Tag: Mystery/Detective Fiction/Crime Fiction/Thriller Page 36 of 61

Family Business by S.J. Rozan: Family Matters

Family Business

Family Business

by S. J. Rozan
Series: Lydia Chin & Bill Smith, #14

Hardcover, 289 pg.
Pegasus Books, 2021

Read: January 1-3, 2021
Grab a copy from your local indie bookstore!

“Big Brother Choi died.”

“Wow. What happened?”

“Massive heart attack. Not to worry, there.”

I hadn’t really been worried. It wasn’t likely Big Brother Choi had been rubbed out by a rival tong leader and a Chinatown tong war was about to start. Those ham-handed days were largely gone.

But Mary’s “there” implied something else, and I knew what it was, the reason Chris Chiang had called. A seismic shudder was about to move through the streets we’d grown up on.

Our high school physics prof had told us that nature abhors a vacuum.

So does power.

What’s Family Business About?

The core of this novel is focused on what’s going to happen to a real estate development in Chinatown. Which really doesn’t sound that exciting—but Rozan’s able to make you care. Also, this is not a run-of-the-mill real estate problem.

There’s a large-scale development headed towards Lydia’s neighborhood, whether anyone wants it or not. The only thing stopping it is that the owner of one building in the middle of the projected development refuses to sell. That owner is—er, was—Big Brother Choi, the head of a tong, who uses that building as his tong’s HQ.

So, yeah, a criminal enterprise is all that stands between a (seemingly) legal and successful businessman and the destruction of a neighborhood/way of life. And then the head of the tong dies (of natural causes), and everything could change.

Choi’s niece—the executor of his will—comes to Lydia and Bill to provide some security for her as she tries to exert her position vis-à-vis the building. A lot is riding on this one building, and everyone has an opinion: there are two factions within the tong vying to determine the future of the building (and, with it, the tong); the developer; and the neighborhood’s historical society–and it’s all up to her to decide. People on all sides of the issue are trying to pressure her into making a decision they’d prefer about the building–and some of the pressure could be pretty intimidating.

Especially when ranking members of the tong start dying—without natural causes like those that took out Choi. And then people start shooting at people tangentially connected to the niece and threatening them.

Lydia and Bill now have to keep the niece alive and unscathed while trying to discover who’s behind the shooting and the dead tong members.

The Lydia and Bill Relationship

There are several reasons that Lydia and Bill’s romantic relationship is one of my favorites in fiction, and I’m not going to try to enumerate them all. But probably my favorite part is that when they shifted from close friends/business associates to romantic partners the rest stayed pretty much the same. They deepened what was there, but didn’t radically change it.

Their flirting is a little more obvious—and Lydia’s less likely to cut it off. But they still have each other’s back, the mutual support and trust are still there. When they’re on the job, they’re on the job, not making goo-goo eyes at each other. Bill knows that Lydia is going to be reckless—and he doesn’t try to stop her any more than he did before, but he sure worries about her. Would that everyone in fiction who made that transition did so as well.

So, what did I think about Family Business?

As I’ve mentioned before (likely too often), while I think most of the Bill-narrated novels are technically superior, the Lydia-narrated novels are consistently the more entertaining. So I went into this with high expectations—and they were pretty much met.

I could go on about the flirting between Lydia and Bill, or talk about Lydia’s wit and narration, or how nice it was to see a minor character from several books ago show up. But that’s probably enough to indicate where I’m leaning with this post. There are a couple of points that I want to talk about a little, however.

I loved the way Lydia’s mom inserted herself into the investigation. I’ve said enough about the slow-burn in getting the romance to advance, but getting Lydia’s mother to stop actively disapproving of Lydia’s career and now getting involved?? I dare you to go back 13 books and try to predict that.

Like most people who read Detective Fiction, one of my great joys is being one or three steps ahead of the protagonist in putting the clues together. THere’s something so satisfying about being more clever than they are—and in getting your guess endorsed by the protagonist. But what’s better? Having the protagonist put all the pieces together in a way you didn’t see coming—and instantly realizing there was no other way to interpret the evidence. That mix of “X was really clever there” and “ugh, I’m such a dunce for not seeing that” is somehow gratifying. For me, at least, the solution

Still, I’m not sure the people that Lydia initially revealed the solution to were the best to hear that. I’m even less sure of her timing on the revelation. But it did lead to some of the more exciting parts of the book—so as a reader, I liked that. I just wish that Lydia would be more judicious at times.

This was my first novel of the year—it’s a pretty good way to start 2022, something as entertaining as this was can make a guy optimistic about the next twelve months. That’s probably a silly way to think about things, but I’m running with it.

