HC sat down with Literary Local, author, screenwriter, and all around good guy, Glen Gabel to talk about his mother’s passion project, <b.Through the Corner of Circles
You can see HC’s written Q&A with Glen here: https://irresponsiblereader.com/2025/05/20/literary-locals-a-qa-about-writing-in-idaho-with-glen-gabel/
Glen’s website: https://glengabel.com/
and Meg Ashely’s website: https://meg-ashley.com/
She Who Became the SunDETAILS: Series: The Radiant Emperor, #1 Publisher: Tor Books Publication Date: June 28, 2022 Format: Paperback Length: 411 pg. Read Date: January 8-10, 2026
This is an epic saga about a China-that-Could-Have-Been back in the 1340s. We follow (well, several people, but let’s focus on a couple of primaries) a young girl who assumes her dead brother’s identity and becomes a monk. This brother had been predicted to rise to greatness (as he was practically starving due to drought and famine, this was quite the fortune to receive). Zhu eventually becomes involved with the rebellion against Mongol rule, and begins to find her way to a new life—one of greatness and power.
On the other hand, we follow General Ouyang, one of the main leaders of the forces set to put down the rebellion. Ouyang is the one member of his family who survived the Khan’s wrath—as a eunuch. He is trusted by some in power, while many others consider him defective and untrustworthy, despite his victories and viciousness.
When these two meet on opposing sides of the conflict—both their lives are set in new directions, and the fate of a nation may be, too.
At a couple of points along the line—the last time was about the 2/3 point, I put in my notes, “Where’s the Fantasy?” (I wrote that larger than usual that last time). The elements are just not there—at least not as much as you’d expect in something shelved in that part of a store. In talking with a friend about it, I started calling it the La Croix of Fantasy novels.
It’s there, if you can really focus on it and hope. I have been assured that the Fantasy elements are stronger in the second part of the duology—but not much.
If this had been sold as General Fiction, or Alternate History or something—no one would’ve objected. And I wouldn’t have been distracted by wondering when magic or a dragon or something would come up.
As a fictionalized 14th-century China with a couple of tweaks—this is a great world, and the setting (place and time) is great.
I’m not entirely sure that this book has much to say about people in general. It has something to say about particular characters—and that can be applied to some, but not all.
Zhu starts off wanting to survive—with the thought that she could claim her brother’s fortune. It’s debatable, but I do think she has some sort of genuine Buddhist convictions—if only because that’s what she’s supposed to believe. Before ordination, she’s given some permission to not be that devout. And her convictions turn to herself—there may be some vague faith about things in general, but ultimately she’s convinced of her own abilities (and if she has to pay for that in lifetimes to come, she’s ready to accept it).
At one point, Zhu—in the midst of trying to encourage someone else—gives sort of her personal mission statement.
“But you know what’s worse than suffering? Not suffering, because you’re not even alive to feel it… Learn to want something for yourself, Ma Xiuying. Not what someone says you should want. Not what you think you should want. Don’t go through life thinking only of duty. When all we have are these brief spans between our nonexistences, why not make the most of the life you’re living now? The price is worth it.”
Without getting into the rightness or wrongness of her choices throughout the book (and she has plenty of both). I’ve come to think of Zhu as a Walter White character. She starts off as clever and resourceful, looking to do the “right thing.” But at a certain point, she realizes how clever and resourceful she is—and what kind of success can come from that, and her pride (warranted or not)—pride that can (should?) be seen as arrogance—starts to fuel her.
On the other hand, we have Ouyang. He is trapped by Fate. Or his idea of it—expectations of honor, family obligation, and therefore Destiny. He comes close to rebelling—or at least pushing against it—but is it close enough? He exercises agency and free will throughout—but it almost seems like he doesn’t think he can. Early on, he seems more lawless, more independent (for lack of a better word)—but by the end, he seems more constrained. Sort of the flipside.
In the book club meeting, the question was asked, “Does greatness necessitate cruelty in this world?” I’ve been chewing on that a lot. I don’t think so—I think there are a couple of examples of greatness (those perceived to be great, anyway) without cruelty. But by and large, the answer in this particular world is a resounding, “yes.” Or at least just about everyone thinks it’s the case. No one looking for greatness, or who happens to be in a position of greatness here can make it without cruelty. It is the epitome of a dog-eat-dog world, and as Norm Peterson would say, everyone is wearing Milkbone underwear.
I picked this up because it was the month’s pick for the Fantasy Book Club. And for quite a while, that was what kept me going. There were moments that made me think, “Oh, now we’re getting somewhere,” but that didn’t last for long. But curiosity and investment in a couple of secondary characters set in.
Also, I had to answer the question, “Where is the Fantasy?”
I’m really not sure. There was so much that worked here—but I’m not sure how satisfied I was with it in the end.
