Tag: Mystery/Detective Fiction/Crime Fiction/Thriller Page 32 of 61

Payback Is Forever by Nick Kolakowski: There’s a lot of opportunity in doom.

Payback Is ForeverPayback Is Forever

by Nick Kolakowski

DETAILS:
Publisher: Shotgun Honey Books
Publication Date: March 24, 2022
Format: Kindle Edition
Length: 170 pg.
Read Date: March 29-30, 2022

What’s Payback Is Forever About?

Miller’s a thief, a fairly successful one. This comes in handy because he’s not as successful when it comes to gambling. He needs to pay a debt, so he takes a job with a couple of strangers. They betray him, the job goes wrong, and Miller (and the cash) escape without his partners. They don’t know his name or home base, so he figures he’s safe for a little bit.

He’s soon contacted by a figure from his past, Rick Redfield:

“I’ve entered into an arrangement with some… men of violence, shall we say. Which means I need the services of the most violent man I know. Which is you.”

“I’m no bodyguard.”

“No. You’re capable of terrible acts, and that’s the necessary thing here. Besides, bodyguards ask too many questions.”

With the promise of a large payday on the horizon, Miller’s in—and soon finds himself involved with some Nazis who escaped from Germany in the waning days of the war, Nazi hunters, and a few more dead bodies than Miller was prepared to deal with.

Supporting Cast

Miller and most of the characters that he deals with are of a fairly typical sort—you’ll recognize the types easily. They’re interestingly-drawn and well-used, but they’re types.

Then there’s Jill Reilly—she’s Miller’s love interest and is a secretary in the Medical Examiner’s office. Given the proper circumstances, she’d probably make a pretty good Examiner herself—but between the education, she’d need, and the rampant chauvinism in the office, that’s probably not going to happen. Reilly feels like she’s got one foot in the Girl Friday type, but with a rebellious streak that keeps the other foot out of the type.

The other character that stands out as not fitting into a typical mold is Scott, Redfield’s friend who acts as a liaison to the outside world when Redfield needs to stay out of the light. He’s a timid, uncertain man—who needs to use a ventriloquist’s dummy, Colonel Longshanks, to communicate those things that are too much for Scott to handle. Miller has no patience for either of them—but can force himself to work with Scott. The Colonel on the other hand…

There was a moment where I wondered if Scott/Colonel Longshanks would over-take Monkey Man as my favorite strange Kolakowski character. He didn’t, but that he was in the running says something about the character development in this short novel.

The Hidden Agenda

If what I’ve described seems pretty straight-forward, it is. If anyone’s read Kolakowski before, that’s not how he rolls. Right?

There is something else afoot here. I don’t know that it added much (if anything), but it didn’t hurt anything either. Maybe if I was in a different mood when I read this I’d have a more positive take on the “something else,” but right now, I can take it or leave it.

The material with Miller, the Nazis, Nazi Hunters is enough to focus on and keep you entertained. If you happen to get the rest of it, that’s gravy.

So, what did I think about Payback Is Forever?

This feels like the kind of pulpy thrillers from the 1960s and 70s I’ve read—just in a post-WWII setting with a dash of Nathanael West thrown in. It’s a surprisingly effective combination, and I’d have read another 200 pages of it without blinking. Although I do think this lean, mean, streamlined approach is far more effective.

Miller’s absolutely the kind of character you want in this setting—his morality is stuck in the gray—it’s a pretty dark gray, but he’s not a full-on villain. And he’s thinking about reforming, at least a little.

There were two scenes—or parts of scenes—that make this more than a quick, fun read. There’s a visual in the last big gunfight that’s so ridiculous, so comical, in the middle of a big action scene that makes you want a film version immediately (but it may be better in your imagination).

Before that there’s another scene that I can’t describe—you start it assuming X might happen, and yet when X does happen you still sit up and pay attention because you can’t believe that Kolakowski actually did that. And then over the next 3 or 4 paragraphs, the shocking scene becomes something so unexpected that you have to read it a couple of times to make sure you read it right. Cackling while you read it every time makes the comprehension a little difficult.

A solid, stylish thriller with Kolakowski’s style and sense of character is exactly what I needed to read last week, and Payback is Forever delivered. Do yourself a favor and pick it up.


4 Stars

Catch-Up Quick Takes: Some Audiobooks from Feb. & March 2022

Here are some audiobooks that I’ve listened to in the last couple of months, and I really don’t have much to say about them—all are worth the time to listen to (or read, if you prefer), I just don’t have enough to say to make up a typical post.


Hard RebootHard Reboot

by Django Wexler, Morgan Hallett (Narrator)

DETAILS:
Publisher: Recorded Books
Publication Date:  May 24, 2021
Format: Unabridged Audiobook
Length: 3 hrs., 57 min.
Read Date: March 14-15, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
This just seemed like a lot of fun when it was published last year, so when I saw it on the library site, I had to jump on it. And it was fun.

But it was a bit too shortI know that’s by design, but it felt too abrupt. You got fighting robots on the cover, I want more than two major fights. Sure, the fights we get are pretty cool, but I wanted more.

If this was 20 percent longer, I’d have been happy. As it was? I was satisfied.
3 Stars

Demon Magic and a MartiniDemon Magic and a Martini

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: The Guild Codex: Spellbound Series, #4
Publisher: Tantor Audio
Publication Date: April 22, 2019
Format: Unabridged Audiobook
Length: 7 hrs., 15 min.
Read Date: March 9-10, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
So, um…yeah. This was okay.

