Tag: 4 Stars Page 17 of 83

PUB DAY REPOST: The Lost by Jeffrey B. Burton: Mace and Vira Race the Clock to Find a Kidnapped Girl

I was interrupted more than usual while writing this post by one of my dogs seeking attention. “Could I give you scritches later, girl? I’m trying to talk about fictional dogs,” is a strange mind space to be in.


The LostThe Lost

by Jeffrey B. Burton

DETAILS:
Series: Mace Reid K-9 Mystery, Volume 3
Publisher: Minotaur Books
Publication Date: June 27, 2022
Format: eARC
Length: 288 pg.
Read Date: June 16-17, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s The Lost About?

Mace and his dogs are moving in different circles after the events of The Keepers, and get called to help the FBI look for a missing mother and daughter—they were kidnapped after a home invasion went wrong. Their husband/father, financier Kenneth J. Druckman, was beaten and left behind. It’s up to Mace and Vira to give them a lead.

Sadly, it doesn’t take long for Vira to find the mother’s body on Druckman’s land, or for her to act like Druckman did the killing. It’s not like Mace can just point at the billionaire and shout, “J’accuse!” He’s going to need to find more than the word of his young dog—he also needs to help the FBI (if he can) to find the five-year-old girl before it’s too late.

Kippy Gimm (now a detective) and the rest of Mace’s dogs are, of course, in on this, too.

Non-Mace Perspectives

Typically, I’m not a fan of a first-person narrated book frequently switching to the third person—usually the killer. It doesn’t turn me off of a book, but I really don’t enjoy it. Burton, however, has done a better job of it in this series than most authors. I don’t know that I can say that I’ve enjoyed every instance of it—but, unlike most, in the previous two books in this series, those sections have added to the novel.

That really doesn’t sound like a compliment, but it was one.

In The Lost, most of those scenes/chapters are essential. The way this novel is set up—and the crimes perpetrated by the various criminals involved (and there are a handful)—necessitates that we see things from several perspectives that aren’t Mace’s. There’s just no way that he can find this information (he doesn’t require it, but the reader is going to demand to know what’s going on)—and it’d take months of investigation after these events for the FBI to figure some of this out (assuming they’d try).

The later in the book we get, the better these non-Mace portions get. Particularly those from the daughter’s point of view, they brought a lot to the table and got me really invested in these characters.

I still think I’d prefer more Mace and less of everyone else in future books in the series—but The Lost really shows that this approach can work. It also underlines how good at it Burton is.

So, what did I think about The Lost?

I’m not sure how the space is given to the non-Mace perspectives in this book compares to the previous novels, but it’s significantly more—that alone makes this novel feel different. The fact that many/most of those sections of the book take place prior to Mace’s involvement with the Druckman family also contributes to that feeling. I appreciate the fact that Burton’s doing things in Book 3 to make sure the series doesn’t get in a rut.

Sure, it’d be a fine rut to get stuck in and I’d have gladly read more books that were structurally similar to The Finders and The Keepers.* But I’m glad Burton made the step now and didn’t wait until he needed to shake things up.

* I read The Keepers a year ago and didn’t get the title until right this moment. I’m not too proud to admit that.

I’m not sure that we needed to learn about Kippy’s job woes at this point—it didn’t have an impact on this book, as FBI-centric as it was. It might have been better to talk about her difficulties with her new assignment when it’d have a bearing on the plot, and wouldn’t risk feeling like a repeat when it does come up. It’s not a good position for her to be in—I don’t want to minimize that—I’m just not sure the reader needed to get that information now, I don’t know what we’re supposed to do with it. As complaints go (and I think it’s the only one I had with this book), that’s a pretty minor one.

The pacing on this is strong—we hit the ground running with Mace and Vira at the beginning and we really don’t stop. There isn’t a lot of time here for contemplation and rumination—it’s not a breakneck speed, but it’s a steady jog. Again, it shows that Burton’s doing something different in this book.

I feel like I’m spending too much time talking about how different The Lost is from the other books—and I don’t mean to harp on it, I’m just commenting on the various ways it is. I don’t know that readers who aren’t writing about the book are going to spend that much time thinking about it—I think they’ll note the freshness of it, they’ll feel the overall effect, though. I’m not saying it’s better or worse than the other two, just appreciatively different. And that’s a nice thing.

As always, any time spent with Sue, Maggie May, Delta Dawn, Vira, and Billie Joe is a boon. They’re a fun pack of animals to read about—and I’m already looking forward to their next adventure. Mace and Kippy are good, too—but we all know who the stars are here.

This would be an okay jumping-on point to the series, I’m not sure you’d get the full idea of Vira’s special talents—but that’s okay, it’s not required to appreciate the books. The important thing is that mystery readers—particularly the dog-loving kind—jump on to the series at some point.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

A Wash of Black by Chris McDonald: This is How a Series Should Start

A Wash of BlackA Wash of Black

by Chris McDonald

DETAILS:
Series: DI Erika Piper, #1
Publisher: Red Dog Press
Publication Date: January 27, 2020
Format: Kindle Edition
Length: 218 pg.
Read Date: June 17-18, 2022
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What’s A Wash of Black About?

A year ago, DI Erika Piper was assaulted in the course of her duties, she survived, but it was close. It’s her first day back to work, and it’s a doozy.

