Tag: Mystery/Detective Fiction/Crime Fiction/Thriller Page 10 of 54

PUB DAY REPOST: Fearless by M.W. Craven: I Didn’t Realize How Ominously “Proactive” Could Be Used in a Sentence

1. I don’t think I adequately expressed how good this book is below—it’s always a problem I have when I’m as enthusiastic about a book as I am about this one.
2. I typically post about a pre-publication book less than a month before publication, this is more than three months in advance. I just couldn’t wait that long to read it. See what I said about “enthusiastic” above.
3. Related to #1, I really don’t know if this is all that coherent–I get rambly when I’m this enthusiastic. I’m also not sure I rambled about the right things. You get what you pay for here.


FearlessFearless

by M.W. Craven

DETAILS:
Series: Ben Koenig, #X
Publisher: Flatiron Books
Publication Date: July 11, 2023
Format: ARC
Length: 405 pgs. 
Read Date: March 20-21, 2023

What’s Fearless About?

I’m going to be vague and/or withholding a lot here because Ben Koenig/M.W. Craven will give you the details in a more satisfying manner than I will/can. So live with that—or go order the book. (the better option)

Ben Koenig used to be a U.S. Marshal. Well, he never resigned, so maybe he still is one. But he’s no-showed enough that he probably isn’t anymore. Before he went off-the-grid six years ago, he headed up the Special Operations Group—a task force that went after the worst of the worst on the Marshals’ caseload. They’re the kind of guys that Raylan Givens would call when things got over his head (or hat, I guess).

Koenig literally cannot feel fear—which is a great asset in a situation fraught with danger—it’s also a major problem. Fear keeps people from reckless and foolish moves. A move he might not have made if he’d hesitated a moment (but that he doesn’t regret) put him in a situation where he needed to disappear. No one is better at disappearing than someone who is great at tracking anyone.

But something has happened, and the Marshals have to go to extraordinary lengths to find him. The Director of the Marshals Service, Mitchell Burridge needs his help. Mitch was Ben’s mentor/friend/father figure, so he’d agree to pretty much anything. Mitch’s daughter went missing from her college some weeks ago, and no one has a lead on her—no police force, no Federal agency. Mitch asks Ben to bring his daughter home (at this point, probably her body, but no one admits that out loud). And as for those who took her? Well, that’s also best left unsaid. Ben will address that when it comes time.

As Mitch puts it, Ben’s an apex predator and there’s no one else who can do all of what needs to get done. He may be that, but he’s been acting more like prey for a long time so he makes a few stumbles along the way as he shakes the dust off. But it’s not too long before Koenig catches a scent and starts following it.

That’s an Unfortunate Name

There’s a figure mentioned pretty early on and then repeatedly throughout the book—it takes a while to know if he’s a victim of something, involved in the disappearance, tangentially connected to the abductors, a dupe, or a red herring—or something else entirely. But the name keeps coming up, and it threw me.

The name is Spencer Quinn. Spencer Quinn is also the pen name of Peter Abrahams. Readers of this blog will recognize that name as the author of one of my favorite PI series, The Chet and Bernie Mysteries, among other things. The name is distinctive enough that it jumps out at you—it took me out of the moment each time. In a way that Rob Parker, Pat Cornwall, or Tom Harris might not (or even the non-nickname versions of their names). Will this be a hiccup for anyone who isn’t a Quinn reader? Nope. Was it easy to get over? Yeah, but there’s the instinctual flash of name recognition throughout.

Craven had no idea he was doing this (as I’d assumed, although I’d theorized that he could be a major fan or a major detractor—depending on how things went with the character), although I have to confess I’m a little surprised that no editor stopped him along the way.

Still, it’s a cool name, you can’t blame a guy for wanting to use it. Just ask Peter Abrahams.

Michael Westen-Moments

The show Burn Notice would regularly feature the protagonist giving voice-over lessons on spycraft, weapons, strategy, etc. to the viewer, and that’s the name I inevitably give to moments in thrillers when the first-person narrator, or the protagonist’s thought process described by the third person narrator, breaks down the hero’s decision making, etc.

I love this stuff. Almost every thriller writer has to feed the reader this kind of thing because most of us don’t know how much pressure you have to exert on the trigger of Gun X to get it to fire, or why it’s important that the guy on the left is holding the knife the way he is so the hero knows he’s more dangerous than the larger guy on the right with the shotgun. Sometimes the protagonist—either through confidence (cockiness?) or to help intimidate the opposition—will deliver this in dialogue. I always appreciate the flair that gives.

Ben Koenig is great at this kind of thing. When he Michael Westons his way through the way he approaches a certain building in the final confrontation, why he picks the type of car he does to use on his mission, why he punches this guy the way he does, etc. the reader can actually believe they’ve been given some information they can use in their daily life. You know, the next time they need to drive a car into another state to locate the missing child of their old boss.

But my favorite Michael Westoning in this book—and the scene that hooked me—is early on when Koenig takes time to critique the group of deputies who came to bring him into custody for the way they went about it—location, timing, where the person with the shotgun was standing in relation to everyone else, etc. Sure, Koenig was the one being detained—but there was no doubt who was in control (and who could’ve made everyone’s day much, much worse had he wanted to).

Incidentally, it’s been too many years since I read the book, but you can’t tell me that this scene wasn’t a tip of the hat to Child’s Killing Floor—and a suggestion to the reader that this character is going to be their next Reacher (who is also good at Michael Westoning).

Who Wrote This Again?

I’m not going to try to claim that I’m an expert on M.W. Craven—but I’m fairly familiar with his work (I’ve read 6 of his 7 previously published novels—don’t ask me to explain the missing one). It’s easy to see that the Avison Fluke novels are written by the same author that gave us the Washington Poe novels. This makes sense, it’s fairly common amongst writers of multiple series—no one is surprised to learn that the Mickey Haller books are written by Bosch’s creator; the Sunny Randall and Virgil Cole/Everett Hitch series and the stand-alone Double Play are clearly the work of the Spenser writer; even if John Rebus wasn’t Malcolm Fox’s white whale, everyone could tell those series were written by the same man; and so on.

But Fearless? It probably took me less than 50 pages to stop thinking of this as ‘the new Craven’ book and ‘the first Koenig’ book. If Koenig shares any DNA with Fluke or Poe, it’d take 23andMe or Ancestry.com to figure it out. If you know nothing about Craven’s previous work, all you’ll see is someone writing a book in the mold of Jack Reacher and Peter Ash—with a little bit of Nick Mason and Nick Heller thrown in. Well, writing in that mold—and matching each series at their best.