Parker-Chen can write some glorious lines—they can do more with one sentence of description than many authors can do in paragraphs. And getting to read them do more of that (if I get around to the sequel or wait until a new work) would be a treat.
For a book about war, it’s a relatively bloodless novel. Battles that take out thousands—conquer cities can take less than a page. If you want combat, you’re going to need some one-on-one situations—and there aren’t many. Battle, warfare, is the context of these events—it’s not the focus. Which is a pretty cool thing to see.
As much as I found the characters to be rich and complex (and I spared us all my bloviating about more of them—including the two or three that I like a lot more than those I talked about)—I’m not sure they’re enough to get excited about, alone. But this is a novel about more than the characters and the plot. There’s a lot going on about the nature of fate/destiny, gender, sexuality, morality, ancestry/ethnicity…
Is this a good read? Yes. Could it be better? Oh, yes. But a lot of that has to do with my expectations (magic, creatures, etc.). I just wanted a little more out of the book. If you go into this with the right expectations, you’ll probably get a lot more out of it and appreciate it more than I did. It’s worth the effort.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Dogged
DETAILS:
Publication Date: December 8, 2025
Format: eARC
Length: 293 pg.
Read Date: December 20-23, 2025
Dogged Determination and her mate, Vigilant Aggression, are Wardogs, a canine-humanoid race. They, like the rest of their squad are dedicated to going to other worlds to spread the Emperor’s peace (which could look like conquering a civilization and subduing the populace to someone who isn’t a Wardog). One fateful day, they are marching in formation through a wizard’s portal off to the next mission, and the unthinkable happens—the portal collapses, and the line in front of Dogged is caught half-in/half-out of the portal, leaving chunks (for lack of a better word) of the soldiers on each side.
She and her Kennel Master, stunned, go to report to the Emperor and get the permission of one of the advisors for Dogged to investigate what happened.
The one thing that she has going for her is her determination (she’s aptly named)—when she starts something, she sees it through. She’s not the brightest, she’s not subtle, putting together clues is not probably where she’ll shine But she will not stop looking until she knows what happened to her mate, the others, and why.
Along the way she inspires the interest—and eventually loyalty—of the first mate of a commercial ship. Well, acting captain of a ship following a dispute between Dogged and his former captain. There’s sort of a friendship that builds between the two, and Balen sees that Dogged’s just not up for the task ahead of her and decides to help her out—basically acting as her human to Wardog translator. Not long after that, they encounter an elementalist who joins up with them.
The three of them together form a new pack of sorts, providing a kind of connection that Dogged was unprepared for and didn’t seem to know was possible. I don’t want to overplay this idea, but it’s really like Balen and Sahar found a lonely and sad dog at a rescue shelter and decided to bring her home with them. And in them, Dogged may have found her forever home (at least emotionally).
Dogged is the best kind of unreliable narrator—she’s not lying (deception is hard for her), but her understanding of the world and people outside her experience and training is limited, so the reader will constantly be interpreting her first-person narration. Like any good dog, her observations and reactions will make an observer smile.
At the same time, Dogged is a warrior. She is great with a spear—and not bad with (human-sized) bladed weapons. But even without that, she’s a walking weapon: full sets of claws at the end of her hands, vicious and sharp teeth, and strength to go up against Conan and his mighty thews. And, yes, she’s trying to learn new ways of dealing with problems and questions—she’s being forced to, anyway. But for her entire life, all she’s ever been given to use is a hammer—every instinct, reflex, and response he has is to treat things as nails.
A lot of blood gets spilled, organs are torn, limbs are severed—starting in the opening scene, and it doesn’t let up.
You get this great mix of bloody violence, canine innocence, and heart. It’s hard to explain—but Fletcher pulled off something fantastic here.
I think I just said it. This is a fantastic read.
The cover appealed to me and made me look into it. Some of the reviews—starting with Andy Peloquin’s—convinced me that I’d probably enjoy this book. Boy howdy, did they undersell it.
On some other day, I might not have relished this the way I did. But there’s no day where I don’t have an absolute great time with it.
I’m on the verge of overhyping this here. I don’t know what else to say that’s not potentially overblown.
This was the right book for me at the right time—I didn’t expect it, but it’s the case. One of my favorites of 2025—probably the 2020s as a whole. I dunno—let me get some distance on it before I start saying things like that.
I’m just telling ya—get this, you won’t be sorry.
Disclaimer: I received this eARC from the author in exchange for this post—I read the book because I wanted to, and the opinions expressed are my own.
I’m excited talk about today’s release of (literary local) M.K. Felix’s Fairest Hunter. I’ve chatted with her a couple of times, and this sounds like a fun take on Snow White and Robin Hood both. I’m happy that I can finally own it (and very likely read it in the next 7 months at the rate I move). Here’s a little more about it to get you interested.
