Tag: 4 Stars Page 31 of 83

Pub Day Repost: Going Back by Neil Lancaster: Improvise, Adapt, Overcome. Just another day for Novak.

By

On August 21, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Going Back

Going Back

by Neil Lancaster
Series: Tom Novak Thriller, #3

eARC, 506 pg.
Burning Chair Publishing, 2020

Read: August 11, 2020

What’s Going Back About?

Over the last couple of books, Tom Novak has received some pretty significant favors from Mike Brogan, his old friend who does some sort of work for American Intelligence (I like how vague his actual role is kept). And now he’s collecting.

There’s an ex-Serbian Special Operations officer who was freed from a prison van by a paramilitary force using some sort of device that seems like a portable EMP. Which is something that everyone (including governments around the world) wants, but no one’s been able to create. There’s a two-fold interest in this—1. can that portable device actually do what they think? and 2. There seems to be something major underway from this officer, probably using the EMP-like device. Which is not good for anyone.

Brogan’s team is pretty sure they know who’s bringing the tech-savvy to the team. Stefan Cerović left the country about the same time as Novak—but he ended up in the States. He was recently fired from a prominent tech company for failing a drug test and resurfaced in Belgrade. Cerović appeared to be relying on one particular black-market arms dealer, who’d recently been arrested. The job is for Novak to present himself as a new supplier as a way in. His ability with the language and similar background to Cerović is seen as a way for him to connect.

Mike will be around as backup, and of course, Pet will be around, too, doing all the typical technical wizardry.* Pet’s one of those characters that changes every scene she’s in—and makes Novak a more likable character when she’s around. I forget how much I like her until she shows up.

* Minor spoiler: Pet makes a costly mistake. I was so happy to see this. So often tech wizards like her are depicted as nigh infallible. But she makes a bad judgment call and she and Tom pay for it, keeping her human—a fantastically talented human, sure—but human.

As things are wont to do, after some initial success (Cerović’s a lot more interested in drugs than initially thought, which opens up so many doors for Novak), Brogan’s nifty plan goes off the rails—but not in a way you’d expect. Novak and Pet have to rely on Novak’s Marine slogan, and improvise and adapt so they have a shot at overcoming their opponents.

Serbia, huh?

I keep wondering how much mileage Lancaster’s going to be able to get out of Novak’s heritage and assume at some point we’re going to get a novel where it’s not so central. But until then, I’ll continue to be interested in seeing how Lancaster can adapt it.

This time out, putting him in his old homeland allows (forces?) him to confront and better understand his history (both recent and decades-old). Lancaster is able to get a two-for-the-price-of-one return here, not only is it the perfect setting for this kind of story, but we get a little character development.

One Gripe…

No self-respecting Texan is going to describe himself as from the “Deep South.” Sorry. Yes, it’s a minor issue, but it took me out of the moment. And for a book/series that reeks of authenticity, it’s a conspicuous blunder.

I did read an eARC which I know are still subject to change. Hopefully, that’s one of those edits that’s addressed before publication date.

So, what did I think about Going Back?

The first two books in this series had a pretty clear line of demarcation between the “undercover police officer” part and the “action hero” part of the book, and it worked pretty well. In Going Back, however, Novak slides back and forth between the two pretty easily (although the there is a clear shift in emphasis). I liked that a whole lot and hope Lancaster can do more of that in the future.

Throughout the whole book it felt to me like Lancaster had taken everything that worked best in Going Dark and Going Rogue, combining them while leaving off everything that didn’t work as well. Giving us the best in the series, a confident and well-paced thrill ride that will please fans and probably pick up a few for the series. You don’t have to have read the previous three to enjoy this one, the backstory isn’t that important to it. This is a fun way to spend a couple of hours and I recommend it to you.

Disclaimer: I received this eARC from the author in exchange for this post and my honest opinion—thanks for this.

4 Stars

PUB DAY REPOST: Betty by Tiffany McDaniel: A Beautiful Novel about a Tragic Childhood

By

On August 18, 2020

In Fiction, General Fiction/Literature

Betty

Betty

by Tiffany McDaniel

eARC, 480 pg.
Knopf, 2020

Read: July 25-28, 2020
Grab a copy from your local indie bookstore!


I’ve struggled with this one for days now and was tempted to say something like, “It’s a Tiffany McDaniel book. This means the writing is gorgeous, the subject will provoke you, you will be moved. And did I mention it’s wonderfully written?” But I knew I couldn’t post that…it doesn’t actually tell you anything about this book (“Tiffany McDaniel” and “gorgeous writing” is essentially a tautology) and since when do I express myself in twenty-seven words?

Who’s Betty About?

Yeah, I normally ask what a book is about, but the what is so unimportant in this book a reader could be excused for not remembering. You won’t forget the who anytime soon. The who is what matters.

It’s about a young, poor family’s struggles between 1939 and 1973—with a focus on 1961-73 (when Betty was 7-19) when the family settles in Appalachian Ohio (and largely stays there). The father is of Cherokee descent (Tsa-la-gi. A-vn-da-di-s-di), the mother is white—and you can imagine how easy life was for them and their children in that time (harder for Betty who takes more after her Cherokee lineage, while her siblings favor their mother). While none of the children has an easy life, there’s a greater degree of difficulty of Betty.

I could spend a good deal of time talking about various family members, but I’m going to focus on two of them.

Landon Carpenter (a.k.a. “Dad”)

When Landon Carpenter met Alka Lark, he was working as a gravedigger, he later worked at a clothespin factory—and then several other jobs, including a stint in a coal mine (which left him with a permanent limp due to a beating given by racists), while the family moved from state to state. When they settled in Breathed, Ohio*, he became known for selling moonshine, herbal remedies (based on “Cherokee wisdom” that was essentially what he happened to make up on the spot), and hand-crafting furniture.

* A fictional city that also served as the setting for The Summer that Melted Everything—one of several nods to that work included here.

