Tag: 4 Stars Page 52 of 83

Prayer by Ole Hallsby

PrayerPrayer

by Ole Hallesby

Papberback, 176 pg.
1994 (originally 1931), Augsburg Fortress

Read: September 3 – 10, 2017


The section from Calvin’s Institutes on prayer is fantastic, Wistsius’ book is incredibly helpful, Luther’s little A Simple Way is pretty good, as is Matthew Henry’s Method, but none of them have been as much help as this little book by Norweign Lutheran Ole Hallesby (at least that’s my guess, I’ve had years to chew on those others, only a couple of weeks for Hallesby). I heard of the book briefly on an episode of Christ the Center this summer, and then they devoted an entire episode to it later — I was halfway through the book when that second episode was posted, thankfully, they didn’t say anything that spoiled the ending. If not for those podcast episodes, I probably would’ve gone my whole life without ever hearing of this book. That would’ve been a shame.

He doesn’t set out to write a comprehensive book on the subject, or a systematized theology of prayer, but to present “a few simple rules for the benefit of souls who are fainting at prayer.” It’s not much of a rule book, thankfully, as much as it wants to be — more like a collection of helpful suggestions.

Hallesby describes two things that make up the attitude of prayer — helplessness and faith. Faith that Jesus can and will answer our prayers and a realization that we are helpless and need him to even pray. What he writes about helplessness is worth the price of the book alone. I think it’s changed the way I pray already. I would quote a bit of it here — and I started to, but I wasn’t sure where I’d stop. So let me just encourage you to grab the book.

I also really appreciated his discussion of how we “think we must help God to fulfill our prayer,” by giving Him lists of suggestions for how to and times when He can answer us. Instead, we are to faithfully pour out our need to Him, and then trust that He will answer as He sees best. I’d really never thought of it in those terms but we really can end up trying to tell God the best way to go about helping us — which flies in the face of our admitted helplessness in a given situation.

Hallesby covers the work of prayer, the struggles we may have in it, some suggestions for how to learn to pray better, as well as giving some answers to common questions about prayer (that seem to be the same questions I hear others having almost 100 years after this book was written, probably questions believers had 100 years before that, too). Throughout the book, you get a strong sense of a pastoral heart behind the words and advice, which makes it all much easier to heed.

It’s not a perfect book by any means — most of my problems have to do with the fact that I’m not a Lutheran, nor a Pietist. So, anything that leans too heavily on those traditions/characteristics are obviously going to at least raise my eyebrows, but on the whole those aspects of the book are quibbles. For example, his definition of prayer involves letting God help us, or his aversion to pre-written prayers (that one has many allies in my own tradition, so it is more of a note than anything). More substantial concerns are his utter lack of reference to — much less use of — the Psalms or the Lord’s Prayer. A book on prayer that doesn’t even touch on those is mind-boggling. None of these concerns or quibbles detract too much from the book — and they’re certainly outweighed by the help the book gives.

Pound-for-pound, the best book on the subject I’ve read. Easy to read, encouraging, convicting and insightful. Highly recommended.

—–

4 Stars

IQ by Joe Ide

IQIQ

by Joe Ide
Series: IQ, #1

Hardcover, 321 pg.
Mulholland Books, 2016

Read: September 18 – 19, 2017


The book opens with a criminal in the making, and a very slapstick-y incident. But even while grinning about that, you get the sense that this character isn’t going to be good for more laughs. He’s not — but thankfully, we don’t have to spend a lot of time on him, because Isaiah Quintabe (a.k.a. IQ) finishes his blossoming criminal career. Which is very effective way to introduce Isaiah, the unlicensed investigator, and his world to readers.

After this, we spend some more time with our modern-day Sherlock of South Central LA. He needs money, not another case that he takes on in return for some homemade cookies or something, he’s got a couple of big bills heading his way and requires cash to take care of things. His need for an infusion of cash forces him to align himself with a former friend (there’s a very good reason for that “former”) with a tie to a well-paying client. The client is a famous rapper who is convinced that someone is trying to kill him — he happens to be right, I should add, which makes the book a lot more interesting. (obviously, an investigator looking into a paranoid delusion isn’t going to be as action-packed as one looking into a person actually trying to kill someone). This investigation will bring Isaiah and Dodson into the not-as-lucrative-as-it-used-to-be music industry, into marital problems, petty jealousies, and a whole lot closer to pit bulls than at least one of them wants to be. The case is at once a showcase for Isaiah’s talents and something almost too complex for him.