Family Business is not only another strong entry in the series that will please fans, it (like almost all those before) would be a good entry point for someone curious about the series. So really, there’s no excuse to not pick it up. Go do so.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Audiobooks of 2021

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the ShiverThe Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing ItFinlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim CurryA Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

This Bright FutureIn This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & SigilInk & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest TideThe Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate ProblemWe Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson's Greek GodsPercy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage CrewThe Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

Fortune Favors the Dead (Audiobook) by Stephen Spotswood, Kirsten Potter: Female Sleuths Buck Convention in this 1945’s Adventure

Fortune Favors the Dead

Fortune Favors the Dead

by Stephen Spotswood, Kirsten Potter
Series: A Pentecost and Parker Mystery, #1

Unabridged Audiobook, 8 hrs., 31 min.
Random House Audio, 2020

Read: December 1-2, 2021
Grab a copy from your local indie bookstore!

The Oversimplified Setup

It’s a gender-flipped Nero Wolfe/Archie Goodwin. Instead of staying home habitually because of eccentricity, detective Lillian Pentecost has multiple sclerosis. Her assistant, Willowjean “Will” Parker has a much more colorful history than Archie Goodwin—she spent years in the circus after running away from a terrible home in her teens. Will is game to get physical with suspects if necessary, but she’s not up to Archie’s level and doesn’t necessarily give as good as she gets.

Pentecost is much more active outside the home than Wolfe, and the pair are more socially active—with social consciences that would be far more at home in Twenty-First century American than in the 1940s. But largely the duo operates like their archetypes.

What’s Fortune Favors the Dead About?

The book begins with how the two met and started working together, then it jumps three years to after the partnership had been established and prospective clients show up.

A year ago, Abigail Collins’ husband shot himself when it looked like everything was going the way the steel magnate wanted it to (in the mid-1940s, selling steel to the U.S. Government was a license to print money). Now, she’s been murdered, and her body was found in the same chair as her husband. Her son, daughter, and an old family friend (now head of the company) come to Pentecost to do what the police have been unable to—find the killer and assuage the worries of the company’s stockholders.

It’s practically a true-locked room mystery, which gets Pentecost’s attention. As an added bonus for the detectives, hovering around the case is a famed spiritualist that Pentecost has been wanting to expose for a fraud.

So, what did I think about Fortune Favors the Dead?

When it comes to re-imaginings, or characters based on Wolfe/Archie, I thought this was one of the more inventive and successful (DeAndra’s Lobo Black/Quinn Booker might be better, but it’s been so long since I read it, I’m not sure). Don’t take anything negative I say—or if I’m not that enthusiastic about it—as being a reaction to being a Wolfe purist.

When you think of Stout’s works—it’s about the case, the mystery. Sure, you stick around because of the characters—but it’s about watching the characters at work in and around the case. This was about Will Palmer first and foremost—with Pentecost clearly a secondary character—and her relationships/interactions with the principals related to the case and her background. The next priority of the novel was in creating and revealing the world of Pentecost and Palmer—how they were active in it and related to people in the world. The case—and everything else—came in as a tertiary concern.

This is all fine and good for a first novel—but it didn’t seem to fit the setup either as something modeled on Wolfe/Archie novels, or as something in a vaguer 1940s detective mold. That’s me carrying in assumptions to the text, I realize. But it still felt like Smallwood’s emphasis was misplaced.

The mystery/mysteries were clever enough and the plotlines were well-executed, and the emotional beats—particularly in the final chapter—were handled perfectly by both Spotswood and Porter.

Fortune Favors the Dead was not the novel I expected, but it was good enough to get me to come back for the second in the series.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Anonymous by Elizabeth Breck: This PI Will Fill the Kinsey Millhone-Shaped Hole in Your Heart

Anonymous

Anonymous

by Elizabeth Breck
Series: Madison Kelly, #1

Hardcover, 309 pg.
Crooked Lane Books, 2020

Read: December 28-30, 2021
Grab a copy from your local indie bookstore!

The thing about being a private investigator was that she liked to investigate things. Madison had never been able to interpret whether she liked mysteries or she hated them; all she knew was that she was compelled to solve them.

What’s Anonymous About?

Madison Kelley is a freelance PI who has been between jobs for a while (we’re never told exactly why, a little touch that I loved more than I was annoyed by it being left dangling to tempt me). So she does what any mystery junkie would do when she’s not being paid to investigate—she listens to True Crime podcasts, and with her favorite focusing on a local investigation (or two, as we join the action it’s unsure if they’re connected) she spends a lot of time thinking about the case(s) and tweeting the hosts with her ideas.

Madison starts receiving threats telling her to stop her investigation. But she has no idea what investigation the threats are referring to—it can’t be her tweets to the podcast, can it?

Madison has to move from fan-interest in the crime to actually investigating it, just to find out who is threatening her. Assuming it’s not someone from a previous case, a prank, or a case of mistaken identity. I know I’m not in the evaluative portion yet, but I have to say that I don’t remember the last hook that got me like this one. So, so, clever.

Kinsey 2.0?