But really, what he does with his time is father his children and try to take care of his wife. They don’t all appreciate it, or understand what he’s doing, but they’re (largely) devoted anyway. He will be frequently found passing on a bit of received knowledge through myths or parable form. He wasn’t ready to be a father when he became one and two decades later, he still wasn’t entirely ready when Betty arrived (or her younger siblings, either), but he rises to the occasion as best as he can. I don’t get the picture that he’s the easiest guy to get to know or get along with for prolonged periods. But for those who do get to know him, he’s clearly a loyal and supportive friend.

Betty (a.k.a. “Little Indian”)

Either as a quirk of personality or because she’s physically closer to her Cherokee heritage (likely a combination), Betty embraces the cultural lessons her father passes down more readily than her siblings do—and always wants more. She’s naive, inquisitive, and somehow despite everything she witnesses innocent and optimistic (not precisely, but that’s the best word I can come up with). Life hands her horrible experience after horrible experience, and while momentarily cowed, she comes back, wiser, but still innocent. Toward the end of the book, she has a couple of experiences (one thing she’s told about, one thing she witnesses) that drive her to the breaking point—but even then she holds on for a little longer.

She’s our Point of View character and doesn’t understand everything that’s going on around her for most of the book—things really kick off when she’s seven, after all. So we see a lot of the book through unreliable eyes, but very reliable emotions and reactions. From the latter, we can get a good understanding of what’s going on, better than she can.

The Magic (for lack of a better word)

In McDaniel’s The Summer that Melted Everything, many things happen that may be supernatural or magical in origin, there’s a semi-magical realism feel to it. That’s not the case here. Nor is the source of the “magic” in this novel one mysterious stranger.

The power that keeps Dad and Betty—and the rest of the family—going comes from story. Dad’s constantly telling stories to his children, Betty in particular—and, we learn, he even tells stories to his friends (I don’t think Landon’s wife has much patience for many such stories, as much as she needs them). Betty typically doesn’t tell her stories to anyone, but she writes them down, filling notebooks with them. Some she keeps, some she buries (to preserve or to hid), some she gives away. By their use of story—sometimes use of words—Dad and betty keep themselves, and those around them, going. They inspire, encourage, and teach with them.

A story that Betty’s mother tells her is arguably the most powerful story in the novel—and it explains more of the novel than anything else. Her story, is wholly true, and wholly heartbreaking, but even that comes down to the power of storytelling.

Drawbacks to the book

I don’t really want to label these as problems with the book, but there are a few things that keep me from being as enthusiastic about Betty as I was for The Summer that Melted Everything (which I am enthusiastic about to this day). I basically proselytized readers over that book, I won’t go that overboard for this.

The first is that it took me far longer than it should have to get what McDaniel was trying to accomplish, I kept waiting for a plot to emerge, and there’s never much of one by design. Instead, as I indicated above, this is about the characters. Growing, developing, faltering, stumbling, and retreating. It’s about how they react to the events (or non-events) in their lives that matters, now the events themselves. It’s entirely possible that this is all me and not the text. But I don’t think that’s the case (or I wouldn’t have gone on about it).

Secondly, the non-Carpenter characters. With two notable exceptions (the town Doctor who comes running when they call; and a friend of Landon’s who rents them the house they settle in. But the rest of the people (almost without exception), are simply horrible. Some of the Carpenters are okay, and most of them demonstrate growth (at least). But everyone else is horrible, blatantly so…so many people in authority of varying degrees are just horrible, spiteful, evil people. And it’s just hard to read that. I firmly believe in man’s inhumanity to man, but it’s usually tempered, at least on the surface/occasionally, with something positive. We aren’t given anything to look to and say, “Hey, there’s someone decent”, or “There’s someone doing something decent. Spiteful, racist, ignorant, misogynous, capricious, and evil. Those are the words that come to mind as I think about the non-Carpenter characters, and it’s just hard to read them.

So, what did I think about Betty?

I started off liking it, and that feeling slowly grew. There weren’t many moments that wow’ed me, but there were a handful that broke my heart. I sincerely want another 50 pages of the Dad’s odd little myths (some of which, I’m pretty sure contradict themselves, which Betty sees and rolls with). I wanted to help Betty through her challenges, to at least shoulder some of her burden with her.

And did I mention the prose is fantastic?

That said, I don’t think I connected with the characters (particularly those who aren’t Dad or Betty) the way McDaniel wanted me to. I don’t think there’s enough going on to urge people to read this, but I will recommend it strongly. That said, I think I will be in the minority with this book and most readers won’t understand my hesitation to rave over this. I do recommend this book, I do plan on re-reading it in a year or two, and I will be first in line for McDaniel’s next book.

Disclaimer: I received this eARC from Knopf Doubleday Publishing Group via NetGalley in exchange for this post—thanks to both for this. I also want to thank McDaniel for approaching me to let me know it was available for request. None of the above kept me from giving my honest opinion.

4 Stars
20 Books of Summer

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Going Back by Neil Lancaster: Improvise, Adapt, Overcome. Just another day for Novak.

By

On August 14, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Going Back

Going Back

by Neil Lancaster
Series: Tom Novak Thriller, #3

eARC, 506 pg.
Burning Chair Publishing, 2020

Read: August 11, 2020

What’s Going Back About?

Over the last couple of books, Tom Novak has received some pretty significant favors from Mike Brogan, his old friend who does some sort of work for American Intelligence (I like how vague his actual role is kept). And now he’s collecting.

There’s an ex-Serbian Special Operations officer who was freed from a prison van by a paramilitary force using some sort of device that seems like a portable EMP. Which is something that everyone (including governments around the world) wants, but no one’s been able to create. There’s a two-fold interest in this—1. can that portable device actually do what they think? and 2. There seems to be something major underway from this officer, probably using the EMP-like device. Which is not good for anyone.

Brogan’s team is pretty sure they know who’s bringing the tech-savvy to the team. Stefan Cerović left the country about the same time as Novak—but he ended up in the States. He was recently fired from a prominent tech company for failing a drug test and resurfaced in Belgrade. Cerović appeared to be relying on one particular black-market arms dealer, who’d recently been arrested. The job is for Novak to present himself as a new supplier as a way in. His ability with the language and similar background to Cerović is seen as a way for him to connect.