A famous actress has been murdered and her body was essentially left on display. It’s a recreation of a very famous scene from a movie she starred in—the same way her character was killed. Well, almost. The film version departed from the novel it was adapted from on a couple of points—this crime scene is loyal to the book. The publicity around this case is going to be huge—as will be the pressure to solve this quickly.

Is this a personal grudge against the actress disguised to throw off the police? Is this a crazed fan paying a gruesome tribute to the actress/movie/novel? Is this someone working off some other twisted purpose hiding it beneath the spectacle?

This killer isn’t satisfied with one murder—and soon it appears the killer has Piper herself in their sights.

DI Erika Piper

Piper arrives in this book nearly fully-formed, sure, there’s room for development and growth in the books to come—but as a character, she’s fully fleshed out. She has a past (that we get a glimpse of), well-established relationships with fellow detectives, her superiors, crime scene investigators, coroner, and so on—as well as a full personal life.

Frequently we get these layers a little at a time with a series like this, and only after a few books, do we get to see the character’s entire world (or at least a good deal of it). McDonald doesn’t go that route, we could be reading the 4th or 8th book in the series, not the first. I don’t mind taking the former route with a character—and I understand why authors might make that choice—but I love it when an author successfully pulls off what McDonald did here.

She might be physically ready to come back to work, but she’s not fully ready on the psychological front (it’d be easy to argue she never will be). I don’t think she came back too soon, but she has some work to do on that front, and it was great to see a character actually do that work rather than the typical “detective does just enough to get the shrink to sign off on their return to duty.”

I particularly enjoyed the relationship Piper has with DS Liam Sutton. They work so well together, and their interactions and rituals bring this part of her world to life. I’m hoping to see more of that in the books to come.

A Mistake or a Red-Herring?

I don’t know about you, but I frequently find myself talking back to books when characters are making mistakes. Boy howdy, did I mutter at Piper a lot about one thing. There’s a witness that I (based on my extensive training and experience as a reader of procedurals) figure should’ve been talked to right away. And Piper and the other detectives ignore them.

Now, was this an oversight on McDonald’s part? Should Piper have tracked this person down? Is this a red herring designed to trip up readers like me?

I’m going to assume it’s the latter—although it could also be a sign that Piper’s a little rusty. Either way, it drove me nuts.

So, what did I think about A Wash of Black?

I had such a great time with A Wash of Black. It hit the spot just right—well-executed and satisfying. It’s not reinventing the wheel, there’s nothing revolutionary about it. It’s a solid, confident police procedural that delivers all the twists and complexity that the genre demands—with a good cast of characters, an engaging protagonist, and a compelling killer. You don’t need to be flashy or to subvert conventions or anything when you get everything as right as this one does.

I said it above, but it bears repeating—there’s no indication that this is the first in the series—or a debut for the novelist. McDonald approaches this with the assurance of an established writer. It shouldn’t need to be said, but just to be safe, I will—this is not the same kind of book as his Stonebridge Mysteries, and it takes no time at all to see that. Don’t go looking for anything cozy here.

I’m eager to come back for the second, Whispers in the Dark, in a couple of weeks. In the meantime, I heartily recommend this to you.


4 Stars

20 Books of Summer

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An Explorer’s Guide to John Calvin by Yudha Thianto: Calvin 101

An Explorer's Guide to John CalvinAn Explorer’s Guide to John Calvin

by Yudha Thianto

DETAILS:
Series: Explorer's Guides Series 
Publisher: IVP Academic
Publication Date: July 11, 2022
Format: eARC
Length: 256 pg.
Read Date: June 12-19, 2022
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What’s An Explorer’s Guide to John Calvin About?

IVP Academic’s website describes the Explorer’s Guide Series as:

Anyone who has ventured into new territory knows the importance and benefit of having an experienced guide. Discovering the classics of Christian theology is no different.
The Explorer’s Guide Series acts as a guide for those who are exploring some of the great Christian texts and theologians from the church’s history.
Written by scholars with years of expertise, these volumes will acquaint readers with the sometimes unfamiliar context in which these classic texts were written and help readers navigate the rich yet often complex terrain of Christian theology. New and experienced readers alike will benefit from these volumes as they continue on their journey of faith.

This volume focuses on John Calvin, the Genevan Reformer. Yudha Thianto has been introducing students at Trinity Christian College to Calvin for years. Now he aims to bring an accessible overview of his life and thought through this book.

Part One: Calvin the Man

The first part of this book focuses on the historical context and the person of Calvin. Why do people still read him today? Why is he so important—or at least why is he regarded as such?

After sketching out why Calvin’s worthy of study, Thianto gives a brief (34 page) biography of Calvin. I’ve read a handful of full-length biographies of John Calvin, and I learned a thing or two from this.

Thianto follows this biography with a FAQ about Calvin—addressing several important questions and controversies about him and his teaching. Several parts of that FAQ were impressive, and I appreciated his approach to it (he did duck a couple of typical controversial points that are brought up—but it’s safe to argue that those are for less introductory works). Then he spends a chapter focusing on Calvin as a pastor. It covers some of the material from the biography, but from a different angle—and it covers a lot of additional material, too. Whatever Calvin’s legacy may be, this chapter addresses what was likely the most important part of his life to him.