For the second book in a row, we get to peel back the mysterious backstory of one of Tori’s new best friends while they’re battling a new magical threat. This time it’s demonsand rival guilds. One of which is pretty ethically challenged.

It was a bit too similar to the previous book for me. But it delivered the same kind of quippy UF action that characterizes the series. It’s entertaining enough to keep going with the seriesand to recommend themI just want to see a little more out of them.
3 Stars

Finlay Donovan Knocks 'Em DeadFinlay Donovan Knocks ‘Em Dead

by Elle Cosimano, Angela Dawe (Narration)

DETAILS:
Series: Finlay Donovan, #2
Publisher: Macmillan Audio
Publication Date: January 31, 2022
Format: Unabridged Audiobook
Length: 9 hr., 20 min.
Read Date: February 25-28, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
I was a little worried how the premise would carry over to a sequel, and I clearly shouldn’t havelargely because Cosimano didn’t just repeat the way the first book went. It was very much an “okay, so now with that finished, what comes next?”assuming that Finlay and Vero don’t just wholly abandon their new revenue stream.

We get some important new information about Veromaking a lot of what she did in the first book make sense. Finlay makes some smart romantic movesand there’s some decent movement on the divorce front.

All in all, a solid sequel that shows that this can be a series with legs, not just a quirky one-off.
3 Stars

Fuzz: When Nature Breaks the LawFuzz: When Nature Breaks the Law

by Mary Roach

DETAILS:
Publisher: Brilliance Publishing
Publication Date: September 13, 2021
Format: Unabridged Audiobook
Length: 9 hrs., 17 min.
Read Date: January 31-February 1, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
So this is about what happens when animals and humans have a hard time co-existingwhich basically means when animals being animals inconvenience (or worse) humans. Was that hiker killed by an animal, or did they die of other causes and become food for an animal? What happens when we put a building where an animal expected to be able to be?

I don’t think it was as amusing as Roach tried to make it. It was interesting, but it went on too long and therefore became less-interesting the longer it went on. I don’t remember anything more specific than thatwhich says something about the book. It just didn’t hold my attention for long.

This is my first Mary Roach bookand maybe would’ve been my last if I hadn’t run into a couple of other bloggers who are Roach fans that were as tepid as I was about the book. Still, I’m going to get a bit more distance between this book and my next.
3 Stars

Murder Under Her SkinMurder Under Her Skin

by Stephen Spotswood, Kirsten Potter

DETAILS:
Series: A Pentecost and Parker Mystery, #2
Publisher: Random House Audio
Publication Date: December 6, 2021
Format: Unabridged Audiobook
Length: 9 hrs., 40 min. hrs and 40 mins
Read Date: March 28-29, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
The circus that Will used to be in is in troubleone of their performers has been killed and another has been arrested. Will’s mentor, to be specific. So she and Lillian Pentecost head down south to see what they can do.

It’s a culture clash (both the South and the circus) for the duoWill learns the hard way that maybe she’s been gone too longas well as a fish out of water kind of thing for Pentecost. Although not as much as Will and the reader might expect.

I enjoyed this one a lot more than the predecessorit’s still a bit too much about Will and her current love interest than it is about Pentecost and the case they’re supposed to be working on. The mystery was clever, the character arcs were solid and Will’s narrative voice is strong enough to keep the reader/listener locked in.
3 Stars

Free BillyFree Billy

by Don Winslow, Ed Harris (Narrator)

DETAILS:
Series: The Dawn Patrol 
Publisher: Audible Originals
Publication Date: 2022
Format: Audiobook
Length:1 hr., 6 min.
Read Date: March 30, 2022

(the official blurb)
This is a silly, fun, and sweet story in the world of The Dawn Patrol (one of my top 5 All-Time books), all our favorites get a quick appearance and we’re introduced to a couple of new characters.

Despite being in the same world as the crime novels that introduced Winslow to me, there’s no crime to be found here.

Which is fineit’s not needed in this short story. It’s just a fun story about one of Boone’s friends. I laughed audibly more than once, and just enjoyed the story as a wholeI just wish it was longer so I could spend more time in this world. The story didn’t require it.

Ed Harris gives exactly what you’d expect from him in an audiobook narrationnear perfection. I thought his stuff was great.
5 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

DoubleBlind by Libby Fischer Hellmann: COVID-19, a Doppelgänger, and a Dangerous Sect combine for an Ambitious PI Novel

DoubleBlindDoubleBlind

by Libby Fischer Hellmann

DETAILS:
Series: Georgia Davis, #6
Publisher: The Red Herrings Press
Publication Date: March 8, 2022
Format: eARC
Length: 335 pg.
Read Date: March 28-29, 2022

What’s DoubleBlind About?

I’m going to appropriate the description from Hellman’s website so I don’t slip up and say something she wouldn’t like me to reveal about the plot.

With little work during the pandemic, Chicago PI Georgia Davis agrees to help the best friend of fellow sleuth, Ellie Foreman. Susan Siler’s aunt died suddenly after her Covid booster, and Susan’s distraught mother wants the death investigated.

However, Georgia’s investigation is interrupted by a family trip to Nauvoo, Illinois, the one-time Mormon heartland. It’s there that her life unexpectedly intersects with the runaway spouse of a Mormon Fundamentalist. Back in Evanston, after Georgia is almost killed by a hit and run driver, she discovers that she and the escaped woman look remarkably alike.