We also get a series of flashbacks to the events that set Isaiah on this path, how he honed his natural abilities and inclinations to become the man he his — an unlicensed PI that helps out people in his neighborhood, many of whom wouldn’t turn to the authorities. So often with a Sherlock-type character, we just get the finished product — the Great Detective at the height of his powers, knowing all sorts of arcane information. But Ide shows us how Isaiah gets this information, how he earned it, improved his reasoning and observation skills. Also the why behind it all — why didn’t Isaiah take his genius into something that would make him more money? Why does he stay where he is? The flashbacks also show us Dodson and Isaiah meeting and falling out.

The two stories intertwine and are pretty equally intriguing, which is a real bonus.

There’s what seems to be an authenticity to the world Ide portrays — honestly, what do I know about the realities of LA? But it sure feels real, so either way, I guess Ide did his job. The characters — all of them, the good, the bad, the creepy, the slimy and everyone else are wonderfully conceived and executed. The crimes depicted are varied sophisticated (making them worth Isaiah’s time) — and at least one method of assassination is something I’ve never seen before. Ide does a great job of balancing the moods at work, the grim, the hopeful, the silly and all points in between.

There’s a passage in this book that is one of the best brief pieces of writing I’ve read this year, period. As I reread it (at least 5 times), I kept thinking of the Fiction Writing professors I had in college that would’ve made us study it for at least one class session. It’s during the “origin” portion, where Isaiah’s Geometry teacher is explaining inductive reasoning — these four paragraphs give you a strong character, setting, tone, a minor character (and even a brief storyline), a good idea what she looks like, her past, her relationship with her husband — and you get a good working definition of inductive reasoning, too! It’s really great.

This year (most recently, last week), I’ve also talked about another modern Sherlock — Victor Locke. How would I compare the two of these? There’s some similarities, and more than a few differences. At the end of the day, Victor Locke is a lot more amusing and entertaining. Isaiah, on the other hand, I could believe was real (I know he’s not, don’t worry). Isaiah is driven, he’s brilliant, he’s proud, he’s haunted, he has no obvious addictions (phew! wonderful change), he’s a bit more grounded than your typical Holmes-type. Dodson is the least John Watson-y Watson-figure you’ve ever seen, more of a hindrance than an assistant. Thankfully, also he’s not a narrator, and I’m not sure I could’ve handled a book from his point-of-view. It’s hard to summarize, but he works really well in this role.

I thoroughly enjoyed this book from beginning to end, with not a dull moment in between. Isaiah Quintabe is a keeper, and I’m already counting the days until his next book.

—–

4 Stars
2017 Library Love Challenge

The Song of The Swan by Michael RN Jones

The Song of The SwanThe Song of The Swan

by Michael RN Jones
Series: The Victor Locke Chronicles, #2

Kindle Edition, 306 pg.
Fahrenheit Press, 2017

Read: September 13 – 14, 2017

On ending the sentence, his face dropped. “Oh,” he exhaled, “that’s it. I’ve just had one of those TV detective moments.”

“What d’you mean?”

“You know. When some tiny and unrelated fact, like a car door slamming or an answerphone machine flicking on, makes the whole case drop into place. It happens to Jonathan Creek and Adrian Monk all the time…”

In The Accidental Detective, we met Victor Locke and his court-appointed psychologist, Dr. Jonathan Doyle — a modern-day Holmes and Watson in a collection of stories that were partially a tribute, partially a pastiche, partially an update and entirely entertaining. This second episodic novel/short story collection continues in that vein.

This book opens with Doyle and Locke being arrested for bank robbery, which is not really what I’d expected. It’s, as is the case with many of the stories in this book, a chance for Doyle to stretch his investigatory skills and do a lot of the work. The two are not equal partners in any sense, but it’s nice to see that Doyle is more than just the sidekick (see Archie Goodwin and Joan Watson for other examples of this kind of relationship).

Not only is Doyle on his way to becoming a proper investigator, his write-ups of the cases are gaining him a greater degree of notoriety. I particularly enjoyed watching various characters go out of their way to fawn over him — or try to work their way into his writings.

