Tag: 3 Stars Page 1 of 54

The Killer’s Christmas List by Chris Frost: There’s Nothing Holly and Jolly About This Christmas

Cover of The Killer’s Christmas List by Chris FrostThe Killer’s Christmas List

by Chris Frost

DETAILS:
Series: DI Tom Stonem, Book 1
Publisher: Harpernorth
Publication Date: October 29, 2024
Format: eBook
Length: 320 pg.
Read Date: December 11, 2024
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A Quick Note

For reasons he’s probably detailed somewhere (and I likely read/heard and forgotten), Chris McDonald wrote this under the pen name Chris Frost (and who knows, McDonald might be a pen name, too). But as he’s not being covert about it (his Twitter account uses both names), I’m going to talk about them as if they’re the same person, because McDonald’s work informs the way I reacted to this.

What’s The Killer’s Christmas List About?

Previous drafts of this have been over-complicated as I explain too much and yet try to be spoiler-free, or they’ve been so bland as to be useless (“A new DI is assigned to a holiday-themed murder. Detecting ensues.”). So I’m going with the crutch of the Publisher’s description of this “anti-cosy Christmas” mystery:

In the picturesque village of Kibblesworth, DI Tom Stonem is dreaming of a quiet Christmas alone.

But in the shadow of the Angel of the North, a body lies waiting. The dead man is posed with a child’s Christmas list in his pocket, and the first mysterious item – 1. No angel – is crossed off.

When a second body is found – a woman, stabbed in the abdomen after her work Christmas do – Stonem is convinced there’s a grim connection between the crime scenes and the seemingly innocent list. 2. Red partee dress. Could this be a murderer’s twisted code?

As a blizzard rages in the Tyne & Wear countryside, the body count is snowballing. Can Stonem stop the killer before they get everyone on their Christmas list?

He’s So Good at This…

This is a minor thing, but Frost is so good at this (like McDonald, see A Wash of Black)—I can think of other examples, too, but few are as smooth as Frost/McDonald is. Stonem is really introduced to us as he arrives on the crime scene as his first day on the job in this station. So we get a blend of our introduction to him, the other officers, and the crime all at once.

The skeleton of the series is established, the kind of detective Stonem is, the identities and character of those he works with, and the kind of crimes we’re going to be seeing—both for the rest of this series and the rest of this novel. It’s so economical, so organic, and efficient that I can’t help but admire it. You start off with the whole world for DI Tom Stonem delivered in a chapter or two, rather than getting it in dribs and drabs like most people do. I have no problem with that approach—but when you see it done like this, it just seems so right.

The Flashbacks

We get regular flashbacks to someone’s childhood throughout the book—it’s a child who doesn’t have a lot in life, and a couple of parents who need financial help, and probably addiction treatment (and a lot more, too). It’s clearly connected to the killings the book focuses on. But, of course, just how it is connected is held back.

As a story-telling tool, I typically don’t like this approach.* It just seems mawkish, usually ungraceful, and I really dislike the way it’s generally used to give us insight into a killer (or someone associated with the crime) without identifiying the person, it just grates on me like nails on a chalkboard**. However, the way that Frost used it ended up really working for me, and was some of the more effective writing in the novel. Good on him.

* I say that, but I probably get sucked in regularly. But at least I don’t think I like this approach.
** Readers of a certain age should ask their parents. And maybe suggest an updated comparison for me to use.

Spoilerish thought, maybe skip this paragraph: This did not go the way that Frost seemed to be telegraphing—it may be that he had a better idea partway through and changed things, but it was probably (and it makes him seem cleverer) that he faked the reader out. A couple of times in the case of this reader. I’m so glad that he did—not just because I enjoy it when an author fakes me out without cheating, but because the way it ended up works so much better than where I thought he was going.

Just how Christmas-y is This?

Not very. Christmas plays a role in motive, and the thing is set in the days leading up to December 25th. But there’s not a very holiday feel to this. Some Christmas mysteries (even involving murder, kidnappings, serial killers, and other acts of violence) still give you a Christmas cheer vibe or something like that. There’s so little of that here as to make it negligible. The holiday is important to the plot, but not to the “vibe,” for lack of a better word.

Basically, read this one whenever you get around to it. You don’t need to sip on egg nog with Andy Williams playing in the background to appreciate it.

So, what did I think about The Killer’s Christmas List?

