Tag: Mystery/Detective Fiction/Crime Fiction/Thriller Page 37 of 61

Grave Reservations by Cherie Priest: Move Over Shawn and Gus, It’s Time for the Real Deal

Grave Reservations

Grave Reservations

by Cherie Priest
Series: Booking Agents Series, #1

Hardcover, 289 pg.
Atria Books, 2021

Read: December 10-13
Grab a copy from your local indie bookstore!

“I’m not looking for a séance, Ms. Foley. I’m just telling you that I know there’s more to the world than what we can always see right in front of us. And I believe you when you tell me that you had a premonition, or a bad feeling, or a bad certainty—if that’s more like it. I believe you saved my life. Saved me a hell of a story and some smoke inhalation, that’s for damn sure. And now I want to hire you. Not to book any travel, and not to talk to my dead mother. I’ve got a case I’ve been beating my head against for a couple of years, and I’m all out of leads. I’m ready to try anything, which means I’m willing to try a psychic, Ms. Foley, I want you to help me solve a murder.”

What’s Grave Reservations About?

It’s pretty much about that quotation—Leda Foley is a travel agent* and self-described “inconsistent psychic.” Her intuition (or whatever you want to call it) leads her into changing the flight of a Seattle PD detective which prevents him from ending up in a plane that skidded off the runway during takeoff. Now he’s back in Seattle, grateful, and wants to use Leda to help him get a break on a cold case. Det. Grady isn’t that convinced this is going to work (Leda’s sure it won’t), but he doesn’t know what else to try.

* I’m as surprised as you to learn they still exist.

She agrees—not just because her agency is struggling and she needs pretty much any money she can earn, but because she wants to get on Det. Grady’s good side, because she wants his help on a cold case of her own—her fiancé was murdered and the police got nowhere with that investigation.

So, Leda, her bartender best friend, and Detective Gracy set out to see if her psychic abilities are at least a little more consistent than she thinks.

Leda’s Other Side Hustle

Leda’s had a large number of day jobs, none of which worked out for long. Her travel agency, Foley’s Far-Fetched Flights of Fancy, is an effort to make it on her own—and it’s pretty shaky. Leda also wants to strengthen and improve her psychic skills, so she gets on stage at a local bar for what she calls klairvoyant karaoke, but the bar’s owner prefers calling her a psychic psongstress.

Basically, she gets on stage, holds an object given to her by an audience member, and uses the impressions her abilities give her about the owner to sing a song that will be meaningful to the owner. In exchange, she gets free drinks. She’s gaining a little notoriety from this and the bar is having its most successful nights ever.

Tricky Tonal Balancing Act

This is not your typical murder mystery, that’s probably pretty clear. In her acknowledgments, Priest says she was aiming at “something lighter and funnier than my usual fare.” She hit what she aimed for. It’s comedic (sometimes very comedic), but not at a goofball level. It’s closer to Castle at its best. Or to stick to novel comparisons, think The Spellman Files (especially the slightly more serious last couple), Max Wirestone’s Dahlia Moss books or David Ahern’s Madam Tulip books. The latter is the best comparison (not just because Leda’s psychic abilities made me think of Derry more than a few times), but Leda’s friends remind me of Derry’s—but I threw in the others because too few people know anything about Madam Tulip.

Back to Grave Reservations—Priest walks the tightrope between too silly for a mystery and too serious for a story about a travel agent/inconsistent psychic–—which cannot be anywhere as easy as she makes it look. With all of the above comparisons, I occasionally wasn’t sure about the consistency of the tone (or the appropriateness of it when the creators weren’t on the top of their game). Priest didn’t have that problem at all. Which is a tribute to her skill.

So, what did I think about Grave Reservations?

I don’t have a lot to say here–it’s really good. Priest surrounds Leda and Det. Grady with a bunch of characters that bring the comedy on the personal side and suspects, victims, and witnesses that keep the serious side of the story working. Either set of characters make this a fun read—put them together and you have something special.

The mystery itself was pretty good—and having Leda’s abilities providing the leaps of logic that allow Grady to start looking in the right places is a great idea. Priest doesn’t have to “play fair” like most mystery novelists and she can just wave the Psychic ex Machina wand to get her out of tricky places.

