 25, 2018
This is a collection of eight short stories — half of them starring Jeeves and Wooster, the other half featuring Reggie Pepper (who is basically Wooster without Jeeves). Like the rest of the books featuring Jeeves and Wooster, this is frequently hailed as a comedic classic, a masterpiece, and has no dearth of fans — highbrow and lowbrow alike.

I am not one of them. Wooster and Pepper are vapid, privileged aristocrats — vain, insipid, too wealthy and seeming incapable of narrating — or conversing — in coherent sentences. Jeeves is a frequently (but not infallibly) conniving and tricky valet, who seemingly knows more than anyone else around him. I honestly don’t know if I’d want him working for me, he’s too nosy, too duplicitous for my taste. All the characters get into farcical situations that are complicated and entirely of their own devices. If they could just be upfront and honest with others (including each other), their lives would be far less complicated.

Prebble did a fine job, I think. Yeah, I had no patience for any of the narrators of the stories — but that’s not on him. That’s totally on the characters. I think he grabbed the personalities perfectly. I just don’t see why anyone would bother.

I’m primarily posting about this experience as a reminder to myself: Just give up, HC. You and Wodehouse are just not compatible. You may have friends (Internet-based and Real Life) that love him, but you just don’t understand the appeal.

Not funny. Not amusing. Not charming. Pretty much a waste of time. Just can’t recommend this to anyone.

—–

2 Stars

Sir Blunder: A Bedtime Story for Big People by Walter Kerr

Sir Blunder: A Bedtime Story for Big PeopleSir Blunder: A Bedtime Story for Big People

by William Kerr

Kindle Edition, 268 pg.
2017
Read: April 9 – 10, 2018

Where to start . . . where to start . . .

Let’s start with all the disclaimers and warnings on this book — just because something says it’s a fairy tale, that doesn’t mean it’s for kids. I don’t know why people don’t know this. See also: animation, comic books, and Not Your Father’s Root Beer. Throw in Hans Christian Andersen’s writing and the original Grimm’s Tales, while we’re at it. But, I’ve gotta say, on the whole, this novel doesn’t need all the warnings. Anyone old enough for Suzanne Collins is quite old enough for this.

So, you’ve got your basics: a couple cursed by evil magic, doomed to appear as other than they are until the curse is broken; an evil dragon; a kind and wise princess; stupid and evil royalty (okay, that’s more Shrek than Cinderella); a poor, orphan destined for greatness; noble warriors; corrupt churchmen; wicked/incredibly selfish stepmothers, and so on. Throw in a strange sense of humor, some probably satiric elements, an author who is clearly trying very hard to be whimsical and amusing — maybe trying too hard — and you’ve got yourself a recipe for an amusing read.

Kerr clearly wants to be S. Morgenstern (or maybe William Goldman), and doesn’t quite make it. But he’s not the first to try, nor the first to fail. But he’s good enough to justify reading this, and many people would have a good time doing so.

That’s what I was going to say for the first 60% of the book. But at that point, the curse is broken (minor spoiler…but c’mon, it had to happen), people are happy, the kingdoms are prosperous . . . and I figured we had just a couple of chapters of epilogue and resolution. But, no. From there Kerr goes on to fill this with some sort of pseudo-Christian nonsense (very strange morality, no redemption). I honestly have no clue what he was trying to do in the last chapters — it was a mess.

Remember that scene in Tommy Boy where Tommy tells the waitress, Helen, “why I suck as a salesperson”? He goes on to stroke and pet a roll like a pet and then gets excited and destroys the roll? That’s pretty much what Kerr did here — he has a nice little book and then kills it, reducing it to mangled crumbs.

Save yourself some time and avoid this one. Or, read the first 60% and stop, adding a mental “…and they lived happily ever after.”

Disclaimer: I received a copy of this book in exchange for my honest opinion.

—–

2 Stars

Secular Jewish Culture by Yaakov Malkin, Shmuel Sermoneta-Gertel

Secular Jewish CultureSecular Jewish Culture

by Yaakov Malkin (Editor), Shmuel Sermoneta-Gertel (Translator)

Kindle Edition, 520 pg.
Library of Secular Judaism, 2017
Read: February 5 – March 30, 2018

I don’t know where the person who offered me this book found me, nor why they thought I’d like the book. Nor do I even remember what it was about this book that I thought sounded like it could be my cup of tea — but man, were we both wrong.

Which is not to say that this is a bad book, or an uninteresting book. But this is not the kind of thing I usually read or blog about — the typical secular Jewish writing around here is Jennifer Weiner or Hagit R. Oron. And the academically-oriented reading I usually do is definitely not the secular variety.