Mike will be around as backup, and of course, Pet will be around, too, doing all the typical technical wizardry.* Pet’s one of those characters that changes every scene she’s in—and makes Novak a more likable character when she’s around. I forget how much I like her until she shows up.

* Minor spoiler: Pet makes a costly mistake. I was so happy to see this. So often tech wizards like her are depicted as nigh infallible. But she makes a bad judgment call and she and Tom pay for it, keeping her human—a fantastically talented human, sure—but human.

As things are wont to do, after some initial success (Cerović’s a lot more interested in drugs than initially thought, which opens up so many doors for Novak), Brogan’s nifty plan goes off the rails—but not in a way you’d expect. Novak and Pet have to rely on Novak’s Marine slogan, and improvise and adapt so they have a shot at overcoming their opponents.

Serbia, huh?

I keep wondering how much mileage Lancaster’s going to be able to get out of Novak’s heritage and assume at some point we’re going to get a novel where it’s not so central. But until then, I’ll continue to be interested in seeing how Lancaster can adapt it.

This time out, putting him in his old homeland allows (forces?) him to confront and better understand his history (both recent and decades-old). Lancaster is able to get a two-for-the-price-of-one return here, not only is it the perfect setting for this kind of story, but we get a little character development.

One Gripe…

No self-respecting Texan is going to describe himself as from the “Deep South.” Sorry. Yes, it’s a minor issue, but it took me out of the moment. And for a book/series that reeks of authenticity, it’s a conspicuous blunder.

I did read an eARC which I know are still subject to change. Hopefully, that’s one of those edits that’s addressed before publication date.

So, what did I think about Going Back?

The first two books in this series had a pretty clear line of demarcation between the “undercover police officer” part and the “action hero” part of the book, and it worked pretty well. In Going Back, however, Novak slides back and forth between the two pretty easily (although the there is a clear shift in emphasis). I liked that a whole lot and hope Lancaster can do more of that in the future.

Throughout the whole book it felt to me like Lancaster had taken everything that worked best in Going Dark and Going Rogue, combining them while leaving off everything that didn’t work as well. Giving us the best in the series, a confident and well-paced thrill ride that will please fans and probably pick up a few for the series. You don’t have to have read the previous three to enjoy this one, the backstory isn’t that important to it. This is a fun way to spend a couple of hours and I recommend it to you.

Disclaimer: I received this eARC from the author in exchange for this post and my honest opinion—thanks for this.

4 Stars

Betty by Tiffany McDaniel: A Beautiful Novel about a Tragic Childhood

By

On August 7, 2020

In Fiction, General Fiction/Literature

Betty

Betty

by Tiffany McDaniel

eARC, 480 pg.
Knopf, 2020

Read: July 25-28, 2020
Grab a copy from your local indie bookstore!


I’ve struggled with this one for days now and was tempted to say something like, “It’s a Tiffany McDaniel book. This means the writing is gorgeous, the subject will provoke you, you will be moved. And did I mention it’s wonderfully written?” But I knew I couldn’t post that…it doesn’t actually tell you anything about this book (“Tiffany McDaniel” and “gorgeous writing” is essentially a tautology) and since when do I express myself in twenty-seven words?

Who’s Betty About?

Yeah, I normally ask what a book is about, but the what is so unimportant in this book a reader could be excused for not remembering. You won’t forget the who anytime soon. The who is what matters.

It’s about a young, poor family’s struggles between 1939 and 1973—with a focus on 1961-73 (when Betty was 7-19) when the family settles in Appalachian Ohio (and largely stays there). The father is of Cherokee descent (Tsa-la-gi. A-vn-da-di-s-di), the mother is white—and you can imagine how easy life was for them and their children in that time (harder for Betty who takes more after her Cherokee lineage, while her siblings favor their mother). While none of the children has an easy life, there’s a greater degree of difficulty of Betty.

I could spend a good deal of time talking about various family members, but I’m going to focus on two of them.

Landon Carpenter (a.k.a. “Dad”)

When Landon Carpenter met Alka Lark, he was working as a gravedigger, he later worked at a clothespin factory—and then several other jobs, including a stint in a coal mine (which left him with a permanent limp due to a beating given by racists), while the family moved from state to state. When they settled in Breathed, Ohio*, he became known for selling moonshine, herbal remedies (based on “Cherokee wisdom” that was essentially what he happened to make up on the spot), and hand-crafting furniture.

* A fictional city that also served as the setting for The Summer that Melted Everything—one of several nods to that work included here.

But really, what he does with his time is father his children and try to take care of his wife. They don’t all appreciate it, or understand what he’s doing, but they’re (largely) devoted anyway. He will be frequently found passing on a bit of received knowledge through myths or parable form. He wasn’t ready to be a father when he became one and two decades later, he still wasn’t entirely ready when Betty arrived (or her younger siblings, either), but he rises to the occasion as best as he can. I don’t get the picture that he’s the easiest guy to get to know or get along with for prolonged periods. But for those who do get to know him, he’s clearly a loyal and supportive friend.

Betty (a.k.a. “Little Indian”)

Either as a quirk of personality or because she’s physically closer to her Cherokee heritage (likely a combination), Betty embraces the cultural lessons her father passes down more readily than her siblings do—and always wants more. She’s naive, inquisitive, and somehow despite everything she witnesses innocent and optimistic (not precisely, but that’s the best word I can come up with). Life hands her horrible experience after horrible experience, and while momentarily cowed, she comes back, wiser, but still innocent. Toward the end of the book, she has a couple of experiences (one thing she’s told about, one thing she witnesses) that drive her to the breaking point—but even then she holds on for a little longer.

She’s our Point of View character and doesn’t understand everything that’s going on around her for most of the book—things really kick off when she’s seven, after all. So we see a lot of the book through unreliable eyes, but very reliable emotions and reactions. From the latter, we can get a good understanding of what’s going on, better than she can.

The Magic (for lack of a better word)

In McDaniel’s The Summer that Melted Everything, many things happen that may be supernatural or magical in origin, there’s a semi-magical realism feel to it. That’s not the case here. Nor is the source of the “magic” in this novel one mysterious stranger.