By page 10, I’d already put in my notes, “She’s Kinsey, but not.” The sentiment just grew. I’m not really suggesting that Breck designed Madison to be a Kinsey Millhone clone/knock-off, but if someone was to design a contemporary version of Grafton’s protagonist, the result would look just like Madison Kelley.

So here are just a few things that made me think of Kinsey over the course of the book: she’s from California (although Breck uses San Diego without a fake name); her PI work (up until this novel) has primarily been as an insurance investigator; she has a strange not-really-romantic relationship with a married cop; she’s not afraid to stand up for herself or to take on situations she might be wise to avoid; she refuses to let being a woman in a male-dominated field hold her back; she’s interested in romance but needs her space/independence. Frankly, a lot of these will apply to several other female PI’s—I realize that. But there’s just something about the way that Breck showed Madison to the reader that screamed Kinsey, but not.

How is she not Kinsey? A few quick notes (I expect this list will grow in subsequent novels—and could be longer now if I took more time to compile it/didn’t mind spoiling anything): Madison doesn’t once resort to/mention a Little Black Dress (and I don’t see her donning one), Madison eats so much better, she seems better with people naturally, I can’t imagine Kinsey listening to the 1980s equivalent of True Crime Podcasts—and being on Twitter? No way.

Investigative Tips

One of the best parts of Detective novels is when you get some insight into PI/Detective methods—sometimes it’s in a didactic way like Michael Westen would do on Burn Notice, sometimes it’s just in the narration like Archie Goodwin would do. It’s what convinces people like Harvey Mapes, Adam Whyte/Colin McLaughlin, Cat Caliban, or me that we can handle a murder investigation when one drops in our laps.

The descriptions of Madison tailing someone, noticing someone tailing her, shaking the tail, and so on are just great. I assume given Breck’s résumé that they’re authentic (and if I’m wrong, she pulls it off in such a way that you’d never know). Not only do you feel like you’re in the moment in a way you sometimes don’t when reading about someone tailing another car (even when reading really good novels), but you walk away convinced that you could follow a random stranger for a while without them noticing and seeking a restraining order against you.

She has Good Taste, Too

The coincidences were stacking up. Her favorite fictional detective, Nero Wolfe, always used to say, “In a world of cause and effect, all coincidences are suspect.” She agreed.

Like other detectives I’ve read recently, Madison reads Mystery/Detective Fiction—although it hits me, that I can only think of female detectives that fit this bill (or amateurs). Why is that? Are male detectives illiterate or are do they only read intellectual fare (see: Spenser)?

Anyway, I had noted that Madison had some good tastes in reading when I came across the above quotation—and knew we were going to be friends for a long time to come. Sure, I’d already decided to read the next novel by this point, but this cemented it. Nero Wolfe is her favorite? That’s worth me picking up at least three sequels.

So, what did I think about Anonymous?

Madison had had a supervisor at one of her first investigation jobs tell her, “Being a good investigator is fifty percent technique and fifty percent luck. And Madison, you have good luck.” She had thought about that a lot. She did have good luck.

Never underestimate luck—that’s pretty much always true of fictional detectives (private, police, or amateur)—at least Breck’s upfront about it.

This was my last novel of 2021, and what a novel to go out on! Madison’s a great character—who makes one pretty big error in judgment but is otherwise sharp as a tack. And you can’t beat her kind of luck.

I really liked Breck’s prose and pacing—she kept things moving while giving us enough background on Madison to really get a good feel for her (and I have to know more about the lawyer, Haley—I think she promises to be fun). Also, of all the ways to bring in True Crime podcasts and social media into detective fiction, this is my favorite.

Clearly, I had a blast with this. Anonymous starts with a killer hook, has enough twists and turns to keep things interesting and the reader invested, has some good emotional subplots, a great setting (and we get a decent feel for Madison’s little corner of it), and a bang-on ending. It’s hard to ask for more from a debut.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: A Few 2021 Books I Can’t do a Full Post About

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Super Powereds: Year 1

Super Powereds: Year 1

by Drew Hayes, Kyle McCarley (Narrator)
Series: Super Powereds, #1
Unabridged Audiobooks, 26 hrs., 11 min.
Tantor Audio, 2016
Read: November 19-25, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Lander University has a program that most universities don’t. They offer a Hero Certification Program—a way for super-powered students to become qualified to be a super-hero. This book focuses on five particular students—they’re not just super-powered, they’ve got a secret, too.

As the title suggests, this book follows them over the first year—as they grow, increase in power and ability, develop bonds, and so on. The book is a nice mashup of superhero training and dumb college kids being dumb college kids.

I went into this expecting something that felt a lot like Fred, the Vampire Accountant. This was less like it than I thought possible—it’s much longer, it doesn’t feel like a collection of interconnected short stories, it’s a novel.