Title: Fairest Hunter by M.K. Felix
Title: The Favored’s Curse, Book One
Format: Hardcover/Paperback/eBook
Length: 353 pg.
US Publication Date: January 9, 2026
A rebellious huntress. A cursed prince. A coup to change it all.
Rowena:
The king spreads darkness with his words, and when he asks me to kill his own son, it’s the final tipping point for me. Guess that solves the issue of how to overthrow the tyrant. We’ll put Prince Alvor on the throne. Except, the Alvor before me is not the same one I knew growing up. This Alvor, well he’s entirely too alluring. He keeps tearing my walls down, reminding me that I’m not the only one who needs to fight for this kingdom.
Alvor:
With one glance into Rowena’s eyes, something changed. She has magic, and the more I reconnect with her, the more I’m sure she’s the key to saving our kingdom. But time is not on our side. I need to claim the throne before my father drives our kingdom into the ground with his greed. The only problem? I’m not ready to let Rowena sacrifice herself for me or my people. Especially not after she broke my curse and rekindled the sparks in my heart.
Hardcover ~ Paperback ~ eBook ~ Free Companion Novella: Lady Scarlett
Idaho mom writing clean ✨FANTASY✨
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Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s typically almost 40% Crime/Thriller Fiction, the rest of fiction is around 30% combined. This is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own. This year, however, the numbers are a bit more even gross-genres, but…the practice has been set. We’ll see what next year brings.
When it comes to this particular list of favorites this year, I just couldn’t get lower than 11 (I’m thankful I made it lower than 24). But as this is a catch-all, I figure I can be a little loose with the numbers. So here’s my list of 11 favorite non-Crime Fiction Novels of 2024. Hopefully, you will find something here to tempt you.
As always, re-reads don’t count—only the works that were new to me.
(in alphabetical order by author)
The Goblin EmporerTo say I was daunted by the incredibly detailed pronunciation guide and information about names before the novel is to put it mildly, but that went away almost immediately. This is a wonderful work–such an intricate web of courtly manners and rules (written and unwritten), a murder plot, a coup or two, and some geeky engineers. Okay, that’s a bad way to try to describe this. I read this a couple of months ago, and already want to re-read it. Once I got into this novel I didn’t want to leave.
Light from Uncommon Starsby Ryka Aoki
Words fail me as I try to talk about this contemporary Fantasy about a woman whose way out of a Faustian bargain depends on her damning others. And it turns out that I really liked this woman, and hoped she’d get that last soul. Just not the one she’s decided to use to fulfill the bargain, because this one should be protected and nurtured. Oh, and there’s a bunch of aliens on the run from an intergalactic conflict.
This book made me happy–it delighted me in the description of music, in fact. It broke my heart. It made me tense. It filled me with hope. There might be books on the lists this week that are better technically, but I’m not sure any of them worked on my heart the way that this one did.
Anxious PeopleOf this books that made me laugh this year, this is probably in the top 3. It’s also the book that probably made me think of fatherhood more than any other. And marriage. And all the ways we can let each other down, and the hope that exists for the next time when we don’t.
It’s Backman, so you know he’ll be funny. You know he’ll tug at your heartstrings. You know he’ll make you think. He does that, and more–because he throws in some small town cops, a bank robbery that went wrong, and a bunch of hostages. If I stopped reading after this one in February, I’d have called 2025 a good year for reading (although I’d have been so bored for the remaining 10 months, it’s good I didn’t).
A Drop of CorruptionMy original post
This is simply a perfect follow-up to The Tainted Cup–new strangeness to explore in this world, new depravities to be seen, new political machinations to watch, new opportunities for Ana Dolabra’s brilliance (and strange way of seeing the world) to shine–yet entirely of a piece with the first book. A Drop of Corruption is another fantastic mystery/fantasy hybrid. Like so many of the others on this list, superlatives fail me.
Five Broken Bladesby Mai Corland
I love the set-up to this book–a bunch of killers of varying in strengths and modus operandi are brought together for one joint-job. And one of them is a traitor. And the reader doesn’t know (but we can guess, and will) who the traitor is, why they’re doing it and more.
I liked this one so much that I bought the hardcovers for the rest of the trilogy right after finishing. I never do that.
I’ve seen some criticisms of the work–and some of them have merit. But while I was reading it? I was so taken in that I didn’t notice any of them. And now? I don’t care about any of the criticism, I had so much fun with this book that you could tell me that I’m the only one in the world who likes it and I’d be fine with it. (I’d also know you were lying, but that’s okay)
DoggedThis is a violent, grisly novel about an empire on the brink of ruin–and the devastation this wreaks on the populace. It is also one of the most heartwarming tales I’ve read this year about loyalty, determination, and doing what’s right for those important to you.