Is someone trying to kill Georgia because of her death investigation case? Or is it a case of mistaken identity? And how can Georgia find her doppelganger before whoever wants them both dead tries again?

The Vaccination Storyline

I’m going to end up saying this at least a couple of times, but I thought it was a risky move to make the cornerstone of this novel a death that occurs right after the character receives a COVID-vaccination booster. It’s risky enough to try to get readers to invest in a COVID-era novel, but to center your plot on it—particularly vaccines right now? Hats off to her.

What’s more, there were a couple of times where I wondered if Hellman was on the verge of coming out pretty strongly anti-vaccination and other times I thought she was in danger of preaching the other direction—in the end, neither was true. There’s enough for everyone to like the way Georgia opines (and enough for everyone to dislike it, too). For Hellman’s sake, I hope her readers remember the views that are expressed by a fictional character do not necessarily match that of the author.

I thought the story wrapped up nicely, but I wish we’d gotten a little more time with it (and less of the Doppelgänger story).

The Doppelgänger Storyline

I’m of two minds about this storyline—I got really invested in Georgia’s doppelgänger. I’m not sure Hellman did the best job of depicting her story, but I really couldn’t get into everything surrounding her story—the reactions of those she left behind, Georgia’s involvement, the law enforcement angle…none of it seemed right.

If it stayed as a B-Plot to the Vaccine story, rather than taking over the book, I might have been better. If there’d been more nuance to the depiction of her husband—I’m not saying make him less of a clear-cut villain, just be more subtle about it’s shown.

Infodumps

Given the subject matter of the two storylines, a lot of research had to be done to make the details believable—and a good deal of the product of that research needed to be delivered to the readers, too. The trick comes in how that product is delivered. Hellman gets it right with one storyline, and less-right with the other.

When it comes to the vaccination storyline, Georgia has to dig in and find out more about the transportation of the vaccines and how things are supposed to go if there’s a problem with a patient post-vaccination. As Georgia does that research early on in the investigation, she has to think about what she learned and process it—this gives Hellman an opportunity to get that information in front of the readers in an organic way—even if it is an infodump.

On the other hand, Georgia and another character or two (being purposefully vague) need to be given information about Fundamentalist LDS culture and practices. Which results in some awkward infodumps—one that’s so far beyond awkward and ill-timed that I couldn’t suspend disbelief enough to handle the scene.

I’ve often heard authors in interviews talk about the temptation to use all their research in a novel, because it’s just so interesting. The infodumps about the Fundamentalist LDS felt like Hellman just had to share everything she learned.* Giving us the information in a smoother fashion, and only what was needed (at least explicitly, she could’ve alluded to more) would’ve worked better for the flow of the story—and might have provoked the reader to go read more on their own.

* “Felt like” is the key term there, she clearly could’ve gone more in-depth, but in the moment it seemed like she left it all on the page.

So, what did I think about DoubleBlind?

There’s some really strong storytelling at work here, with characters that Hellman’s clearly spent a lot of time crafting over the previous five novels.

I had some issues with some of the mechanics of writing—I thought that some of the dialogue needed another editing pass or two, some of it is best described as “clunky.” Not all of it—but enough that it stood out as a problem. The pacing could’ve been tighter in spots, there are the above comments about the infodumps (for both good and ill) and I don’t think Hellman prioritized the stronger storyline as she ought to have. Those detracted from and diluted the storytelling and characters—but not to the extent I wasn’t entertained by the novel or intrigued by the stories.

I’ll say it again, the way she incorporated COVID-19, the restrictions, and vaccinations was a gutsy move. I’m not wholly convinced it was the best way to approach it, but it was a pretty successful effort, and a nicely calculated risk.

Would I recommend this? Yeah, I would—maybe with a few reservations, but I don’t think they’re important enough to make me wave off a potential reader. Am I going to read Georgia Davis #7? I think it’s likely, I’m curious to see how Georgia moves from this point.

Georgia Davis is an intriguing character with a lot to commend her to your attention. Hellman’s a solid storyteller. That’s a combination I’m glad to recommend.

Disclaimer: I received this eARC from the author via Wiley Saichek and Saichek Publicity in exchange for this post—while I appreciate that, the opinions expressed are wholly mine.


3 Stars

BOOK SPOTLIGHT: The Ventifact Colossus by Dorian Hart

I’m very pleased and excited today to welcome The Write Reads Blog Tour for Dorian Hart’s The Ventifact Colossus. Unlike the the bloggers whose posts about it are found at https://twitter.com/WriteReadsTours, I didn’t have time to read or write about it. Still, I wanted to spread the word a bit.

The Ventifact Colossus Tour Banner

Book Details:

Book Title: The Ventifact Colossus by Dorian Hart
Series: The Heroes of Spira, Book 1
Publisher: Jester Hat Books
Release date: January 7, 2016
Format: Paperback/Ebook
Length: 344 pages
The Ventifact Colossus

Book Blurb:

A tale of epic fantasy begins…

Banished to an otherworldly prison for centuries, the monstrous Emperor Naradawk is about to break free and wreak havoc upon the world of Spira. The archmage Abernathy can no longer keep the monster at bay, and has summoned a collection of would-be heroes to help set things right.

Surely he made a mistake. These can’t be the right people.

Dranko is priest-turned-pickpocket, expelled from his church for his antics. Kibilhathur is a painfully shy craftsman who speaks to stones. Aravia is a wizard’s apprentice whose intellect is eclipsed only by her arrogance. Ernest is a terrified baker’s son. Morningstar is a priestess forbidden from daylight. Tor is a young nobleman with attention issues. Ysabel is an elderly farm woman. Grey Wolf is a hard-bitten mercenary.