I was impressed at how different it is, sure. But I liked the story, world, and characters. I’m not sure I’m up for four more in this series, but I have a feeling that Hayes will change my mind.


3.5 Stars

Master of Formalities

Master of Formalities

by Scott Meyer, Luke Daniels (Narrator)
Unabridged Audiobook, 14 hrs., 58 min.
Brilliance Audio, 2015
Read: November 12-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Thousands of years in the future, elaborate rules of honor, etiquette, and form have been imposed on the planetary governments to preserve order—even in the midst of war. We’re talking rules that Downton Abbey’s Carson would find overly elaborate and restrictive.

Two planets have been at war for decades—but things have come to a tipping point. It’s up to the two arbiters of these rules on these planets to keep things under control.

This book did something I didn’t expect—I would have admitted it was possible, but wouldn’t have expected that Scott Meyers and Luke Daniels produced something that left me frequently bored and that I had a hard time connecting with at all. It was clever, but that cleverness strayed into convolutedness in the plot. Good enough to listen to, but by a hair.


3 Stars

See Her Die

See Her Die

by Melinda Leigh
Series: Bree Taggert, #2
Kindle Edition, 315 pg.
Montlake, 2020
Read: September 30-October 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I don’t have much to say about this book, which is why it’s here, but I wish I did. There’s just something nice about this series, and I’d like to talk about it more.

This is really a follow-up to the first in the series—okay, so Bree got herself the job, what’s she going to do with it? How are the vets in the department and the community as a whole going to handle her coming in? How is she going to do with the whole parental figure for her niece and nephew? Etc. We don’t get definitive answers, but we get some good ideas.

But more importantly, there’s a creepy killer on the loose. In the end, that story is both too outlandish to buy, and I can actually imagine reading about this happening.

I’m coming back for more.


3 Stars

Cold Wind

Cold Wind

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #11
Unabridged Audiobook, 11 hrs., 13 min.
Recorded Books, 2011
Read: August 23-24, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Wow. There’s a lot going on in this one. The events of the Nate story were horrible, but Box pulled it off in a way that will be good for the character/series long-term.

Killing Missy’s husband Earl on the other hand…well, like Joe himself, I’m not crazy about any time we spend with Missy, so making her a focal point of a novel isn’t going to make me thrilled with it. But, I ended up really liking this one, too.

These books don’t inspire a lot of thought or writing from me—and maybe they should—but I do consistently enjoy them. Chandler’s narration is solid as ever. At this point, I don’t think I can switch to the print version of the series—I need his voice for Joe and the gang.


4 Stars

Lycanthropy and Other Chronic Illnesses

Lycanthropy and Other Chronic Illnesses

by Kristen O’Neal
Hardcover, 379 pg.
Quirk Publishing, 2021
Read: June 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
It’s really bothering me that I haven’t gotten a full post out of this yet—and it’s been long enough (and I lost my notes) that anything I end up saying will be super vague and would be too much work to get a longer post.

In a Discord support for chronic illnesses, a group of people from around the world from a variety of age groups, come together to share struggles common to people with a variety of ailments and disorders. A couple of them realize they live nearby and strike up a friendship. Eventually, one of them disappears from contact for too long, so the other takes it upon herself to go try to find her friend IRL.

It turns out that this friend’s chronic illness is a case of lycanthrophy—things get strange and heartwarming from there.

A lot of this is told in modern-epistolary: texts, emails, Discord chats, tumblr posts, etc., etc. I loved the jumble of methods used to tell the story. It really captures the feel for these characters and their lives.

If you look at places like Goodreads, you’ll see a lot of controversy about elements of this book. I didn’t know about any of it until I’d read the book. 96% of what I saw doesn’t reflect the book, and seems to stem from one or two people who hadn’t read the book. Ignore it all.

This was a fun, earnest story that addresses serious things like living with chronic disease and finding your place in the world along with silly things like Lycanthropy and excessive binge-watching with friends. A nice break from reality that maybe helps you think about some things.


3 Stars

Messy

Messy: The Power of Disorder to Transform Our Lives

by Tim Hartford, Nicholas Guy Smith (Narrator)
Unabridged Audiobook, 9 hrs., 45 min.
Penguin Audio, 2016
Read: December 16-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I think I’m going to have to make a point to listen to more Hartford books—between the time I put this on my TBR list and picking it up, I’d forgotten it was by the man behind The Data Detective.

The basic premise is this—people who are messy (not those full of utter chaos in habits or possessions), function better than those who are ruled by rigid standards—either metaphorically or literally. When rules (primarily at work) are too inflexible it hurts productivity and satisfaction in the work.

So let people organize their work and workplaces as they will, don’t impose a filing system on people who don’t want it, etc. Sure, keep things tidy, but beyond that…let the individual reign. That’s a horrible oversimplification, but to do it justice would take…well, most of this book. Just go with that as a thumbnail and read/listen to it. It’s entertaining, thought-provoking, and empowering.