This is not Frost at his best, I’m sorry to say. Something about the prose felt clunky and occasionally overwritten—maybe Frost and his editor got in some strange groove and didn’t read as critically as they could’ve in the last passes. Was anything so bad that it took me out of the book? No. I winced a little and moved on. But it’s kind of a shame. Also…there were a couple of lines of investigation I just can’t imagine an experienced detective (or one who’s watched more than 3 episodes of Law & Order) didn’t take from the get-go. It didn’t hurt Stonem or his team, it just felt weird not to at least have them mentioned. And I grumbled about it to the book, which thankfully didn’t reply.

But whatever.

The plot though? Really good. Frost’s storytelling makes up for my quibbles—the way he develops the story, the momentum he gathers, and the twists were really nicely done. I’d sussed out the killer ahead of time (but I couldn’t have been wronger about motive)—and Frost convinced me I was wrong until he got to the reveal.

I liked Tom Stonem—he’s not as instantly compelling as Erkia Piper was, but it didn’t take too long for me to appreciate him, and I think in future books, I’ll end up liking him as much as, if not more, as Piper. And I’m really curious about where Frost intends to take him. Some of the rest of the team will be fun to hang out with, too. They’re not the typical detective team that I meet in British Police Procedurals (which frequently feel interchangeable between series).

The Killer’s Christmas List was a solid and quick read that was pretty satisfying. I’m looking forward to more of these.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Real Festivus by Dan O’Keefe: An Explanation for the Rest of Us!

I typically do a Festivus post on December 23, but I couldn’t come up with anything to do this year. However, I did finally get a copy of this book


Cover of The Real Festivus by Dan O'KeefeThe Real Festivus: The True Story Behind America’s Favorite Made-up Holiday

by Dan O’Keefe

DETAILS:
Publisher: Tarcherperigree
Publication Date: January 1, 2005
Format: Paperback
Length: 134 pg.
Read Date: December 21, 2024

What’s The Real Festivus About?

It’s right there in the subtitle, isn’t it? It’s “The True Story Behind America’s Favorite Made-up Holiday.”

In this book you will learn, should you choose, how to celebrate Festivus according to the true and ancient traditions that have guided it since its birth back in the mists of the 1960s. But be warned: the secrets of this book can be dangerous. Do not read it while driving a car; that would be a bad idea. Do not use it to hold down important papers on a desk; it is flimsy and your papers may blow away. If you handle it carelessly, you may sustain paper cuts that are not only painful, but may attract sharks while swimming at the beach. Also, the way things are going in this country, reading books might soon lead to your arrest and a one-way black helicopter ride to some kind of orbital prison, or forced labor on an undersea kelp farm. Depending on the judge you get.

Why is there a need for this book? Well, O’Keefe addresses that right off the bat with his opening words:

So you think the holiday known as Festivus involves a metal pole, do you? Feats of strength? Commercial breaks? WRONG. That’s just the television version. Because a network audience couldn’t possibly have handled the real thing. A family huddled around a table by candle-light one random evening a year, eating and drinking too much, singing in German about a black pig, bitching about people who didn’t like them into a barely functional tape recorder, and displaying obscene, hand-scrawled signs of a political nature.

But if you go beyond simple belief, if you are one of those lost souls who, captivated by the television portrayal of Festivus, actually celebrates the damn thing… what’s up with that? Don’t get out of the house much, do you? Maybe you should get a pet or a hobby or something.* If you don’t already have forty cats in your studio apartment, which will eat your eyes when you die, alone.

*Hard not to take that personally…

He starts with the need for Festivus (a quick critique of some of the major holidays); then moves into the name and what it could mean; its origin; common misconceptions about the holiday (i.e., the Seinfeld episode); and some of the details about the holiday: the floating date, the poems, music, dinner, and gifts; he then details some particular commemorations of the day; and then spends a few paragraphs detailing what the reader needs to pull off an “authentic” Festivus celebration to wrap it up.

So, what did I think about The Real Festivus?

This is not at all what I expected. Sure, I knew the TV version didn’t match up with the O’Keefe family version exactly. But just how little overlap there was (basically: the name) astounded me.