The central character just might be the character of the year for me–she embodies so much of what I love in a noble warrior character.
This book made my month in December–and I read a lot of books that I really enjoyed. But while I was reading this one, almost everything I’d read last year paled in comparison (including every other item on this list).
It sucks you in, it tells a perfect story in an almost perfect way–and makes you want more. I don’t want a sequel, it’s a wonderful stand-alone. I just want a half-dozen books just like it.
Mushroom BluesMy original post
A Police Procedural set in a world with Earth-like technology and laws. However, it’s inhabited with humans and a sapient, humanoid, fungal species. Basically, humanoid Mushrooms. It’s hard to explain.
The mystery/police procedural part of this was great. The alternate world was outstanding. The worldbuilding is top-notch. The primary and secondary characters were drawn so wonderfully. The motives for the crimes (and the crime fighting) were complex and messy—and almost entirely understandable. The genre-hybrid of this feels entirely natural to an extent that you can almost wonder why anyone hasn’t been approaching these genres in a similar fashion for decades.
Gibson’s scheduled to get a sequel out this year. I’m going to be at the front of the line for it.
Bounty Inc.My original post
This book is a space opera/SF adventure. With intrigue, action, strangeness, betrayal, and more. It’s what you expect from this kind of book—and it delivers that well. But I can also describe it as a wholesome, found family, cozy-ish, feel-good novel at its core. With an earnest spirit that reaches every corner of the book.
Is the big romantic arc entirely predictable? Yes. Is it effective, sweet, and wholly satisfying? Yup. Will you get gut-punched by what happens to some of these characters? Yup. (I didn’t say it was cozy, I said it had that heart, bad things happen). Will you cheer at parts of the action? Yes. Will you be dismayed by some of the twists? Yup. Will you want this pretty long book to be longer? YUP.
Satisfying on several levels. Fantastic action. Strange alien species. And entertaining on every page.
The Price of PowerMy original post
I read four books this year that I might have described as “one of my favorite fantasy novels” at one point. It’s a hotly competitive rank apparently. This is one of those. And that thumbnail review is still true.
This is a gritty, intense read following four primary characters (and a couple of others nearby each of them). The world it sets up and introduces us to is teetering on the brink of civic upheaval and all-out war. And something tells me those’ll be the easier problems to deal with. Book three releases in a couple of weeks not and my anticipation level is high.
My Documentsby Kevin Nguyen
My original post
This is a timely work about the complete internment of Vietnamese-Americans following some terrorist strikes. It is chilling. It’s occasionally joyful (usually as a precursor something utterly absent of joy, but also as a reminder of its importance).
This is a powerful, haunting, (purposefully) uncomfortable read that will also charm you. It’s been residing in a corner of my mind since I read it, and I keep almost making references to it when talking to others about current events as if it’s something in our shared cultural moment. It’s impact is going to last a while in my mind–and I’d recommend you let it impact yours, too.
The Amazing Twin Chicken Freedom FightersMy original post
This is either brilliant or the ravings of a madman. Possibly both.
It is absurd in every way. It’s hilarious on several levels–from very low-brow to philosophical riffs. Sole plays with narrative, meaning, reality…and I don’t know what all, really. If I was pursuing some sort of English degree right now, I’d be using this (and the promised sequel) as the foundation for a few papers.
It can also be read as twisted fun–you’d be missing a lot, but you’d have a great time.
A few books that almost made this list and I want to be sure to mention:
Parable of the Sower by Octavia E Butler, The Bright Sword by Lev Grossman, Bones & Betrayals: Silence of the Dead by Andi Ewington & Erica Marks, Grace and Henry’s Holiday Movie Marathon by Mathew Norman, Futuristic Violence and Fancy Suits by Jason Pargin, and How to Become the Dark Lord and Die Trying by Django Wexler.
The Last Battleby C. S. Lewis , illustrated by Pauline Baynes
DETAILS: Series: The Chronicles of Narnia, #7 Publication Date: June 25, 1994 Format: Paperback Length: 211 pg. Read Date: December 24, 2025
If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this (more than some of the earlier), and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.
If only because everything worth saying has been said by other, better, writers. Probably several times.
I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.
But I feel the need to say something now, so here are a few things that jumped out at me during this read:
Shift is the first Narnian primate we’ve seen, right? There’s probably a lot of meaning to be mined from that. hmmm….
A couple of pages of watching Shift in action is enough to make a guy want to go hang out with pre-Dragon Island Eustace just for the company.
I just want to yell at Tirian to pay attention to the Centaur and his reading of the stars. I mean sure the astrology is nonsense (or is it in Narnia?), but the rest of it…
Then just a few pages later, we get word that “Aslan” is ordering tress to be cut down and sold. Sorry, just how clueless are Tirian, Jewel, and anyone else who thinks, “yeah, this could maybe be the guy.”
