Tag: Non-Fiction Page 16 of 28

Catch-Up Quick Takes: Best. State. Ever.; Live Right and Find Happiness; You Can Date Boys When You’re Forty (Audiobooks) by Dave Barry, Dick Hill

I’ve mentioned before here that I think that Dave Barry is just about the funniest writer around—I used to gobble up his stuff in the newspaper and bookstore as quickly as it came out. I’m not sure what changed, but there are a handful of books by him that I haven’t gotten to yet. Thankfully, my Library had a few of them available to listen to last month. Here are a few thoughts about each of them. Quick reminder: the point of these quick takes post to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

Best. State. EverBest. State. Ever.: A Florida Man Defends His Homeland

by Dave Barry, Dick Hill (Narrator)
Unabridged Audiobook, 4 hrs., and 47 mins.
Recorded Books, 2016
Read: November 21-22, 2019

(the official blurb)
The best parts of this one for me were the introduction (explaining some of the phenomena behind the widespread mockery of Florida) and the chapter giving a history of the state. I chuckled a lot at both of those.

When he moved onto looking at various tourist attractions and or locations in the state, it lost a little bit for me. There was something in each chapter to make me grinmaybe even laugh. But not as much as I’m used to from Barry. The Key West chapter came close, but even that stumbled. I do think if I’d ever been in the state to get a feel for some of these places it might have been better.

The biggest revelation for me from this is just how funny Dick Hill can be. No offense intended, but the voice of Jack Reacher and other thrillers is just not what you think of when it comes to silliness. But man, he was really, really good at this.
3 Stars


Live Right and Find HappinessLive Right and Find Happiness (Although Beer is Much Faster): Life Lessons and Other Ravings from Dave Barry

by Dave Barry
Unabridged Audiobook, 3 hrs., and 39 mins.
Recorded Books, 2015
Read: November 26, 2019

(the official blurb)
This is more like it: pieces of wisdom (and other things) Barry’s passing on to his daughter and grandson. The driving tips for his daughter were fantastic (not just because my daughter is in the process of getting her license right now). The letter to his infant grandson was funny and touching.

Barry also looks at his parents’ generation (the Mad Men generation) and their ability to party, Google Glass, and a trip to Brazil for the World Cup (not being a sports guy, I didn’t think that last one would do much for me, but it was really funny). Oh, yeah, then he talks in-depth about a trip that he and Ridley Pearson took to Russia to talk about writing.

As much as I liked Dick Hill, Barry’s a better narrator of his own stuff.
3.5 Stars


You Can Date Boys When You're FortyYou Can Date Boys When You’re Forty: Dave Barry on Parenting and Other Topics He Knows Very Little About

by Dave Barry
Unabridged Audiobook, 3 hrs., and 22 mins.
Penguin Audio, 2014
Read: November 8, 2019

(the official blurb)
This one ticked all the right boxes for methe stuff about his daughter dating was the kind of thing that fathers everywhere can relate to and second; taking his daughter to a Bieber concert was even better. It was probably not a good idea for me to listen to his chapter about Fifty Shades of Grey at work, thankfully no one asked me why I was laughing (I did not want to have to explain that). Oh, and his funeral instructions were priceless.

Something I wasn’t prepared for was a long piece about a trip his family took to Israel. Listening to Barry juggle travel humor (searching for A/C and Wi-Fi in the midst of historic/cultural wonders), sensitive political discussions, and even getting close to the spiritual was fantastic. It’s not the kind of writing that you often see from Barry, and it’s easy to forget he can be really effective doing things that aren’t just verbal slapstick.

This is probably one of my favorite collections from someone I’ve been reading for decades. This is just great.
4 Stars

2019 Library Love ChallengeHumor Reading Challenge 2019

The Hero by Lee Child: Lee Child Traces the Development and Use of “The Hero”

The Hero

The Hero

by Lee Child

Hardcover, 77 pg.
TLS Books, 2019

Read: November 28, 2019

Grab a copy from your local indie bookstore!

There are only two real people in fiction—the storyteller and the listener. The story proceeds based on the teller’s aims and the listener’s needs. If the listener needs light entertainment, and the teller aims to be loved, then light entertainment is what the listener will get. But if the listener needs reassurance of some kind, or consolation, and the teller aims to better equip her family for future trials, then the story will likely be suspenseful in nature, replete with dangers and perils, over which a memorable character will eventually triumph in a decisive manner, such that the listener finishes the tale with a tight and determined smile, with moist eyes fixed on the distant horizon.

Child’s first Non-Fiction look is an essay exploring the concept of the hero through human history. On the one hand, I had no idea what to expect from Child doing Non-Fiction. But if anyone has something interesting to say about the idea of Hero, it’s gotta be Child, right?