So, what did I think about Fearless?

I think the past 5 years have demonstrated pretty clearly that I’m probably going to love whatever Craven writes—and now I know that’s true even if it doesn’t feel like a Craven book.

This just worked on every level—Koenig is a fertile character, well-designed to carry a series for quite a while. His assets are perfect for a Reacher/Peter Ash-type character. His flaws keep him from being invincible, and provide plenty of ways for him to be his own greatest adversary. His quirks (e.g., fixation on chocolate milkshakes, absorption of odd bits of trivia) round him out nicely. The reason he’s off the grid is better than being a Luddite/technophobe. Can he grow—and can the reader grow in their understanding of him? Sure. He can also believably regress and find develop new hindrances and weaknesses to work through or overcome.

The narrative voice that Craven uses here will suck in the reader and keep the pages turning between action scenes. The action scenes might as well be directed by John McTiernan, Shane Black, or Chad Stahelski. I don’t know how “realistic” they are, but I don’t think you have to suspend much disbelief. And they’re so fun, who cares?

The story could have been a little more intricate—just a tad. But given everything else that this book had to do—introduce Koenig, establish the series and his backstory, provide some good potential recurring characters—some things have to be sacrificed. Then again, I can point to several beloved and best-selling thrillers that aren’t as intricate as this one. So don’t take this point as anything but me being greedy.

I did have a quibble or two with the novel—it’s not perfect. But I hesitate to get into them as I read an ARC, and there’s still a chance for them to vanish before publication. Also, they’re pretty much at the straining at gnats level, and I try to avoid that. In the end, those quibbles only serve to underline how great the rest of it is.

This is clearly the first in a series (even if all the promotional materials didn’t call it that, you’d get that sense throughout—and the last five pages make it abundantly clear that there’s more to come. So I do think future books will have a slightly different flavor than this one—which could’ve very easily served as a standalone.

To put it simply, I loved every second I spent reading this, Fearless was the highlight of the month for me—and I expect that I’ll keep talking about it throughout the year—I can’t wait for it to get published here so that American audiences can meet Craven. Put your orders in now, folks, July will be here before you know it, and you don’t want to miss this.

Disclaimer: I received this eARC from Flatiron Books via NetGalley, and an ARC from Flatiron with an assist from the author in exchange for this post—thanks to all involved for this. Their providing it only influenced my opinion by giving me something to opine about—I raved about it of my own free will.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Bitter Past by Bruce Borgos: The First In What Had Better Be a Long-Running Series in the American West

The Bitter PastThe Bitter Past

by Bruce Borgos

DETAILS:
Series: Porter Beck, #1
Publisher: Minotaur Books
Publication Date: July 18, 2023
Format: eARC
Length: 320 pg.
Read Date: July 5-6, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s The Bitter Past About?

Porter Beck is the Sheriff of Lincoln County, Nevada. We meet him as he and his deputies are looking at a horrific crime scene. A retired FBI Agent has been tortured and killed, and Beck and his crew are clueless as to why.

Well, that’s not entirely true—Beck has an idea, but he needs the autopsy results before he starts to act on it. Before he came back home and became Sheriff, Beck was in Army Intelligence and recognizes signs of a Russian Foreign Intelligence Service operation. An FBI Agent has been sent to look into the case and works alongside the Sheriff’s department, Beck confronts Special Agent Sana Locke about this and she comes clean.

The dead agent had spent decades trying to find a Russian agent who had infiltrated US nuclear tests in the 1950s, and there’s a reason to think that the Russians have come to find that agent for themselves. It’s up to Beck and Agent Locke to stop them.

The only way I can sense to talk about this book is to focus on each timeline/storyline separately.

The Present

We spend a lot of time getting to know Beck and his deputies—a colorful and interesting batch that I hope we get to spend a lot more time with in the years to come. We also get to know Beck’s father—the former Sheriff, now battling dementia—and his adoptive sister, a firearms expert and instructor (who could probably be the protagonist in a series of her own).

In addition to trying to find either the killer or the agent the killer was looking for (in order to find the killer), they have to deal with a missing woman from an FLDS compound.

Both active cases stretch the small department to the limits—it’s a large county (roughly the same area as Maryland)—and tensions within the department staff start to build as they do their best to cover routine duties as well as pursue (and generate) leads.

We don’t get to me a lot of non-law enforcement residents of Lincoln County, I assume that’ll change in future books—but those that we do tell me that I want to meet more of them.

The Past

In the mid-to-late 1950s* the US conducted several tests of nuclear weapons in the desert of Lincoln County. Our Russian Agent, Lt. Georgiy Dudko of the KGB, had spent a long time preparing to come to America and pass himself off as an American citizen**. Once here, he got hired on as a security guard on the base that conducted the testing and started gathering information for Moscow as worked his way into better and better positions on base.

* and maybe later, too—I’m not sure of the history off the top of my head, and it’s beyond the scope of this post to get into that.
** Think of the FX show The Americans but Georgiy never got to wear any of the impossibly great wigs. Poor guy.

Georgiy never lost sight of his mission—but at some point questioned some of his orders. He thought they damaged his overall mission and he had other moral/ethical concerns that I really can’t get into. But this led to the Present-time story, so the reader is able to start putting the pieces together right away.

This is largely background material, but that doesn’t keep Borgos from keeping it as gripping as if it’s the only story in the novel. Early in this story, I saw it as background and was in a hurry to get back to Beck’s storyline. That ended quickly and I didn’t want to step away from Georgiy’s story—even once I knew pretty much how things had to go. And my notes say that a lot.

The Setting

Obviously, the setting of any book is vital to the overall novel—you can’t tell Elvis Cole or Harry Bosch stories outside of L.A. (with a couple of exceptions), Spenser and Kenzie & Gennaro need Boston, Walt Longmire and Joe Pickett have to have their stories in Wyoming—the geography, the character of their homes, and the history of the area shape and form the people, crimes, and type of stories you can tell.

The same is true here—these are stories that can only be told in this part of the world. The history of the area informs so much of this novel that it cannot be overstated—but the empty spaces, the long distances between neighbors, and the amount of territory Beck’s department is responsible for are just as important as that history. It’s a perfect combination of locale and subject.

So, what did I think about The Bitter Past?

I cannot believe that I haven’t been reading these books for years—I felt right at home with the characters almost instantly. I could feel the rapport between them—even between Beck and his rival deputy—as solidly as if this were the fifth book in the series.