None of them are qualified to save the world, but they’ll have to do. Even Abernathy himself seems uncertain as to why he chose them.

What starts with a simple scouting mission soon spirals into something more far-reaching and sinister. The heroes will contest with dream warriors, evil cultists, sentient gemstones, and a devious yet infuriatingly polite gentleman with a perfect mustache, on their way to a desperate encounter with the unstoppable: The Ventifact Colossus.

Book Links:

Amazon US ~ Amazon UK ~ Goodreads

About the Author:

Dorian HartDorian Hart graduated from Wesleyan University with a degree in creative writing. This led circuitously to a 20-year career as a video game designer, where he contributed to many award-winning titles including Thief, System Shock, System Shock 2 and BioShock. He is also the author of the interactive novella Choice of the Star Captain.

Dorian now lives in the Boston area with his fantastic wife and two clever daughters. When not serving as house chef and chauffeur, he works on the kinds of novels he’s been itching to write since he was ten years old.

Author Links:

Website ~ Twitter

 


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: The Other Side of Fear by Eoghan Egan

I’m very pleased to welcome the Red Dog Press Book Tour for The Other Side of Fear by Eoghan Egan to The Irresponsible Reader this morning! It’s driving me crazy that I couldn’t squeeze this into my schedule right now but I couldn’t let the opportunity to squawk about this book pass by. This has the makings of a scorcher, and you’re going to want to look into it.

Book Details:

Book Title: The Other Side of Fear by Eoghan Egan
Series: The Ganestown Trilogy, #2
Publisher: Red Dog Press
Release date: March 29, 2022
Format: Hardcover/Paperback/Ebook
Length: 370 pages
The Other Side of Fear

About the Book

Sharona Waters is determined to dig into loan shark Dessie Dolan’s business and see him brought to justice. But when a young woman she’s only briefly met goes missing, a much darker story emerges.

Pulled into the ruthless world of people trafficking – a world built on violent brutality and sudden death – Sharona finds herself caught between crime and conscience, pursued by powerful and ruthless criminals, and just one bad decision away from having her whole world crash down.

Sometimes, the only way forward is to risk everything, no matter the cost.

Purchase Link

Get it from Red Dog Press

(it’s also available on Amazon, Kobo, Google Play Books, and all good bookshops—but why not support an independent publisher?)

About the Author

Eoghan EganA native of Co. Roscommon, Ireland, Eoghan wrote his first story aged nine. At college, he studied Computer Programming, works in Sales Management & Marketing, but his passion for reading and writing remain.

Eoghan’s stories were shortlisted for the 2018 Bridport Short Story Prize, and Listowel’s 2019 Bryan McMahon Short Story Award Competition. Others have been published in various anthologies. He has also completed two crime fiction novels in a planned trilogy set in the Irish Midlands, and has started work on the third.

A graduate of Maynooth University’s Creative Writing Curriculum and Curtis Brown’s Edit & Pitch Your Novel Course, Eoghan divides his time between Roscommon and Dublin.

Eoghan constantly explores ways to increase his knowledge in the art of writing. He enjoys attending literary festivals and is excited about the prospect of getting back to face-to-face discussions with readers and writers. He’s also a heavy metal fan, and, post-Covid, can’t wait to headbang at a rock gig.

Find him on Twitter: @eoghanegan



My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

Red Dog Press

Reconstruction by Mick Herron: A Tense and Cerebral Thriller

ReconstructionReconstruction

by Mick Herron

DETAILS:
Publisher: SohoConstable
Publication Date: February 1, 2008
Format: Hardcover
Length: 352 pg.
Read Date: January 21-26, 2022
Support Independent Bookstores - Visit IndieBound.org

Memory plays tricks, everyone knows that: it shuffles the deck, charms the snake, hoists the rope into nowhere. It convinces you you know just where you were, what you were doing, then whap, the detail betrays you. Reconstruction is never simple. Two days from now, a grainy, after-the-event newspaper photo will show Jaime Segura wearing the jacket he’s wearing now, and it’s not a dark green bomber at all: it’s brown, it’s faux-leather; it has long sleeves turned up at the cuffs, and drops to mid-thigh. George Trebor will look at that picture and wonder how much else of what he remembers actually happened, and how much was simply processed by a mind taught, like everyone else’s, to join the dots. Nobody studies events every second that passes. Like speed cameras, we take one picture, then another; and allow the data gathered by experience to fill the gaps.

And, like speed cameras, sometimes there’s no film in the machine.

Oops

I knew I should’ve written this post before I talked about this book on the Barbican Station podcast, I’ve been struggling to write this since—I’ve lost the impulse, having said just about everything I can think of about the book.

But I’m about to run out of renewals at the library, so I’d better get something done.

What’s Reconstruction About?

On the surface, this is a story about an inadvertent hostage situation. A young man, Jamie Segura, is told that if something happens to his boyfriend, he’s to go to a nursery school in Oxford and find a lady there who can help him understand. Which is what he does.

On the way to the school, through circumstances far beyond his control, Jamie picks up a gun. So when he shows up at the school, he gets the attention of those present—one of whom, the teacher, shows a remarkable amount of presence of mind and locks the place down, so that no more people can be stuck inside with him—it’s just the aide who cleans up the place, this teacher and one father with his twins. Louise’s quick thinking keeps the other staff, parents, and students away.