Grave Reservations is a great bit of light escapist reading—and the way Priest set it up for a series suggests that we’ll be able to escape into this world for a little while longer. And we all could use something like that right now, can’t we?


4 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

OCDaniel (Audiobook) by Wesley King, Ramón De Ocampo: An Uplifting MG Mystery/Coming of Age Story

OCDaniel

OCDaniel

by Wesley King, Ramón De Ocampo (Narrator)

Unabridged Audiobook, 7 hrs., 4 min.
Tantor Audio, 2018

Read: June 29-30, 2021
Grab a copy from your local indie bookstore!

What’s OCDaniel About?

I found myself saying way too much about this book—I’ve taken two attempts at this part of the post, and each gets too detailed. It’s hard to stop talking about this, apparently.

So let me fall back on the tried-but-true (albeit lazy) method of borrowing the description from the Publisher’s website:

Daniel is the back-up punter for the Erie Hills Elephants. Which really means he’s the water boy. He spends football practice perfectly arranging water cups—and hoping no one notices. Actually, he spends most of his time hoping no one notices his strange habits—he calls them Zaps: avoiding writing the number four, for example, or flipping a light switch on and off dozens of times over. He hopes no one notices that he’s crazy, especially his best friend Max, and Raya, the prettiest girl in school. His life gets weirder when another girl at school, who is unkindly nicknamed Psycho Sara, notices him for the first time. She doesn’t just notice him: she seems to peer through him.

Then Daniel gets a note: “I need your help,” it says, signed, Fellow Star Child—whatever that means. And suddenly Daniel, a total no one at school, is swept up in a mystery that might change everything for him.

OCD Portrayal

I didn’t note how far into the novel we are before someone uses either “OCD” or “Obsessive-Compulsive Disorder,” but I’d be willing to guess it’s the latter third. Obviously, for anyone who even glanced at the title, they know what’s going on—but this novel isn’t about OCD per se.

It’s a novel about a kid who doesn’t understand himself, who doesn’t realize what’s going on with his brain, and who’s scared to talk to anyone about it. He loves his parents—and there’s no reason to think they wouldn’t be supportive and would help him to find the tools he needs. But he doesn’t want to be “weird,” he doesn’t really want to admit to it to anyone other than himself.

Sarah has her own struggles and isn’t afraid to let Daniel see them—and she sees his at least as clearly as Daniel’s. So he can open up to her.

This is based on King’s own experiences, his own OCD, practically ensuring that it’s a sensitive and sympathetic portrayal. At the same time, it does as good a job as any that I’ve come across in communicating what it’s like to those who’ve never experienced it. I’d recommend it to anyone in whatever age range just for that alone.

That doesn’t mean that King doesn’t have some fun with it, he takes opportunities for small and large comedic moments brought on by Daniel’s OCD. But it’s never mean-spirited, and the reader laughs while feeling sympathy (maybe even empathy).

A Few Thoughts on the Narration

De Ocampo is a pretty versatile narrator—I’ve previously listened to his work on Diary of a Wimpy Kid and Tropper’s This is Where I Leave You. He’s able to hit all the right notes here—the comedy, the uncertainty, the tension—Daniel’s “zap”s—the whole kit and caboodle.

I was pretty impressed—moreso when I looked him up and saw that I’d heard his work before. He did a good job here and did so in a way that didn’t make me think of the others I’d heard.

So, what did I think about OCDaniel?

I thought the whole mystery thing was a bit far-fetched, especially the way it resolved. But that didn’t mean it wasn’t fun—and the rest of the novel more than made up for the bits of the story that induced a bit of eye-rolling.

It was an entertaining and enlightening novel—great for the upper MG/lower YA crowd, but a solid enough work for older audiences, too.

Give this a read, or a listen—you’ll be glad you did.


3.5 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Better Off Dead by Lee Child and Andrew Child: Readers Would Be Better Off Without this Reacher 2.0 Mess

Better Off Dead

Better Off Dead

by Lee Child and Andrew Child
Series: Jack Reacher, #26

Hardcover, 325 pg.
Delacorte Press, 2021

Read: December 7-9, 2021
Grab a copy from your local indie bookstore!

What’s Better Off Dead About?

Continuing the westward journey he started back in Past Tense, Reacher finds himself about as close to the US/Mexican border as you can get in one of the smallest towns we’ve seen him in.