At the same time, Doyle is wondering how well he actually knows his friend — and frequently discovers the answer is, “not that well.” At the same time, everyone (including Locke himself) regards him as the world’s expert on Victor Locke. Locke is just fun to watch in the varied situations he places himself in. As much as I appreciated Doyle’s larger role in things, I missed Locke when he wasn’t “on screen.” There’s a greater depth to the character than we’ve seen previously (or maybe I just missed it last time — that’s possible)

I’ve talked a lot about the characters and not much about the cases — there are two reasons for this, primarily, you read things like this for the characters. Secondly, Jones can tell you about the cases in a much more interesting way than I can. I’ll just say that they’re clever, enjoyable and Holmesian (in the best sense).

I’ve gotta say, I didn’t like the ending. I thought it was well done, it flowed organically from the events leading up to it, it fit the characters, it was earned — and so on. I just didn’t like it.

I enjoyed The Accidental Detective and if The Song of the Swan had been more of the same, I’d have been satisfied. But, Jones kicked everything up a notch — Locke was stranger, more clever, and funnier; Doyle was a better version of the guy we’d met previously, and the crimes were more interesting. All in all, a fun read, a great way to spend a few hours and one of those sequels that delivers on the promise of the first. Heartily recommended.

—–

4 Stars

The Spirit Mage by Layton Green

The Spirit MageThe Spirit Mage

by Layton Green
Series: The Blackwood Saga, #2

eARC, 386 pg.
Cloaked Traveler Press, 2017

Read: September 9 – 12, 2017


Picking up so soon after the end of The Brothers Three that it might as well just be the next chapter, The Spirit Mage continues the story of The Blackwood brothers and their companions (most of them, anyway).

There are essentially four storylines at work in these pages. There’s one focusing on the villains here — the wizards running the campaign against the rebels, the Romani, the “common born” who aren’t content to stay that way — and a spirit creature invoked to find the sword that Will’s been carrying.

Speaking of Will, he and Caleb find themselves — and Caleb’s ex, Yasmina — in the necromancer’s castle. Will and Caleb are set on returning to New Victoria to try to find a way home. Meanwhile, they have to convince Yasmina that this very strange dream is real. Soon after they set out, they are captured by slavers and are headed towards mines that no one has ever escaped from.

Meanwhile, their brother Val was escorted back to Urfe where things got immediately interesting — just in case the reader might be tempted to think that his story was going to be a repeat of The Brothers Three, Green establishes right off that such will not be the case. Anyway, the only way that Val can determine to find his brothers is to actually figure out how to use the magic he’s been trying to master. So he enrolls in the Abbey — a wizarding training college. He befriends a few wizards, gets involved in some pretty serious extra-curricular activities.

Mala disappeared during their party’s assault on the castle with a majitsu — her story is easily the least predictable, and hardest to summarize without spoiling. It’s not as interesting on the whole (primarily because we’re used to focusing on the brothers), but man, when it gets weird, it gets weird.

The Brothers Three was your basic Portal Fantasy — a little different, because most of those feature much younger characters (or at least most that I’ve read). This book was more of your typical fantasy novel — wizard in training, heroes on a quest that goes awry. It’s that the central characters don’t belong in the world. I didn’t like Val as much has his brothers last time out, but I really enjoyed his story (as stupid as he frequently was). Will and Caleb I enjoyed as much as before — maybe more. I thought Yasmina was a great addition to the series, and the way she fits into the world was a big plus.

Mala’s story didn’t end the way I thought it would, but really it had to end the way it did. The same could be said for Val’s, actually. Will and Caleb’s ended like I expected (phew! I’m one for three). Thankfully, they were all brought to satisfying points — in one case, as satisfying as a cliffhanger can be. At this point I’m pretty sure I know how things will end up, but I have no clue how Green will pull it off. I can’t wait to see, though.

It’s hard to think of this as a separate book than The Brothers Three, really. By the time book 3 comes out, I’m not sure I’ll be able to tell you the difference between the two (okay, that’s not totally true — but it seems like it). Which makes it a little difficult to evaluate differently than its predecessor. Basically, if you liked the first book in the series, you’ll like this one. If not, well, this won’t change your mind. If you haven’t read The Brothers Three, you really should.

It’s honestly a little frustrating to me that I can’t think of much to say about this — but it’s so consistent with the last book that I’m going to sum things up in this post the same way I did with the other book: The Spirit Mageis well-written, skillfully structured, and well-paced — there are some nice turns of phrase throughout the novel, too. Green is the real thing, giving the readers a good story, great characters, an interesting world (or pair of them), in a well-written package. After these two books, I think I can say that this is going to turn out to be one of my favorite fantasy series in a while.