The King was so dizzy from being knocked down that he hardly knew what was happening until the Calormenes untied his wrists and put his arms straight down by his sides and set him with his back against an ash tree. Then they bound ropes round his ankles and his knees and his waist and his chest and left him there. What worried him worst at the moment—for it is often little things that are hardest to stand—was that his lip was bleeding where they had hit him and he couldn’t wipe the little trickle of blood away although it tickled him.
That is just a great little detail there at the end. Hard to resist the impulse to wipe your mouth/chin there.
Even in the midst of the end of the world, Lewis can find time to bring a smile with something like this:
…in Narnia your good clothes were never your uncomfortable ones. They knew how to make things that felt beautiful as well as looking beautiful in Narnia: and there was no such thing as starch or flannel or elastic to be found from one end of the country to the other.
I thought about talking about Susan’s absence at the end, but it seems even less controversial to me on this read than on others. Also, I just got my hands on Gaiman’s “The Problem with Susan,” and should keep my powder dry until I can read/interact with it.
I didn’t take that many notes while reading this one–I think I just caught up in the reading. Oops. I really liked Jill here (nothing against Eustace, but Jill really got to shine).
This isn’t a wholly satisfying ending to the series, but it’s such a good one. I wonder a bit if Lewis could’ve done more–but I really can’t complain. It’d have been really easy for him to bungle this–I’ll take a pretty good conclusion over a mess.
And as He spoke He no longer looked to them like a lion; but the things that began to happen after that were so great and beautiful that I cannot write them. And for us this is the end of all the stories, and we can: most truly say that they all lived happily ever after, But for them it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on forever: in which every chapter is better than the one before.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Through Gates of Garnet and GoldDETAILS: Series: Wayward Children, #11 Publisher: Tordotcom Publication Date: January 6, 2026 Format: eARC Length: 148 pgs. Read Date: December 23, 2025
We watched Nancy get her door and get to go home 10 years ago (in publication time, I’m a little unclear about how long it’s been in Eleanor West’s School’s time, as is at least one student). And aside from a quick “hi,” a few books later, that was pretty much the end of her story.
Until now, obviously, otherwise, why would I start by talking about her?
She’s back, and there’s a rule-breaking quest involved. The twist this time is that Nancy has been sent by The Lady of the Dead. Something…someone…is attacking people like Nancy in the Halls. People who have come through their own Doors from their own worlds to their true home. The dead are left unmolested and undisturbed. But it’s the other living people there who are being attacked. Nancy’s friends (or as close as living statues have to friends), are being killed and they need help.
This is a first for Eleanor West and her students–but they can’t say no. They don’t want to. Kade, as almost always, the leader of the group. Christopher, who is more comfortable with the dead than anyone other than Nancy, and his bone flute come along as well. There’s no way that Sumi, Nancy’s old roommate, is going to pass up this opportunity. Talia demands to be part of it, too. She has no skills that seem to make sense for this task*, but she’s done the math. Going on a quest with other students is just about the best way to guarantee getting her Door when it’s completed. So no one had better stop her. I, for one, hadn’t done this connection–and I’m guessing many of the other students haven’t either, or there’d be several others clamoring for a change.
* Naturally, it turns out that it’s good she came along.
McGuire’s been clear from the get-go that this series can be read in any order–and that’s true enough. But I think there are a couple of books that should be read in a particular order, regardless of what she thinks. And you’re just better off in general going in publication order.
But let’s say that this is the first book you pick up–you’re in for a treat. In an Introduction of sorts–not really a prelude or prologue–a couple of pages before chapter one, whatever you want to call them–McGuire introduces this series, sketches the function of the Doors, the impact they make on those who pass through. Those who want them back, etc.
This isn’t a “The Story So Far…” kind of thing–but it’s the closest that this series is going to get. I hope we get these exact pages–or ones very like them–from here on out.
Sumi is one of the characters who appears with greater consistency than others in this series–and I, for one (but am probably not alone), am so grateful for that. Her weaponized optimism, utter lack of regard for social niceties, unwavering positivity, and generous affections emphasize all the good things to be found in a person and situation. She also brings a level of comedy and heart to every scene she’s in. She can also be profound, usually unintentionally, and add emotional weight to a scene when you didn’t realize it needed it.
And when she gives a warning–you know things are serious. But the reader gets to chuckle the way she does it.
Obviously, we needed Sumi if we’re going to spend time with Nancy (we’re going to need Kade for similar reasons). But I personally needed a dose of her in general. And while what we got was sufficient, I’m hoping it’s not too long before we spend time with her again.