He encounters an Army vet hunting for her twin—who has gotten himself mixed up with some sort of smuggling operation—that might be getting into something more serious. Michaela Fenton gets Reacher to help out with a scheme to put her face-to-face with the head of the operation.

Things go south, and before you know it, it’s Reacher against this shadowy organization trying to save the Fenton twins and put an end to a plot that’s either an act of political protest or deadly attack (Reacher’s assuming the latter).

That doesn’t make a lot of sense—but trust me, something as convoluted as this plot doesn’t make it easy to summarize in a coherent fashion.

So, what did I think about Better Off Dead?

I strongly considered listing all my problems with this—but why bother? Venting my spleen might make me feel better, but I don’t want to spend the energy on it.

Let me try to be concise—it was a giant, implausible, mess. The original plan that Reacher and Fenton come up with to take down the bad guy makes every single machine that Rube Goldberg drew seem efficient and straightforward. I couldn’t believe that Reacher would sign on to it—and even after he started voicing concerns, he still went along with it. Reacher’s known for his brawn, but his brain has always been—up to this point, anyway–just as important (if not more so). This was just dumb.

I was annoyed very early on, texting a friend, “Worst.Reacher.Ever.” Although I noted that the Child brothers had 250 or so pages to make me change my mind. I really wanted them to. But man, those short stories about pre-teen/teenager Reacher in New York City or Okinawa look really good to me now.

The least troublesome part for me was the voice—Lee Child tended toward the third-person, but occasionally used first to great effect. This time, first-person didn’t help matter—and while I haven’t read any readers complain about it, a lot of what I have seen people complain about I think would’ve worked if it was in the third-person (and/or wouldn’t have been part of a third-person narration).

There were some good scenes, a handful of chapters that worked for me, in fact.* But they were a distinct minority. Still, in trying to be fair, I’d say if this was a thriller by a relative newcomer? I’d be more positive about it (not much more, but more). But Andrew Child (née Grant) has a dozen novels under his belt and Lee Child has twice that—also this is a Jack Reacher novel. There are standards that must be upheld.

*I’d planned on talking about some of those, but this post is longer than I’d intended it to be already, so let’s leave it at “the whole thing wasn’t a dumpster fire.”

I knew that there’s be some growing pains as Lee backed off to let Andrew take over, but this was worse than that. The Sentinel wasn’t perfect, but it was something to work from. Better Off Dead was a major setback and will take some work to recover from. Sadly, I bet that no one’s going to make Andrew buckle down and do that work (please, please, someone prove me wrong).

I walked away from the interview I heard with them a few weeks ago with the impression that Andrew doesn’t typically work with the “no outline” approach of Lee—maybe if he didn’t try to ape that style, he’d be better off. There were a few times in my notes I wondered if they’d changed their minds about where the plot was going.

Give this one a pass—go back and read/reread 61 Hours, Nothing to Lose, Personal, or…you know what? Anything from The Midnight Line or earlier. It’ll be time better spent.


2 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Last Time She Died by Zoë Sharp: The First Novel in This Series Will Keep your Brain Spinning

The Last Time She Died

The Last Time She Died

by Zoë Sharp
Series: Blake & Byron Thrillers: Book 1

Kindle Edition, 384 pg.
Bookouture, 2021

Read: December 2-6, 2021
Grab a copy from your local indie bookstore!

What’s The Last Time She Died About?

I’m feeling pretty paranoid about what I’m going to write in this post, I don’t want to give anything away. It’d be really easy to do with this one, so I’ll just borrow this from Sharp’s website:

She came back on the day of her father’s funeral, ten years after she vanished. But she can’t be who she says she is…

When Blake disappeared as a teenager, on a cold dark night, her father never reported her missing. She is presumed dead.

Now, ten years later, a young woman with white-blonde hair sits comfortably in the family living room and smiles at the shocked faces around her.

“Don’t you recognise me?” she says. “I’m Blake.”

Detective John Byron isn’t sure whether she’s telling the truth. But as he investigates, he soon realises no one is happy to see her.

And the people who should be welcoming her back with open arms know she can’t be Blake. Because they killed her the night she vanished…

Didn’t they?