I want to spend some time discussing a couple of the deputies at length, but I’ve gone on too long already. So I’ll just leave it by mentioning my favorite parts of the book. There are a couple of scenes of Beck and the deputies looking around crime scenes and dissecting them—each pointing out evidence and trying to build an explanation for what’s before them, what happened during the crime, etc. Yes, Beck’s the Sheriff and has the most experience, but it’s a true team effort, which is just a joy to watch. If Borgos gives me a couple of those in every book, I will be reading him for as long as it already feels like I have been.

That opening crime scene is grisly—I can’t think of anything worse since M. W. Craven’s The Puppet Show—and any reader is going to want to read about that killer being stopped.

Borgos puts enough wit and humor in both storylines to keep things from getting too bogged down in blood and intrigue (and nuclear fallout), the characters are all the kind you want to spend more time with (even the Russian spy), and the cases are intriguing. The pacing is perfect—he keeps you turning pages and trying to guess at what’s coming next without keeping things at a breakneck speed, so you can enjoy the scenery and his well-put-together sentences.

I don’t know if Borgos will be able to structure another book like this—and I frankly don’t care. If all we get is Beck and his crew, I’m fine. If he does have another trick like this up his sleeve, I’m all for that, too.

I strongly recommend this book—particularly for fans of Craig Johnson and C.J. Box. This is the beginning of the next great Western Mystery series. I’d have ordered Book 2 already if the option existed, and I think I won’t be alone in that.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post–thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Sleepless City by Reed Farrel Coleman: Your Summer Action Novel is Here

Sleepless CitySleepless City

by Reed Farrel Coleman

DETAILS:
Series: Nick Ryan, #1
Publisher: Blackstone Publishing
Publication Date: July 11, 2023
Format: eARC
Length: 321 pgs.
Read Date: June 23-26, 2023
Buy from Bookshop.org Support Indie Bookstores


I really want to tell you everything about this book—and I also want to tell you nothing at all beyond what the jacket copy is going to say and just tell you that if that sounds good to you—it is, and maybe better than you think. If that doesn’t sound good to you, it still is, but it’s probably not your cup of tea. Let’s see if I can accomplish something in-between.

What’s Sleepless City About?

Nick Ryan is a detective with the NYPD—that’s all he’s wanted to be, and he’s good at it. Sadly, because his father did the right thing and testified against a number of dirty cops several years ago—Ryan (and his father) are hated by most of the rank and file (and probably more of those above those). It doesn’t matter what Ryan does, his career is going nowhere. He’s still doing good work and seems to accept his lot in life.

Until a few things happen—I’m going to ignore those and move on to the results: Ryan is recruited by a lawyer representing unnamed interests who are going to change things for him. He’s going to get a promotion, he’s going to get to choose what cases he works on—whatever strikes his fancy and curiosity. But when this lawyer calls, he will push pause on everything in his life to take care of whatever these interests want. He’s basically going to be a fixer for the NYPD, cleaning up messes they can’t, preventing problems, and essentially doing whatever needs done. They’ll provide the resources (off the record and unseen), and he provides the results.

In Sleepless City we get the origin story for Det. Ryan, we see his first two cases, and get an idea what the resulting series should look like. Here’s the best thing about these two cases (which I’m going to share even if some might consider it mildly spoilery to do so because it’s a great selling point): unlike in 95% of thrillers/procedurals these two crimes that apparently have nothing to do with each other do not come around in the end to be related. They are actually distinct from each other. The resolution of one has practically nothing to do with the other (only that some goodwill generated by Ryan in one situation keeps him out of hot water in another).

Problem 1

A few recent incidents (nationally and in the city) have tensions high between the police and black communities at the tipping point. Ryan’s called into the scene of a shooting death of an interracial couple by someone who never should’ve joined the police. Ryan’s impulse—and that of several others, it should be noted—is to let the facts come out honestly.

But with the city near the boiling point, the fear is that the ensuing riots will leave too many dead, too many homes and businesses (and survivors) ruined, and the outcome of the protests and riots uncertain. Ryan has to cover this up without turning the victims into anything but victims.

So right away, you know that this book/series is going to live in morally gray (at best) areas. The lengths Ryan goes to—and the means by which he tries to accomplish this coverup are, tell you just as much about the way this series is going to work while the ends tell you about the ethical quagmire it tries to navigate.

Problem 2

The second issue centers around a Madoff-like character who stole a billion or so dollars—a large amount came from various law enforcement unions. The havoc wreaked on the first responders by this loss is great—and the consequences for Ryan’s brother (as an example) are devastating.

They’re going to be able to put Aaron Lister away for a long time—there’s no doubt about that. But no one can find the money—and nothing that the police, the FBI, or the courts have been able to do can get Lister to reveal where it is so they can try to repay the retirement funds.

Enter Nick Ryan.

No White Hats In Sight

We get the idea early on that Nick Ryan is a stand-up guy, ready to do the right thing regardless of the consequences. But after the events that I alluded to before his recruitment, he takes a different position on the legality of his actions (and maybe that was present before, but it’s certainly strengthened now)—it’s about the end result for Ryan now.

He’ll cut corners, he’ll make deals with whatever devils he needs to, and he’ll resort to methods that are so far beyond the pale of right, moral, or legal that they should be measured in light years.

In the real world—I’d hate someone like him and want to see anyone doing these vigilante acts imprisoned. And it’s not just Ryan, all law enforcement characters like him—Raylan Givens should be tried on several charges, Jack Reacher should’ve been locked up (not for the reasons he was initially arrested when we meet him—but for everything else in that book, and the dozens following). I want Malcolm Fox to expose Rebus for the offenses he’s committed (not necessarily the one’s Fox thinks he has, though). Kate Burkholder should confess to shooting that man (in self-defense) and the coverup of that shooting in her teens. And so on.

But in fiction? Bring. It. On. I love this stuff. Particularly because I don’t think Ryan’s modus operandi is sitting well with him—I’m betting as the series progresses, we’re going to see him having a harder and harder time with what he’s doing. Possibly even driving him to eventually trying to bite the hand that feeds him and exposing the interests directing him to the world (and going down with them).

I don’t have time to talk about the mess that is his personal life—but there’s plenty of fodder there for personal subplots for years to come.

So, what did I think about Sleepless City?

I had a great time with this book—it’s a great action ride and you can spend hours debating the ethical questions it raises (with yourself, with the book, or with others—and I can’t wait until people I know have had the chance to read this so we can have those discussions).