The power that keeps Dad and Betty—and the rest of the family—going comes from story. Dad’s constantly telling stories to his children, Betty in particular—and, we learn, he even tells stories to his friends (I don’t think Landon’s wife has much patience for many such stories, as much as she needs them). Betty typically doesn’t tell her stories to anyone, but she writes them down, filling notebooks with them. Some she keeps, some she buries (to preserve or to hid), some she gives away. By their use of story—sometimes use of words—Dad and betty keep themselves, and those around them, going. They inspire, encourage, and teach with them.

A story that Betty’s mother tells her is arguably the most powerful story in the novel—and it explains more of the novel than anything else. Her story, is wholly true, and wholly heartbreaking, but even that comes down to the power of storytelling.

Drawbacks to the book

I don’t really want to label these as problems with the book, but there are a few things that keep me from being as enthusiastic about Betty as I was for The Summer that Melted Everything (which I am enthusiastic about to this day). I basically proselytized readers over that book, I won’t go that overboard for this.

The first is that it took me far longer than it should have to get what McDaniel was trying to accomplish, I kept waiting for a plot to emerge, and there’s never much of one by design. Instead, as I indicated above, this is about the characters. Growing, developing, faltering, stumbling, and retreating. It’s about how they react to the events (or non-events) in their lives that matters, now the events themselves. It’s entirely possible that this is all me and not the text. But I don’t think that’s the case (or I wouldn’t have gone on about it).

Secondly, the non-Carpenter characters. With two notable exceptions (the town Doctor who comes running when they call; and a friend of Landon’s who rents them the house they settle in. But the rest of the people (almost without exception), are simply horrible. Some of the Carpenters are okay, and most of them demonstrate growth (at least). But everyone else is horrible, blatantly so…so many people in authority of varying degrees are just horrible, spiteful, evil people. And it’s just hard to read that. I firmly believe in man’s inhumanity to man, but it’s usually tempered, at least on the surface/occasionally, with something positive. We aren’t given anything to look to and say, “Hey, there’s someone decent”, or “There’s someone doing something decent. Spiteful, racist, ignorant, misogynous, capricious, and evil. Those are the words that come to mind as I think about the non-Carpenter characters, and it’s just hard to read them.

So, what did I think about Betty?

I started off liking it, and that feeling slowly grew. There weren’t many moments that wow’ed me, but there were a handful that broke my heart. I sincerely want another 50 pages of the Dad’s odd little myths (some of which, I’m pretty sure contradict themselves, which Betty sees and rolls with). I wanted to help Betty through her challenges, to at least shoulder some of her burden with her.

And did I mention the prose is fantastic?

That said, I don’t think I connected with the characters (particularly those who aren’t Dad or Betty) the way McDaniel wanted me to. I don’t think there’s enough going on to urge people to read this, but I will recommend it strongly. That said, I think I will be in the minority with this book and most readers won’t understand my hesitation to rave over this. I do recommend this book, I do plan on re-reading it in a year or two, and I will be first in line for McDaniel’s next book.

Disclaimer: I received this eARC from Knopf Doubleday Publishing Group via NetGalley in exchange for this post—thanks to both for this. I also want to thank McDaniel for approaching me to let me know it was available for request. None of the above kept me from giving my honest opinion.

4 Stars
20 Books of Summer

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Heirs of Locksley by Carrie Vaughn: Robin’s Kids Go Looking for Fun and Find Trouble Again

By

On August 5, 2020

In Carrie Vaughn, Fantasy, Fiction

The Heirs of Locksley

The Heirs of Locksley

by Carrie Vaughn
Series: The Locksley Chronicles, #2

Kindle Edition, 128 pg.
Tor.com, 2020

Read: August 4, 2020
Grab a copy from your local indie bookstore!

“Well,” Marian said calmly. “Perhaps they found an adventure.”

“Marian, they were supposed to be nothing like me. They were supposed to be sensible and quiet and not at all prone to adventures.”

“Hmm,” she said, refusing to state any opinion about what Robin’s children were meant to be like. If they were wild, she’d blame Sherwood Forest before she blamed Robin. Something about that place got into one’s bones and made one rash.

What’s The Heirs of Locksley About?

It’s about four years after the events of The Ghosts of Sherwood, King John is dead and the Locksley’s are at the coronation of his son, King Henry III.

Robin pushes his son John into taking care of some of the courtly duties as his heir (also, he’s the Locksley without any political baggage). His sisters accompany him to meet the new king, one thing leads to another, and Henry calls for an archery competition to see them at work.

The Locksleys being the Locksleys, trouble follows them—some comes at the competition, some comes later. Basically (like their father), the children go looking for fun, and adventure ensues—maybe it is Sherwood’s fault.

“So what did you think would happen, coming here? Knowing who their father is?”

[Redacted] was trapped. He had the look of a hound who had cornered a boar all by himself and then didn’t know what to do with it. “Those . . . They’re just stories. You aren’t him, not really.”

“No, of course not. That man lived a long time ago,” Robin murmured. “I am much angrier right now than he ever was.”

You can just see the glint in his eye as he said that…(and the way he laughed about that line when recounting this over the fire).

So, what did I think about The Heirs of Locksley?

Like its predecessor, this is a quick read. A fun read—it feels like one more entry in a long-running series, not just the second. We’ve only got to spend roughly 250 pages with these three and they already feel like old friends.

Vaughn tapped into something here and I’m so glad she did. In the afterword, she writes:

What makes a good Robin Hood story?

Adventure. Charm. Good people we like looking out for each other— it’s not enough to have a story about Robin Hood. He needs all his friends around him, and they need to be witty and skilled and admirable. Archery, of course we need archery. Clint Barton and Katniss Everdeen insist that we still need archery even in this modern day. And Robin needs to help people. He needs to denounce corruption and tyranny. He rebels and resists.

From where I sit, that’s exactly what Vaughn delivered. Most modern retellings (on-screen or in print) seem to miss the charm and witty parts in the gritty reboots—but Vaughn kept them.