Lily

‘I’m Lily. Does this mean you’re sort of my sister? I’ve always wanted a sister. Well, I really wanted a kitten, but a sister would be nearly as good.’

At the root of everything in this novel are some deep and dark secrets—many of which will be brought out of the shadows–but there are several moments of light throughout. The brightest beam of light comes from Gideon Fitzroy’s twelve-year-old step-daughter, Lily.

She’s adorable—it jumps off of the page. She feels neglected by her mother and uncle, her older brother’s at that stage of adolescence where the last thing he wants to do is spend time with his little sister. So the prospect of having a brand-new, adult, sister? Lily’s awed by her. And then when Blake’s friendly with her, spends time with her? Lily’s devoted.

She doesn’t understand what’s going on—and is largely kept in the dark by her family. But she’s Blake’s biggest fan, no matter what that might mean for her family. There’s a sweetness to her that makes her future and welfare as important to the reader (at least this one) as Blake’s and Byron’s.

Byron +

Byron, considered solely, is an intriguing character—and I have a note or two about wanting to write about his psychology a bit. But I don’t think we have quite enough information yet to do the deep(ish) dive that I want to. Sure, not having that information is part of what makes him intriguing.

Where we really learn about him is from other characters and from his interactions with others. For example, PC Jane Hudson knew him as a trainee, and gained certain impressions of him, and shares them with her superiors, predecessor, and others (including the reader).

But it’s in his interactions with others that you really get to like him. With the pub’s skittish cleaner. He’s great at winning her over and getting her to talk. He’s got this wonderful banter with his superior that speaks to a long association/friendship and liked their conversations enough that I’d pay for a novella featuring them just meeting for tea and chatting. It’s probably there that I decided that I liked him as a person.

But in his conversations and interactions with Blake (and the way they both respond after each encounter) is where he really stands out. The two “get” each other in a way that just makes you want to read more, just to watch their verbal dance (and the choreography of what they don’t say is just as agile). We’re talking Poe and Tilly, Spenser and Hawk, Cormoran and Robin levels of chemistry here. It’s almost like there should be a series based on the pair.

Oh, wait…

So, what did I think about The Last Time She Died?

I’ve been reading Sharp’s Charlie Fox for over a decade, but I hadn’t read anything else by her. I’ve always suspected that was an error in judgment, and this certainly suggests that I’m right.

How many times since Martin Guerre* has the story of someone presumed dead come back and had to prove they weren’t an impostor? How many times have we read about a police detective with emotional and physical scars doing some off the books work because they can’t do anything else? How many stories of small-town secrets being exposed have been written? How many…well, you get the idea. This novel is full of ideas we’ve all seen more times than we can count. But Sharp shuffles them, remixes them, and presents them to the readers in a way that could almost convince you that you’ve never read/seen anything like it before.

* Sure. before that story, too.

How good is Sharp? The series is called Blake & Byron Thrillers—and yet you will wonder on more than one occasion if she’s actually Blake. And you may keep wondering after you finish the book.

So many of the characters really popped and will linger in the back of my mind for quite a while. I’m already impatient about getting answers to how Blake and Bryson will have another adventure together. I wouldn’t mind an update on some of the other characters, either—although it appears that Bryson’s new job will be taking him to a different part of the country.

The Last Time She Died is entertaining, twisty, tense, with just enough wit to keep you grinning. This is going to be a series to watch, readers, get started now.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

COVER REVEAL: The Other Side of Fear by Eoghan Egan

Welcome to The Irresponsible Reader’s part in the Cover Reveal for The Other Side of Fear by Eoghan Egan! I do this with a sigh of relief—unlike the last cover reveal I agreed to do for Red Dog, I saw the email with the details in my spam folder before the reveal date, and I’d hate to renege twice in a row. Also, this is a cool cover and I like sharing cool things with you. But before we get to the striking cover down below, why don’t we learn a bit about the book?

Book Blurb

Sharona Waters is determined to dig into loan shark Dessie Dolan’s business and see him brought to justice. But when a young woman she’s only briefly met goes missing, a much darker story emerges.

Pulled into the ruthless world of people trafficking—a world built on violent brutality and sudden death – Sharona finds herself caught between crime and conscience, pursued by powerful and ruthless criminals, and just one bad decision away from having her whole world crash down.