The speed at which Ryan is able to pull off these fixes probably strains credulity, but this isn’t the kind of book to care about how long things take. And by the time you start to wonder about plausibility, you’ve blown past the point where the question arose and you’re more focused on what happens next.

Because he’s the reigning gold standard, I will say there are a couple of scenes where Ryan gets to have a Jack Reacher-esque moment, scenes that have nothing to do with the plot, just a chance for Reacher/Ryan to demonstrate their abilities and stop a wrong outside of the primary storylines. The way that one of these resolves is so un-Reacher that I laughed and re-read it to see where Coleman made you think Ryan was going to try to match the ex-MP’s style. Ryan can be violent when he needs to be (quite), but he starts with his brains and mouth when he can in a situation—as satisfying as a good fight scene can be, someone thinking and talking his way through a problem can be as fun.

I think Coleman pulled off quite the feat here—this doesn’t feel like his previous work (although I freely admit I haven’t read as much of his earlier work as I want to, so maybe it does). This is more about action and less about reflection and thought. But it’s not mindless violence and the Ryan is a thoughtful character.

There are moments of fun—Coleman’s able to slip in a joke or two, too. But really this book is all about forward momentum, as if once Ryan has taken on this role he can’t stop moving and the book follows suit.

I assumed going in between the premise and my past experience with Coleman that I was going to enjoy the book—but Coleman and Ryan delivered something not quite what I was expecting—and Sleepless City is better for it.

I hope I’m reading these books for years to come—and suggest you pick up Sleepless City as soon as you can.

Disclaimer: I received this eARC from Blackstone Publishing via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

PUB DAY REPOST: Flop Dead Gorgeous by David Rosenfelt: An Old Friend Brings a Challenging Case for Andy Carpenter @stmartinspress @netgalley

Flop Dead GorgeousFlop Dead Gorgeous

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #27
Publisher: Minotaur Books
Publication Date: July 04, 2023
Format: eARC
Length: 272
Read Date: June 13, 2023


What’s Flop Dead Gorgeous About?

Jenny Nichols went to the same high school as Andy Carpenter—but when he went to law school, she went to California and became a movie star. She comes back to Paterson frequently, even adopting a miniature French poodle from Andy’s rescue foundation and striking up a friendship with Laurie.

She’s staying in Paterson while filming her next movie in New York and Andy hosts a dinner with her and several others—during the dinner, her ex-boyfriend, current producer, and co-star (all the same person) shows up and causes a scene in an effort to see her. While Andy does nothing at all (his strength), Willie, Laurie, and Marcus shut down the producer and his bodyguards. They leave and the night goes on as before and everything seems fine.

Because this is that kind of book in that kind of series, that “fine” doesn’t last long. Jenny wakes up in the middle of the night to find her ex stabbed to death in her kitchen. With no one else in the house—and few people knowing she was staying there at all—the suspect list is really short, and it’s no time at all before Andy is hired to defend Jenny.

Wait, What?

I may be revealing what a horrible (as opposed to irresponsible) reader I am here—but in the second chapter, Rosenfelt said something that stopped me cold. Andy’s hosting that dinner for Jenny with a bunch of his friends and colleagues, including Sam, Willie and Sondra Miller, Vince Saunders—you know, the people you’d expect. Except for this: Marcus and his wife Julie. Did we know Marcus had a wife? Has she shown up a lot and I’ve totally forgotten her? I really don’t think so, but I don’t have time to read 20+ books (I can’t remember when he shows up first, book 2 or 3, I think) to see.

Part of my shock here has to do with the idea of Marcus having any kind of personal life is strange. It’s like when you’re in second grade and see your teacher in the grocery store. But I just have no recollection of this woman.

And, really, that’s not the strangest Marcus moment in the book…

Poor Eddie Dowd

Andy’s on his third associate in the series—the lawyer who does most of the actual lawyering, instead of the investigating and courtroom antics. He’s the guy who puts together briefs, looks up precedents, writes motions, and so on. This associate is usually comedic in some way, too.

Eddie shows up a little bit here, but nowhere is used to lighten the mood—we don’t even get one example of his overuse of sports metaphors. It was likely necessary to cut his jokes for space and/or to make up for the running joke (see below), but I couldn’t help but feel bad for the character. He barely got to do anything—particularly nothing interesting.

The Running Joke

There’s a running joke throughout this book that I can’t bring myself to ruin—or repeat. Initially, I wondered about Rosenfelt’s continued use of it—but in the end, I wouldn’t cut a single instance of it, and the later in the book we got the funnier I found each reappearance.

I don’t remember Rosenfelt going back to the well so often like this often (ever?).* Sure, he repeats jokes from book to book—Andy’s trying to retire, Edna’s lack of interest in work, Marcus’ lack of talking, etc. But fifteen+ appearances of a gag in one novel? I think this is new. I don’t know that we need it in every Andy Carpenter book from now on, but I wouldn’t mind it frequently.

* Fill up the comments here with the times he’s done it before and I’ve forgotten about it, by all means.

So, what did I think about Flop Dead Gorgeous?

I know I complain often about not knowing what to say about an Andy Carpenter novel that I haven’t said a few times before. And really, aside from what I’ve noted in the two sections above, I’m not sure what to say.

The one thing that I want to talk about the most is the one that I cannot discuss—the killer and the motive behind the killing. I can’t even think of a vague way to praise the choices Rosenfelt made in this novel’s structure. But for my money, the choice of the killer, motive, etc. are praiseworthy.

I do like the way Rosenfelt is aging Ricky—especially while not aging Tara—and letting Ricky pay attention to this case. Good character work.

Flop Dead Gorgeous features some of Rosenfelt’s funniest material in years. More of Andy in court (or so it seems) than we’ve been treated to lately. Good character work (both with regulars and new characters)—except for poor Eddie. The best mystery Rosenfelt’s given us in a long time. And Andy’s narrative voice has never been better (rarely been worse, too)—there are a couple of paragraphs that made me stop and note, “This is why I keep coming back to this series.”

We’re twenty-seven books in and I still laughed and was left on tenterhooks to see how Andy was going to prevail. That’s no mean feat. Rosenfelt hasn’t lost a step, and neither has this series. Naturally, I recommend Flop Dead Gorgeous to your attention.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Cutthroat Cupcakes by Cate Lawley: This Cozy and Witchy Mystery Drips with Appeal

It’s been too long since I posted a Literary Locals book, so I’m glad to get a chance to do that again. I had a quick Q&A with Lawley a few months ago about writing in Idaho, if you’re curious.