Disclaimer: I was provided with this copy for an honest review by the author.

—–

4 Stars

Summer Knight (Audiobook) by Jim Butcher, James Marsters

Summer Knight (Audiobook)Summer Knight

by Jim Butcher, James Marsters (Narrator)
Series: The Dresden Files, #4
Unabridged Audiobook, 11 hrs and 12 mins
Buzzy Multimedia Publishing Corp., 2009

Read: August 23 – 25, 2017


So, we get more information on the White Council (not just the vague references in the first couple of books and our buddy Morgan the Warden), as well as our introduction to the Fae Courts. Throw in everything we learned about Marcone in book 2, vampires in book 3, and what we’re about to learn in book 5 and we’ll have fully established the world of Harry Dresden. And wow, what a world.

But I’m getting ahead of myself. We start off with dealing with the war Harry was tricked into instigating in the last book, he’s got assassins after him — but thankfully, Billy’s got his back. A friendship has developed between Harry, Billy and the rest of Billy’s pack since Fool Moon which is pretty cool to see. Even if Harry’s too blinded by his obsessive need to cure Susan’s vampirism to see things like friendship, self-destructive lifestyle, and whatnot. Billy’s also minding the store for Harry and has made an appointment for him to meet with a new client.

Harry doesn’t want a new client — but he’s about run out of money and is looking at the business end of evictions soon, so he’d better. He doesn’t want this new client either, for reasons you can read/listen to for yourself, but she doesn’t leave him much of a choice.

Before he can get too carried away with dealing with this, he has to attend a meeting of the White Council — where he will be a major topic of conversation, thanks to the vampire war. Which isn’t going too well for the Wizards. We meet some great characters at this meeting, including Harry’s [spoiler] and mentor, Ebenezar McCoy. McCoy is a hoot — Marsters (no surprise) nails his character, by the way — he’s just one of those guys you like from the moment you meet him on the page and your appreciation for him only increases. In the end, the Council basically puts Harry to a test — if he doesn’t pass, they hand him over to the vampires; if he does, things continue on the way they are now — and if he dies in the process, well, that’ll be inconvenient. The test, naturally, involves him taking the above client he doesn’t want.

In a nutshell, a member of one of the Fae Courts has been killed and Harry has a couple of days until the Summer Solstice to find out who did it. Otherwise, the balance of power between the Courts will shift and war break out. A war that’ll pretty much decimate the planet’s climate in ways that Al Gore couldn’t imagine. Which is a bad thing for us humans. So pretty much, Harry has to solve a murder, stop a war/save the earth, while dodging assassins, skeptical wizards, and who knows what else or he’ll be tortured and killed by vampires after being abandoned by his people. In just a couple of days.

Oh, and a long-lost (and assumed dead) person from Harry’s past shows up in the middle of all this, too.

No big deal, right? Poor, poor Harry. It’s a fun adventure (for the reader), the mystery story is decent, the adversaries are fantastic — and the new characters (even those we never see again, sniff) are great additions to what’s just a great cast.

I mentioned the friendship of Billy and Harry earlier — we get a lot of it in this book, Billy’s along for most of the adventure, and he’s really turning into someone Harry can count on. Karrin Murphy gets some great action, too — and Harry finally clues her into what’s going on re: Fae, Vampires, White Council, etc. You know, keeping the promise he made to himself at the end of book 2. Well done, Dresden. I can’t fail to mention Toot Toot — he’s come a long way since we met him in Storm Front, in no small way thanks to Harry.

I’m talking about an audiobook now, so I really should say something about James Marsters’ work. I’m just going to sound like a broken record, though, if I do. I’m trying to think if I wasn’t that impressed with anything, or if there was something in particular that I thought he did well, and I can’t come up with anything. I really enjoyed his Bob in Summer Night — nothing different in the characterization, I don’t think, but it just came to life in a particular way. Also, he captured the very strong sense of fatigue, of being at the end of his rope that so defined Harry in these pages.

This wasn’t my favorite book — although I really enjoyed it on the whole — and really relished reliving the establishment of the Council and Courts in the series. While I thoroughly enjoyed the stuff in Wal-Mart (for example), it went on too long and wasn’t worth it to the story. There were a few too many moments like that in this book for my taste — fun in and of themselves, but ultimately, time wasted, so I’ll knock this down a star. Also, it proves that as much of a mindless fan-boy I can tend to be about this series, I’m a little discerning. A little.