In addition to the instruction to find the lady at this school, Jamie has a name, Ben Whistler. Whistler worked with Segura’s boyfriend, they both are accountants for MI6. Not really the kind of guy you want in a hostage negotiation, but when he’s the one man the hostage-taker will talk to, you make do.

As the novel progresses, we learn what brought each of the people to the school that morning—their motivations, their past, and their very tenuous present are peeled back and exposed (mostly for the reader, but some for them)—while we also see what happens from the time Whistler arrives. This novel is like an onion—or an ogre—each time you pull back a bit and reveal something, you discover there’s a lot more you need to discover. For me, the structure is reminiscent of Hawley’s The Fall but in a more compressed time—and perhaps more effectively told. But now I’m clearly out of things to say describing what happens and have started talking about the book in an evaluative way, so I’d better move on to the next heading.

The Gun

She’d never been this close to a gun—stupid: nobody had ever been this close to a gun; nobody with a normal life and ordinary aspirations. Eliot’s boys were crying, but that seemed a long way distant; much closer was the gun itself, which was this side of the railings now. While Louise gazed into its mouth, the boy holding it—the only one among them on his feet—closed the gate. That, at least, was normal; everything else had rattled free of its holdings, scattering reality around her like spring rain.

One of the things that really grabbed my attention early on was during the hostage situation was that the attention wasn’t on Jamie Segura, but on the gun he was holding. It’s all about the gun—at the moment, Louise probably couldn’t have described him at all, he’s a boy, that much she’s got, but nothing more. She’s not alone there, the others are in the same boat—the gun is what’s important, the gun is essentially personified.

That’s such a great choice. The reader is focused on the gun so easily, just like Louise and the others. Really, at that moment—even the reader isn’t that concerned with knowing anything about Jamie, just what’s he going to do with the gun. Later, once Ben Whistler arrives and starts to get Jamie to open up a little, then our attention and interest shift to him, as they ought. But that’s secondary.

Later in the novel, there are other guns that are important—but that, too, is for later. And even then, they’re not focused on the way this gun is, because we know the people behind them (largely) and what they’re going to be used for.

The Prose/Narrative Voice

‘Are you an only child?’

‘Am I a what?’

‘Do you have brothers or sisters?’

‘What’s that got to do with—no. No, I don’t. Do you?’

‘Second of four. All boys.’

‘Well, that explains your ease with women.’

‘Probably accounts for my competitive nature, too. I’ve never liked coming second.’

‘Is there a point to this?’

‘Something I’ve noticed about only children. They have a tendency to think events revolve around them.’

We meet the narrator of this very early on—at the same time they tell us they’re not going to be around anymore (they might have 2 sentences total where they mention themselves). So we know that this isn’t some sort of neutral or omniscient third-person. There’s a human involved in telling this story, but we know precious little about them. But it does add some color to the reader’s experience.

The novel is told in a wry, detached sort of humor—but there’s nothing funny going on. It’s very strange—it’s not a comic thriller, those contain things you’re supposed to laugh at, actually funny moments. This is told like that without any humor. Individual phrases, sentences, paragraphs—even a couple of paragraphs are funny if you read them out of context. There’s a lot of wit involved in the way the words are assembled. But in context, nothing’s funny. It’s deadly serious, and even the wry narrative comment or three doesn’t relieve the tension–if anything it ratchets up the tension.

I don’t know how Herron pulled it off. I really don’t. I spent time re-reading passages trying to see if I could figure it out. And I just can’t. It’s the kind of thing where I see it in action, admire it and then have to move on.

What Exactly is Being Reconstructed?

I don’t spend too much time thinking about titles to books, really. I’ll think about “The 2019 X Character book” or “The Y Writer Stand-alone about Z” with a vague idea about when I read it—if I need the title, well, that’s what my spreadsheets and Goodreads are for.

But every now and then, a title will stick in the back of my head as I read a book—this is one of those cases. What could Reconstruction be referring to? The rebuilding of post-war Iraq? The police (or someone else) taking all the evidence around the hostage situation and putting together how it happened? The narrator taking in everything and putting it together in a way the police can’t? or…I have a list of around a dozen guesses. I’m pretty sure at least half of them are defensible. Like the layers of story and character that Herron peels back, there’s a lot to think about in just the title.

So, what did I think about Reconstruction?

…today is either the first day of the rest of your life or the last day of your old one, depending on how things work out. It’s Tuesday, April 3rd. The weather’s set for fair. Sunlight has already reached the bedspread, drawing upon it a range of shadow mountains whose outcrops and valleys exactly match the folds and ridges of the curtaintops. It’s time to get up. It’s time to get up.

The book opens with (almost) all of the characters waking up, going about their normal business not knowing if today is the first day of the rest of their life or the last day…all they know is that they have to get up and do some things. Then The Gun (and the poor, scared young man holding it) show up at the nursery school, and everything changes.

I’ve read and listened to Slow Horses, and while I enjoyed it, I’ve yet to move on in the series (I’m not sure I can explain why). But this book turned me into a Mick Herron fan—it’s going to be one of those books I’m thinking about for a long time to come. (and the more I think about it, the more I like it)

It took me a little bit to settle in—but even before I did, I was loving the prose and narration. Once Herron finished setting things up and introducing characters and starts letting them just do what characters do, I was hooked. From the surprising and horrific image (and sound!) of a car striking a man running out in front of it, through the events at the nursery, to the jaw-dropping last page—and killer last line. This is a great read.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 3/25/22: Payback is Forever by Nick Kolakowski

It’s been a couple of weeks since I’ve done one of these (a streak of books with hard-to-quote or oddly-dull-to-quote 56s), but you can always count on Kolakowski to be quote-worthy.