Cutthroat CupcakesCutthroat Cupcakes

by Cake Lawley

DETAILS:
Series: Cursed Candy Mysteries, #1
Publication Date: July 21, 2020
Format: eBook
Length: 262 pgs.
Read Date: June 22, 2023

“How do you kill a person with a cupcake topper?”

“When it’s drenched with as much raw magic as yours are, so many different ways.” Sabrina ticked off options on her fingers. “As a potion additive, as part of a ritual, ingested by the magic-user to add to their own power. Yeah, those are probably the top three.”

“Yours was used to create a potion which was then added to a beverage the victim drank, from what we can tell,” Miles added helpfully.

I really didn’t feel so good.

What’s Cutthroat Cupcakes About?

Lina’s having a slow day in her store—a year-round custom-made candy store with a Halloween theme—when everything she knows about her family, herself, and the world as a whole changes.

Lina discovers that magic is real and that she’s a witch in one of the worst ways imaginable to learn these things—by being arrested by a supernatural cop for killing someone with an item you cursed.

This cop is a wizard with the International Criminal Witch Police who has a certain amount of leeway in his jurisdiction—since he’s easily convinced that Lina has no idea how she may have cursed the candies in her shop, he offers to cut a deal with her—if she helps to track down the person who used her unintentionally cursed items, he won’t pursue charges (ignorance of the law yada yada yada could still get her a few years as an Accessory). Apparently, once you know what you’re looking for it’s easier to find traces of your own magic than it is to find someone else’s, so it makes sense to recruit Lina into this investigation, even if she doesn’t know anything about the magical side of things.

Lina’s curious about this whole witch thing, desperate to not be convicted of a crime—and fairly attracted to this detective, truth be told. So she puts her store in the hands of a new (witch) acquaintance for a few days and takes the offer.

The Boise-ness of It All

“The three of you are it? For the entire city of Boise?”

Bastian huffed. “City? Town.”

“Hey, now. No smack-talking Boise.” I’d only lived here five years, but that was long enough to recognize that the place definitely had its charms.

“I’m not talking smack. I’m stating a fact. It’s a town, not a city. But to answer your question, the three of us cover the greater Boise area.” His lips pulled into a grimace. “Insomuch as there is a greater metro area.”

You know right away that this is some sort of fantasy—there’s no way that a homemade candy shop—particularly a Halloween-themed candy shop—survives in downtown Boise for as long as Lina’s has. Yes, the idea is appealing, but it’s easier to buy the idea of the magic, to be frank.

Outside of that, putting this series in Boise helps ground it—Lawley has some good fixed locations for things and is able to use that geography to her advantage. But no one who is unfamiliar with Idaho’s capital is going to suffer for it—it’s a nice bonus for those of us who make the same drive as Lina does to know how long it takes so we know how long the uncomfortable silence (or whatever) will be. But that’s about it.

The Cozy Factor

I drank my exceptional espresso with exactly the right amount of cream and tried to keep my annoyance at recent events to a minimum. Nothing like a rotten mood to ruin good caffeine.

This is pretty “cozy” on two fronts—the magic and the mystery. We only get very broad brushstrokes about magic, how it works, what it can/can’t do, the society of witches/warlocks/wizards, and so on. Lawley gives us enough details to keep the story moving. We do get to see some magic at work, and get a sense that some ritual and effort is necessary—but Lawley’s not coming at this like Butcher, Rowling, or Harrison.

The mystery part of the book is solidly in the cozy area as well—we’ve got a candy store owner, a detective who works out of a coffee shop, and a whole lot of generally nice people (even a suspect or two are pretty nice when you get to know them).

The effect of both of these is to make you as comfortable as if you’re relaxing with one of the some of the drinks and treats described while the world passes by.

So, what did I think about Cutthroat Cupcakes?

Maybe I should have dithered, asked for more information, heck, even asked for the questions first. But this was the guy who’d cured my headache. Despite having locked us in my store earlier and disabling my phones, he seemed a stand-up sort of guy. Maybe he wasn’t warm and fuzzy, but…I trusted him. And that’s saying a lot given the fact he arrested me.

I initially thought this seemed like a charming idea for a cozy mystery series, but I wasn’t prepared for the extent of its charms. I devoured* this in one sitting and if I owned it, I’d have likely rolled right into the sequel (I will be rectifying this situation soon). I want to use words like cute and adorable, but those both feel condescending, so I’m sticking with charming for now. Enchanting might work there, too. But that’s a little too something given all the witchiness of the book.

Lawley’s not afraid to have a little fun with the premise—the first (aware) witch we meet is named Sabrina, for crying out loud.

*Pun intended, naturally.

The characters are all great (I thought about spending some time talking about them, but why ruin your fun?). The candies are tantalizing—even for someone who abstains from sugar. The coffee shop owned by the detective (there’s not enough supernatural crime to be a full-time job in this area—and he needs a cover story for the non-magical folks) will cause cravings for sure.

Basically, this is a light-hearted, sweet, appealing, and charming book. I encourage you to grab a snack, pick up Cutthroat Cupcakes, and get lost in the world for a little while. You’ll feel better for it.


3.5 Stars

20 Books of Summer
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PUB DAY BOOK SPOTLIGHT: Fatal Fudge Swirl by Meri Allen

I’m very pleased to bring you this spotlight for the third in Meri Allen’s Ice Cream Shop Mysteries, Fatal Fudge Swirl this morning. A few weeks back, a publicist from St. Martin’s Press sent me an email to tempt me into reading this–I was overbooked, or I’d have taken her up on it. Instead, I offered to spread the word about the book on its release day. It looks like a fun little cozy that probably won’t induce diabetes or exacerbate a cavity. But what’s life without a little risk? Obviously, I’m joking–but something tells me you’re going to want to have some snacks on hand when you read this.

I’m starting to babble, so I’d best move on to giving you some info on this promising-looking novel!

Book Details:

Book Title: Fatal Fudge Swirl by Meri Allen
Series: Ice Cream Shop Mysteries, #3
Publisher: St. Martin’s Press
Release date: June 27, 2023
Format: Mass Market Paperback/eBook
Length: 320 pages
Fatal Fudge Swirl Cover

About the Book

A movie production brings drama—and murder—to a close-knit New England village, forcing Riley Rhodes to scoop out the suspects.