This is essentially a manifesto and apologetic for the study of Secular Jewish Culture as an academic discipline. The various authors definitively state what it is that Secular Jews believe, think, and cherish — which is far less diverse than say, CNN on-air talent, or members of my household. White largely set positively, on the whole much of this book defines Secular Jewish Culture by what it isn’t, and given that most people have a hard time separating the ethnicity from some form of the religion, that makes sense. But it doesn’t make for good reading.

Granted, it’s obvious from the outset that I’m not going to approach the Hebrew Scriptures from the same perspective as these authors, so it’s not surprising that I’d characterize almost all of their reactions to those scriptures as misreading the text — I can handle that, really. But some of the misreadings are so bad, and seemingly deliberately so, that I was frequently angered as I read them.

I had a long list of things I wanted to talk about, but I really can’t muster the interest — and I can’t imagine anyone reading this post will be able to, either — so I’ll just wrap things up.. It was generally a slog to read — but I can’t fault it for that, it’s not supposed to be a page-turner. It definitely set out to accomplish a few tasks, and on the whole, it succeeded. Except for making me want to read anything else from any of these authors. Did I like it? No. Is it a good book? Maybe? Probably? Are there many people that will think this book is a treasure? Yup, but I’m not one of them.

I honestly think this book deserves more stars than this, it’s a good book. But, I didn’t like it and this is my blog, so . . .

Disclaimer: I received this book in exchange for this post and my honest opinion, I appreciate the opportunity.

—–

2 Stars

The Meifod Claw by JW Bowe

The Meifod ClawThe Meifod Claw

by JW Bowe

Kindle Edition, 384 pg.
Serious Biscuits, 2017

Read: February 14 – 16, 2018


I’m going to keep the synopsis-y part of this vague because the blurbs for this book are pretty vague, and to a great extent, so is the book. This takes place in Wales, it involves a former sailor now confined to a wheelchair and a mostly abandoned farm-house (it fills up after a chapter or so), his niece, his nephew (who pretty much owns the house and funds everything in the book) and his nephew’s friend — who dropped out of a master’s level physics program to take part in the hi-jinks that occur. Oh, at some point a dog is introduced — he doesn’t seem to add much to anything, only serves to derail the progress of the plot for a bit, but he seems like a cool dog, and I’m a sucker for cool dogs.

The guys have assembled at this abandoned farm to work on a project and the niece/sister drops in every now and then to “tsk” at them and examine the books. When they’re not working on the project — and frequently as an aid to working on the project — the uncle, nephew and friend get high, drunk, stoned, and wasted, at the same time. There are probably a few other nearly synonymous terms I could throw in there, too.

I’m honestly not sure if the project is supernatural in nature (there’s a salt circle involved, but it doesn’t seem to do anything, and I’m not sure anyone believes it ought to), based in some sort of physics/”fringe” science (there’s a lot of talk that indicated that), or some sort of combination thereof. Frankly, I’m not convinced that the novel is all that certain of the nature of the project. I know a whole lot more of the drinking and drug habits of the characters than of the reason they’re together. The nephew is the Visionary, the friend is the brains behind things (although there’s very little time that I can tell you that he’s doing anything), and the uncle is the guy who lives in the house.

I do know that one of the side effects of this project is that it is some sort of miracle-grow product for plants — which means that the marijuana they use and sell to finance this project is larger, higher quality, etc. than one should expect. There is some contact with supernatural/spiritual entities, some with alien life (or they’re all three), a government agency and someone who’d done the same kind of work as these three earlier (and hints that they’re not alone).

I got frustrated with this novel quickly, but stuck with it hoping it’d change my mind (or that I’d at least figure it out), but the way that the story was told got in my way. Every time someone makes a decision, or gets a new piece of information, relaying that information/acting on the decision is put off for a day and a half (at least) for alcohol and recreation pharmaceutical use. During that day and a half any number of things can be said/happen that delays the relaying/acting. It is so infuriating. Maybe it’d have been better if the results of the binge-drinking, acid use, cocaine snorting, etc. were amusing or interesting, but I doubt it.

There was every reason in the world for me to get into this book, and I just couldn’t. Maybe it was my mood (I don’t think so, I wanted a book just like this at the time), maybe it was something else outside the book, so that I should recommend this to you all. But I’m pretty sure it was the book this time — if you’ve read this and disagree with me? I’d love to hear why. I wouldn’t mind changing my mind.

Disclaimer: I was given a copy of this book by the author in exchange for my honest opinion.

—–

2 Stars

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