—–

4 Stars

Luck Favors the Prepared by Nathaniel Barber

Luck Favors the PreparedLuck Favors the Prepared

by Nathaniel Barber

Kindle Edition, 204 pg.
Take the Stairs Publishing, 2017

Read: July 22 – 24, 2017


If the title is true, Nathaniel Barber was/would have been one of the worst Boy Scouts in the world. You don’t have to read many of these non-fiction short stories to decide that luck and Barber are, at best, passing acquaintances. Which is probably good — they make for better reading that way (Barber, might disagree about the “good” there — it is his life).

These stories don’t detail his life, they give you glimpses into experiences that have stuck with him for one reason or another, and largely they resonated with me. For example, his first (disastrous) experience with being a landlord. His goals for it were pretty much what I’d envisioned the time or three I thought about trying it. How it turned out for him, is pretty much what I feared would happen to me. A lot of what happened to him as a band geek made me think of what it was like when I was one (thankfully, it was a little tamer for me). I’ve never had a coworker like Dale Kendrick, but I can name one or two individuals that easily could’ve been.

Not all of his stories are those the reader will be able to identify with — but there’s something in his telling of them that will allow you to see yourself in that situation, and feel the humanity.

There is one important difference between his life experiences and mine — or most readers’ — his are funny. Or at least the way he’s able to present them is (probably more the latter than the former). Not always in a laugh-out-loud way, sometimes it’ll just be a wry smile, or shake of the head. But Barber’s been able to mine the humor in most of these situations — frequently at his expense.

Each story has a different feel to it, so even though they’re all about the same central character, they’re individual stories. They don’t all flow chronologically — he jumps back and forth though his life, you won’t walk away with a “life story” or anything, you’ll just get a good understanding of various points in his life. It’s like sitting around a table with an old friend, “Did I ever tell you about the time . . . ”

Barber’s writing chops are evident throughout this, whether he’s going for economy of words:

Against the advice of my lawyer and stern warnings from my therapist, I accepted Elsbeth’s invitation to lunch.

or if he’s going for a visual that will stick with you:

Mr. Millson was a short, puggish man. He was skinny except for a cantaloupe gut he not only ignored but allowed to lend heft to his wagging swagger. He was short and compensated for this with a simmering, constant temper, always fired up and red-faced. Even when he was just trying to schmooze an extra scoop of Jell-O from the lunch lady. His lips were not lips, but the absence of lips. Sweaty flaps, really. Fleshy bits of face he pursed to a thin, kissy embouchure under a bulbous, alcoholic nose.

you get exactly the idea he was going for — this isn’t some sort of arty-ambiguity here, it’s a precise brushstroke. He wants you to feel what he felt, he wants you to see what he saw — and he wants you to at least grin about it. Sometimes he’s not that subtle; infrequently, he could be more skillful about it — but he’s hitting his targets, he’s evoking memories about embarrassments of our youth, empathy over similar struggles of young adulthood, or a slight feeling of dread knowing that’s exactly how you’d react in that situation. Thankfully, he generally wants that to be followed with a chuckle.

Creative, distinctive, amusing — this collection will leave you wanting to see more from Nathaniel Barber, while being very glad you have this.

Disclaimer: I received a copy of this book in exchange for my honest opinion and participation in this book tour. I appreciated the book, but my opinions expressed are my own.

—–

4 Stars

Christ and Covenant Theology by Cornelis P. Venema

Christ and Covenant TheologyChrist and Covenant Theology: Essays on Election, Republication, and the Covenants

by Cornelis P. Venema

eARC, 504 pg.
P&R Publishing, 2017
Read: July 23 – August 20, 2017


The doctrine of covenants is in many ways the heart of Reformed Theology, defining Reformed Christianity and marking the dividing line between it other forms of Protestantism. Which is not to say that after 400 years and change that we’ve managed to work out all the details. Even now controversies (of varying degrees of heat) over aspects of Covenant Theology keep blogs, twitter and theologians busy. This particular tome is a collection of essays by noted theologian and author, Cornelis P. Venema, on some of these issues. They’re all slightly re-worked articles originally published in various journals, books, etc. but in one handy collection for those who haven’t tracked them all down before.

Broken into three sections, the book covers the relationship between the Covenant of Works and the Covenant of Grace; the relation between Covenant and Election (particularly as applied to children of believers); and then “Covenant Theology in Recent Discussion,” which focuses on the Federal Vision and N. T. Wright’s view of justification.