Once you get past the kvetching about the TV Show’s version of Festivus (which seems a little heavy-handed, I have to say, but I think he was going for funny), what this book really is becomes clear. It’s a memoir about an eccentric family’s equally eccentric ritual. Every family has them—the O’Keefes were just nice enough to record them and have one son who achieved enough notoriety to get a publisher to pay for these memories (and the skill to deliver them).

It’s an amusing book infused with a particular kind of sweetness. I don’t know that it’s the kind of thing that will change my Festivus celebrations in the future (I really like the pole), but it’s a rewarding read.


3 Stars

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Tooth and Claw by Craig Johnson: Even in The Arctic, Nature’s Red

Cover of Tooth and Claw by Craig JohnsonTooth and Claw

by Craig Johnson

DETAILS:
Series: Walt Longmire, #.5
Publisher: Viking
Publication Date: November 19, 2024
Format: Hardcover
Length: 189 pg.
Read Date: November 28, 2024
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What’s Tooth and Claw About?

After his time with the Marines is over, Walt needs to get away from people, society, anything that makes him think of Vietnam and what he witnessed there. He also wants to get away from what he knows–and what fits that description better than Alaska? He takes a job working security on an oil field, replacing someone who’d killed himself.

He also finds himself drinking. A lot. There’s not much to do when he’s not on the job—and you get the impression he can do a lot of it with a little bit of a buzz on.

We encounter Walt in this state as Henry comes up to visit–he’s concerned about what Walt’s doing to himself (as is Walt’s former fiance, Martha). Henry shows up at the end of December, when there are very few hours of daylight each day up by the Arctic Circle.

Henry’s a little bored, truth be told, so when Walt finds the opportunity to take him along on a quick research trip to help keep a scientist safe they go.

The day trip doesn’t go the way they expect (naturally). Instead, the friends find danger, a blizzard, a large polar bear (even by polar bear standards), a ghost ship, and some garden-variety human evil.

So, what did I think about Tooth and Claw?

This quick novella was fine. Walt and Henry against nature—weather and animal—isn’t exactly new territory, but Alaska isn’t what we’re used to seeing from them. It makes Wyoming look crowded. It’s a bit more extreme than we’re used to for them.

Add in a bunch of people we don’t know and a ship out of legend, and you’ve got something even better. There’s a potential supernatural element here–and the story works either way you approach that element.

It’s not a perfect read. The criminal activity seemed a bit perfunctory—and really didn’t add much to the novella, I might have appreciated the novella more without it. I don’t know that Johnson sold Walt’s drinking as being as much of a problem as Henry and a couple of others made it out to be.

But for what it is—a quick thrill-ride and a look at young-Walt, it’s good. There are some entertaining moments, it’s good to see these two in another environment. There’s at least one character I’d like to run into again.

It’s not a must-read for Longmire fans or the best introduction to the characters—but it’ll please longtime fans and should whet the appetites of new readers for the full novels. That’s good enough, right?


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: The Box by Jo Linsdell: Imagination + Cardboard

Grandpappy's Corner Logo with the Cover of The Box by Jo Linsdell

The Box

by Jo Linsdell

DETAILS:
Publication Date: March 14, 2024
Format: PDF
Length: 44 pg.
Read Date: November 13, 2024

What’s The Box About?

This is a glimpse into some of the many ways a boy uses a box to play. His imagination fuels his useage and we get a little glimpse into what he sees—like pirate ships or caves—that box becoming.

Let’s Talk about the Art for a Minute

This is just cute. That’s all there is to say.

I really liked the way that Linsdell superimposed a drawing of whatever it is the boy is imagining (e.g., a robot or treasure chest) on top of the box.

How is it to Read Aloud?

It’s pretty straightforward, the text is really about getting the child you’re reading to to pay attention to the pictures and get their imagination going.

There’s a refrain repeated throughout. Initially, I thought Linsdell overused it. But then I realized it would function as a line that a child would pick up on and chant along with whoever’s reading it. It’s also the kind of phrase that you and/or the kid could use during play as well. So, whatever reflex I had about the frequency was off.

So, what did I think about The Box?

Anyone who’s had—or known—a small child (or a cat), knows that for certain ages a cardboard box is far more entertaining than the toy inside. This little book is a good reminder of that time (for us older readers), and either an encouragement for younger readers to do similar things—or to be reassured that they’re not alone in using boxes for many, many ends.

It’s a cute read, it’s a quick one—one of those books that the pictures and the ideas within are far more important than the story or text.