I think this went on a bit too long—perhaps if the last couple of chapters had been excised, it would’ve been better. But I might change my mind on a re-read/re-listen.


3.5 Stars

Stuff You Should Know

Stuff You Should Know:
An Incomplete Compendium
of Mostly Interesting Things

by Josh Clark and Chuck Bryant
Unabridged Audiobook, 9 hrs.
Macmillan Audio, 2020
Read: December 27-28, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Very little (if any) of this fits into things I should know, and I’m glad the subtitle talks about “Mostly Interesting” things. It’s a strange hodgepodge of in-depth look at topics like…the history of facial hair, Murphy beds, Mezcal, and child prodigies.

It was fine, but nothing special. Before I started it, I figured this would end up turning me into a subscriber to the podcast. It didn’t, but I can see why people would listen to it—the narrators/hosts are pretty engaging and had an interesting approach to their explanations. Maybe it was these topics, the randomness of the topics, or…I don’t know. I just didn’t see the point. It made for a good soundtrack to my workday, but within two days, I’ve pretty much forgotten everything I heard.


2 1/2 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Fortune and Glory: Tantalizing Twenty-Seven by Janet Evanovich: Stephanie’s on a Treasure Hunt

Fortune and Glory

Fortune and Glory:
Tantalizing Twenty-Seven

by Janet Evanovich
Series: Stephanie Plum, #27

Paperback, 332 pg.
Pocket Books, 2021

Read: December 25-27, 2021
Grab a copy from your local indie bookstore!

Ranger stopped for a light and looked at me. “How about you? What’s in your bucket list?”

I was stumped. I didn’t have a bucket list. My bucket was empty.“I haven’t gotten around to making a bucket list,” I said. “Do you think that’s a personal failure?”

“No. You’re busy living every day. That’s a personal triumph.”

“It doesn’t feel like a triumph. It feels like I’m moving through my life with no important goals or aspirations.”

“What do you consider to be an important goal?”

“Being a doctor or a vulcanologist or a marine biologist or finding the Ark of the Covenant.”

What’s Fortune and Glory About?

Fortune and Glory continues the storyline kicked off in Look Alive Twenty-Five, this time Stephanie and Grandma Mazur are hunting for the treasure—whatever it may be (no one is telling) that the La-Z-Boy Gang had tucked away. Two of the surviving members are on the hunt for the clues that lead to it, too—and they’re not playing by Marquess of Queensberry Rules.

Naturally, Stephanie also has three skips to track down for Vinnie’s Bail Bonds—one of whom decides that Stephanie needs a bodyguard and devotes himself to that. Sure, Stephanie could use a bodyguard, but probably not one who has a handful (or more) of anxiety disorders that prevent him from doing much of anything.

Dodging gangsters and chasing down FTA’s, just another day in the ‘Burb for Stephanie Plum.

A Backdoor Pilot?

Evanovich has a new series starting next year about a recovery agent, Gabriela Rose. We get to meet Gabriela here because she’s been hired to recover the same treasure than Stephanie and Grandma are on the hunt for.

She’s slick, she’s skilled, she’s apparently successful—she’s pretty much the anti-Stephanie. She’s what Ranger could be if he didn’t have his whole company, either.

Gabriella’s not in the novel much, just enough to introduce her to Evanovich’s readers. But she plays a vital role when she’s around.

I enjoy it when there’s overlap between an author’s series/works, but this felt cheap.

A Change in the Offing?

Stephanie spends a lot of time considering her life, her career, her future…nothing she hasn’t done before, but it felt a bit more serious this time—going so far to ask herself “Who am I?”. Even her newfound bodyguard sees that she wants to change her life.

The presence of Gabriela and some new turmoil in her relationship with Morelli adds fuel to this self-reflective fire.

So, what did I think about Fortune and Glory?

This was fine. This was okay. It was amusing. I appreciate the ambition of the storyline (but glad Evanovich wasn’t ambitious enough to try to extend it). For a series this old, to try something like this for the first time? Pretty impressive.

I don’t know that I found anything funny, though—which isn’t good for a comedic series like this.

It’s not quite as good as the last couple of Plum novels, but not as weak as some of the others. Good enough to read and recommend, but just that good. If I actually believed this round of self-reflection was going to result in a change, I might be more optimistic about things, but I expect that #28 will be more of the same. Which isn’t necessarily bad, it’s just nothing to be excited about.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Case of the One-Eyed Witness by Erle Stanley Gardner: A Dose of Nostalgia Delivered in a Twisty Whodunit.

The Case of the One-Eyed Witness

The Case of the One-Eyed Witness

by Erle Stanley Gardner
Series: Perry Mason, #36

Mass Market Paperback, 210 pg.
Pocket Books, 1963

Read: October 19-20, 2021
Grab a copy from your local indie bookstore!