In a nutshell — I found Part 1 to be the most intriguing, Part 2 to be the most helpful, and Part 3 didn’t do much at all for me. But that’s me, and I can’t imagine that my experience will be replicated. I’m not going to spend a lot of time summarizing his arguments — I couldn’t do a good job of that; it’s beyond the scope of this blog; and it’d take far too much time to read — he does a better job of it anyway (or just read Ferguson’s foreward, which gives an excellent overview).

Part 1, “The Covenant of Works and The Covenant of Grace” focuses on the a couple of problems surrounding the concept of the “Covenant of Works” — in chapter 1, he explores some criticisms of the concept, the history of its development and then defends it (at least in is Westminster Confessional form). Venema then moves on to look at the ways in which some contemporary Reformed theologians are seeing to find a “republication” of the Covenant of Works in the Mosaic covenant. He begins with building the case for Republication, drawn from some of the primary sources, and then critiques it. I won’t say I’ve read everything on this topic in print, but I’ve read enough to get the issues, and this is probably the fairest job I’ve seen describing the position. It’s also a pretty good critique, showing many of the problems inherent to it. This was very helpful to me, and I expect, for many.

Part 2 is wider in focus — he devotes two chapters to looking at Herman Bavinck’s understanding of Covenant, Election and the relationship between the two. Bavinck is becoming one of my favorite theologians and this study, pulling from many of his works, was useful focusing on these themes. Venema then spends two chapters on the teaching of the Canons of Dort about children of believers who die in infancy — there’s an overall pastoral tone to these chapters (and the Canons), with some good historical overviews of what lead to it and how the Canons have been used since their writing while dealing with grieving parents and others. These two chapters probably helped me more than any others in this book. Finally, leading from both of those, Venema applies the doctrine of the Covenant to the baptism of children. I read this in the original book it was published in, and it was one of the better chapters in that book — it’s still good now.

The third part dragged for me, I’ll admit. Venema does his characteristic thorough job laying out the issues with both the so-called “Federal Vision” and N. T. Wright’s ideas about justification as seen in his interpretation of Romans 5. I know better than to think that the issues surrounding the FV or NPP are dead, and I know that the issues are important enough that we need to keep exploring and expounding on them — but man, I devoted so much time and energy in the early 2000s to the FV in particular that unless he had something new to say, I just wasn’t going to get anything out of it. These chapters were a good overview and analysis, with some very good elements of critique. I do think that those who are newer to the topics, or haven’t spent a lot of time on them will profit from Venema’s work here.

What can I say about the writing? Venema’s very dry, very careful. When it comes to some of these topics, passions can flare, rhetoric can overtake even the more sanctified writers, getting them to say things more casually than they ought, even recklessly. Veneama avoid that, going out of his way to attempt to be fair to his opponents, while making it clear where he stands. This can be annoying if you’re looking for a quick answer to a controversy, but a great boon if you’re trying to understand it. It’s that care, that patience, that fairness that makes his critiques as effective. You don’t get the impression that he’s creating strawmen, or presenting the worst of his opponents, so the problems he points to are significant and deserving of your attention.

I know this book will not appeal to many — if the subtitle “Essays on Election, Republication, and the Covenants” doesn’t catch your interest, this book isn’t likely to do much for you. But if your ears perk up to just one of those areas, this is a very helpful book, a sure guide through some of the hotspots of the contemporary Reformed Church.

Disclaimer: I received this eARC from P&R Publishing via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Beat the Reaper (Audiobook) by Josh Bazell, Robert Petkoff

Beat the ReaperBeat the Reaper

by Josh Bazell, Robert Petkoff (Narrator)
Series: Dr. Peter Brown, #1

Unabridged Audiobook, 6 hrs and 48 mins
Hachette Audio, 2009

Read: April 19 – 21, 2017


Dr. Peter Brown is having a rough day — he’s fighting to keep a patient alive long enough for someone competent to diagnose him properly — he’s also fighting to get someone to diagnose him properly. And he’s a got a new patient that recognizes him from his past life, who makes a threat — keep him alive, or someone will divulge that Brown’s got a new name and can be found at this hospital.

Peter Brown is the new name for someone in the Witness Protection Program — he was a contract killer who flipped on his employers and got sent to medical school. He’d been doing a pretty good job of moving on, but . . .

The novel tells Brown’s story in flashbacks through his childhood, becoming a criminal and what forced the break from that, um, atypical career path. Then we get to see him scrambling to stay alive in the present, and maybe keep some of his patients in the same state.