Part Two: A Guide to The Institutes of the Christian Religion

A little more than half of the book is spent on the book Calvin’s best known for. Thianto spends a chapter talking about the different editions the book went through, where Calvin was in his career when each was written, and discusses some of the major differences between editions.

The final version was the 1559 edition, which is composed of four books/parts. Thianto spends one chapter on each book—describing the flow of thought, some important arguments made, and the major doctrinal teachings.

This is not an easy work to summarize and condense into a little over 100 pages, and I’m sure some will say Thianto glossed over or skipped something important—he undoubtedly did. But he also covered most (if not all) of the essentials). Something like this part of the book would be great to have for someone diving into the book for the first time.

So, what did I think about An Explorer’s Guide to John Calvin?

First, I really like the idea for this series, and hope to get my hands on other volumes. Naturally, I think someone as ill-understood and intimidating as Calvin is a good subject for this kind of book.

I appreciated Thianto’s approach to Calvin, the misunderstandings surrounding him (although he doesn’t cover all of them), and his writings. His experiences in the classroom have given him a solid understanding of those things that need to be covered for someone’s initial/early exposure to the Reformer, and it shows.

As this is supposed to be a guide for those with little-to-no exposure to Calvin, I can’t complain about the lack of depth displayed on some issues—and I really wouldn’t want to, anyway. The only thing that jumped out at me to make me wonder about the book is a point in the conclusion where he suggested that different beliefs about the Trinity are equivalent to differences regarding sacraments or predestination and that Calvin would see them as such. It was a minor point in the conclusion, and I think the overall point was sound—but the Trinity isn’t something Calvin would put on the same level as a debatable point of doctrine.

This is a great resource—a fantastic introduction to Calvin and a handy guide to reading the Institutes for yourself. If you’re curious about Calvin and don’t want to do the heavy lifting required by a full biography and/or reading his Institutes, I’d strongly recommend picking this up and giving it a read (and hanging on to it for future reference).

Disclaimer: I received this eARC from InterVarsity Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Holy Chow by David Rosenfelt: Keeping the “Semi” in Andy’s Semi-Retired Status

Holy ChowHoly Chow

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #25
Publisher: Minotaur Books
Publication Date: July 5, 2022
Format: eARC
Length: 304 pg.
Read Date: June 20, 2022
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What’s Holy Chow About?

About a year ago, Rachel—a new widow in need of a companion—came into the Tara Foundation’s dog rescue facility and fell in love with a Chow Chow named Lion (who reciprocated)—Andy remembered her fondly. Then she calls out of the blue with a favor—will Andy take the dog if she dies and her stepson, Tony, can’t/won’t take the Lion?

Andy says of course he will. Within a week, Rachel’s been murdered and Andy learns more about this woman. She was rich, in an eye-popping kind of way, and Andy is told to come to the will reading. He’s confused by this, but assumes it has to do with taking possession of Lion (just in an unusual way). The reading is interrupted by the police coming to arrest that stepson for her murder.

Andy visits Tony and decides to take his case—for solid, evidence-based reasons, and not at all because he seems like a nice guy, his Great Dane mix had recently died and he’s excited to take Lion. Okay, that’s not true—Andy smells something off about the case, but it’s (naturally) because Tony’s a nice, dog-loving guy.

The police and prosecution are presenting this as a case of an heir being angry at the size of their inheritance. But Tony doesn’t have a history of being that interested in money. Andy wonders if the murder might have something to do with the fact that Rachel had been taking an interest in her late husband’s company’s day-to-day activities lately. Or is there maybe something else afoot?

It’ll take the combined efforts of Andy’s firm, The K-9 Team, and the Bubeleh Brigade (the retirees-turned-hackers that Andy uses from time to time) to get to the bottom of this.

When Will They Ever Learn?

I’m not wondering why prosecutors don’t immediately drop the case when they hear that Andy has taken on a client. He does have a few guilty verdicts on his record. Although, you would think they’d require the police to tighten up their cases and make sure there aren’t any threads hanging once Andy requests discovery.

But what I wonder is that given his track record, why they don’t take him seriously when he calls the FBI, DEA, Homeland Security, or any other three-lettered agency. (note: I wonder similar things when Joe Pickett starts meddling in non-wildlife issues). I’m not saying they need to roll out the red carpet or anything for him—don’t let Andy Carpenter, of all people, call any shots. But he shouldn’t have to rely on favors from a friend of a friend or threats to get someone to take him seriously anymore.

How does no one have this conversation:

Agent 1: Hey remember that guy who tipped us off to that terrorist organization and saved all those lives a couple of years ago?
Agent 2: That lawyer with the hot wife and the scary bodyguard, sure. Didn’t he also tip us off to the smuggling ring last Winter?
Agent 1: Come to think of it he did.
Agent 2: Why are you bringing him up?
Agent 1: Well, he’s got this theory about _________ now.
Agent 2: Might be worth sitting down with him, looking at his theory.

Although, some of that threatening and calling in favors can make for entertaining scenes. So, y’know…

So, what did I think about Holy Chow?

Andy Carpenter #25? That’s a mind-boggling number. I know it wasn’t that long ago that I read #24, but I don’t think it registered. So, does the Andy Carpenter series have anything new up its sleeve? (I’m tempted to make an old dog/new tricks joke here) I won’t rule it out, but we don’t see much new here.