After last year’s Adrift in Currents Clean and Clear, I assumed we’d get something good, but not great for this book–we were due for McGuire to take her foot off the pedal a bit and coast a little. I’m very glad that McGuire wasn’t thinking like that and brought us another stellar installment in this series.
I mean, I was sold from the instant I saw that Nancy was coming back–and McGuire did right by this return. When Nancy got her door again, I wasn’t prepared for that to happen. I didn’t realize we were going to spend so little time with most of these characters, just enough to fall in love with them as characters, and then watch them go on to the next chapter of their lives–and that we’d very likely be done with them (aside from an occasional glance at most). I’ve embraced that when it comes to these books, and it no longer gets to me so much that we walk away from them. But I’ve always wanted more Nancy.
So, sure, that made me an easy sell for this book–but that didn’t mean I was guaranteed to rave over it. It just made it very likely.
I didn’t really understand what Nancy saw in the Halls of the Dead before, nor do I think I truly understood what was involved. This world made a lot less sense to me than any of the others, and I really wasn’t that interested in it other than as it served as Nancy’s true home. But we got to see much more of it than we have previously, we get some more mature description of it from Nancy (and her Lady). I see the appeal, the attraction. Or at least I understand where some would. Personally? The only world I’m less interested in is the underwater world that Nadya introduced us to last year (I just don’t think I could get over being underwater). But now, I get why Nancy and the others want to be there.
What the questors and readers learn about the forces attacking–and their plans–is pretty unsettling, and tells us a little more about McGuire’s universe and the stories she’s telling. In a way that made me uncomfortable and pleased me at the same time. You’ll have to read it yourself. But it’s such a fantastic touch.
As usual for this series, McGuire balances whimsy and danger, joy and weeping, with skill and aplomb. For Adrift in Currents Clean and Clear, I wrote:
This is definitely one of the stronger books in this series that is on a great roll lately, I commend it to your attention. As with just about every book in the series, it can be read as a stand-alone or as an entry point (but I strongly encourage reading at least Every Heart a Doorway before any of the others). I was sad when it ended—not because of the way it ended, I just wasn’t ready to move on. I predict I won’t be alone in that.
That’s a pretty good way to wrap up this post, too. With one significant difference–I need to know what happens after the last page, preferably now. It’s not a cliffhanger (this is not one of those series), in fact it’s a perfectly fitting ending for this novella. But I really need the next page–and fear McGuire is going to make us wait a bit before she gives it to us.
Disclaimer: I received this eARC from Tordotcom Publishing via NetGalley in exchange for this post—thanks to both for this.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
The Magician’s Nephewby C. S. Lewis , illustrated by Pauline Baynes
DETAILS: Series: The Chronicles of Narnia, #6 Publication Date: June 25, 1994 Format: Paperback Length: 202 pg. Read Date: December 19-20, 2025
If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this (more than some of the earlier), and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.
If only because everything worth saying has been said by other, better, writers. Probably several times.
I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.
But I feel the need to say something now, so here are a few things that jumped out at me during this read:
“The Wood between the Worlds,” said Polly dreamily. “It sounds rather nice.”
I wholeheartedly agree, Polly. And I do wish you two had taken the opportunity to dip in and out of a few more before you stumbled into the worst pool possible.
Ugh. I hate reading things like this:
And you could see at once, not only from her crown and robes, but fro mthe flash of her eyes and the curve of her lips, that she was a great queen.
Yes, please, Mr. Lewis–let’s focus on the surface appearance. Greatness of appearance=greatness of person. No matter how the adjective “great” is meant here–since when does this work out? He very easily could’ve thrown in some remark that this is how Pool and Diggory thought, but that it obviously was a wrong way to think–he makes that sort of comment all over the place.
Oooh, a growing lamp-post. Now that is interesting and strange. And if you read this in Chronological order, you really won’t care much (or will want to see a lot more of it). But if you read them in the publication order, you get to that point and say, “ahhhhh. That’s cool,” feel a warm glow of recognition/satisfaction, and move on. This is the only time I’m going to say anything about the reading order in this series. But I could go on.
Watching the animals crawl out of the land as they’re created–very cool. Some clever writing, and the best part of this book. Sadly, it’s pretty short.
The bit where the Talking Beasts are trying to figure out just what Uncle Andrew is (animal–but not talking one like them, a tree maybe?) is pretty funny and good engagement.
Where Jadis tempts Diggory with the apple (a bit heavy-handed on the symbolism) is just fantastic. A better bit of temptation than we got with Edward succumbing.
The whole thing with the garden and the apples, the Tree of Protection, etc., feels…I dunno. Sort of crammed in other than the temptation bit. It just left me feeling “meh”–particularly the little quest that Aslan sent Diggory on to get there. I even checked Paul F. Ford’s Companion to Narnia (yes, I am the sort of nerd that has books like that sitting on my shelves), and it was less than helpful on this point.