A first-person narrator describing how he’s killing someone with medical precision, and a touch of humor is just so much fun. This is a very visceral book — whether describing what a patient is suffering, what Peter is inflicting on someone, what someone’s inflicting on Peter, or even the drugs he takes to maintain alertness — he describes in the kind of detail you just don’t see anywhere else. You can feel it.

Peter’s got a great sense of humor — dark, sure, but what else can he have in is position? But if you don’t find yourself at least grinning a a few times, there’s something wrong with you.

Robert Petkoff narrates this in a hyper-masculine tone of voice, which fits perfectly. He embodies Peter in a way that you hope an audiobook narrator can. I liked the audiobook by him I heard last year, but this one seems like he got into the story more, like he was having fun (of course, this is a much more “fun” book than Before the Fall wants to be). Basically, he does a great job.

Part of me wants to go into more detail — but I find myself being restrained. Beat the Reaper is visceral, witty, intelligent and violent — this has all the elements of a thriller that’ll appeal to me. The plot and characters are pretty decent, too — that’s more than you can ask, really.

—–

4 Stars

The Driver (Audiobook) by Hart Hanson, Ari Fliakos

The DriverThe Driver

by Hart Hanson, Ari Fliakos (Narrator)

Unabridged Audiobook, 9 hrs and 11 mins .
Penguin Audio, 2017

Read: August 10 – 14, 2017


Michael Skellig was a Special Forces Sergeant in the Army, who came out of the War on Terror with more than just scars and stories. He also came back with a burden to help Vets. So far, he’s gathered a small group of them around him in his limo company. It’s more than just a company, it’s a family — a place for them all to heal. These are the strangest, most tragic, yet funniest group of characters you’re likely to meet this year. You’ll be glad that Hanson introduced you to them as well as being a little angry that he does what he does to them.

Skellig is driving for a skating mogul/rap musician/all around lifestyle entrepreneur, Bismarck Avila, and he stumbles upon an attempt on Avila’s life and thwarts it — with no help at all from Avila’s bodyguards. Avila blackmails Skellig into driving for him regularly (no, really) which gets Skellig involved in Avila’s less-than-legal activities. All Skellig is trying to do is keep Avila alive — and maybe find out why people are trying to kill him.

But Avila’s criminal associates and rivals don’t understand that, they think Skellig is an accomplice, assistant, or just generally in cahoots with Avila. So they come looking for a pound of flesh from Skellig and his little found family, hoping that’ll result in them getting what Avila owes them. All it does is provoke Skellig.

Skellig isn’t your typical thriller figure — he’s got a couple of PhD’s — one in mathematics, a sense of duty and loyalty, a knack for categorizing people using Hippocrates’ four humors (hey, it beats Myers–Briggs Types — at least for entertainment value), and an odd sense of humor. I don’t know that Hanson’s setting this up as a series, but if he is, Skellig is going to be one of my favorite series’ leads soon.

Avila . . . I just don’t know what to say about him. He’s an interesting weasel of a character. There are times when you’d like Skellig to just walk away and let the police or some criminal or another take him out. Other times you feel sorry for the kid and hope someone protects him from himself and his dumb choices.

The plot moves quickly — not so much that you don’t get invested in characters, their hopes, dreams, phobias — and steadily. There’s a wit to the writing, as well as to the dialogue. Skellig’s right-hand-man is his former interpreter, an Afghan man, is wise, funny and wily — he’s also Skellig’s conscience pretty often. The two of them going back and forth is one of the highlights of the month for me. The writing is crisp, descriptive (sometimes you might feel overly so, as you read descriptions about the kinds of trauma visited upon bodies/body parts), and engaging. Really, for a debut, this is some outstanding work.

Ari Fliakos does a fantastic job — accents, voices, emotions, humor — he nails them all. Last year, I listened to his narration of Mr. Penumbra’s 24-Hour Bookstore, which was easily as good as this. But I didn’t recognize his voice — the only reason I know both books had the same reader is that’s what the Internet tells me — the performance he gives is so good. I’ve got to make a point of listening to more things with his name on them.

The Driver is perfect for fans of Shane Kuhn’s John Lago books (The Intern’s Handbook, Hostile Takeover) or Josh Bazell’s Peter Brown (Beat the Reaper) books — but a little less violent. Just as smart, just as witty, just as . . . not your typical thriller. This is probably the best thing that Hanson’s ever brought into the world, I hope this is the first in a long line of novels from him.