It’s worth your time, and I bet it’ll make a fan of younger readers.

Disclaimer: I received a copy of this book from the author for this Tour.


3 Stars

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Pupposites Attract 1 by Hono Natsuna, Matt Trayvaud (translator): And They Called It Puppy Love…

Cover of Pupposites Attract 1 by Hono NatsunaPupposites Attract 1

by Hono Natsuna, Matt Trayvaud (Translator)

DETAILS:
Series: Pupposites Attract, #1
Publisher: Kodansha Comics
Publication Date: August 6, 2024
Format: Paperback
Length: 160 pg.
Read Date: October 19, 2024
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What’s Pupposites Attract 1 About?

This is the story about the beginning of a relationship—two really. Boy walking dog meets girl walking dog. It’s sort of like when Roger Radcliffe and Pongo met Anita Dearly and Perdita for the first time, just not quite as calamitous (still, I don’t know someone doesn’t think of that scene—especially someone whose children were obsessed with the ’61 animated version).

Kiyotaka’s a big guy, a little on the shy side—his dog Monjuro is a little Pomeranian who is nothing but adorable fluffiness and outgoing energy. Chiharu’s a bold extrovert and her Rottweiler, Tsubu, is a gentle giant (who may tend toward a nervousness that feels out of place for such a big guy).

A few chance encounters mark the beginning of a friendship between the two humans—and between the two dogs. The dogs seem to know before the humans do that there’s more going on between them than friendship—or at least that there should be. Although, most of the humans we see realize that about Chiharu and Kiyotaka, too—so it’s not (necessarily) that the dogs who know them best are really that insightful, it’s just these two kids are kind of clueless on this front. Which is its own charm.

That’s basically the story so far.

Translator’s Notes

Following the story, we get some character design sheets and a few pages of translator’s notes which talk about some of the cultural background, explain the dog names (although the story itself does a pretty decent job of that), and things of that nature. Most of the translator’s notes didn’t help me too much—but those that did were great. (and I expect other readers will have the opposite reaction to me) Regardless, it’s a nice tough for people who may not be all that familiar—or familiar at all—with manga.

Like me.

A Little Word About the Art

It was good—nothing that blew me away, but I enjoyed it.

I think that Kiyotaka could be drawn a bit more consistently, but maybe I’m missing something (that’ very likely). The dogs were drawn perfectly—they’re so adorable that you want to take them home—or at least roll around on the ground and play with them regularly.

Hono Natsuna nailed depicting the emotions, both human and canine. That can be tough to convey, but there were many scenes where the text really wasn’t needed to tell the story in addition to the art.

So, what did I think about Pupposites Attract 1?

This is a cute little story, you could tell from the beginning (or from the blurb on the back) where things were going—it’s not the kind of thing you read to find out what happens, but to enjoy while the obvious takes place. As such, it worked well. You don’t need surprises or twists as long as someone tells a good story well—and Hono Natsuna did that.

It’s just as heartwarming as you want it to be. The humans are sweet and bad at relationships, so it’s amusing to see them fumble along. The dogs are…well, you all know I’m a sucker for a good dog character, and these two deserve all the scritches, belly rubs and treats they can handle.

I picked this up thanks to this post from Twirling Book Princess, and seeing it on the shelf of a bookstore I was using a gift certificate at the following weekend. It’s really out of my comfort zone—honestly, it’s the first manga I’ve done more than flip through, in addition to being a Romance. But I’m glad I saw TBP’s post and took a chance. I had fun, and pretty much have to keep going with the story.

I would’ve liked a bit more substance, a bit of meat to chew on—this is very airy, very light. But I have to think that’s a function of genre. The story doesn’t need it, I’d have just liked it.

Regardless—if you’re looking for something light, sweet, feel-good, and quick to read, give Pupposites Attract. I can’t imagine you won’t be satisfied.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Heart of Fire by Raina Nightingale: A Mixed Bag with Cool Dragons, Some Good Characters, and a Lot of Promise

Cover of Heart of Fire by Raina NightingaleHeart of Fire

by Raina Nightingale

DETAILS:
Series: Dragon-Mage, Book One
Publication Date: April 16, 2023
Format: eBook
Length: 278 pg.
Read Date: August 12-14, 2024

What’s Heart of Fire About?