I know it’s a duology, but I’d buy more—either the further adventures of the heirs or if she wanted to go back and tell some of Robin’s adventures.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Silence by Luca Veste: A Chilling Look at Spiraling Consequences of One Fatal Night

By

On August 4, 2020

In Fiction, Luca Veste, Mystery/Detective Fiction/Crime Fiction/Thriller

The Silence

The Silence

by Luca Veste

eARC, 400 pg.
Sourcebooks Landmark, 2020

Read: July 17-20, 2020
Grab a copy from your local indie bookstore!


This is one of those thrillers where it feels like if you say anything, you’ll ruin something. But, I’ve got to try (if only for the sake of my NetGally Feedback Ratio).

What’s The Silence About?

I’m going to borrow the blurb, because if that says too much, it’s on Sourcebooks, not me.

It was supposed to be our last weekend away as friends, before marriage and respectability beckoned. But what happened that Saturday changed everything.

We killed a stranger and covered it up.

In the middle of the night, someone died.

We didn’t know our victim was a serial killer.

The six of us promised each other we would not tell anyone about the body we buried.

But now the pact has been broken.

We don’t think he was working alone.

And the killing has started again …

The year following the killing of the serial killer was not easy on these six friends, the toll on them all is great. Then when the killing starts again, it’s even worse, the fragile hold that Matt (the narrator) has on his life and mental health is about to shatter. Sone of his friends are doing somewhat better, while others…well, you should read that for yourself.

While we what happens to these six around the one-year anniversary we get some quick glimpses at some of the formative experiences they shared through childhood, adolescence, and university that shaped who they are and how they reacted to the present crisis.

What can I talk about?

That borders on too much about the plot, and I really don’t think I can talk much about the characters for the same reason—almost everything we learn about them is tied to the story.

Let’s focus instead on the feel of the book, the atmosphere. Wow. The opening pages are upbeat, joyful—but you can tell that won’t last for long (and not just because you’ve read the blurb). Then it gets bad, and worse, and worse yet. And you can’t look away—like the proverbial car wreck you see coming. Not only can you not look away, you have to see more, you have to keep turning the pages to see just what kind of damage will be done. How these lives will be further shattered.

It’s horrible. It’s tragic. It’s compelling.

So, what did I think about The Silence?

I don’t know that I can honestly say that I enjoyed this book—I don’t think anyone can. It’s not that kind of book. It’s a serial killer novel like you’ve never read before. If for no other reason than the focus isn’t on the killer or the hunt for the killer. It’s about the victims, prospective victims, and those that are left behind. It’s about seeing the ripple effects of trauma.

It’s a great experience. An intense read. This will be lurking in my subconscious for a while. Veste tapped into something here, and you’ve gotta try it.

Disclaimer: I received this eARC from Sourcebooks Landmark via NetGalley in exchange for this post—thanks to both for this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Luck and Judgement (Audiobook) by Peter Grainger, Gildart Jackson: Death at Sea, Corruption and Destruction on Land

By

On August 3, 2020

In Audiobook, DC Smith & Kings Lake, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Luck and Judgement

Luck and Judgement

Peter Grainger, Gildart Jackson (Narrator)
Series: A DC Smith Investigation, #2

Unabridged Audiobook, 11 hrs., 57 min.
Tantor Audio, 2016

Read: June 10-12, 2020
Grab a copy from your local indie bookstore!

…this was, when you thought about it, typical of the places that Smith brought you to, of the situations that you could find yourselves in when working with him…He had these ideas which somehow seemed to be more than hunches and a way of making things happen before you realized it. Half suggestions would have momentum before you could blink.

I’ve said it before, and I’ll keep saying it until it’s no longer true* but there’s a certain magic, an ineffable alchemy about Jackson narrating Grainger’s work. It’s just fantastic, I think I’d have liked these audiobooks with another narrator (or in print), but I don’t think I’d have liked them as much. I’ve enjoyed Jackson’s narration before, but it was (no offense intended) good, not great. But you put the two of them together? It’s fantastic.

* I expect that will be roughly the time that one of them retires.

The downside here is, that I don’t have a lot to say beyond that. And it kind of drives me crazy. I made a couple of notes, but I’ve misplaced them (which is pretty annoying).

What’s Luck and Judgement About?

We start off with Smith and Waters taking a helicopter to an oil rig with some other police to investigate a death/missing person (the helicopter rides inject a much-needed bit of levity to keep the beginning of this novel from being too dark). Smith and Waters are really along for the ride, most of the work will be done by the others, but the victim was in Smith’s jurisdiction—as it the rig. Or close enough, so they have to come along.

The higher-ups and the executives on the rig are willing to write it up as a suicide, but are leaning on an unfortunate accident as the explanation. Smith, shockingly, isn’t convinced. Suicide seems unlikely for several reasons, and one would have to work really hard to get around all the safety measures, guard rails, fences, gates, and whatnot in order to have an unfortunate accident. It makes him no friends, but Smith is convinced (and is more so by the hour) that this is a homicide.

As bad as it is for the victim, their suffering is over—but for their survivors, the crime (if there was one) will affect their lives for years to come. In this case, we’re talking about his wife and a small child. They didn’t have a lot of money coming in before his death, but now, there’s nothing. A small apartment, little financial security, and nothing else. Without becoming maudlin, or focusing on them too much, Grainger does allow us to see how these events will alter their lives and what the future may hold for them. We got a little bit of that in the previous novels, but it plays a larger role this time. It’s a small thing, but one that’s too often over-looked in Crime Fiction.

There’s a new detective on the team, a transfer, and one that Smith has a hard time relating to—he’s trying to be cautious and make sure she’s acclimating. At the same time, he’s worried that he’s not using her, and that the best way to get her acclimated is to throw her in. With the rest of the detectives (including those he doesn’t appreciate), you don’t see him uncertain or reflective. So watching Smith trying to figure out how to manage someone is a new side to him.

That same detective plays a role in an undercover operation that Smith undertakes to follow a lead—it’s possibly the most comedic part of the series to date—while not really being that funny at all. Judge for yourself.