Sometimes, the only way forward is to risk everything, no matter the cost

Publication date: March 29, 2022

About the Author

Eoghan EganA native of Co. Roscommon, Ireland, Eoghan wrote his first story aged nine. At college, he studied Computer Programming, works in Sales Management & Marketing, but his passion for reading and writing remain.

Eoghan’s stories were shortlisted for the 2018 Bridport Short Story Prize, and Listowel’s 2019 Bryan McMahon Short Story Award Competition. Others have been published in various anthologies. He has also completed two crime fiction novels in a planned trilogy set in the Irish Midlands and has started work on the third.

A graduate of Maynooth University’s Creative Writing Curriculum and Curtis Brown’s Edit & Pitch Your Novel Course, Eoghan divides his time between Roscommon and Dublin.

Eoghan constantly explores ways to increase his knowledge in the art of writing. He enjoys attending literary festivals and is excited about the prospect of getting back to face-to-face discussions with readers and writers. He’s also a heavy metal fan, and, post-Covid, can’t wait to headbang at a rock gig.

Find him on Twitter: @eoghanegan


And now…

The Cover

The Other Side of Fear

Once again, Red Dog Press nails the cover, their streak of winning covers continues.

As good as the cover is, I’m betting the interior of the book is better—you can (and should) pre-order this now at: Red Dog Press.

.



My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

Red Dog Press

Time and Tide (Audiobook) by Peter Grainger, Gildart Jackson: The Times They Are a-Changin’

Time and Tide

Time and Tide

by Peter Grainger, Gildart Jackson (Narrator)
Series: A DC Smith Investigation #7

Unabridged Audiobook, 13 hrs., 29 min.
Tantor Audio, 2018

Read: May 7-11, 2021

What’s Time and Tide About?

A new DI has been named at King’s Lake—and it’s a person we’ve run into before—and it’s a bridge too far for DC Smith. He’s been thinking about retiring since the first book, and that thought’s been getting louder. He’d probably stick it out for a little longer if not for this new boss, but…so he turns in his papers and starts to prepare to leave.

But first, there’s a murder to solve. Smith sets out for what’s likely the last time with his team and their new DI to solve the case of a suspected figure in organized crime being murdered in a small tourist town.

Everyone tries to treat this as just a typical investigation, but the specter of Smith’s retirement looms over everything. This is Smith’s last chance to impart his training on his team—Chris Waters in particular. Waters is doing his best to prove to his mentor that he’s ready to fly solo (all the while trying to soak up anything he can). Smith’s also busy trying to put his team in the best positions for their career—even if their immediate future is under the DI that led him to resign.

Also, he should probably figure out what he’s going to do when he doesn’t have a job anymore.

So, what did I think about Time and Tide?

So, I know there are more books in the series, which takes a little sting out of it, but I wasn’t ready for Smith to leave Kings Lake.

I thought the story meandered a bit more than I’m used to, but it worked. It felt appropriate for the time. It’s not just Smith’s upcoming retirement, there’s a lot about changing of times, former careers/lives, the past defining people, and so on. It’s probably the most obvious that Grainger’s been about matching the themes of the plotlines, but I’m not going to complain.

Like I said, I know there are more books to come in the series, so it’s not an ending—or really the beginning of the end—it’s a transition novel. Things are going to change, and while I’m not necessarily a fan of change, I’m betting that Grainger’s going to pull it off. He’s doing so already.

On top of that, we get the typical wise and witty Smith with his very capable team unearthing secrets, and making sure the truth is revealed. Narrated by the man who continues to make these characters come to life and elevates the already well-written text. You really can’t go wrong with this series.


4 Stars

Mistletoe and Crime by Chris McDonald: Adam and Colin Get Called Back into Action

This is going up a bit later than intended because I cut out about 30-40% of what I’d written—you can only go on so long about a novella before you’re competing with the length of the material. Hopefully, it’s still coherent.


Mistletoe and Crime

Mistletoe and Crime

by Chris McDonald
Series: The Stonebridge Mysteries, #5

Kindle Edition, 115 pg.
Red Dog Press, 2021

Read: December 7, 2021
Grab a copy from your local indie bookstore!