I can’t quite talk about the story of the book without saying something I shouldn’t, so, I’ll let Nightingale describe it:

Camilla has always been told that humans are inferior. They cannot use magic. If they bond to dragons, they will doom the creatures to extinction. She has never believed a word of it. She has always known that she can use magic, and she suspects it is the elves who harm the dragons by keeping them to themselves. Now, she is presented with the opportunity of a lifetime: a dragon’s clutch is hatching and while she will earn the wrath of her captors if she is caught, she has the chance to see a dragon hatch and perhaps even to Recognize.

Kario’s people have feared dragons since time immemorial. When an unrealistically huge black dragon flies in while she is hunting, she is certain she will die. Instead, her life is changed when Nelexi, Obsidian Guardian of Areaer, chooses her as her final rider. Kario takes the name Flameheart, but she is soon homesick and afraid that she is insufficient to be the partner of a god.

The Good

First off, the dragons are cool. You give me cool dragons and I’m going to let you get away with a lot.

I think this world is fantastic. I love the relationships between dragons and riders—the bonds between them, and how they communicate with one another. I like a lot of the suggested ways that dragons and riders change and evolve over time.

I think the geo-political and racial relationships are intriguing—and how people on different continents relate to dragons (and many other creatures, likely). The elven-human dynamic is something I really want to see developed.

I think Kario is a fasctinating character and I relished the bits of time we got with her and Nelexi—I wanted more.

The Bad

I don’t think that Nightingale brought everything in her mind onto the page. She clearly has a lot of this world worked out in details that there’s no way to communicate. Every author has those—that’s not what I’m talking about. But in the Preface, she talks about having two of the characters in her mind since childhood—she knows them well, she understands their story in a way that many authors would likely envy. But—this is just a guess—I think she knows the story so well that I don’t think she realized she didn’t give her readers all the details we needed to follow.

I stopped writing things like “so, I missed something?” or “how did we get here?” after a bit. I just couldn’t follow good chunks of both storylines—but Camillla’s more than Kario’s.

Although—and this gets us on to the other “Bad” topic—I’m okay with not following Camilla’s because I just couldn’t like her. She was petulant, self-centered, egotistical, and short-sighted. All these are things that can be grown out of, and I’m not suggesting protagonists have to be likable. But I didn’t want to spend time in her head—it’s just a nasty place. Her dragon, Radiance, was fine. Her brother seemed okay—as did the other dragon rider with them (I’m going to leave names out because it feels like something you need to learn as you read)—although there’s room for some personal growth there, although I think that character has made the right kind of strides on that front so you can root for them.

But Camilla? I really hope in the next book in the series, she’s grown up a lot.

So, what did I think about Heart of Fire?

Nightingale swung for the fences with this one, you can practically see the effort on the page as you read. But I think she missed too many of the pitches she took, and foul-tipped pretty frequently when she made contact. But she got on-base enough to stay in the game, and even to chalk up a win. That’s the end of the baseball metaphors, I promise.

There’s so much promise in this book—and enough delivery on them to come back for the second volume. But not enough to be enthusiastic about it. I do want to know what happens, and I think most who read this will share in that.

Also, cool dragons. Can’t overlook that.

The parts of the book that worked—worked pretty well, and made me want to keep going. Still, I can only give this the most lukewarm of recommendations—I know I’m in the minority when it comes to this book—go read what others had to say about it.

3 Stars

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Pictures by J.R.R. Tolkien: A Nice Bit of Insight into Middle Earth

Cover of Pictures by J.R.R. TolkienPictures by J.R.R. Tolkien

DETAILS:
Publisher: William Morrow & Company
Publication Date: November 16, 2021
Format: Hardcover 
Length: 104 pgs.
Read Date: September 21, 2024
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Why this Book Today?

Last Spring, I read Lashaan Balasingam talk about this book at Roars and Echoes and put it on a wish list instantly. I was given a copy of it last year, but aside from glancing through it then, I hadn’t taken the time to really sit down with it. But with Hobbit Day yesterday, I made time Saturday to do just that—so I could post about it today (and maybe add this and some other things to a recurring thing like I do with Towel Day).

You should really see what Lashaan had to say about it, not only does he do a (typically) better job of it than I’m about to, but he liked it a lot more than I did.

What’s Pictures by J.R.R. Tolkien About?

Well, it’s pictures drawn by Tolkein in his spare time—when he wasn’t teaching, creating new languages, writing epic fantasies, or smoking his pipe (well, he probably did both of those at the same time).