But that doesn’t make this stale, either. There’s a comfort and a reassurance in knowing Andy’s behavior while the jury deliberates, the fact that Pete and Vince are going to bust his chops and put their food on his tab, that taking a walk with his dogs will help Andy come up with an idea, and so on.

I’m not trying to take a shot at anyone here, but where this feels comfortable and not tired and repetitive is that Andy has settled into these patterns—this is his life. He’s not, say, constantly second-guessing his choice of career (as much as he complains about it), he’s not trying to decide between a sexy Homicide Detective love interest and a lethal and hot Security Specialist love interest after 30+ books. Just to come up with some completely random example that no way could be describing any particular series.

I guess what I’m trying to say is that the twenty-fifth novel in this series might not have a lot that’s new, there’s still a lot of fun to have. And, we might get a glimpse of a different side of a long-running character (a continuation of something from Citizen K-9)

The humor is still present and sharp, the courtroom antics are fun (maybe a little subdued this time compared to others because of the case), and you can’t beat the time hanging with these characters. Both the solution to this case, the reveals involved, and the resolution are as well-delivered as always.

Readers new to the series or those who’ve been around since 2003* will find plenty to enjoy in the pages of Holy Cow. A good time should be had by all.

* Or at least since Open and Shut, no matter when they read it.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Love and Other Monsters in the Dark by K. B. Jensen: A Truly Impressive Batch of Short Fiction

Love and Other Monsters in the DarkLove and Other Monsters in the Dark

by K.B. Jensen

DETAILS:
Publisher: Crimson Cloud Media LLC.
Publication Date: June 20, 2022
Format: eARC
Length: 186 pg.
Read Date: June 11-20, 2022

What’s Love and Other Monsters in the Dark About?

I have no idea how to answer this question in any but the most annoying way—it’s a collection of forty-two short stories and flash/sudden fiction (however you want to refer to them). Learning that this is only 186 pages long emphasized just how short these stories are.

As far as this collection goes—the stories are about love and monsters, basically. The fact that the title says “Other Monsters” suggests a little about what kind of love stories will be told. Let’s just say that none of these will be fodder for a Hallmark movie.

The genres these stories approach the subjects from are varied—there’s some Science Fiction, some Horror, some Crime, and a little General Fiction—there’s even a Zombie story (a Zombie story I liked—despite my frequent claims that I don’t like the genre).

Self-Depreciation

Jensen does not have a lot of good things to say about writers in these pages, those comments both ring true and are some of the funnier lines in the book. In one story, a character cites a line in an earlier story and casts aspersions on it. It’s a small moment, and if you don’t recognize the call back you will miss absolutely nothing—but if you do catch it, you’ll enjoy it.

(yes, it’s possible that there are other self-referential moments that I missed. Which would only bolster that point about missing the one I caught not making that much of an impact)

There are not many lighter moments in this book—it’s about monsters, after all. So it makes those that Jensen provides all the nicer.

So, what did I think about Love and Other Monsters in the Dark?

It’s even harder to answer this question than the first one…the short version is, that I really liked it and was more than impressed with Jensen’s skill and versatility. I could list names of stories that wowed me, but that wouldn’t be useful to anyone (and my list would be really long—and incomplete). If I told you a little about the stories or why they were so effective, I’d ruin the experience for you. My hands are tied on being too helpful here.

If I did this as a profession, I’d take the time/effort to give you numbers here, but I’m not, so you’ll get impressions. A little more than half of the flash fiction aren’t complete stories—they’re the beginnings of stories, the introductory page or two for a short story, and then they end. Oddly, with one exception, that was enough for me—I was satisfied.

Well, I say I was satisfied, but I’d have loved to turn the page and get the rest of the story. Yet in a way that I cannot really understand (or, evidently, explain), what Jensen gave was enough. And that one exception had nothing to do with the brevity, it was the piece—I don’t think it would’ve resonated with me no matter how much content was provided.

Now, when she told a whole story in either the flash or short fiction? Some of the best short fiction I’ve read in a dog’s age. Sure, there were two or three stories that didn’t work for me, but that’s about my taste, not Jensen’s writing.

There are moments of sweetness (frequently deserving the prefix “bitter”, sure, but the sweetness is what I remember), there’s some heartbreak, too. There are just some horrible people and worse outcomes. I’m not sure there’s a “happily ever after” to be found, but maybe a few “better than it could’ve been” endings. Sure, there are also the horror stories or the SF that tends in a horror direction. Those might have been my favorites.

I’m going to stop flailing around, trying to describe my impressions of this book. In short—this is the kind of short fiction I want to read more of, and the kind I don’t find that often, which is why I read so little of it. Fast, well-written, impactful—these literary snacks will stay with you longer than you’d think they will based on the length.

Disclaimer: I received this eARC from the author and Lori Hettler of The Next Best Book Club in exchange for this post—thanks to both for this.


4 Stars

The Lost by Jeffrey B. Burton: Mace and Vira Race the Clock to Find a Kidnapped Girl

I was interrupted more than usual while writing this post by one of my dogs seeking attention. “Could I give you scritches later, girl? I’m trying to talk about fictional dogs,” is a strange mind space to be in.