What’s The Case of the One-Eyed Witness About?

While out for dinner with Della Street, Perry Mason gets a call from an unidentified person wanting to hire him for a job. She’s even arranged for some money for a retainer to be delivered to him at the restaurant—she just needs him to act on some information included with the cash. It’s a matter of life and death, she says, before the call ends.

Trying to earn his (pretty small) retainer, after he gets the delivery, Mason tries to track down his new client—and then he completes his assignment.

In the course of trying to figure out who his client is, Mason comes across a murder, and then another. He finally finds someone who he thinks is the client—and she denies that up until she gets arrested for murder, and then she’s more than ready to hire him.

Mason goes up against the Washington Generals of the legal system, Hamilton Burger and Lt. Tragg, as well as some pretty clever witnesses in his efforts to get to the bottom of this mystery. But while things frequently look grim for his client, it’s a sure bet that Mason will make sure justice is done.

Perry Mason, Micromanager

So Paul Drake is supposedly one of the best P.I.’s around—he’s got a sizeable agency of capable detectives, too. But you wouldn’t know it, the way that Mason ordered him around the investigation. I was taken aback by it, I have to say. It’d be different if this was Drake’s first case for Mason—or at all—but for a guy with his kind of experience? Sorry, Perry, trust the man to do it right.

There’s A Lot of Ugly Here

This was originally published in 1950, and you can tell in many ways. One of which is the casual usage of ethnic slurs about Japanese people. It’s not the first time I’ve read a book from this era (or earlier), I know this stuff is there—and I normally wince and move on. But it seemed a bit heavy in this book. I think—I don’t know, but I think—it’s there purposefully. That doesn’t make it easier to read. But if I’m right, it allows me to want to read more Gardner.

The reason I think the racist language is intentional is that prejudice against Japanese people is at the core of the plot—I’m not saying it’s a hate crime. But this story is only possible in a society where this prejudice is this prevalent.

I don’t know why I’m being cagey with spoilers for a book seven decades ago, but old habits, I guess.

At the end of the day, I can still enjoy this and see the racism as a disturbing cultural relic. And maybe as a sign of how far we’ve come (though, we obviously have further to go).

Nostalgia Trip

As best as I can remember, a few months after I fell in love with the Perry Mason show in syndication, I girded my loins and crossed that line between the “Juvenile” and “Adult” shelves at my library for the first time to see if I could find some books by the guy listed in the credits. They didn’t have a complete set—but boy howdy, they had a lot of them. A few years later, when we moved to a new city, I was disappointed to see that their Gardner collection was smaller—but at least they had a couple I hadn’t read.

For some reason, about the time I left college, I stopped hunting down unread novels and stopped re-reading them, too. I’ve thought about dipping my toes back in, but hadn’t gotten around to it. Until a couple of months ago and I found myself in front of a large selection of used paperbacks—including one that was new to me.

Reading this took me back—from the list of the Cast of Characters through to the end, it was like stepping back into a world I’d forgotten. I remembered the characters (and how they differed from their TV portrayals), the snappy dialogue, and quiet humor. I got a huge hit of nostalgic warm and fuzzies from reading this one.

So, what did I think about The Case of the One-Eyed Witness?

I don’t think this was one of Gardner’s best, but it’s like what they say about pizza. Even if it’s bad, it’s still pretty good. And this wasn’t bad—it just wasn’t great.

I do think the plot was unnecessarily convoluted, but it was necessary to get Mason exposed to everything he needed to lead up to the big gotcha moments in the courtroom, and to Mason solving it. It was a satisfying conclusion, too. Enough that I don’t care about how complicated the trip to the conclusion was.

I had a great time reading this—and I think anyone who loves a good bit of courtroom drama will, too. If you haven’t read a Perry Mason novel before, this might not be the best one to start with. But you should give one of them a shot—I can’t imagine it’ll be another two-and-a-half decades before I try another.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Fools Gold by Ian Patrick: The Batford Trilogy Ends with a Bang

Fools Gold

Fools Gold

by Ian Patrick
Series: Sam Batford, #3

Kindle Edition, 237 pg.
Fahrenheit Press, 2020

Read: August 25-26, 2021
Grab a copy from your local indie bookstore!

I love remote working. It means I can be where I need to be, doing what I need to do, when I need to do it. After that there’s whatever time’s left for police work. I don’t regard myself as a criminal. I’m just a disgruntled public servant supplementing my meagre living. Most criminals I despise but there are a few who break the mould.

I’m one of them, after all.

What’s Fools Gold About?

After recovering from Stoned Love, Batford’s thrown back into the field. This time, he’s answering directly to Klara Winter and she’s got two things on her mind—shutting down an armed robbery team and exposing Batford.