The Publisher describes it this way:

With Christopher Tolkien as your guide, take a tour through this colorful gallery of enchanting art by J.R.R. Tolkien, as published originally in the first groundbreaking Tolkien Calendars of the 1970s.

This collection of pictures, with a text by Christopher Tolkien, now reissued after almost thirty years, confirms J.R.R. Tolkien’s considerable talent as an artist. It provides fascinating insight into his visual conception of many of the places and events familiar to readers of The Hobbit, The Lord of the Rings, and The Silmarillion.

Examples of his art range from delicate watercolors depicting Rivendell, the Forest of Lothlorien, Smaug, and Old Man Willow, to drawings and sketches of Moria Gate and Minas Tirith. Together they form a comprehensive collection of Tolkien’s own illustrations for his most popular books.

Also included are many of his beautiful designs showing patterns of flowers and trees, friezes, tapestries, and heraldic devices associated with the world of Middle-earth. In their variety and scope, they provide abundant visual evidence of the richness of his imagination.

This enchanting gallery was personally selected by Christopher Tolkien who, through detailed notes on the sources for each picture, provides unique insight into the artistic vision of his father, J.R.R. Tolkien.

How’s the Writing?

Well, it’s pretty bland. It’s just straightforward descriptions of the pictures, where it came from, where it was originally published—who added color (sometimes), and so on.

It’s not bad, it’s not good—it’s just there. And that’s good enough, this isn’t supposed to be about Christopher Tolkien’s wordsmithery—this is about the pictures.

How’s the Art?

Well, I think it’s clear why we think of Tolkien as a writer, scholar, and storyteller and not a visual artist. Don’t get me wrong—I can’t hold a candle to his drawing. But it’s nothing stellar.

But it does deliver the flavor of Middle Earth and its denizens in a way the books can’t quite manage (or does manage, in a different way). You get a real sense of the scope and scale of the world. It’s clear that Jackson and his team spent some time with Tolkien’s art and drew a lot from it—and you can see why they’d want to (beyond just trying for authenticity). I did like it—and could easily spend time studying the details.

Lashaan’s post has a couple of samples if you’re curious. But honestly, if you’re basing getting your hands on this book on the quality of the art, you might be missing the point. (still, check out the samples to get a feel for it)

If you want great fantasy art, may I suggest starting with Larry Elmore, Chris McGrath, or Isabeau Backhaus? But there’s something about seeing it from the hand of the creator, you know?

So, what did I think about Pictures by J.R.R. Tolkien?

As a book, it’s…fine. As a collection of pictures, it’s…nice enough. As a way to get to know a different side of Tolkein and how his brain, his creativity, and his personality worked? It’s pretty cool. I’d love to see sketches, drawings, and even paintings by other authors to get inside their heads (okay, no one wants inside Thomas Harris’ mind, but you know what I’m saying. Keep the visuals for Hannibal and the rest locked away.)

Am I glad that I own this? Yes. Am I glad that I finally got around to taking it out of its slipcase and really worked through it? You bet. Am I just a little underwhelmed by the whole thing? Yup.

But I will return to flip through it and pour over the contents repeatedly.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ: Gentle and Lowly by Dane C. Ortlund: An Encouraging Look at the Heart of Christ

Nothing against this book, but I don’t have a lot to say, but I promised myself I’d do better about posting in this genre, so here we go.


Gentle and Lowly

Gentle and Lowly: The Heart of Christ for Sinners and Sufferers

by Dane C. Ortlund

Kindle Edition, 224 pg.
Crossway, 2020

Read: January 3-10, 2021
Grab a copy from your local indie bookstore!

What’s Gentle and Lowly About?

We are not focusing centrally on what Christ has done. We are considering who he is. The two matters are bound up together and indeed interdependent. But they are distinct.

…It is one thing to know the doctrines of the incarnation and the atonement and a hundred other vital doctrines. It is another, more searching matter to know his heart for you.

Where most books on Jesus Christ focus on His work or nature, Ortland focuses on who He is—what He’s revealed to His people. As you might guess from the title, he focuses on Matthew 11:29 the phrase, “I am gentle and lowly in heart,” in particular. But he develops the idea through numerous Gospel passages.