The LostThe Lost

by Jeffrey B. Burton

DETAILS:
Series: Mace Reid K-9 Mystery, Volume 3
Publisher: Minotaur Books
Publication Date: June 27, 2022
Format: eARC
Length: 288 pg.
Read Date: June 16-17, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s The Lost About?

Mace and his dogs are moving in different circles after the events of The Keepers, and get called to help the FBI look for a missing mother and daughter—they were kidnapped after a home invasion went wrong. Their husband/father, financier Kenneth J. Druckman, was beaten and left behind. It’s up to Mace and Vira to give them a lead.

Sadly, it doesn’t take long for Vira to find the mother’s body on Druckman’s land, or for her to act like Druckman did the killing. It’s not like Mace can just point at the billionaire and shout, “J’accuse!” He’s going to need to find more than the word of his young dog—he also needs to help the FBI (if he can) to find the five-year-old girl before it’s too late.

Kippy Gimm (now a detective) and the rest of Mace’s dogs are, of course, in on this, too.

Non-Mace Perspectives

Typically, I’m not a fan of a first-person narrated book frequently switching to the third person—usually the killer. It doesn’t turn me off of a book, but I really don’t enjoy it. Burton, however, has done a better job of it in this series than most authors. I don’t know that I can say that I’ve enjoyed every instance of it—but, unlike most, in the previous two books in this series, those sections have added to the novel.

That really doesn’t sound like a compliment, but it was one.

In The Lost, most of those scenes/chapters are essential. The way this novel is set up—and the crimes perpetrated by the various criminals involved (and there are a handful)—necessitates that we see things from several perspectives that aren’t Mace’s. There’s just no way that he can find this information (he doesn’t require it, but the reader is going to demand to know what’s going on)—and it’d take months of investigation after these events for the FBI to figure some of this out (assuming they’d try).

The later in the book we get, the better these non-Mace portions get. Particularly those from the daughter’s point of view, they brought a lot to the table and got me really invested in these characters.

I still think I’d prefer more Mace and less of everyone else in future books in the series—but The Lost really shows that this approach can work. It also underlines how good at it Burton is.

So, what did I think about The Lost?

I’m not sure how the space is given to the non-Mace perspectives in this book compares to the previous novels, but it’s significantly more—that alone makes this novel feel different. The fact that many/most of those sections of the book take place prior to Mace’s involvement with the Druckman family also contributes to that feeling. I appreciate the fact that Burton’s doing things in Book 3 to make sure the series doesn’t get in a rut.

Sure, it’d be a fine rut to get stuck in and I’d have gladly read more books that were structurally similar to The Finders and The Keepers.* But I’m glad Burton made the step now and didn’t wait until he needed to shake things up.

* I read The Keepers a year ago and didn’t get the title until right this moment. I’m not too proud to admit that.

I’m not sure that we needed to learn about Kippy’s job woes at this point—it didn’t have an impact on this book, as FBI-centric as it was. It might have been better to talk about her difficulties with her new assignment when it’d have a bearing on the plot, and wouldn’t risk feeling like a repeat when it does come up. It’s not a good position for her to be in—I don’t want to minimize that—I’m just not sure the reader needed to get that information now, I don’t know what we’re supposed to do with it. As complaints go (and I think it’s the only one I had with this book), that’s a pretty minor one.

The pacing on this is strong—we hit the ground running with Mace and Vira at the beginning and we really don’t stop. There isn’t a lot of time here for contemplation and rumination—it’s not a breakneck speed, but it’s a steady jog. Again, it shows that Burton’s doing something different in this book.

I feel like I’m spending too much time talking about how different The Lost is from the other books—and I don’t mean to harp on it, I’m just commenting on the various ways it is. I don’t know that readers who aren’t writing about the book are going to spend that much time thinking about it—I think they’ll note the freshness of it, they’ll feel the overall effect, though. I’m not saying it’s better or worse than the other two, just appreciatively different. And that’s a nice thing.

As always, any time spent with Sue, Maggie May, Delta Dawn, Vira, and Billie Joe is a boon. They’re a fun pack of animals to read about—and I’m already looking forward to their next adventure. Mace and Kippy are good, too—but we all know who the stars are here.

This would be an okay jumping-on point to the series, I’m not sure you’d get the full idea of Vira’s special talents—but that’s okay, it’s not required to appreciate the books. The important thing is that mystery readers—particularly the dog-loving kind—jump on to the series at some point.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

REPOSTING JUST CUZ: The Christ of Wisdom by O. Palmer Robertson

The Christ of WisdomThe Christ of Wisdom: A Redemptive-Historical Exploration of the Wisdom Books of the Old Testament

by O. Palmer Robertson

eARC, 432 pg.
P&R Publishing, 2017

Read: May 7 – 21, 2017


Robertson’s preface laments the way that the Wisdom Literature of the Old Testament is usually ignored in Redemptive-Historical studies —

…how do you fit these wisdom books into the flow of redemptive history that consummates in the Christ? By letting them be what they are in their own distinctiveness. They are, it should be remembered, canonical, divinely revealed, and authoritative writings that tell the world how and what to think about the deeper mysteries of human life. Rather than submitting to the moldings and bendings of modernity, these books broaden our understanding of the nature of redemptive history. Divine progress in the complete restoration of reality does not merely move in a purely linear fashion like the flight of an arrow moving across time and space without deviation until it reaches its target. This “third dimension” of redemptive history moves in a cyclical pattern. For certain aspects of God’s salvation perform according to a pattern of regulated repetition.