I’m glad I came into it with almost zero expectations because I wouldn’t have guessed this.

Child starts off with a brief discussion of the history of opium, right up to the point where heroin needed to be named.

Then he treats us to a theory of the concept of hero, using a combination of evolutionary theory and speculation, history, and a little more speculation. He begins this look with Neanderthals, so there’s a lot of ground to speed through in a work so brief. Finally, on page 60, we come full circle and get back to heroin before getting to the good stuff.

Child has three definitions of “Hero,” all with separate uses. He then discusses them for a few pages. It’s these last 17 pages or so that we get to the meat of the subject—you could think of the first part of the book as a prolonged introduction (and you’d be a little right).

We get a brief look at The Iliad and The Odessey and their heroes, and even briefer assertion that Dr. No and a work by Ovid about Theseus are the same. I’m not that familiar with Ovid, but given the way we recycle stories now. It’s not too difficult to think that our narrative culture is the only one to be that redundant.

The best part of the book is the several paragraphs looking at the character of Robin Hood. Child looks at how the Outlaw was originally depicted, and then how that grows and changes through time—as well as how the story of Robin Hood added characters and perspectives. By this point, I was starting to hope that the book had just been a few examples like this.

Finally, he talks a little bit about his own understanding and application of the concept and why our contemporary narratives need Heroes.

What is the purpose of fiction? I think it can be summed up in a simple phrase: To give people what they don’t get in real life.

While I did think this was an interesting little book, with a couple of great points and insights. But I’m really looking forward to the next Reacher book—because unlike this dose of real life, it’ll be tightly organized, compelling and a joy to read.

Still, I’d recommend the book—it’s intriguing, thought-provoking, and gives a good look at the way Child thinks. Serious fans would appreciate this for the insight into Child. People interested in the development of Hero might be a bit disappointed overall but will appreciate the last part of the book (maybe I’m the only one who isn’t grabbed by the buildup).


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The ABCs of Metallica by Metallica, Howie Abrams, Michael Kaves: A Book for Everyone Who’s Wanted to Use “Cute” and “Metallica” in the same thought

The ABCs of Metallica

The ABCs of Metallica

by Metallica, Howie Abrams, Michael Kaves (Illustrator)

Hardcover, 48 pg.
Permuted Press, 2019

Read: November 26, 2019

Grab a copy from your local indie bookstore!


I’m struggling to come up with something to say about this. I want to go on for a few hundred words, but the book is too short for that. And honestly, if the concept doesn’t make you curious enough to check it out, it really doesn’t matter what I say.

But, oh, well—let’s give it a shot.

This is your basic A-B-C’s book, with a short burst of rhyming text starting with consecutive letters, acrostic poem style. The focus of this book is the history, personnel (Cliff Burton, James Hetfield, Lars Ulrich, Kirk Hammett and Robert Trujillo, anyway), and music of Metallica. Just your typical picture book, really. Kid-friendly, but Metallica fans who aren’t afraid to be silly should be able to enjoy it, too.

It’s a little wordy for a picture book, but nothing terrible. I don’t know how much of the text Metallica is really responsible for and how much Abrams should get the credit for (my hunch is more the latter), but that’s not important. There’s some nice info, cute rhymes (sure, some of the rhymes are stretches, but who cares?), and fun ways to come up with something for every letter.

The illustrations are great. Again, kid-friendly but adult-friendly, too. McLeer is a Graffiti and Tattoo artist and it really comes through—I can see my son, a real Metallica fanatic, getting a couple of these tattooed on him, actually.

It’s cute, it’s fun, it’s a great idea—and proceeds are going to charity. Grab a copy, really.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes on Audiobooks of This is Where I Leave You, When You Reach Me, How Not to Die Alone, The Right Stuff

Trying to clear the decks here with these quick takes on Audiobooks, like I indicated I would be doing yesterday (which also helps from the deep dive I took on Hands Up yesterday, too).

This is Where I Leave YouThis is Where I Leave You

by Jonathan Tropper, Ramón de Ocampo (Narrator)
Unabridged Audiobook, 10 hrs., 17 mins
Recorded Books, 2009
Read: October 9-10, 2019

(the official blurb)
This is not my favorite Tropper novel—but it’s a really good one, and I get why this is his most successful and the only one that’s actually been adapted as a movie (or anything).