Former CIA librarian and amateur sleuth Riley Rhodes is loving her fresh start as the manager of the Udderly Delicious Ice Cream Shop. The leaves are turning, tourists are leaf-peeping, and Penniman, Connecticut is putting finishing touches on the weekend long Halloween Happening. But the village is also buzzing. Former child star Cooper Collins is overseeing the production of a romantic comedy that’s filming on the town green and his domineering socialite mother, Diantha, is planning her lavish Halloween themed wedding at her Inn on the Green. Her fiancé has run the Inn’s kitchen for years, ably aided by his recent ex-wife, chef Mary Ann Dumas. An old friend of Riley’s, Mary Ann turns to her when the bride requests a spooky ice cream wedding cake.

But the weekend takes a frightful turn when Diantha is found dead and suspicion falls on Mary Ann. The cast of potential suspects is long—each wedding guest had a chilling motive to kill the vicious heiress. Can Riley unmask the murderer before another guest ends up on ice?

Purchase Links

Amazon ~ Barnes & Noble ~ Books-a-Million ~ Bookshop ~ Powells ~ Target

About the Author

Meri Allen is the author of the Ice Cream Shop Mysteries, which begin with The Rocky Road to Ruin. She lives in a quiet corner of Connecticut, where she haunts libraries, used book stores, and vintage shops.

Purchase Links

Website ~ Facebook ~ Instagram ~ Goodreads

Opening Lines: Killing Me by Michelle Gagnon

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. This one grabbed me with the voice, the perspective, and the attitude. Gagnon tells you everything you need to know about the book–nasty things will happen, and the protagonist is going to be snarky about it the whole way.

from Killing Me by Michelle Gagnon:

The worst part was that I felt stupid.

Well, that’s not entirely true. The real worst part was that I was tied up in the back of a van with a hood over my head, and based on recent news reports, something truly horrific was about to happen.

But feeling stupid was definitely second worst.

Opening Lines Logo

Catch-Up Quick Takes: A Handful February and March Books

Celeste was right, and I don’t have to write about everything—but I have a hard time convincing myself of that. I’m far overdue on saying something about these six listens and one read. So, let’s do a little catch-up (if only so I can feel better about myself). As always, the point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


The Devotion of Suspect XThe Devotion of Suspect X

by Keigo Higashino, Alexander O. Smith (Translator), David Pittu (Narrator)

DETAILS:
Series: Detective Galileo, #1 (in English, anyway)
Publisher: Macmillan Audio
Publication Date: Feb 1, 2011 
Format: Unabridged Audiobook
Length: 9 hr., 2 min.
Read Date: March 7-9, 2023
Buy from Bookshop.org!

(the official blurb)
A homicide detective consults with his friend, a genius and physicist about a tricky murder. His friend may be a college professor and not a detective, but there’s something about the way his mind works that helps Detective Kusanagi think better, and consulting his friend has worked in the past.

This is the murder of a seemingly odious man and it seems tied to his ex-wife, who’d been avoiding his abusive presence for years. Kusanagi can’t tie her to the killing, but there’s something going on that makes him want to. So he keeps investigating and then his pal gets involved, too.

This was a perfectly satisfying read, but I wasn’t as wowed by it as I expected to be. Sorry, Jeff, still appreciate the recommendation.

3 Stars

The Dead Will TellThe Dead Will Tell

by Linda Castillo, Kathleen McInerney (Narrator)

DETAILS:
Series: Kate Burkholder, #6
Publisher: Macmillan Audio
Publication Date: July 8, 2014
Format: Unabridged Audiobook
Length: 8 hrs., 37 min.
Read Date: March 10-14, 2023
Buy from Bookshop.org!

(the official blurb)
A pair of apparent suicides gets Kate Burkholder to dive into their pasts, and she discovers a common tie—to a 35-year-old murder of an Amish family. This puts her in a race against time to discover what’s (or who has) caused their deaths now, and if she can stop anyone else from dying while maybe solving this old horror.

The cold-case nature of this is a nice change of pace, but at the end of the day, it’s a brutal crime against the Amish. I’d just like to see someone else in her community the victim of a crime.

That came out wrongly. But it’d be nice to let this community have even some fictional relief.
3 Stars

Profiles in IgnoranceProfiles in Ignorance:
How America’s Politicians Got Dumb and Dumber

by Andy Borowitz

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: September 13, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 51 min.
Read Date: March 13-14, 2023
Buy from Bookshop.org!

(the official blurb)
Borowitz traces how mass media and the political parties (particularly one) have worked to dumb down politics, the electorate, and our elected officials since Reagan’s initial run for governor and ending in the present. It’s insightful, it’s depressing, but it leaves a little room for hope.

I really wish he’d done a better job of making this bi-partisan. While he might be right that one party is guilty of more of what he’s talking about, I refuse to believe they’re alone—which makes this feel like too much of a partisan attack, rather than an exploration of the topic. Both have their place—I’d just have preferred a little more of the latter.

I initially assumed that this would be typical Borowitz humor—which I appreciate. But no, this was serious in intent and execution. Earnest Andy Borowitz is an interesting concept. A little humor crept in, but not much. I prefer him when he’s trying to be funny, but I’d read/listen to more like this from him, too.
3 Stars

Space: 1969Space: 1969

by Bill Oakley, starring Natasha Lyonne and too many others to list.

DETAILS:
Publisher: Audible Originals
Publication Date: 2022
Format: Audible Original
Length: 5 hr., 35 min.
Read Date: March 29, 2023

(the official blurb)
This is more like an audio play than a book (with all the clunky dialogue that implies). Oh well.

So the premise is that Kennedy survived the Dallas shooting and the space race kicked into overdrive—and by 1969, we have a Moon Colony and a space station. Nancy Kranich is a nurse on the station (with an interesting past), and is pretty miserable, oddly enough. Nancy stumbles into a conspiracy involving an intergalactic threat and former vice-president Nixon (a largely forgotten figure by this time).

Without Natasha Lyonne (and most of the voice cast), I don’t know if I’d have finished this. But because of Lyonne, I’d enjoy relistening to it. It was amusing and strange—feeling like a classic radio SF drama but with some really contemporary sensibilities. I’m not sure it’s the best of both of those worlds, but it was a fun combination.

3 Stars

Hunting Fiends for the Ill-EquippedHunting Fiends for the Ill-Equipped

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: Guild Codex: Demonized, #3
Publisher: Tantor Audio
Publication Date: June 23, 2020
Format: Unabridged Audiobook
Length: 8 hrs., 28 min.
Read Date: February 1-2, 2023
Buy from Bookshop.org!