To ignore this dimension of redemptive history is to exclude a major portion of the old covenant canon—and that you do not want to do.

So how do you discuss these books from a RH point of view? This is what Robertson seeks to do in this book — not as a final answer, but as the beginning of a search for wisdom along these paths.

In one sense, Robertson could’ve made this easier to talk about this book — there’s not one central argument developed throughout. There’s a general discussion (brief) of wisdom, wisdom Biblically defined, that is. And then using that discussion, Robertson looks at the Wisdom Literature of the Old Testament (and Lamentations, which is not usually considered Wisdom Literature, but can function as such), summarizing each book, looking at the various forms of wisdom described and passed on through it.

Simply,

Wisdom is the ability to understand the basic principles inherent in God’s created order, and to live by those principles. Wisdom enables a person to summarize these basic principles in a succinct and memorable fashion. Wisdom is living out the whole of life with a constant awareness of accountability before a loving, gracious, and just Creator and Redeemer.

The work he does to get to this summary is well worth the time and effort to work through. Actually, that goes for everything in the book, but I’ll hold off on saying that kind of thing for a few paragraphs.

The chapter on Proverbs is, fittingly, the longest and most developed. He discusses various approaches to the book, to understanding its construction and from there trying to understand it:

A much more accurate view of the theology of Proverbs may be gained from a covenantal perspective. The wise sayings of the book are not presented in a vacuum. They are not purely moralistic aphorisms. Instead, they are steeped in theistic assumptions. These wise observations about how the world works assume that God the Creator is none other than Yahweh, the Lord of the Covenant.

This, right here, would help so much of what I’ve read about Proverbs over the last few decades. To get into everything that Robertson says about the pursuit of Wisdom, passing it on and living by it from this book would make this post unbearably long — but it builds the foundation for everything that comes. Proverbs covers Wisdom as a whole — the rest of the book deals with it in specific areas.

While dealing with the personification of Wisdom in Proverbs 8, Robertson gives an excursus, “Athanasius as the Champion of the opponents of Arianism,” that is just gold. I’d love to see this developed into something longer.

Following Proverbs, he moves on to Job. Job doesn’t give us the answers to the puzzling circumstances of life, but for those who understand the book, they learn how to puzzle through the circumstances, how to think about them — how to ask God about them. Yes, there are answers given in the book — not easy answers, not the answers anyone necessarily wants, but answers — answers tied to the hope of the Resurrection. But wisdom knows to look for those answers in the difficulties of life, with a sure faith that is willing to look at dark circumstances and say, “I don’t know why this is happening, but I trust in Him Who does.”

Ecclesiastes, is, naturally, a tricky chapter — Robertson threw me a curveball when setting aside the usual discussion of authorship of the book to note

But a related question of some significance for understanding the book has been generally neglected. This neglected question is the identity of the “target audience”of Ecclesiastes.

Chewing on this a little helps get through some of the discussion of authorship. There are so many divergent readings of Ecclesiastes that your head can swim just trying to get a sense of them, Robertson is a pretty sure guide through them before landing on his conclusion that Ecclesiastes presents a “realistic picture of life” — one that is a precursor to Paul’s discussion in Romans 8, where creation is subjected to frustration, but that this is being renewed. I do think this chapter could’ve been organized in a more straight-forward way, but I appreciate the way that Robertson makes you work through various considerations and themes before leading to his conclusions — which are all very helpful.

His discussion of Lamentations, summed up in the subtitle “How to Weep,” was one of the best things I’ve read on the book (an admittedly too-short list). You may think that’s a pretty easy thing to learn — but there’s a wise way, a godly way to weep over the tragedies that will come into our lives. The book of Lamentations teaches us that — and, here’s the RH emphasis coming through — there’s a hope tied to the wise weeping. A hope tied to faith in God’s commitment to preserving a repentant people to Himself.

Lastly, we get to the wisdom of “How to Love” (in a marital sense) in the Song of Songs. The way he reads the book is a “Redemptive-Historical” way, in

terms of the redemptive work of God in restoring humanity to the situation prevailing at the time of creation . . . a restoration of the initial blessing of man and woman in their relation to each other, just as when they first stood in each other’s presence “both naked” but feeling “no shame” (Gen. 2:25). This Song rejoices in the fullness of God’s redemption of the marriage relationship.

He concludes this chapter uniquely, with a script for a Dramatic Reading of the Song of Songs — I think there could’ve been a bit more instruction on how to approach such a Reading — and why — than he gave. But I really appreciated that part.

He could’ve used a conclusion to wrap things up — returning to the closing admonition of the opening chapter. But that’s probably just a taste thing on my part.

There’s a focus on the literary/poetic forms in each book tying in the themes and teachings of them to the way the author presents them. This kind of discussion — no matter the type of literature (inspired or not) always stretches me. I imagine I’m not alone in that — in fact, I bet many people will skip those parts. This is to their own detriment. Robertson discusses these matters in a way that takes some effort to understand, but it’s effort that pays off.