From the hilarious (and painful in many senses) opening to the heights of hope, the lows of sorrow, the uncomfortable nature of sitting shiva with estranged family, oh, and the obligatory Tropper awkward fight scene, this is a heartfelt, funny, and entertaining read (or, listen, in this case)

de Ocampo does a better job than I’d anticipated anyone doing with this—he captures Judd’s anger, heartbreak, grief and everything else. He also gets the other characters—including some of the more difficult ones (Phillip, Tracy, Alice). I was really impressed with him, and am a little tempted to get a Wimpy Kid audiobook just to see how he does with that.
4 1/2 Stars


When You Reach MeWhen You Reach Me

by Rebecca Stead, Cynthia Holloway (Narrator)
Unabridged Audiobook, 4 hrs., 19 mins.
Listening Library, 2019
Read: October 29, 2019

(the official blurb)
I didn’t realize this was an MG novel when I grabbed it—I thought it was YA—it wouldn’t have made much of a difference, it just would’ve been good to know what I was getting into.

Miranda is in 6th Grade, has one friend (who has just decided not to be friends anymore), and is obsessed with A Wrinkle in Time. Her mom is a paralegal and is dating a lawyer in her firm. It’s the late 70’s and latch-key kids are becoming more common, but not as much as they will be.

As Miranda tries to find new people to connect with, she receives odd messages about needing to write a thorough and completely true account of something that’s about to happen. She’ll know the thing when it happens. Totally normal, right?

There’s some time travel, there’s some personal growth, there’s some tribute to L’Engle’s novel. It’s a charming little work, really. Sure, I could see most of it coming from miles away, but that’s because I’m a few decades older than the audience, not because Stead didn’t know what she was doing.

Holloway does a fine job, too. Capturing the bouncing emotions just right. I dug it, upper MG readers probably will, too (L’Engle fans are shoo-ins).
3.5 Stars


How Not to Die AloneHow Not to Die Alone

by Richard Roper, Simon Vance (Narrator)
Unabridged Audiobook, 8 hrs., 52 mins.
Penguin Audio, 2019
Read: October 14-16, 2019

(the official blurb)
The concept for this novel feels like something that’d happen to George Costanza, but what makes this novel work is that Roper makes Andrew a believable, sympathetic human being—not the dumpster fire of a person that George was. It’s utterly preposterous, really. But you can’t help but believe it happening (and can likely see yourself doing something similar).

I’ve seen repeated—almost ubiquitous—comparisons to Eleanor Oliphant is Completely Fine. And I get that, and can kind of agree with it. I found the character and story in this novel better than Ms. Oliphant or her life. Although that book seems much more plausible. (and I quickly decided not to care).

Andrew’s friendship with Peggy is wonderful, I wish we had more time with them working/hanging out. Peggy’s a great character on her own—and if Roper were to write one of those ridiculous “same story just from someone else’s POV” sequels, I’d have to cast aside my prejudice against those so I could spend more time with her.

Vance gives one of those audiobook narrations that convinces you there’s no other way for the book to sound—if you read the text version, the voice in your head would have to be Vance. And if you’d never heard of him before, that’s okay, because your subconscious would invent a voice just like his.

Moving, amusing, hopeful. Great job.
4 Stars


The Right StuffThe Right Stuff

by Tom Wolfe, Dennis Quaid (Narrator)
Unabridged Audiobook, 15 hrs., 42 mins.
Audible Studios, 2018
Read: October 29-30, 2019

(the official blurb)
I read this book about 2-3 times a year from Middle School to the first or second year of college, and haven’t been able to do it since (I’ve tried off and on). But when Audible had a sale on this earlier in the year, I had to give it a shot. Especially with one of the stars of the remarkable movie adaptation doing the narration.

Now an audiobook of Wolfe is a tricky proposition (at best). Wolfe’s a master stylist. But so much of it (to me anyway) is how the words are on the page. His idiosyncratic capitalization, punctuation, visual rhythms . . . it’s all about how the text shows up in the book. But Quaid gets close enough. So I was able to fully enjoy and immerse myself in this story about the early years of the US/USSR Space Race—the test pilots around Yeager’s feat and then transitioning into the Mercury Program and a little beyond.

Wolfe educates and then entertains with the way he tells the story, editorializes about the events and people, and captures the essence of the various people involved. Listening to this brought me back to the first time I read this book and reminded me why I fell in love with Wolfe.

Quaid did the near-impossible here, he got as close to humanly possible to capturing Wolfe’s style, sensibilities and je ne sais quoi. He didn’t quite get it, but I can’t imagine anyone doing better. It’s probably one of my favorite audiobook performances to date. I’m going to go out on a limb here and say that Quaid guy just might have a future in show biz.
4 Stars

2019 Library Love Challenge

Because Internet by Gretchen McCulloch: Emojis, Tweets and Memes May Not be the End of Language…

Because Internet

Because Internet: Understanding the New Rules of Language

by Gretchen McCulloch

Hardcover, 274 pg.
Riverhead Books, 2019

Read: October 18-21, 2019

I’m a linguist, and I live on the internet. When I see the boundless creativity of internet language flowing past me online, I can’t help but want to understand how it works. Why did emoji become so popular so quickly? What’s the deal with how people of different ages punctuate their emails and text messages so differently? Why does the language in memes often look so wonderfully strange?