As much as Smith’s hunches, his intuition, might start his team down a road, or help him to see a connection that others miss, once he makes that intuitive leap to start an investigation, procedure takes over. I can’t think of another “police procedural” where the procedure is as effective as it is in these books. Smith and the team (mostly the team) grind and grind and grind, doggedly going through all the steps before them, and it pays off—at least to a degree. I really respect that as a narrative choice—sure, Smith’s (or someone else’s) intuition (experience guided by intelligence, as Nero Wolfe would put it) will sometimes help set the direction, but it’s legwork that gets it done.

What’s Going On Other than the Main Case?

Smith continues to work with the True Crime writer on that previous case of his, and a friendship develops between the two As an ongoing arc, this is a real slow burn, and I’m enjoying it, as much as I don’t understand what Grainger is up to. I’m assuming instead of a B (or C) story, this will eventually become the A story for a novel—maybe the last in the series? But unless this is just going to demonstrate that Smith’s biggest case ever was his biggest failure and he’s going to have to find the real killer now, I’m not sure I see how.*

* Okay, I just came up with a half-baked idea where it would work, but I’ll hold off on that idea until it can get solidified.

Lastly, it’s time for Smith to be recertified as physically fit to carry on his duties. He’s missed two previous opportunities to qualify and he has no choice but to show up for this one. It feels pretty personal, the DCI who’s had it in for him since before the series started seems to be using this to force him out. The reasons he missed the previous two are legitimate reasons, and the DCI just looks petty for forcing his hand like this. But then when doesn’t this guy look petty? In the last book, he tried to get Smith to transfer to another office, and that didn’t work, so this is his new attempt. It’s short-sighted and small-minded to force Smith out, but the dies have been cast. While the new assignment was being dangled in front of Smith, a private-sector job was also offered—the lengths (the questionable, reckless, and likely illegal) that Smith goes go to pass this test demonstrates how un-tempting he actually found the offers last time, no matter what he may have thought. Smith loves this kind of police work and will have to be forced into retirement, kicking and screaming.

So, what did I think about Luck and Judgement?

So much for the three paragraphs that I was hoping to come up with for this post, I guess, eh?

I pretty much gave that away in my first paragraph, didn’t I? There is something about the combination of Grainger’s novels and Jackson’s performance that make these books so satisfying. Are they the best written, most exciting and suspenseful Police Procedurals? No. But they are just about the most satisfying, most immersive, most effective that I can think of—even when the ending isn’t what you’d want. There is a strong sense of humanity in these books, not just in the protagonists, but in the victim, the killer, the witnesses, the people who aren’t the killer but who aren’t up to anything legal/moral/ethical…everyone. There’s no one cartoon-y or over the top (in any direction). You just don’t see enough of that.

I was sucked into the intricacies of this case and thoroughly enjoyed spending time with Smith and the rest of the team—and I can’t wait to return to this world.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Pub Day Repost: Spells for the Dead by Faith Hunter: Nell and Her Team Face a New Type of Deadly Threat

By

On July 28, 2020

In Faith Hunter, Fiction, Jane Yellowrock/Soulwood, Urban Fantasy

Spells for the Dead

Spells for the Dead

by Faith Hunter
Series: Soulwood, #5

eARC, 384 pg.
Ace, 2020

Read: July 13, 2020

What’s Spells for the Dead About?

PsyLED is called to the home of a country music superstar to investigate some mysterious deaths—the and her band had recently returned from a pretty successful tour and now many of them are dead and several of those who aren’t are in desperate need of First Responders to act quickly.

Sadly, no First Responder is equipped to cope with whatever happened to them, much less recognize and understand it. That goes for people later to the scene, including PsyLED. However, under the direction of T. Laine, their witch, they’re able to makes some guesses about treatment. Nell, Occam and Lainie focus on documenting everything they can as well as beginning preliminary interviews.

One of the first things they determine is that a witch was not behind this attack. Sadly, they reach this conclusion too late to prevent a local sheriff, with the aid of a less than ethical senior FBI agent, to lock up the band member who is a witch. Their logic is impeccable—paranatural crime, arrest the nearest paranatural. This anti-paranatural tendency shows up frequently among the humans in this book—particularly when it comes to witches. I appreciated the way that Lainie dealt with it (both in her more honest and then in her more politic approaches). Our trio being joined by their upline boss, Ayatas FireWind, helps in this manner somewhat (both because of his rank, and FireWind’s general demeanor).

On a semi-related note, you would think that people who believe/proclaim very loudly that lycans, witches, vampires, and so one are horrible monsters that want to kill all humans would be a little more circumspect when they’re around. Maybe it’s just me, but if I thought someone wanted to rip my limbs off and snack on them, I would go out of my way to not antagonize them.

Anyway, the team’s focus here is a little split—on the one hand, they need to both identify the type of magic behind the attack and continue to find better ways to treat those fighting off the effects; and on the other, figure out who had the motive and/or means to carry it out. Neither goal was really that easy.

So That’s the Main Story, What Else is Going On?

As with all books in this series, as much as this is about the PsyLED team, it’s really about Nell Ingram, her integration into the world outside the cult she left, even as she continues to deal with it and her family. God’s Glory Church really doesn’t factor heavily in this book, but it’s always in the back of her mind, shaping (either directly or in reaction to it) how she reacts to things.

There is a pretty intense moment related to the Church, but it has more to do with Nell’s family, than the Church itself. Nell doesn’t yet have full custody of Mud, but everyone’s pretty much acting as if she does. Mud’s continuing to settle in and push Nell in ways she wasn’t prepared for. Which is just fun. Both Nell and Mud are having to deal with their very pregnant sister, Esther. Esther’s pregnancy is causing her powers (and flowers) to come forward, and unlike her sisters, she’s not that interested in them. It’s a nice contrast—and it provides Mud with some great opportunities for growth.

On the work side, the team’s recent successes—particularly as the only predominately non-human team in PsyLED—are causing the Agency to make some changes to the way the Agency works—and this is going to spill over onto the team. By and large, the changes look positive and will provide good opportunities for the various members of the team. However, Nell doesn’t like change—doubly so when it applies to those things in her life she holds most dear. And since we read all this from her perspective, it’s hard to look objectively at all this.