Batford has three missions—stopping the robbery team; finishing cleaning up after his former boss/mentor—including getting what cash he can; and staying clean in front of Winter. Note the qualifier there, clean “in front of” Winter, not clean.

Typical police procedural stuff, right?

The UC work is great—and Batford ends up finding more criminal activity than the police were aware of when the operation started. I don’t want to get into it, because it’s better for you to read it. But like so many of the police actions in Patrick’s works, it screams authenticity.

So, what did I think about Fools Gold?

There was a time the police were viewed as protectors and defenders. In a way that still applies: Terrorists denied their spoils, criminal networks disrupted, drugs and guns seized. I’m part of all that but no longer feel like crew on the good ship, Justice.

I’m pretty sure I’ve said something like this before, but it’s worth repeating. It takes a special skill to make readers get behind a crooked cop—a reader will accept a Bosch or a Rebus bending the rules a bit to get the murderer to confess or get convicted. But that’s not Batford. Well, okay, it is. But that’s not all that Batford does—while he gets results/arrests/stops whatever crime he’s been sent to investigate, he also makes sure he profits off it. And somehow Patrick gets his readers to hope Batford gets away with it. At least a little bit.

It drives me crazy—I want him to succeed and I hope he spends the rest of his life behind bars. You figure that out, I can’t.

Patrick’s prose here is as lean as ever—and once the momentum builds up, it doesn’t stop. There’s a ticking clock on Batford’s investigation, and it carries over to the novel. The action propels you from one scene to the next.

There’s real growth in Patrick’s plotting—with no disrespect intended to his previous work—but this feels so much tighter, he doesn’t waste a moment.

And that ending? I don’t have words for it. It’s both a great launching pad in the (seemingly unlikely) case that there’s a fourth Batford novel, and a great way to conclude the trilogy.

Get them all—this would work okay as a stand-alone, but as the end of a run? It’s great. It’s a trilogy that goes from strength to strength, and you’d be smart to pick it up.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Pure by Jo Perry: A Murder Mystery and So Much More

Pure

Pure

by Jo Perry

Paperback, 289 pg.
Fahrenheit Press, 2021

Read: October 6, 2021

Doctor Christiansen waited a moment after the final shudder and wheeze. “She’s gone,” he said and to make sure I understood, and added, “I and everyone here at Sunny Morning Elder Care Living are deeply sorry for your loss.”

Well, my aunt wasn’t “gone.” She was right there, her small, cold hand in mine.”

What’s Pure About?

Ascher Lieb, arrives at her dying aunt’s bedside too late to say goodbye, she’s not going to wake up again. But she’s present when they turn off the ventilator keeping her lungs working. Ascher returns to her aunt’s apartment to check on her dog and go through her belongings just in time for the facility to be quarantined with her in it.

This is the early days of COVID-19 in Los Angeles, and no one is playing around. Ascher has to present herself twice daily for temperature/symptom checks, where she’s given some food to supplement the groceries her aunt had left behind—which Ascher supplements, in turn by frequent use of delivery apps. With most of the U.S. now out of lockdown—or anything resembling it—it might be hard to remember the early days—sanitizing everything, masks, gloves, shutting yourself away from everyone you can. A lonely, isolating, claustrophobic existence—made the worse for Ascher as she’s alone in someone else’s house with few of her own possessions, just a dog who doesn’t understand why his owner isn’t coming home.

And I’m going on far too long—how do I summarize this? Gross over-simplification:
Ascher volunteers briefly at a Jewish Burial Society. She’s convinced there’s something suspicious about the death of one of the people she attends to. Driven by impulses and emotions she’s not sure she can identify, Ascher seeks to discover this woman’s identity and learn what caused her death.

Ascher also has to come to terms with her aunt’s death (which opens a can of worms about other deaths in her family, too), dodge the officials at her aunt’s facility while she’s breaking quarantine, try to hew close to COVID restrictions, deal with a bunch of personal issues arising from her being quarantined away from her apartment/roommate, cope with the dumpster fire that was 2020, and…there’s a possible (probable?) supernatural element, too. That sounds like a lot going on—and it is—but it never feels that way. At least for the reader—Ascher feels it.

“Everything Else”

The mystery at the core of this novel is a pretty good one—and Ascher’s not a sleuth by any means, her attempts at being an amateur sleuth are as amateur as they come. It’s worth reading Pure for this aspect alone.

But for me, it was the least interesting part of the novel. Everything else going on (except maybe the stuff with her roommate) was much more interesting and worthy of reflection. For one: Ascher’s reaction to death—her aunt’s and others—have shaped her more than she realizes. Her coming to grips with it, her seeing how death has affected important choices she’s made throughout her life—and seeing what she does with these realizations? That’s what separates Pure from other mystery novels.

So, what did I think about Pure?