The book as a whole feels like Lewis is trying to augment the mythology he’s already created for Narnia, fill it out some (how is this the first we’re hearing of former Sons of Adam/Daughters of Eve as rulers??), so he can bring it all home in an epic conclusion. Even if the augment doesn’t make much sense, largely falls flat (in my eyes), and doesn’t do much other than establish a framing device of sorts to get us to The Last Battle. But other than giving us Diggory and Pool, I’m unconvinced that this does anything for the series and is almost entirely skippable.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Through Gates of Garnet and GoldDETAILS: Series: Wayward Children, #11 Publisher: Tordotcom Publication Date: January 6, 2026 Format: eARC Length: 148 pgs. Read Date: December 23, 2025
We watched Nancy get her door and get to go home 10 years ago (in publication time, I’m a little unclear about how long it’s been in Eleanor West’s School’s time, as is at least one student). And aside from a quick “hi,” a few books later, that was pretty much the end of her story.
Until now, obviously, otherwise, why would I start by talking about her?
She’s back, and there’s a rule-breaking quest involved. The twist this time is that Nancy has been sent by The Lady of the Dead. Something…someone…is attacking people like Nancy in the Halls. People who have come through their own Doors from their own worlds to their true home. The dead are left unmolested and undisturbed. But it’s the other living people there who are being attacked. Nancy’s friends (or as close as living statues have to friends), are being killed and they need help.
This is a first for Eleanor West and her students–but they can’t say no. They don’t want to. Kade, as almost always, the leader of the group. Christopher, who is more comfortable with the dead than anyone other than Nancy, and his bone flute come along as well. There’s no way that Sumi, Nancy’s old roommate, is going to pass up this opportunity. Talia demands to be part of it, too. She has no skills that seem to make sense for this task*, but she’s done the math. Going on a quest with other students is just about the best way to guarantee getting her Door when it’s completed. So no one had better stop her. I, for one, hadn’t done this connection–and I’m guessing many of the other students haven’t either, or there’d be several others clamoring for a change.
* Naturally, it turns out that it’s good she came along.
McGuire’s been clear from the get-go that this series can be read in any order–and that’s true enough. But I think there are a couple of books that should be read in a particular order, regardless of what she thinks. And you’re just better off in general going in publication order.
But let’s say that this is the first book you pick up–you’re in for a treat. In an Introduction of sorts–not really a prelude or prologue–a couple of pages before chapter one, whatever you want to call them–McGuire introduces this series, sketches the function of the Doors, the impact they make on those who pass through. Those who want them back, etc.
This isn’t a “The Story So Far…” kind of thing–but it’s the closest that this series is going to get. I hope we get these exact pages–or ones very like them–from here on out.
Sumi is one of the characters who appears with greater consistency than others in this series–and I, for one (but am probably not alone), am so grateful for that. Her weaponized optimism, utter lack of regard for social niceties, unwavering positivity, and generous affections emphasize all the good things to be found in a person and situation. She also brings a level of comedy and heart to every scene she’s in. She can also be profound, usually unintentionally, and add emotional weight to a scene when you didn’t realize it needed it.
And when she gives a warning–you know things are serious. But the reader gets to chuckle the way she does it.
Obviously, we needed Sumi if we’re going to spend time with Nancy (we’re going to need Kade for similar reasons). But I personally needed a dose of her in general. And while what we got was sufficient, I’m hoping it’s not too long before we spend time with her again.
After last year’s Adrift in Currents Clean and Clear, I assumed we’d get something good, but not great for this book–we were due for McGuire to take her foot off the pedal a bit and coast a little. I’m very glad that McGuire wasn’t thinking like that and brought us another stellar installment in this series.
I mean, I was sold from the instant I saw that Nancy was coming back–and McGuire did right by this return. When Nancy got her door again, I wasn’t prepared for that to happen. I didn’t realize we were going to spend so little time with most of these characters, just enough to fall in love with them as characters, and then watch them go on to the next chapter of their lives–and that we’d very likely be done with them (aside from an occasional glance at most). I’ve embraced that when it comes to these books, and it no longer gets to me so much that we walk away from them. But I’ve always wanted more Nancy.
So, sure, that made me an easy sell for this book–but that didn’t mean I was guaranteed to rave over it. It just made it very likely.
I didn’t really understand what Nancy saw in the Halls of the Dead before, nor do I think I truly understood what was involved. This world made a lot less sense to me than any of the others, and I really wasn’t that interested in it other than as it served as Nancy’s true home. But we got to see much more of it than we have previously, we get some more mature description of it from Nancy (and her Lady). I see the appeal, the attraction. Or at least I understand where some would. Personally? The only world I’m less interested in is the underwater world that Nadya introduced us to last year (I just don’t think I could get over being underwater). But now, I get why Nancy and the others want to be there.