The Intervening Year

So, it’s been a year since The Case of the Missing Firefly. Colin and Adam have seemingly retired from the jobs they never really had. They haven’t been in the wrong place at the right time to stumble upon a corpse or haven’t been recruited by loved ones frustrated by the police’s inaction, so they’ve been able to focus on things like Adam’s business and relationship, Colin’s job, and their ongoing PlayStation FIFA rivalry.

We’re given a little nugget about part of the reason for their inactivity:

After a number of embarrassing blunders, there was an investigation into the Stonebridge police force, which resulted in them taking crimes in the town a bit more seriously. This meant that the kinds of miscarriages and oversights that Adam and he had looked into had reduced in number, rendering the amateur detective duo obsolete.

I think it’s charming that protests, marches, and scandal are what lead to changes/potential changes in policing in series like Goldberg’s Eve Ronin or Connelly’s Renée Ballard, in Stonebridge’s universe, it takes a couple of guys who’ve spent too much time watching Sherlock to get the police in line. Of course, this is also a town where the “bad side” is characterized by “vegan food stores and hippy clothing bazaars.” If I can’t move to Stars Hollow, CT, maybe I can emigrate to Stonebridge…

Thankfully, in the Real World, Chris McDonald had plans for the duo, so their retirement is short-lived:

What’s Mistletoe and Crime About?

After watching a cheesy Holiday Rom-Com at the theater (and, no, Adam, did not cry at the ending, thank you very much), Adam and Helena take a shortcut through an alley to get to the car. Along the way, they come across an obviously dead body. Adam’s well-documented queasiness around blood rears its head (not before his subconscious notices something is wrong) while Helena’s nurse-reflexes lead her to snap a quick picture of the scene and before jumping to ensure that the man doesn’t need assistance.

The police quickly decide the homeless mana well-known Stonebridge fixturewas inebriated, slipped on the snowy ground, and died of the resulting injury.

A man approaches Adam and Colin soon after this asking the duo to look into the deathhis testimony isn’t unimpeachable, but it’s enough to move them into looking into things. The man’s claim is buttressed by the photo Helena took which shows a footprint suggesting that someone left the scene after the man was on the ground. So we’re off to the races…

The Boys Are Growing Up

In the year away, Adam and Colin have continued to mature. The impression I had during The Curious Dispatch of Daniel Costello was that these two would be the stereotypical 20-somethings who still lived with their mothers, jumping from entry-level gig to entry-level gig for quite a while (even if Colin seemed on the cusp of leaving that description behind when we meet him). But almost immediately, McDonald used their success as a catalyst for personal growth. One advantage of having them take a year off is that we can see the result of twelve months of incremental growth.

After a year away, Adam’s business has established itself pretty well. He’s doing well enough that at this time of year when there’s not a lawn to be cared for, he’s able to not have to worry about money. His relationship is going well enough that he and Colin don’t spend that much time together, and most of their gaming is done online.

Colin’s doing very well at his job and has been acting as a manager. He’s realizing that it’s time he finds a good relationship and is looking.

So, what did I think about Mistletoe and Crime?

No surprise hereI liked it. I liked it a lot. The first thing I did yesterday was to download it so I could spend my spare time in Stonebridgewhich made for a perfectly entertaining day.

In addition to the typical Stonebridge fun, McDonald takes full advantage of the seasonal setting. There are any number of nice little holiday touches and jokes, for example: have we known the mayor’s name before? If not, it’s the perfect subtle joke. If we have had it before, I’ve fallen into the classic English major blunder of reading too much into things.

But more than just for fun, McDonald is able to tap into the spirit of the seasonfamilies and friends coming together for festive fun, the general bonhomie brought on by the traditions, not to mention the consumer-madness too-often seen in department stores.

This is the fifth novella in this series that I’ve talked about this yearI don’t have a fresh way to express my appreciation of them. It’d help me as a blogger if McDonald would stumble a couple of times with this series so that I’d have the opportunity to talk about him returning to form after wondering if the magic was gone. But no, he has to be consistently good so that I sound like a broken record.

A clever mystery, characters that display a good amount of development, situations that are appropriately amusing/sweet/tense, and the kind of prose that welcomes you in and makes you feel at home. In other words, a cozya well-written and executed one.

As is to be expected, McDonald delivers, you’re missing out if you don’t join in the fun (this would be a fine jumping-on point, I should addbut go back to the beginning while you’re at it)!