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4 Stars

The Brothers Three by Layton Green

The Brothers ThreeThe Brothers Three

by Layton Green
Series: The Blackwood Saga, #1

Kindle Edition, 332 pg.
Cloaked Traveler Press, 2017

Read: August 4 – 8, 2017


Ever since Edmund, Lucy and Eustace got sucked into that tacky painting and into the sea in Narnia, I’ve been a sucker for a good portal fantasy*. Which is exactly what Layton Green has given us here.

Will Blackwood works for a general contractor, with the occasional shift at a medieval-themed family restaurant where he will engage in stage fighting, and spends a lot of time reading fantasy novels. He’s suffered from panic attacks since childhood and that’s kept him from much more. His buddy, Lance, a New Orleans police officer will occasionally take him on ride-alongs, but he’s just not up for much more excitement. His older brother Caleb, is a bartender and perpetual adolescent (given time and opportunity, I’d have liked to see that explored more, because I suspect there’s more to it than meets the eye). The oldest, Val, is a corporate lawyer in New York who has served as self-appointed guardian to his brothers since their father’s death while they were children.

Until one day, things get a little strange: Will and Lance run into a zombie Rottweiler and the weird guy who controls it. Lance explains it away, but Will can’t. He knows what he saw, and apparently has a willingness to be flexible with his presuppositions about what may be real. Not long after this, the Blackwood’s godfather shows up, tells them that their father was a wizard, gives them some magical weapons and then gets kidnapped by the guy who had the Rottweiler (it was a pretty eventful conversation). Before they can wrap their minds around this, a stranger claiming to be a wizard shows up and talks to Will, telling him that Zedock is the name of the man who kidnapped Charlie — he’s a necromancer from a parallel universe where magic rules, not science.

Not only that, he’s arranged for the brothers to go to that parallel universe to learn a little about magic, their weapons and maybe find a way to defeat Zedock. Will is game, but he knows that he’s not going to be able to convince his brothers that this is a possibility. They’ve managed to convince themselves that they didn’t see anything magical and that there’s a reasonable explanation for everything going on (except Charlie’s statements) — they’re not quite at the level of the explanations that Tommy Lee Jones uses in Men in Black, but they’re close. So Will tricks them into triggering the portal to the other world with him (and Lance gets sucked through it, too).

Even in a world clearly not our reality — with swords, magical creatures, and different looking streets in New Orleans — it takes time for those who aren’t Will to accept what’s going on. But they eventually do, and hire some locals to help them get to a fortress where they should be able to find something they can use to challenge Zedock. I seem to be talking about the willingness of Val, Caleb and Lance to accept what they’ve seen and experience — but that’s a pretty big plot point. I like the way they struggle with this, unlike what goes on with kids in portal fantasies who seem to swallow the whole concept in seconds

The travel isn’t easy — it’s not long before all of them get to learn how to fight with pre-modern weapons. Val shows some signs of magical ability and begins training in its use, while Will learns how to use a sword in a fight that doesn’t happen on a stage, and Caleb picks up a trick or two from a thief. They don’t just train and travel — they see and fight creatures straight out of a D & D manual. A lot more happens, of course, but I don’t want to give it all away — so I’ll just sum up by talking about how the adventurers they travel with are a great collection of characters, pretty compelling, and just what’s needed to keep the story move forward and acclimate the dimension-jumpers to this world.

There is real peril — as demonstrated by enough deaths to satisfy the grimdark fans while not really being a grimdark world. Sure, there were a couple of Red Shirt deaths (Red Tunic deaths?), but characters you assume are safe turn out not to be after all. I read one paragraph a few times just to convince myself that I read about the gruesome death of a major character actually happened. Even without that, the way this story is told isn’t what you expect — there are secrets, ulterior motives, and barrels of denial everywhere. It’s very compellingly and interestingly put together.

The Brothers Three is well-written, skillfully structured, and well-paced — there are some nice turns of phrase throughout the novel, too. Green is the real thing, giving the readers a good story, great characters, an interesting world (or pair of them), in a well-written package. Book 2 comes out next month and it’s on my TBR. I’m resisting the impulse to move it higher, but it’s not easy.


* Yeah, I read The Voyage of the Dawn Treader first — I read series out of order in my childhood. As a kid, I was practically feral, it seems.

Disclaimer: I was provided with this copy for an honest review by the author.

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4 Stars

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