What the questors and readers learn about the forces attacking–and their plans–is pretty unsettling, and tells us a little more about McGuire’s universe and the stories she’s telling. In a way that made me uncomfortable and pleased me at the same time. You’ll have to read it yourself. But it’s such a fantastic touch.
As usual for this series, McGuire balances whimsy and danger, joy and weeping, with skill and aplomb. For Adrift in Currents Clean and Clear, I wrote:
This is definitely one of the stronger books in this series that is on a great roll lately, I commend it to your attention. As with just about every book in the series, it can be read as a stand-alone or as an entry point (but I strongly encourage reading at least Every Heart a Doorway before any of the others). I was sad when it ended—not because of the way it ended, I just wasn’t ready to move on. I predict I won’t be alone in that.
That’s a pretty good way to wrap up this post, too. With one significant difference–I need to know what happens after the last page, preferably now. It’s not a cliffhanger (this is not one of those series), in fact it’s a perfectly fitting ending for this novella. But I really need the next page–and fear McGuire is going to make us wait a bit before she gives it to us.
Disclaimer: I received this eARC from Tordotcom Publishing via NetGalley in exchange for this post—thanks to both for this.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
The Horse and His Boyby C. S. Lewis , illustrated by Pauline Baynes
DETAILS: Series: The Chronicles of Narnia, #5 Publication Date: June 25, 1994 Format: Paperback Length: 243 pg. Read Date: December 16-17, 2025
If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this, and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.
If only because everything worth saying has been said by other, better, writers. Probably several times.
I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.
But I feel the need to say something now, so here are a few things that jumped out at me during this read:
And when all the serious eating and drinking was over, a blind poet came forward and struck up the grand old tale of Prince Cor and Aravis and the horse Bree, which is called The Horse and His Boy and tells of an adventure that happened in Narnia and Calormen and the lands between, in the Golden Age when Peter was High King in Cair Paravel. (I haven’t time to tell it now, though it is well worth hearing.)
Seriously, who reads this bit from The Silver Chair for the first time, and says, “I want to know that story”?
It is so hard to read all the “true Northern stock,” “dark faces,” and “accursed but beautiful barbarians” of the North stuff. You remember going in that kind of thing is going to be there, along with the pseudo-Arabian s. But remembering it and reading it are two different things.
…Bree said, “And now, Tarkheena, tell us your story. And don’t hurry it—I’m feeling comfortable now.”
Aravis immediately began, sitting quite still and using a rather different tone and style from her nusual one. or in Calormen, story-telling (whether the stories are true or made up) is a thing you’re taught ,just as English boys and girls are taught essay writing. The difference is that people want oto hear the stories, whereas I enver heard of anyone who wanted to read the essays.
Granted, his students were much more advanced than these boys and girls, but this is not really something you want to read after a sleepless night or two finishing up an assignment. (still, who’s going to disagree with him?)
Edmund, Susan, and the rest of their party are indulging in that court-speak that bugged me at the end of LWW. I’m so glad Caspian didn’t get too into that. Surely there’s another way to signal that they’re all royal and grown-up?
During the climactic battle, rather than seeing it from the perspective of a combatant or two, we just get a play-by-play from the Hermit observing it for those with him. This is a fantastic way to get this information—especially for Lewis’ audience. All the highlights, none of the blood and gore.
I thoroughly enjoyed Bree going on about the nature of Aslan (just before meeting him and showing how little he knew)—he reminded me so much of the pompous Liberal from The Great Divorce.
Shasta/Cor’s line, “And by the way, Father’s an absolute brick [how odd that a Calorman uses slang from the UK]. I’d be just as pleased—or very nearly—at finding he’s my father even if he wasn’t a king. Even though Education and all sorts of horrible things are going to happen to me.” Just delights me. Huck Finn lives!
It’s interesting that Lucy is able to tell the tale of the Wardrobe here at the end of the book. How long are the Pevensies around after this before they get to the point that they’ve forgotten it? How are Lucy and Susan (who is likely pursued by more than just this twerp) unmarried in all that time? Pfui—how are Peter and Edmund? The more I think about this point, the more bothered I am.
Speaking of marriage, this is likely my favorite bit of writing from this book (and really, this is book has more genuinely funny moments/depictions than the rest of the series):
Aravis also had many quarrels (and, I’m afraid, even fights) with Cor, but they always made it up again: so that years later, when they were grown up, they were so used to quarreling and making up again that they got married so as to go on doing it more conveniently.
At the end of the day, this is a perfectly fine MG adventure story. Could it be better? Yeah. Does it almost feel like someone was trying to establish the Narnia Cinematic Universe? Yeah. Is it as unsatisfying as The Magician’s Nephew? Nope.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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