This is a truly helpful book — not full-fledged commentaries on any of the books, but helpful summaries pointed towards seeing the wisdom passed down in each book, and tied into the Redemptive work going on in history all around us. I found it interesting that the recent A Biblical-Theological Introduction to the Old Testament doesn’t approach some of these books the same way as Robertson — in some ways flatly contradicting him. I’d hoped for more overlap between the two works approaching this material from the same framework — but none of the contradictions or differences change the overall message of the Biblical material, just shadings. Honestly, in each case, I think Robertson’s readings are easier to square with the texts in consideration (and not just because he has more pages to develop his points, either).

Robertson, as always, delivers the goods with this book. The reader has to think about what he says, has to drag out their Bible and use the two books together, but will ultimately come out the better for it. I found this book to be incredibly helpful, insightful and something that drove me back to the fullness and fulfillment of all the wisdom of God — Jesus the Messiah. Just where Robertson wants his readers to focus.

Disclaimer: I received this eARC from P&R Publishing via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

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4 Stars

Against All Odds by Jeffery H. Haskell: It’s the Chance He’s Gotta Take

Against All OddsAgainst All Odds

by Jeffrey H. Haskell

DETAILS:
Series: Grimm's War, #1
Publisher: Aethon Books
Publication Date: April 19, 2022
Format: Kindle Edition
Length: 448 pgs.
Read Date: June 13-16, 2022

Chief Boudreqx rolled the ship until the belly faced Kremlin and the cockpit looed out into open space…open except for her.

The Interceptor. The front of her hull was painted like a shark’s head, but it was old and faded, scratched and worn.

Jacob had spent most of his life waiting for this moment, and in it, all his concerns about his past, his present, and his future faded away.

He didn’t care if she looked like a beaten prizefighter with her armored hull dented and streaked from action. Or if the turrets were scratched, streaked, and patched.

Only that she was his.

What’s Against All Odds About?

Two years ago, Lt. Jacob Grimm, did the right thing in a crisis situation. Sadly, the optics of his action were horrible and the political fallout from it turned a promising Naval career into a dead-end endeavor. He’s assigned to an obscure post—where he does well but is destined to fall into obscurity and having to leave the navy.

Then politics intervenes again—and he’s assigned a ship to command. The commander unexpectedly died of natural causes a couple of months ago, and Interceptor needs someone to get it back into shape. Grimm doesn’t know the politics behind this assignment—and doesn’t care. This is his last hope of doing anything with his time in the Navy that won’t be covered in scandal.

In the intervening months, the ship has fallen into disrepair (its major drive component is missing!), and there’s little-to-no discipline among the crew. Grimm has his work cut out for him.

Meanwhile, a hostile (foreign) government, pirates, other criminals, and an obsessed scientist are at work in this sector—naval high command is up to something, too. Grimm and his crew only know about the pirates, so they don’t realize just how interesting/dangerous life is going to get.

The Technology of this Universe

He wasn’t in uniform, but the cap was a universal spacer adornment. Ships were almost always on the cold side, enough to be uncomfortable without warm clothes and a watch cap. If a ship was warm, something was terribly wrong.

One thing every book about interstellar travel has to deal with is how both travel and communication are handled. I appreciated Haskell’s approach, it feels as grounded as any series that’s not going to force generation ships on everything can be.

The way he designed the technology/construction/etc. of the ships really appealed to me. There’s a very Star Trek-feel to the whole thing, but without the shiny panels and great lighting, the physical aspects of the ships are more Firefly-like. Think Moore’s Battlestar Galactica, just slightly less advanced.* There’s also a feel of 20th Century Navy ships and submarines—unforgiving metal everywhere, a focus on function over comfort/aesthetics; cold temperatures everywhere; worrying about what could happen to things that aren’t bolted down while the ship moves; food that’s nutritious, but not necessarily appealing.

* I’m a little annoyed with myself here. I spent the entire novel thinking about the Star Trek/Firefly comparison and only got around to BSG because I wanted to throw on some Bear McCreary as I wrote this. BSG is a better way to envision the tech/atmosphere. There’s a very non-subtle Star Trek homage in the novel, so I feel okay getting it stuck in my mind.

So, what did I think about Against All Odds?

I’ve enjoyed the first two novels in Haskell’s Full Metal Superhero series (and have been kicking myself for years for not reading more of them), but this? He’s clearly been working his craft since 2017, and it has paid off here.

I spent a good portion of the novel wishing he’d spend less time on the subplots—assuming they’d end up being important, but all I wanted to do was get back to the Interceptor. It made me question several of my reading choices over the last couple of years—why didn’t I read more things like this? There was a brief spy vs. spy thing, too, as part of a subplot—I could’ve used more of that. But once the subplots started converging on the Grimm/Interceptor story? It was like having my cake, eating it, too—and not caring about my A1C levels.

My impatience aside, this was skillfully paced—he kept the tension mounting as you become more invested in the various crews and characters, and as the layers of the plot get pulled back to reveal Haskell’s game plan. The combat scenes—the ship vs. ship scenes in particular—were great. There are times I feel shallow and adolescent for enjoying that kind of thing the way I do, but I get over that pretty quickly.

I would say the Epilogue felt unnecessary—if the reader didn’t assume most of what we got there already, I’m not sure they were paying attention. I think it’d have been better for Haskell to trust the reader to assume the Epilogue and/or to see the effects of it play out over the next book or two without spelling it out quite the way he did. That’s my major beef with the book, and if it takes until the Epilogue to get something like that? That’s a pretty good sign. There were a couple of other choices I questioned, but I want to see what Haskell does with them before I spend too much ink on them.