If we’re looking at the Venn Diagram of Nell’s families (natural and found), the overlap is Occam. I’ve always loved this relationship, and now that they’re openly seeing each other and professing love? Occam’s so good, saying all the right things, doing all the right things, he’s practically a Gary Stu/Marty Stu. That “practically” there is important—Hunter’s written him in such a way over these few books that he comes across as earnest in all this, he’s not perfect, he’s just really close to perfect for Nell. They’re just fun together.

As for Nell herself? She’s continuing to work on herself, her approach to life. She makes some wise decisions and actions with her relationship with FireWind. She makes some great leaps with the relationship (if you can call it that) with the Vampire Tree. And we get some of the most solid information on just what kind of paranatural creature Nell is (watching her stifle her curiosity on this front to focus on the case was a great moment). Basically, Spells for the Dead contains more of that sure and steady, organic character development that’s been the hallmark of this series.

So what did I think about Spells for the Dead?

One of my favorite parts of these books is Nell’s reactions to new-to-her foods. We don’t see her introduced to anything here, but we still get to see her relish a few things she wasn’t exposed to for most of her life—Krispy Kreme donuts and pizza. This is actually kind of a good way to think about most of this book—unlike the previous books (particularly the first two), we’re not seeing Nell experience much that’s new here—mostly she’s living in this new world, rather than figuring things out. Hunter has established her world, has set up the characters, creatures, overarching conflicts, and whatnot. Now she gets to play with that world.

This means (at least for me, and at least for this book), that without the earth-shattering reveals, the Big Moments in Nell’s (or other characters’) life, the book has less of an impact on me. Spells for the Dead is just as good as the rest of the series has been, it just doesn’t hit me the same way. Which leads to a slightly lower rating. Hunter’s plotting, writing, and characters are still top-notch, it just didn’t blow me away. I got to spend some time with some really good friends—and I’m so happy I did—but it was comfortable, not exploratory. I trust that won’t always be the case, and that Hunter will certainly do things in this series that will cause my jaw to drop, but sometimes it’s simply going to be a really good/great novel instead of a fantastic one. Still making it one of the best series I follow.

I really got into this case—it wasn’t as fraught as some of the previous ones were, but it was interesting and unexpected. The side stories did everything they needed to. Spells for the Dead just solidifies the Soulwood books as one of the best UF series going.

4 Stars

My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

I Was Told It Would Get Easier by Abbi Waxman: The Cat’s in the Cradle and all that…

By

On July 23, 2020

In Abbi Waxman, Fiction, General Fiction/Literature

I Was Told It Would Get Easier

I Was Told It Would Get Easier

by Abbi Waxman

Paperback, 328 pg.
Berkley, 2020

Read: July 14, 2020
Grab a copy from your local indie bookstore!

I sighed. “And I’m leaving day after tomorrow for the college tour.”

She laughed. “There you go, that’ll be a total freaking disaster and therefore for a great distraction from the impending end of your career.”

“Wow, that’s super supportive.”

“I scare because I care.”

“Thanks.”

“In other news this, this morning Sasha told me I make her want jump off a cliff.”

“What prompted that?”

“I said her uniform skirt was too short.”

“And that gave rise to suicidal ideation?”

“Teenagers are all about balance and reason.”

The Mother

The essence of this book is right there—Jessica (a lawyer in a pretty big law firm in L.A.) is taking her daughter, Emily, on a college tour days after leveling an ultimatum at her boss–make some serious changes to the way the firm treats female lawyers, and do it soon, or she walks.* Being jobless might not be the best way to prepare for her daughter’s college years, but you do what you have to. It should be stressed, that there’s no way that Jessica is going to mention this to Emily.

* Jessica’s efforts to change her firm from within, and the two associates she champions, would make a decent novel. I don’t know that it’s a very Waxman-esque novel, but she gives us enough of a flavor of the story that the reader can write that in their mind

The trip isn’t just about colleges—it’s about Jessica and Emily having a chance to reconnect. To bond a little before Emily moves to the next stage of her life. Jessica fears that she wasn’t around enough during Emily’s childhood, and now that she’s on the verge of leaving, the gulf between the two is too large, and she’s regretting many choices she made while Emily was growing up. That’s not precisely true, she’d make just about all of them again, she regrets the unintended consequences of those choices.

The Daughter

Everyone tells you middle school is fun, and then you get there and it sucks. Then high school is going to be fun, but you get there and it both sucks and is really hard. Now, apparently, college is going to be fun, but it really seems like one more hurdle standing between me and actual happiness. Whatever that is.

Emily, on the other hand, is not looking forward to this trip. She’s not sure she wants to go to college (but she knows that’s the expected next step and is planning on taking it), she isn’t looking forward to that much time with her mother—especially in Jessica’s “plan for the future” mode—and there’s something pretty big that happened at school recently. Emily isn’t going to be telling her mother about it, either, but she knows that at any moment, someone from the school will be calling to talk to her mother. What good is planning for college when you’re not even sure you’re going to survive high school? Still, anything’s better than being at school for the next few days, so the trip won’t be a total loss.

The Trip

This is a group tour—put together by some college prep group—ten students and their parents are flying from L.A. to Washington D. C. to begin a whirlwind tour of some of the bigger-named colleges on the East Coast (including one “Ivy”). The kids are all from top-tier private schools, and (most of) the parents have a decent amount of money. Waxman is able to take this situation and make it seem not all that different from a family stuffing themselves into a car to go check out a state college or two. Turns out that caring parents want the best for their kids and want a decent relationship with them, no matter the family’s social stratus. Who knew, right?

In addition to the schools they’re breezing through, there are a few excursions to take in some local culture and even have some free time. Emily’s prompted Jessica to reach out to some of her old college friends while they’re out there, so their free time features such diversions as: an old boyfriend (who is not subtle not even a little bit about wanting to rekindle that old flame—at least temporarily); an old friend who is now a professor of philosophy, and pushes both mother and daughter to look at things in a new light; Jessica’s father who drove her to be the best (read: most successful) she could be, and doesn’t quite get Emily’s way of thinking.