This is a great novel, an immersive read—I had a hard time putting the book down, and a harder time not thinking about it when I had put it down. And I was on vacation when I read this—I had plenty of things to do, see and think about when I wasn’t reading. If I only had routine day-to-day things to think about, I’m not sure I’d have been able to focus on work/home life instead of the book.

The characters who aren’t Ascher are interesting enough—and there’s a couple I can think of that I would’ve liked to spend more time with. But that’s not possible in this book—Spring of 2020 was not a time to meet people and spend a lot of time with them. But your appreciation for this book is going to come down to what you think of Ascher and her actions.

This is a mystery novel about something—it’s more than a whodunit (assuming there was something for a “who” to have “dun”). It, like pretty much everything Perry writes, is about death and how we deal with it as humans (and one neurotic Mini-Pinscher). THere’s more to chew on, too, but that’d be telling…

It’s trite to say “this moved me.” But it did, and I can’t think of a better way to phrase it, so trite it is. Pure is the best thing I’ve read by Perry—it’s not the most entertaining, but it’s the best, and will likely stay with me in more detail than the rest. You won’t be sorry if you pick this up. You may regret not doing so. So, why take the chance?


4 Stars

Leaving the LAW by Robert Germaux: Looking at JB’s Past as He Tries to Save a Kid’s Future

Leaving the LAW

Leaving the LAW

by Robert Germaux
Series: Jeremy Barnes, #4 (Chronologically #2)

Kindle Edition, 208 pg.
2021

Read: November 25-26, 2021
Grab a copy from your local indie bookstore!

As I drove away from the center, I thought about Asaan and Anthony and Franklin High School and the gangs. And scones. Food is never far from my mind, and I didn’t have anything else to do at the moment, so I drove home and parked the Camry in my driveway and walked to Starbucks. I can think and eat at the same time, a skill that I have demonstrated on numerous occasions. No need not to do so again.

What’s Leaving the LAW About?

Before Jeremy Barnes became a P.I., he was a teacher—a dedicated and idealistic one. Which is largely why he left the profession. The American education system is not a place for idealists. One student that he made an impact on comes back into his life fifteen years later.

Laretta Warren is now a single mother, doing her best. Laretta’s son, Anthony, is in a gang and is in real danger of legal problems if he doesn’t change direction. He’s also in real danger period. Laretta remembered how JB inspired her to keep going—now she wants him to inspire her son to get out of the gang and get on a better path.

JB has no illusions that he’s going to be able to make any difference. But he remembers Laretta’s spirit. He respects that, he wants to honor her wishes, and do what he can for her. Even if it’s to take on a Quixotic task.

While he tries to talk Anthony into wanting to leave, he knows it’ll take more than gaining his trust and then convincing him. So he sets out to gain leverage against the leader of the gang. As difficult as it will be to get Anthony to want to leave, that’s simpler than getting him out. He also needs to understand the gangs better—the landscape has changed a lot in the years since he taught high school.

This leads him to reconnect with the school’s Vice Principal, and his friends in the police department connect him with the officer who’ll be the most helpful—both the V.P. and police lead him to a community activist who is instrumental in keeping the peace between rival gangs in the area. JB learns a good deal about them and the way the leadership thinks—now, will it be enough?

JB and Laura

So, if you read this in order of publication, you already know where the relationship between JB and Laura is going—if you’re reading this chronologically, you met her in the previous book, and have a pretty good idea where it’s going.

Either way, their relationship is beyond the establishment stage, but they’re still figuring themselves out as a unit. One of the biggest things for Laura to reckon with is the violence that JB occasionally runs into. Is she prepared to deal with the stress and worry? Is it worth it? She’s still working her way through that—and it should take a little while.

Laura doesn’t often remind me of Susan Silverman (unlike JB, who constantly reminds me of Spenser), but she really does sound like her as she works her way through the danger inherent in JB’s work with Anthony. For what it’s worth, I think Laura deals with it a little better than Susan does early on, but it’s obviously a struggle for her.

So, what did I think about Leaving the LAW?

Once again, Germaux has delivered a thoroughly entertaining PI novel. Spending time in a Germaux novel (Jeremy Barnes or Daniel Hays) is a guaranteed good time with characters you can’t help but like.

I enjoyed getting more of a glimpse into JB”s past than we’ve gotten before—and the way he reacts to Laretta (both as he remembers her and as he observes her) is exactly how you want a teacher to respond to a student. It just makes a PI you already were invested in and was rooting for all the more likable.

I halfway expected the final reveal—but that didn’t stop it from being effective, it just made the most dramatic sense. I’d much rather a scene to be justified and successful than an out-of-blue surprise, anyway. Germaux satisfied that preference while delivering what I expected with a motivation that I didn’t expect.

I had a lot of fun with this book—good characters and prose that’s just smooth and easy reading. I’m about done with Germaux’s detective fiction—while I’m all for being a completionist, I’m not crazy about crossing that last one off my list. Thankfully, I have a few other books by him to get to.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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