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 12/3/21: Love & Bullets: Megabomb Edition by Nick Kolakowski

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from 56% of:
Love & Bullets: Megabomb Edition

Love & Bullets: Megabomb Edition by Nick Kolakowski

His eyes rolled from side to side, trying to lock on me, but I made a point of standing directly behind him.

“What now?” he asked.

I scanned the empty corridor. “Where’s your partner?”

“What?”

“The guy you’re on shift with.” He shook his head. “Had to leave.”

I would choose to believe that for the moment. “Where’s that FBI guy?”

“He had to leave, too.” Another swallow. “Somebody called something in. Something big.”

What was bigger than me wiping out most of this county’s police force, along with its corrupt sheriff and probably a few townies? Suddenly I understood how Elvis must have felt when he heard about the Beatles for the first time, overshadowed by something far bigger. I was tempted to ask about the nature of the emergency, but my soul would have been crushed if he’d said my infamy was eclipsed by a shootout at the local meth lab.

The Dark Hours by Michael Connelly: Ballard Tackles a Pair of Tough Cases in this Timely Novel

Finally…I’d hoped to get this posted no later than November 17th. But every time I started writing something, I ended up overthinking or was distracted. I’m not sure the end result is that coherent, but…it’s finished. I can live with that.


The Dark Hours

The Dark Hours

by Michael Connelly
Series: Harry Bosch, #24/Renée Ballard, #4

Hardcover, 388 pg.
Little, Brown and Company, 2021

Read: November 12-15, 2021
Grab a copy from your local indie bookstore!

It was like a bag of popcorn cooking in a microwave. A few pops during the final countdown of the year and then the barrage as the frequency of gunfire made it impossible to separate it into individual discharges. A gunshot symphony. For a solid five minutes, there was an unbroken onslaught as revelers of the new year fired their weapons into the sky following a Los Angeles tradition of decades.

It didn’t matter that what goes up must come down. Every new year in the City of Angels began with risk.

The gunfire of course was joined by legitimate fireworks and firecrackers, creating a sound unique to the city and as reliable through the years as the changing of the calendar.

What’s The Dark Hours About?

It opens on December 31, 2020—Renée Ballard and a fellow detective are partnered up for the night—it’s a kind of all-hands-on-deck kind of night. These two are also part of a team on the trail of a pair of serial rapists that they’re calling the Midnight Men.

But on this night, they’re called out to a shooting death. Ballard’s role is to be the initial investigator and then pass off the case to the homicide detectives after the weekend—but she’s hoping she can keep it longer (their work on a different case could allow for that). There’s a match for the bullet—the same gun was used in an old unsolved case, investigated by Harry Bosch.*

Isn’t it always reassuring to see that no matter what kind of super cop he is, there are cases that Bosch couldn’t close?

The two put their heads together and quickly find a new angle for Bosch’s case as well as a promising line of investigation for Ballard’s.

Meanwhile, the Midnight Men strike again, and this time, there’s something a little different that Ballard picks up. A string she starts pulling that proves to be instrumental.

With Bosch to bounce her ideas off of, as well as a backup she can trust, Ballard gets her chance, once again, to bring a little light to the dark hours of the night.

Bosch

While this is by and large a Renée Ballard book, there’s enough about Harry Bosch to keep a fan satisfied. He’s doing okay with his medical condition, Maddie’s well (and is dating someone, so isn’t spending as much time with Bosch), he’s pretty much holed-up during COVID, studying old case files.

Not at all-surprisingly, when Renée’s path crosses with his, he’s ready to jump into action. Sure, he always is, but add in a lockdown-induced cabin fever? It’s a wonder that Harry wasn’t calling his mentee daily to see if she needed help with anything (although it’s clear that the two have kept in touch).

In the past, the pair have done a better job of keeping Harry’s involvement under the radar, but between Bosch’s Cabin Fever, Ballard’s need to make fast progress on the cases, and her lack of trust for any other detective at the moment they throw that out the window. Which does come back to bite Ballard (as it should).

The 2021-ness of It

… this was the new LAPD—officers stripped of the mandate of proactive enforcement and waiting to be reactive, to hit the streets only when it was requested and required, and only then doing the minimum so as not to engender a complaint or controversy.