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
Payback is Forever

Payback is Forever by Nick Kolakowski

Creak-creak-creak-creak.

Miller pictured a lightning bolt shooting from the top of his head, through the ceiling, and incinerating the old man in his irritating chair. Like something a Greek God would do to a peasant who was preventing him from mating with a beautiful swan. Wasn’t that how the legend went? He was a little drunk.

Jill laughed. “You have to admit, it’s sort of funny.”

“Sure, unless I’m trying to sleep.”

Double Take by Elizabeth Breck: It’s As If This PI Novel Was Customized For Me…

Double TakeDouble Take

by Elizabeth Breck

DETAILS:
Series: Madison Kelly, #2
Publisher: Crooked Lane Books
Publication Date: October 11, 2021
Format: Hardcover
Length: 321 pg.
Read Date: March 21-22, 2022
Support Independent Bookstores - Visit IndieBound.org

Five days was an eternity with a missing person; forty-eight or even seventy-two hours was the cut-off for a good chance of finding the person alive. But five days was still something to work with. Madison could help bring another person safely home. Finding someone who was kidnapped or lost or just needed help to get home was so fulfilling, it was like having a life’s purpose she’d never known she’d been without.

What’s Double Take About?

Madison is approached by Travis, the desperate boyfriend of Barrett Brown, a reporter for an almost impossibly-small newspaper who’s been missing for five days. He’s afraid she’s been abducted, he’s afraid she’s being tortured or worse, and is about to die.

Madison is dealing with some medical issues and just finished a case that took her out of state, but how can she possibly leave this to the police (who don’t seem to believe that Barrett didn’t just ghost Travis)? So she jumps into action—retracing Barrett’s steps, figuring out what story she was working on—assuming that’s the reason she’s missing.

This leads Madison down a twisty path into a criminal conspiracy that she can only see the barest outlines of—and might end up leading her into grave danger.

While she’s searching, Madison has to deal with someone having her followed, the aforementioned medical issues, and a truly inconvenient spark of attraction between her and Travis. Who might not be the great boyfriend he gives the initial impression of being.

My Alma Mater

Chapter One takes place on the campus of the University of Idaho—so you know Breck gets extra points from me for that. Would’ve been an easy 5-Star read if the whole book had taken place there—or at least most of it.

But no, Madison has to go home to San Diego—sure, it’s hard to blame her, San Diego in October has got to be more pleasant—wrecking my hope for a PI novel on campus.

Madison’s Development

After the events of Anonymous, Madison’s picked up some notoriety—she’s become a go-to for missing persons. This is great, she’d been bemoaning how all she’d been doing was insurance work in Anonymous, and it wasn’t that fulfilling—but as we see in the above quotation, she’s finding satisfaction in her work. It’s also nice to see that she’s getting some attention, you frequently get the idea in P.I. fiction that the work is largely unseen.

Another departure from the norm is that Madison’s monetarily successful at the moment—the typical PI is scraping by. Not Madison—at least not now.

The focus on missing persons reminded me of Elvis Cole, just up the coast from Madison—but despite some wealthy clients, you don’t get the idea that he’s as successful. He definitely doesn’t seem to get the notoriety. So, I guess I have to update my one sentence description of Madison from being “Kinsey Millhone for today” to add “with an Elvis Cole twist.”

It’s good that she’s got money coming in, because this self-employed, and likely under-insured woman has medical bills. I wasn’t sure what to think of the discussion of Madison’s past cancer in the first book, but seeing it here, I’m seeing what Beck’s intention is and I like the way it gives the character another dimension and unconsciously (sometimes, anyway) shapes her actions.

Madison and Barrett

One of the ways you can see the appropriateness of the title is that from the first conversation with Travis, Madison starts noting all the coincidental parallels between what’s she’s told about Barrett and what she knows about herself. This can go one of two ways, typically—either this becomes a large hurdle for the protagonist doing their job, or it’s a motivator. This largely serves as a motivation—but it also causes a couple of problems for Madison—at most it’s a distraction occasionally.

It’s arguable that she gets invested pretty quickly because of the parallels, but not by much. Also, Breck finds a way to use this sense of them being so similar in both a positive and negative way for Madison—and then adds a new layer to this later in the book. It didn’t go the way I expected, fully, but I appreciated it.

So, what did I think about Double Take?

I was pretty enthusiastic about Anyonymous, and this cemented my initial impression of Breck and Madison. I was enjoying this the entire time, but toward the end, Beck shifts into high gear and…wow. It’s the kind of ending where you find yourself leaning forward as you read, because somehow that helps you get to what happens next faster; you don’t hear the music/people/animals around you; and your eyes move just too slowly. Okay, maybe I’m exaggerating there, but woe betide anyone who attempted to distract me during the last quarter or so of the book.

This is a fast-paced book. The main action starts Monday evening and ends in the pre-dawn on Friday. In that time, Madison has to find a missing (hopefully still alive woman), figure out why she’s missing/abducted (which leads to a larger criminal act), deal with some personal (some of which should have been dealt with already) and medical issues—and maybe catch a wink or two of sleep. All that in a short amount of time helps explain a couple of the blunders she makes—but those help ground and humanize her, so who cares about them? Especially the way Breck uses those mistakes.