(the official blurb)
I’m having trouble remembering just what happened in this one—that’s the case for the entire Demonized arc so far, it’s all one story (which is great for the series, a pain when you’re trying to say “this is the one where…”).

I did enjoy the overall plot of this one, but my favorite parts are where this series overlaps with the other series in The Guild Codex—and I found myself increasingly impatient with Robin as she was off doing her own thing.

I am really tired of the will-they-won’t-they between Zylas and Robin—which is really a how-long-can-Marie-stretch-this-out.

3 Stars

Finlay Donovan Jumps the GunFinlay Donovan Jumps the Gun

by Elle Cosimano, Angela Dawe (Narration)

DETAILS:
Series: Finlay Donovan, #3
Publisher: Macmillan Audio
Publication Date: January 31, 2023
Format: Unabridged Audiobook
Length: 8 hrs., 38 min.
Read Date: February 9-13, 2023
Buy from Bookshop.org!

(the official blurb)
I am continuing to enjoy this series—but I’m not sure for how long. It’s getting harder and harder to accept the antics that Finlay and Vero get up to—and the way Finlay treats those around her. This book in particular stretched credulity. I fear that Cosimano is learning the wrong lessons from Evanovich.

I’d also like to see Finlay actually do some more parenting—it’s hard to sympathize with her plight when it comes to custody, etc. when she’s always handing off her children’s care to someone else (although, it does keep them safe).

Dawe’s narration is so good that I will put up with a little more zaniness. But without some changes to the series, I’m not sure how long I’ll stick around.
3 Stars

Anna and the Vampire PrinceAnna and the Vampire Prince

by Jeanne C. Stein

DETAILS:
Series: Anna Strong, #9.5
Publisher: Hex Publishers LLC
Publication Date: April 25, 2017
Format: Paperback
Length: 92
Read Date: February 17, 2023
Buy from Bookshop.org!

(the official blurb)
Anna’s in France dealing with her mother’s death, and her niece’s death is kidnapped. So she has to reach out to her local allies to try to rescue the girl.

The action bits were Stein at her best but the story felt rushed—but this was largely an excuse to revisit the characters, so it didn’t need to be too involved. As a bit of nostalgia, it was nice—but Stein did a good enough job wrapping up the series that I didn’t feel a giant need for something like this (as demonstrated by the fact that it took me 6 years to get around to reading it).

It was just fun enough to justify my time.
3 StarsThis post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, my opinions are my own.

Flop Dead Gorgeous by David Rosenfelt: An Old Friend Brings a Challenging Case for Andy Carpenter @stmartinspress @netgalley

Flop Dead GorgeousFlop Dead Gorgeous

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #27
Publisher: Minotaur Books
Publication Date: July 04, 2023
Format: eARC
Length: 272
Read Date: June 13, 2023


What’s Flop Dead Gorgeous About?

Jenny Nichols went to the same high school as Andy Carpenter—but when he went to law school, she went to California and became a movie star. She comes back to Paterson frequently, even adopting a miniature French poodle from Andy’s rescue foundation and striking up a friendship with Laurie.

She’s staying in Paterson while filming her next movie in New York and Andy hosts a dinner with her and several others—during the dinner, her ex-boyfriend, current producer, and co-star (all the same person) shows up and causes a scene in an effort to see her. While Andy does nothing at all (his strength), Willie, Laurie, and Marcus shut down the producer and his bodyguards. They leave and the night goes on as before and everything seems fine.

Because this is that kind of book in that kind of series, that “fine” doesn’t last long. Jenny wakes up in the middle of the night to find her ex stabbed to death in her kitchen. With no one else in the house—and few people knowing she was staying there at all—the suspect list is really short, and it’s no time at all before Andy is hired to defend Jenny.

Wait, What?

I may be revealing what a horrible (as opposed to irresponsible) reader I am here—but in the second chapter, Rosenfelt said something that stopped me cold. Andy’s hosting that dinner for Jenny with a bunch of his friends and colleagues, including Sam, Willie and Sondra Miller, Vince Saunders—you know, the people you’d expect. Except for this: Marcus and his wife Julie. Did we know Marcus had a wife? Has she shown up a lot and I’ve totally forgotten her? I really don’t think so, but I don’t have time to read 20+ books (I can’t remember when he shows up first, book 2 or 3, I think) to see.

Part of my shock here has to do with the idea of Marcus having any kind of personal life is strange. It’s like when you’re in second grade and see your teacher in the grocery store. But I just have no recollection of this woman.

And, really, that’s not the strangest Marcus moment in the book…

Poor Eddie Dowd

Andy’s on his third associate in the series—the lawyer who does most of the actual lawyering, instead of the investigating and courtroom antics. He’s the guy who puts together briefs, looks up precedents, writes motions, and so on. This associate is usually comedic in some way, too.

Eddie shows up a little bit here, but nowhere is used to lighten the mood—we don’t even get one example of his overuse of sports metaphors. It was likely necessary to cut his jokes for space and/or to make up for the running joke (see below), but I couldn’t help but feel bad for the character. He barely got to do anything—particularly nothing interesting.

The Running Joke

There’s a running joke throughout this book that I can’t bring myself to ruin—or repeat. Initially, I wondered about Rosenfelt’s continued use of it—but in the end, I wouldn’t cut a single instance of it, and the later in the book we got the funnier I found each reappearance.

I don’t remember Rosenfelt going back to the well so often like this often (ever?).* Sure, he repeats jokes from book to book—Andy’s trying to retire, Edna’s lack of interest in work, Marcus’ lack of talking, etc. But fifteen+ appearances of a gag in one novel? I think this is new. I don’t know that we need it in every Andy Carpenter book from now on, but I wouldn’t mind it frequently.

* Fill up the comments here with the times he’s done it before and I’ve forgotten about it, by all means.

So, what did I think about Flop Dead Gorgeous?

I know I complain often about not knowing what to say about an Andy Carpenter novel that I haven’t said a few times before. And really, aside from what I’ve noted in the two sections above, I’m not sure what to say.

The one thing that I want to talk about the most is the one that I cannot discuss—the killer and the motive behind the killing. I can’t even think of a vague way to praise the choices Rosenfelt made in this novel’s structure. But for my money, the choice of the killer, motive, etc. are praiseworthy.

I do like the way Rosenfelt is aging Ricky—especially while not aging Tara—and letting Ricky pay attention to this case. Good character work.