I’ve got Book 2, With Grimm Resolve, scheduled for mid-July—and at least one too many books on my June schedule—but it took all my discipline not to dive into it after finishing this. Do yourself a favor, grab some popcorn and settle down with this for a couple of hours—you’ll have a whale of a time.


4 Stars

20 Books of Summer

In Divine Company by Pierce Taylor Hibbs: Communication Failure?

In Divine CompanyIn Divine Company: Growing Closer to the God Who Speaks

by Pierce Taylor Hibbs

DETAILS:
Publication Date: June 7, 2018
Format: Kindle Edition
Length: 43 pg.
Read Date: June 5, 2022

God is a communicative being who speaks with himself in three persons and speaks to his creation by way of revelation. This communicative nature of God is utterly critical. The moment we say God does not speak in any recognizable sense is the moment we throw our theology in the wastebasket, along with any hope of relationship. Speech is at the core of who God is, and it’s how we come to know him.

What’s In Divine Company About?

Like many, Hibbs sees a problem in the prayer life of most Christians, and it plays a significant role in the feeling too many have of being distant from God. He calls this a “communicative malnourishment.”

His treatment for CM is two-pronged:

predictable, I think, but I hope to look at it in fresh ways: (1) following God’s voice in Scripture and listening to what the world is saying about him (hearing from God), and (2) praying to the Trinity (speaking with God).

This short booklet looks at God (and then His people) as communicative beings, as language as communion behavior. God’s communication comes from General and Special Revelation, ours is in prayer.

What did I think about In Divine Company?

If you read this book and change nothing in your life, then either I have failed as a writer or you have failed as a responsive reader…I want to be forthright in saying change is the most important measure of value for this book. So, I encourage you to read and grow, not merely to read and know.

If it’s the most important measure of value for the book, it’s really the best way to evaluate the book. It’s too soon for me to say how much this book has changed me, it’s only been a week—but I think the potential is there.

I love this approach to thinking about prayer and the problems with our prayer life. By better understanding the nature of our communicative God, we better understand our need (as image-bearers) to communicate with Him. Communication is part of our nature as it is His nature, how can we not communicate with him, and seek to find more ways and more time to do so? To be better listeners and better talkers?

Hibbs has got to be my favorite theological writer today. There are theologians that I learn more from, but none that I enjoy reading like him—it only makes sense, he cares a bit more about language and writing than your typical theologian.

This is good for the mind and offers plenty of tools to use for change. The rest is up to the reader.


4 Stars

In a House of Lies by Ian Rankin: The Past and Present Collide for Rebus, Clarke, and Fox

In a House of LiesIn a House of Lies

by Ian Rankin

DETAILS:
Series: John Rebus, #22
Publisher: Little, Brown and Company
Publication Date: December 31, 2018
Format: Hardcover
Length: 372 pg.
Read Date: May 24-27, 2022
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What’s In a House of Lies About?

A decade and change ago, a private investigator went missing. John Rebus was part of the team that spent weeks looking for him—interviewing his client, his family, his boyfriend, the target of his current investigation, and everyone else they could think of. At least that’s what the paperwork said. There’s some question about that—and the family of Stuart Bloom has forced more than one investigation into the original search.

Now his body is discovered—in an area that had been well-searched originally. There’s reason to believe that the body had been somewhere else for years. Now the police—a team featuring DI Siobhan Clarke—have to decide where it was as well as who killed him. This involves taking a fresh look at the old case as well as a new investigation. The original detectives (those who are still alive, that is) and some of the uniformed officers are brought in for questioning—which means that Rebus is under the microscope once again. This suits him fine—it’s a chance for him to have a part in closing the case once and for all (at least in his mind)

Meanwhile, Malcolm Fox’s boss assigns him to take one final look at the original investigation—given the new discovery, can they find police misconduct at the root?

Also, Clarke’s being harassed by someone—only crank calls and vandalism, so far. She doesn’t want to do anything official about it, so she asks Rebus to look into things—if nothing else, it might keep him out of her hair while she looks for Bloom’s killer. Might.

There’s a lot to untangle in these pages, thankfully, Rankin’s three detectives are on the cases.

What did I think about In a House of Lies?

This post feels entirely too short. I’m struggling here. What do I say about Rankin or Rebus (or Clarke or Fox) that I haven’t already said? I’m willing to believe that I’ve asked this question when discussing at least 3 previous books. I’m sorely tempted to just post something like: “Ian Rankin wrote a book about John Rebus. You know what to do.”

I was particularly impressed at the way Rankin got the band (on both sides of the law) back together here—for the reader, it’s expected—probably even inevitable. But it comes across as organic and unforced. Between Rebus’ retirement, and the divergent paths that the others’ careers have taken, that’s no mean feat. Unlike, say, Renée Ballard, Siobhan Clarke isn’t soldiering on with those she can’t trust. Ballard has to get Bosch involved, Clarke chooses to ask for his help and/or lets him push his way in.

Solid mysteries, expertly plotted and executed, full of characters (new and old) that you believe and get invested in. In a House of Lies feels as fresh and as compelling as Knots and Crosses.


4 Stars

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