And, hey, she still quotes Nero Wolfe twice. University of Idaho and Wolfe quotations—it’s really like Elizabeth Breck wrote this for me. A delusional thought, I realize, but I like my delusions.

I do wish Breck had made it a little more difficult for the reader to see the things that Madison didn’t/couldn’t put together. I get why she did that, and it was probably the right move, but I still would’ve preferred to work a little harder. That’s the sole issue I have with Double Take, and who knows, any other day, I might have considered that a feature instead of a bug.

Even if you’re not me, if you’re a fan of P.I. novels, I don’t see how this novel/author/character/series doesn’t appeal to you. Madison’s tough, smart, lucky (and knows how important that is), and committed. Brisk and assured writing. A nice bit of sleuthing to find a pretty clever crime (committed by some people who really shouldn’t ever get into criminal activity—and some who seem born to it). My only regret is that I have to wait for the third book in this series to be published before I can dive in.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Pay Dirt Road by Samantha Jayne Allen: A Tale of Oil, Murder, and Land

Pay Dirt RoadPay Dirt Road

by Samantha Jayne Allen

DETAILS:
Series: Annie McIntyre Mysteries, Volume 1
Publisher: Minotaur Books
Publication Date: April 19, 2022
Format: eARC
Length: 304 pg.
Read Date: March 21, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Pay Dirt Road About?

Annie just graduated from college and moves back to her hometown to decide her next move. That’s the generous way to look at it, anyway, we’ll get back to that in a bit. She’s waiting tables at a local diner—well, the local diner in Garnett, TX. It’s hard to say exactly how large Garnett is, but it’s not big. But given the nearby oil fields, there’s a lot of money as well as a lot of poverty in this smaller town.

Annie and her roommate/cousin spend a lot of their evenings drinking, frequently with others they graduated from high school with. One night they go to a bonfire at the home of one of Annie’s former classmates and unexpectedly run into a co-worker, Victoria. Victoria has overserved herself at this point and doesn’t show signs of slowing down. When Annie decides to leave, she tries to find Victoria but is told that she’s gone off with someone.

That’s the last anyone sees Victoria—the last anyone will admit to, anyway. Her body is found a few days later. Driven by guilt for abandoning her, Annie takes advantage of an offer from her grandfather—former sheriff, now a PI—to work for him and look into the case.

Annie

Annie is what many would call a deeply flawed character, but others would just say human. She’s trapped by her own insecurities as well as ego. She knows she could likely do well in law school—but it would be hard and risky. She could probably talk herself into the challenge, but failing means losing hope she could get away from Garnett, and I don’t think she’s willing to do that.

Like so many people in similar circumstances, not knowing what to do, she drinks, so she doesn’t have to think about it for a while. And drinks a lot. This wouldn’t be a big deal for me as a reader, but Annie spends a lot of time judging her grandfather for his drinking—especially when they’re supposed to be working. She doesn’t say anything to him, she just keeps it inside and lets herself indulge. It’s things like this that make her a wonderful, complex character.

The Sense of Place

I’m vague on a lot about the town of Garnett (size, demographics, etc.), but I also have some concrete visions of certain parts of it. It reminds me a lot of the TV version of Dillon, Texas—which seemed to change size, economic status, and makeup from week to week, depending on what the story called for.

As I type that, I realize that my ideas about Garnett are basically half-Samantha Jayne Allen/half-Friday Night Lights. Annie would basically fit in with the Tyra Colletes and Tim Riggins of the world, not the Jason Streets and Lyla Garritys (although we get glimpses of that part of Garnett, too). I just thought of three paragraphs I could do paralleling the worlds of these two fictional towns, so I’d better move on before this becomes a very different kind of post.

What I kept getting was a feel for the town more than anything—it’s the kind of place where the best and brightest leave after high school, and the big question is: will they come back? You get the impression that if they do, it’s not because they chose to—they either have no choice, or it’s just as a way station–like Annie intends. Some of those in the latter category end up sticking around, usually not by choice. This bleakness covers the whole of the novel—in the successes as well as the failures (and the in-between moments).

At the same time, it seems that few of these people are there by choice. It is their home. Up until two weeks before her death, Victoria had been tied to Garnett, but she had plans. Annie intends on leaving. But when it comes to the land of Garnett? Their families’ acres? There’s a reflexive, instinctive, and deep sense of possession and binding. Everyone knows that Annie’s going to leave town at some point—but when there’s a suggestion that someone is going to buy the land she’s set to eventually inherit? That sets an emotional fire in her that I think surprised even her. You see something similar with Victoria, too. People like them may not like Garnett, may not want to live there but it’s home. It’s their home, and will be.

So, what did I think about Pay Dirt Road?

I don’t know that I can say that I particularly enjoyed this book—by design, it’s not a good time. But it’s a great experience. Allen’s sense of character and sense of place ensures that the reader feels what’s going on. Particularly, but not limited to, Annie’s experiences.

Like with any good mystery—and look at character—Pay Dirt Road is as much about the investigation as it is the history of the characters—for Annie, this goes back to High School, for her family, the history we see goes back far before that. The past illumines the present, and helps the reader—and eventually, Annie and others—to see what’s going on in the present.

Last year, I finally got around to reading The Far Empty by J. Todd Scott. Garnett doesn’t have the same kind of corruption (at least that we see) going on, but it has the sense of setting, of bleakness, and dedication to place/city/home. Between these two books—not to mention Locke’s Bluebird, Bluebird and Kent’s The Dime—I’m starting to think I should focus more of my Crime reading on the Lone Star State.