Flop Dead Gorgeous features some of Rosenfelt’s funniest material in years. More of Andy in court (or so it seems) than we’ve been treated to lately. Good character work (both with regulars and new characters)—except for poor Eddie. The best mystery Rosenfelt’s given us in a long time. And Andy’s narrative voice has never been better (rarely been worse, too)—there are a couple of paragraphs that made me stop and note, “This is why I keep coming back to this series.”

We’re twenty-seven books in and I still laughed and was left on tenterhooks to see how Andy was going to prevail. That’s no mean feat. Rosenfelt hasn’t lost a step, and neither has this series. Naturally, I recommend Flop Dead Gorgeous to your attention.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Broken by Don Winslow: It Doesn’t Get Better Than This

BrokenBroken

by Don Winslow

DETAILS:
Publisher: William Morrow
Publication Date: August 10, 2021
Format: Paperback
Length: 335
Read Date: February 24-28, 2023


From the Back of the Book

No matter how you come into this world, you come out broken . . .
In six intense, haunting short novels, Don Winslow returns to the themes that are the hallmarks of his acclaimed body of work—crime, corruption, vengeance, justice, loss, betrayal, guilt, and redemption—to explore the savagery and nobility that drive and define the human condition.

In Broken, Winslow creates a world of high-level thieves and low-life crooks, obsessed cops and jaded private detectives, dope dealers and government agents, bounty hunters and fugitives. Diverse and richly drawn, these characters—some familiar, others new—are lost souls driving without headlights on the dark highway of modern America. Set in New Orleans and Hawaii, Southern California and south Texas, each story in this collection is distinctively Winslow, shaped by his trademark blend of insight, humanity, humor, drama, and consummate literary craftsmanship.

A powerful, gripping collection of tales that will become classics of crime fiction, Broken is Don Winslow at his nerve-shattering, heartbreaking best.

I’m not so sure I’d call these “short novels,” or novellas, or whatever. They’re long short stories. 50-60 pages or so each. But eh, who cares what they’re called? They’re a bunch of stories by Don Winslow—that’s enough for me.

Here are a few words about each.

Broken

Stunning. Gut-wrenching. Violent.

At its core, it’s about a narcotics officer in the New Orleans Police Department out for vengeance against the drug lord who killed his brother.

It’s about the price of vengeance, the hole a death can leave in a family, the costs of the War on Drugs to those on both sides, and what can happen when the watchmen aren’t watched.

Crime 101

Winslow is a master of style. It’s like he periodically decides to show the world that he’s the flashiest Crime Fiction writer in action. Sometimes he does it in a chapter (or less) of a novel, sometimes he does it for longer (I recall Savages being that)—this is one of those times. The entire thing is so quotable. The term cinematic comes to mind—you can practically see everything as you read it—maybe even reach out and touch it.

The story focuses on a master thief—so good that no one knows what he looks like. He’s referred to as the 101 Bandit because his targets seem to be focused up and down the Pacific Coast Highway, Highway 101.

Davis is everything you want a master thief to be (especially if you’ve watched too many movies). He’s cool, he drives flashy cars, he has exquisite taste in food and drink, and—because he lives by certain ironclad rules for his jobs–he’s never been caught.

Lou’s the detective who’s devoted to catching him. He’s not cool or stylish—he’s leaving his (cheating) wife, starting a new chapter in his life, and is determined to put the Bandit away.

Both are very good at their chosen professions—which is better?

The San Diego Zoo

Rightly or wrongly, I think of Winslow stories in one of two ways—they’re either full of gritty realism (think The Force, The Cartel trilogy, or Broken above). Or they’re this kind of crime story that you want to laugh at, even though it’s not really a comedy. They’re just as grounded, but there’s a joy to them that seems impossible to come from the same pen as the others.

This story belongs here. I shared the opening a couple of months ago—and it hooked me hard. I’m pretty sure that I texted the friend who gave me the book about my fanaticism for the story before I was half-done. I really think that I could read this daily for a month and still enjoy it.

Oh, what’s it about? A chimpanzee has escaped from the San Diego Zoo and somehow got a pistol. One of the cops at the scene is instrumental in getting the gun away from the chimp without a tourist (or anyone) getting shot and helping the Zoo retrieve it. Then gets curious about how the chimp got the gun and does his best to answer the question, and the reader gets taken on a wild ride.

Sunset

I will always and forever take an excuse to read about Boone Daniels from The Dawn Patrol and The Gentleman’s Hour. In this story, Boone is off to chase down a beloved and legendary surfer who’s skipped on bail. How beloved? Some time ago Boone tagged this man with the nickname “ELT” for “Everyone Loves Terry.”

But now Terry’s on the verge of ruining a bail bondsman’s business. And yeah, he’s beloved—except by those he’s taken advantage of (like Boone, who keeps letting him do it).

I’m on the verge of retelling the whole thing in a lousy way. So I’ll just shut up. It’s a great cat-and-mouse hunt starring the world and characters from The Dawn Patrol (my personal favorite Winslow novel).

Even if you don’t regard the initial novel as an almost-Platonic ideal, even if you’ve never read that novel, you’ll find something to enjoy in this story.

Paradise

The trio at the center of Winslow’s Savages and The Kings of Cool head to Hawaii to vacation and hopefully start doing some business. Because it’s this particular trio and they attract trouble, things go horribly wrong. But they go wrong in a flashy, stylish, and violent way. There’s some connection with other Winslow works, too.

It’s been years since I read them, so I can’t say for certain—but I think this isn’t as good as Savages, but better than The Kings of Cool. But both were so good, I’m not sure it matters.

The Last Ride

This was simply heartbreaking. It’s a story about a guard at an ICE detention center for children who’s had enough. The sight of one particular girl locked up moves him in a way that others haven’t. So he takes matters into his own hands.

So, what did I think about Broken?

This is a fantastic collection—not a dud in the batch, although I liked some more than others, but that says more about my tastes than the quality of the stories. This really feels like a broad overview of “here’s the spectrum of what Crime Fiction can be” (except for cozy, I don’t know if Winslow is capable of cozy). Each story is distinct and self-contained*—it’s hard to think that some are written by the same man—with different voices, different types of stories, and so on.

* Although there are some links between some of these stories in the volume—as well as ties to earlier novels.

One reason that I don’t want to quibble too much with the whole “short novel” descriptor is that unlike many short stories or novellas—every one of these stories packed the punch of a novel. The plots, intricacies of story and character, the emotional weight, and whatever else you want to ascribe to the reading experience felt more like it belonged to a 200+ page novel rather than a 50± page story.

Anything else I can think to say at this point is just a repetition. This is a great collection from a master of the craft. Don’t miss it.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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