To Ballard, much of the department had fallen into the pose of a citizen caught in the middle of a bank robbery. Head down, eyes averted, adhering to the warning: nobody move, and nobody gets hurt.

I don’t remember Connelly’s books being so obviously of the moment until last year’s The Law of Innocence which ended just as lockdowns were starting in California.

Connelly’s books have always felt contemporary—other mystery series might feel 5-10 years out of step, but not Connelly. Although, even the older books largely felt like they could’ve taken place a couple of years ago (except for the technology involved). But The Dark Hours has to be a 2021 novel—Ballard, Bosch, and the city are going through things that could only have happened after the protests of 2020 and the COVID-19 pandemic.

It makes things feel more immediate, but does it hurt readers in 5-10 years? Fair Warning, also published last year, could take place anytime after 2010 (maybe earlier). A lot of the other books felt timely to their context, but even now they don’t feel that dated. Will these?

I don’t know if this is a strength or a long-term weakness, but it is, as far as I can remember, a change.

However, seeing Renée having to adapt to COVID restrictions (no more living on the beach!) and struggling with the changes (temporary? long-lasting?) that the protests of Summer of 2020 about policing in America have brought to the LAPD is great to see. Connelly is able to show a department in flux, which can’t have been an easy tightrope to walk.

So, what did I think about The Dark Hours?

Ehhh…I’m not sure what to say here.

In the moment, while I was reading, it was typical Connelly—I was gripped, I was riveted, I couldn’t wait to see the murder solved. I was less invested in the rape case because once Ballard starts to get a little traction, once she starts to learn a little bit about these guys, I was repulsed. I really didn’t want to learn more—I just wanted them locked away—I even said something to a friend like “can’t we just get a quick, miraculous, resolution to this by page 180 and spend the rest of the book focusing on the murders?” Great job by Connelly creating some very horrible criminals, but I don’t want to spend time thinking about them.

But it’s not his best work—I’m not sure it’s not up to his par, even. The more I think about it, the more I’m bothered by parts of the story and storytelling. The Epilogue, by the way? It’s a scene from a TV show. Working on Bosch, Lincoln Lawyer, and Bosch: Legacy have impacted Connelly at least a little and it shows here.

I thought the stuff about the impact of COVID and the protests was fantastic—and you get no simple answers about the past/present/future of policing in LA. I’m just not sure the rest of the novel was as good as we’ve come to expect from Connelly (I’m open to being corrected by others who read it, though).

Good—but not good enough—I guess is my takeaway. Still, time with Bosch and Ballard? Always time well spent.


3.5 Stars

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COVER REVEAL: The Detective Wakes by Jim McGhee

Welcome to The Irresponsible Reader’s part in the Cover Reveal for Jim McGhee’s The Detective Wakes! We’ll get to the eye-catching cover in a bit, but first, let’s read a little about the book, okay?

Book Blurb

Detective Inspector Barney Mains knows he’s only in the South of France to fly the flag. That he should leave it to French officers to find the missing British celebrity.

But after years behind a desk in Edinburgh Police HQ he just can’t resist the urge to investigate a real live case again. Especially when it lands him in the middle of an intriguing mystery.

Though it’s one that will lead to murder and put Barney and those around him in deadly danger. Then present him with the biggest dilemma of his life.

He’ll be forced to question twenty years of training and a lifetime of doing the right thing.

For he must choose between justice and the law.

And only one of these options comes with a very attractive bonus.

It might just keep him alive…

This is Book One of the series featuring Scots DI Barney Mains and Capitaine Jean-Luc Verten.

Look out for Book Two: The Major Minor Murders.

Purchase Links:

Amazon US ~ Amazon UK

About the Author

Jim McGheeJim McGhee is a former award-winning journalist and company director. He’s based near Edinburgh, Scotland, but spends much of each year in the South of France, the main setting for his three-book series featuring Scots DI Barney Mains. When not writing, he gets taken on hikes by his Irish Terrier, Jack.

The Cover

The Detective Wakes Cover
Just grabs your eyes, doesn’t it? This releases on January 10, but why not go order your copy today?


The Detective Wakes Cover Reveal Poster
My thanks to Love Books Group for the invitation to participate in this reveal and the materials they provided.

Love Books Group

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