Then there are the people on the tour—the reader doesn’t really get to know all the students/parents, but we focus on a few—there’s the geology/math geek (and his equally geeky mother), the cute and thoughtful boy (and his cute and thoughtful single father), and then there’s Alice and Dani.

I think if either Jessica or Emily had known they were going to be along, they’d have rescheduled the trip. “Alice is [in Emily’s words] the kind of girl we’re all supposed to be, but I don’t want to want to be her, if you get me.” She’s super popular, super ambitious, “she arrived on the first day of ninth grade and assumed control ten days later.” The two were friends for a few weeks before Alice moved into a higher social group. Meanwhile, Jessica describes Alice’s mother, “Daniella—Call me Dani—is not the kind of mother I want to be, but I think she’s the kind of mother I’m supposed to want to be.” The wife of a studio exec, she spends her time mothering and volunteering. The presence of these two they know, but don’t want to; have to be nice to, but don’t want to; gives the pair a common cause (and shows the reader how similar they are, even if neither can see it).

I could probably say a lot about this part of the book, but all I’m going to say about the tour and the tour group is that I could’ve easily enjoyed another week of them hitting various educational institutions and discussing them internally. I enjoyed every second of the tour/tour group we got to see. Naturally, we got a little bit of the College Admissions Scandal of recent history mixed in—and I appreciated the way Waxman worked that in.

The Heart of the Matter

I swear…I’ll be graduating college and Mom will be on a call. I watched her nervously through the window at first, but it was clearly the office; she looked base-level stressed and didn’t throw any accusing glances my way. She’d missed pretty much everything I did in elementary school because of work, and though I totally support her, girl power and all that, it’s irritating. She complains about a work all the time, too, so I can’t help noticing I’m coming second to something she doesn’t even like.

(In her defense, Jessica notes (about having her phone on her and access to her email), “This is the problem with being able to work from anywhere… you end up working from everywhere.”)

The core of the book is the mother-daughter story. Imagine Gilmore Girls, if Lorelai and Rory didn’t know how to talk to each other without it quickly turning into an argument (yes, I know, they had their moments, but there was a friendship under-girding it). Their relationship was so frustrating, just a little bit of openness and/or bravery on the part of either one of them would enable them to talk—it made me sad. At the same time, I thoroughly enjoyed the book—and had a lot of fun with it.

I loved both characters—and was heavily invested in both of their stories and loved their voices. Seeing both events—and their fights—from both perspectives was a great way for Waxman to approach this. On those occasions when the two were on the same page? It was golden. Just a delight to read and spend time with them when they were that way.

So, What Did I Think About I Was Told It Would Get Easier?

Waxman’s writing is smart, funny, and full of heart. Her characters (even the less pleasant ones) leap off the page and you can hear them as clearly as I can hear my pug snoring at my feet. Between this book and The Bookish Life of Nina Hill, I think you can consider me a Waxman fan—and I’ll be getting to her backlist as soon as I can.

The word that comes closest to encapsulating my experience with this book is pleasant. I simply liked everything about reading the novel—it took me out of my circumstances and served as a pleasant oasis for a few hours. Sometimes—frequently—that’s the best gift an author can give, and Waxman delivered as surely as Old Saint Nick ever did.

4 Stars

2020 Library Love Challenge

This post contains an affiliate link. If you purchase; from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Silence by Luca Veste: A Chilling Look at Spiraling Consequences of One Fatal Night

By

On July 21, 2020

In Fiction, Luca Veste, Mystery/Detective Fiction/Crime Fiction/Thriller

The Silence

The Silence

by Luca Veste

eARC, 400 pg.
Sourcebooks Landmark, 2020

Read: July 17-20, 2020
Grab a copy from your local indie bookstore!


This is one of those thrillers where it feels like if you say anything, you’ll ruin something. But, I’ve got to try (if only for the sake of my NetGally Feedback Ratio).

What’s The Silence About?

I’m going to borrow the blurb, because if that says too much, it’s on Sourcebooks, not me.

It was supposed to be our last weekend away as friends, before marriage and respectability beckoned. But what happened that Saturday changed everything.

We killed a stranger and covered it up.

In the middle of the night, someone died.

We didn’t know our victim was a serial killer.

The six of us promised each other we would not tell anyone about the body we buried.

But now the pact has been broken.

We don’t think he was working alone.

And the killing has started again …

The year following the killing of the serial killer was not easy on these six friends, the toll on them all is great. Then when the killing starts again, it’s even worse, the fragile hold that Matt (the narrator) has on his life and mental health is about to shatter. Sone of his friends are doing somewhat better, while others…well, you should read that for yourself.

While we what happens to these six around the one-year anniversary we get some quick glimpses at some of the formative experiences they shared through childhood, adolescence, and university that shaped who they are and how they reacted to the present crisis.

What can I talk about?

That borders on too much about the plot, and I really don’t think I can talk much about the characters for the same reason—almost everything we learn about them is tied to the story.

Let’s focus instead on the feel of the book, the atmosphere. Wow. The opening pages are upbeat, joyful—but you can tell that won’t last for long (and not just because you’ve read the blurb). Then it gets bad, and worse, and worse yet. And you can’t look away—like the proverbial car wreck you see coming. Not only can you not look away, you have to see more, you have to keep turning the pages to see just what kind of damage will be done. How these lives will be further shattered.

It’s horrible. It’s tragic. It’s compelling.

So, what did I think about The Silence?

I don’t know that I can honestly say that I enjoyed this book—I don’t think anyone can. It’s not that kind of book. It’s a serial killer novel like you’ve never read before. If for no other reason than the focus isn’t on the killer or the hunt for the killer. It’s about the victims, prospective victims, and those that are left behind. It’s about seeing the ripple effects of trauma.

It’s a great experience. An intense read. This will be lurking in my subconscious for a while. Veste tapped into something here, and you’ve gotta try it.

Disclaimer: I received this eARC from Sourcebooks Landmark via NetGalley in exchange for this post—thanks to both for this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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