Ortland does spend time on the Spirit and Father, showing how they are both revealed to have a similar heart. He follows that up with material from the Epistles, focusing on the Risen and Ascended Christ, still displaying the same care, the same heart for His people.

Standing on the Shoulders

In this study, Ortlund draws on insights from the Puritans Thomas Goodwin, Richard Sibbes, and John Owen (some others, including some relatively modern writers, too). Naturally, I found this material very rewarding. Ortland takes his cues from the best of the English Reformed tradition and it shows in his work.

I do sort of wish that the footnotes pointed to things other than various authors collected works, I think in some cases the material is available in other editions, and it’d be nice if it was easier to find, he makes you want to read more by these men on those topics. But that’s beside the point.

So, what did I think about Gentle and Lowly?

“Gentle and lowly” does not mean “mushy and frothy.”

But for the penitent, his heart of gentle embrace is never outmatched by our sins and foibles and insecurities and doubts and anxieties and failures. For lowly gentleness is not one way Jesus occasionally acts toward others. Gentleness is who he is. It is his heart. He can’t un-gentle himself toward his own any more than you or I can change our eye color. It’s who we are.

There’s nothing revolutionary to be found here, but there’s good, solid, reassuring material. It’s impossible to read this book and not be encouraged to draw near to Him and taking His yoke. It’s an easy read, very accessible, and one that’s well worth your time and attention.


3 Stars

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This Is Who We Are Now by James Bailey: A One Corvette Short of a Textbook Mid-Life Crisis

Cover of This Is Who We Are Now by James BaileyThis Is Who We Are Now

by James Bailey

DETAILS:
Publication Date: October 23, 2023
Format: eBook
Length: 240 pg.
Read Date: July 23-24, 2024

“Sorry.”

“For what?” Her honey brown eyes are equal parts amused and curious when she looks up into mine.

I don’t have an answer. Sorry is just a word you say when you have nothing substantive to offer. I’m sorry you missed your bus. I’m sorry your boss was in such a foul mood. I’m sorry everyone is such assholes these days. I didn’t cause any of these problems, and I can’t make any of them better, but I can offer you some useless empathy. I’m sorry your life didn’t turn out to be more fulfilling. Rest assured, however, in a parallel universe in which we didn’t break up, you’re happier. Maybe. And I’m sorry if you’re not. Or at least the parallel me is. He’s the one that let you down there.

What’s This Is Who We Are Now About?

Henry drags his wife and sons to his parents house for a few days. One son doesn’t want to leave his girlfriend behind, his wife is trying to finish organizing a charity activity that takes place while they’re away, and Henry really doesn’t want to be there because his family will be celebrating Henry’s 50th birthday.

When they arrive, his parents are having a yard sale, selling a lot of memorabilia from Henry’s childhood and he’s upset by that. A rivalry with his brother reheats, and he keeps running into his incredibly serious high school/college girlfriend.

Things go bad with his wife, his brother, his parents, and his kids. Henry repeatedly tries—and sometimes succeeds—to keep their connection alive. But the challenges (many self-created) continue. Can Henry make it through the visit with his family intact? Is it too late to come-of-age when you’ve hit 50?

So, what did I think about This Is Who We Are Now?

I can defend everything I’ve done since we arrived. Even the worst of Denise’s complaints, in isolation, would be waved away by most objective observers. Collectively, however, maybe it’s not a body of work to stake a flag in. Maybe the picture when all the dots are connected isn’t a flattering one.

I have struggled with this post—especially because I’ve had to write it in bits and pieces over a couple of weeks, which I do often enough that’s not the issue. But I keep changing my mind about the book every time I write—which leads to a lot of editing, re-editing, re-re-editing, and I just give up and walk away.

Even when Henry was making it really easy not to like him (which was often), there’s something very charming, very effortless, and pretty entertaining about this book. His moments with his sons would largely make you wonder why his family is in such a precarious state—then you remember he doesn’t have/make/take the time when they’re at home to be this kind of dad. Then there’s everything he says to, reacts to, or treats Denise…it’s just painful.

I thoroughly enjoyed everything about Henry’s sister, Margo, on the other hand. Her strengths, her bad decisions, and how she reacts to them are easily the saving grace of the novel.

I enjoyed this novel while reading it. But I haven’t been able to decide what I think about almost any part of it that doesn’t involve Margo or Henry’s kids. I think that says something about how realistic Henry, Denise, and their problems and family are. But I don’t know how real I want a book like this to be.