This could be the beginning of a series—and if it is, I’ll be at the front of the line for the sequel. This could be a stand-alone, and if so, it leaves the characters in a good place—both in terms of closure and promise for the future. Either way, this is a book that’s going to linger in the back of my mind for a while, and I think that’ll be true for others.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Death in the Sunshine by Steph Broadribb: Detectives Hitting “Pause” on their Retirement

Death in the SunshineDeath in the Sunshine

by Steph Broadribb

DETAILS:
Series: The Retired Detectives Club, #1
Publisher: Thomas & Mercer
Publication Date: February 28, 2022
Format: Kindle Edition
Length: 319 pg.
Read Date: March 16-18, 2022
Support Independent Bookstores - Visit IndieBound.org

Moira takes one last look towards the park and feels a pang of . . . something. She remembers how it felt when she saw the body, and how she switched from retired lady of leisure, Moira Flynn, back into her old, original skin. It’d felt like she was on autopilot– confident, professional, and knowing exactly what to do and what to say– and it had felt good. So good. Like she was useful again. Like there was a point to her. Like she still had purpose.

What’s Death in the Sunshine About?

Moira retired as a DCI doing undercover work, moved into a retirement community in Florida, adopted three dogs, and started on the next stage of her life—and tried to put everything that happened before retirement behind her. That was her goal, she was done with all that. Until early one morning when she finds a murdered woman floating in the swimming pool.

A neighbor and acquaintance—and leader of the community watch—comes upon the crime scene after the police arrive, sees Moira, and brings her back to his house to find out what’s going on. His wife was a CSI officer back in the UK, and Philip was also a DCI—he and Moira never crossed paths in England, just once she moved in. Philips’s friend, Rick, is a retired DEA agent and is also involved in the community watch.

Philip and Rick see this murder as an opportunity to get back into their old lives and bring some peace of mind to their neighbors—there’d been a string of burglaries recently, and now a murder, in their supposedly incredibly safe and secure community. They take it upon themselves to drag Moira and Lizzie into their impromptu investigation into the murder.

The police have no interest in, or patience with, what these four are discovering. They’ve got a quick and easy theory and solution in mind and are pursuing that—no matter how off-base they might be.

In addition to this murder (and possibly the string of burglaries that have gotten more than a few residents on edge), there are other mysteries bubbling under the surface—some involving the retired detectives, and others around their new home. We’re not going to get a resolution to them all in this book, maybe the sequel. Broadribb gives us just enough to get really invested in them without the reader feeling cheated that we didn’t get a resolution while making sure we’re coming back to see if we get to uncover the answer.

Un-likeable Leads

I’m not one who thinks you need to like all the protagonists in a book as people—but it helps if you like them as fictional characters. Death in the Sunshine gives a prime example of how it’s not necessary to like all the protagonists for a book to work.

I’m going to withhold the names, but I only liked two of these four as people—but all four made compelling characters. One of those I didn’t like, I might end up liking, once I decide how much I can trust them. But the fourth just rubbed me the wrong way all the time.

I can’t believe how many times I grumbled about Character X in my notes. I understood a lot of what made X act in the ways that made me dislike them so much, but that doesn’t excuse the choices they make throughout—that could have easily put the kibosh on their whole investigation.

Is it possible that Broadribb will change my mind about X in the next book? Absolutely. But I kind of hope she doesn’t, as long as I can keep liking the other two.

Pet Peeve

It’s been a bit since I’ve grumbled about this, but if a UK-based writer is going to write American characters, they really should get an American Beta reader to focus solely on making sure they sound like people who grew up and live here. I assume the experience for me is similar to someone from London listening to Dick Van Dyke’s Mary Poppins accent.

Now, I will say that it’s not that bad in this book, it’d take me only a little browsing through my archives to find worse offenders. But I expect a bit more out of Broadribb. She did make a wise move, I think, by having three of her four leads be from the UK, though.

So, what did I think about Death in the Sunshine?

Is that what this investigation is about? Is he trying to rekindle his old life? He misses it bad; misses it like a piece of him was amputated on the day he retired. If he’s honest about it he misses it as much, and maybe even a bit more, than he does his own children.

You start this thing having read the description, and you think this is going to be The Thursday Murder Club with different accents and a less amatuer-ish feel. This assumption lasts maybe two chapters before crashing headlong into the sharp rocks of reality.

It’s a wholly different setup, wholly different tone, with wholly different kinds of characters, and a wholly different relationship to the local police. This is a grittier kind of feel, with characters that feel like they could’ve stepped from the pages of other series right into this one.

Broadribb does a pretty good job of balancing the point-of-view characters, but I thought we could’ve gotten a little more of Rick, the ex-DEA agent, but that might just be me. Some of the supporting characters were a lot of fun, too—hopefully, they’re around in the sequel(s).

I particularly enjoyed the way Broadribb had these four reflect on what got them into investigating this case, and what it brought back for them. I’m years away from having to think about what life’ll be like when I leave the workforce, but there’s something about their reactions that spoke to me.

Strong characters and settings that we don’t see a lot of in Crime/Detective Fiction, some voices/perspectives that we could use more of, neck-deep in a case that should satisfy most genre fans. Now that Broadribb has established this world and characters, I’m expecting things to get better from here (and they’re pretty good where they are).

Jump on board this train while you can, readers.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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