I like Bailey’s writing, I think he’s amusing enough when he wants to be, he gets you invested in his characters, and I wanted to like this a lot. But at the end of this day, I like it just enough to recommend it (most days, other days I could like it a lot more or a lot less).


3 Stars

20 Books of Summer

Bizarre Frontier Omnibus #1 by Brock Poulsen: Death Doesn’t Stop this Marshall

Cover of Bizarre Frontier Omnibus #1 by Brock PoulsenBizarre Frontier Omnibus #1

by Brock Poulsen

DETAILS:
Series: Bizarre Frontier, Omnibus #1
Publication Date: October 20, 2021
Format: Paperback
Length: 349 pg.
Read Date: August 5-6, 2024

I hate dying. It usually hurts something awful and ruins my whole day. I avoid it whenever possible.

What’s Bizarre Frontier About?

This is a collection of the first three novellas in Poulsen’s Bizarre Frontier series. This series focuses on the adventures of the former Deputy Marshall, Willard Beckett. He didn’t always wear a “white hat,” back in his black hat days, he was cursed by a dying Romani woman. He can’t stay dead. He can die, he can go through all the pain and suffering before death—but he shakes it off after a little while.

As curses go, it’s not the worst, actually.

On Moths

In the first novella, we meet Beckett and learn about his, um, condition.

As any “retired” protagonist in a Western starts, Beckett is living alone, away from everyone else, self-medicating and merely existing. His wife divorced him, he lost the taste for the work (or so I assume, I don’t remember it being spelled out), and really doesn’t have much purpose in life. Until, of course, his old boss comes for help. It seems some brothers that he ran with are causing problems in a local mining town and they can’t be stopped.

The funny thing about that situation, those brothers were killed by the aforementioned Romani woman.

Hanged Man’s Boots

After finding out how those brothers got in the position where they could terrorize the town, Beckett and his ex-wife, Sue, learn that the man behind it all is cutting a swath of destruction behind him as he tries to escape justice. Can the pair stop him?

Husk

The big hook to this one comes from Willard not doing something I’d assumed he took care of in between novellas. And the fact that he didn’t made me roll my eyes pretty hard. Yes, he justified his lack of action to someone later in the novella—and it’s plausible, but I still don’t buy it. Still, without his being careless, we wouldn’t have gotten this story.

It begins with Willard going off to take care of the repercussions of his carelessness and Sue having to go rescue some of her sister’s sheep following a storm and her brother-in-law coming into close contact with a monster (or so he claims and not enough people believe).

Craziness and action ensue. And while the last novella brought the pair into contact with evil made stronger by the supernatural, this one brings them into some supernatural mayhem. It’s hard to argue which is worse

The Strangest Bit

For me, the thing that was stranger than Willard’s curse—or anything else he ran into—was the way he (and everyone else) called the woman who cursed him (and her family) Romani instead of that term that I grew up hearing. I’m not complaining about it—if I’m buying a Deputy Marshall who can’t stay dead for long, I can buy a degree of cultural sensitivity that is just as out of place.

It just took me a second to accept it. But honestly, I like the fact Poulsen made that choice, he didn’t need to.

So, what did I think about Bizarre Frontier?

These stories are light on the Western and heavier on the Urban Fantasy—which is fine with me, if you forgive the anachronistic nature of that. They’re Western enough to qualify, but by a hair—they remind me of the Bodacious Creed Zombie-Steampunk-Westerns in this way. (and actually fans of one of these series, should check the other out)

I wouldn’t mind a little more depth to each of these, but I don’t think they need much more. They work really well for what they are—quick, episodic, adventures with just enough of a tie between them to keep readers coming back (if you get them individually) or to carry you through the omnibus (if you go that way).

There’s a lightness to the prose that keeps it engaging and fun even in the midst of monsters, death, and mayhem. The action is smooth, the recurring characters are fun and I can see hanging out with Willard and Sue for quite a while to come. I’d like to see them deal with something that has no contact with anything they’ve encoutered yet—but if Poulsen keeps going down this path, I’m not going to complain.

I will be back for more as soon as I get a chance. It’d be nice if there was a second omnibus (I mention in case Poulsen reads this), but it looks like I’ll be picking up the novellas at my earliest convenience. I’d recommend you trying these yourself.


3 Stars

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