That encapsulates the book right there, McCulloch looks into each of these questions—along with some related and foundational questions—about how communication online has and is changing the way we write at each other.

If I was going to do this the right way, I’d need a dozen pages (at least), and I just don’t have the patience to write something that long (and, let’s be honest—who’d read it?). So let me be brief: this is an entertaining and informative book. She discusses the advantage of studying informal writing over edited and published works (and how the Internet Age makes that so much easier), “typographical tone of voice,” emojis and other emotional indicators, memes (and the like), and offers a new metaphor for considering language.

The tone is light and informal, but this isn’t a breezy read. It’s not that difficult, however. But there are times that I will confess that my eyes glazed over when she does some of the nitty-gritty explanations about how this works (and how it’s researched). But that doesn’t happen as often as I might think it would. What she does with the nitty-gritty, how she applies it? Love it. But when she’s “showing her work” (as we used to say in math class), I have a hard time tracking—that’s on me, I want to stress. McCulloch goes out of her way to make even that kind of thing interesting and approachable.

The way she frames the discussion for each chapter is fascinating. Then the conclusions she makes, or application of all that work, is simply insightful and even more fascinating. It’s just the stuff in the middle that didn’t need to be as long. But that’s very likely just me. McCulloch is a bit more open to changes and innovations than a guy who likes the idea of language standards (like me) can truly be comfortable with—but she almost wins me over.

This is probably the most entertaining book about language that I can remember reading (and, yeah, I used to dabble). It feels as alive as the language she’s considering. This is one for the language lover in your life.


3.5 Stars
2019 Library Love Challenge

Flying Alone by Beth Ruggiero York: A Young Woman Takes Flight

 

Flying Alone

Flying Alone: A Memoir

by Beth Ruggiero York

eARC, 202 pg.
2019

Read: October 14-15, 2019


When she was 14 years old, Elizabeth flew for the first time—as she says, it was the first time she’d been that excited since her father died the previous year—and she made a promise to herself that she’d learn to fly.

Her plan had been to join the Navy and become a pilot, which would put her on the fast track to being an airline pilot (her ultimate goal). This was derailed by a diagnosis of probable MS, the Navy would no sooner train a pilot who’d likely develop MS than they would one who had the disease. So, that door closed, she’d go the private sector route—it’d take longer, but it’d still get her where she wanted to go.

The book really takes off (ouch, sorry, didn’t mean that pun, but I can’t bring myself to edit that) as she’s about to get her private license at a small flying school in Massachusetts. The book traces her development as a pilot in a culture not really receptive to female pilots (but not hostile to the idea, it didn’t seem), through various stages in her progress—eventually through different employers. We see her navigating through both successes and setbacks, and how she’d move on from either up to the point of making it to her goal—flying for TWA.

A near-constant presence in the book is her primary flying instructor and eventual significant other, Steve. I never liked the guy, and I am not sure I can understand why anyone would. But, this is written years after Steve and the author had gone their separate ways, and she’s writing with the full advantage of hindsight. So York displays all the warning signs she spent years ignoring while they were together because it seems like she can’t understand all of what she was doing with him either.

If this were a novel, I’d be complaining about how little we get of Elizabeth’s friend and student, Melanie. Melanie sees Steve for who he is and encourages Elizabeth to take some of the early steps she’ll need to advance her career. She also encourages her to get away from Steve—advice that is rejected (but maybe takes root). I enjoyed her presence in the book and can imagine she’d have been fun to hang out with at the time.

For me, seeing the various kind of jobs that a pilot can hold—and what they entail—was the best part of this book. Yeah, it’s disillusioning how many corners were cut (when not ignored) along the way (and I’m guessing the statute of limitations has passed for many of these)—but the various companies and duties were fascinating. It was also refreshing to see some of the pilots worrying about things like that, as well as displaying that there were people around her that had her best interests at heart (or at least would back her when needed).

It’s been a while since I saw anyone do this, but remember back when movies would end by telling us what would happen to various characters in the future? York finishes this book with a quick summary of what befell many of the people/companies we’d met along the way. It’s a nice touch here.

But before that, we get a very quick recap of her life in the last chapter and epilogue. Between the penultimate and the final chapter, she jumps a little over a year in time to get us to her interview (and hiring) by TWA. After taking things so methodically up to that point, it felt abrupt to make that jump, like we’d missed a lot. There’s probably a good reason for York’s choice there, but it felt like she was in a rush to meet a deadline so she skimmed over that year. And then didn’t really give us a lot about the early days with TWA. I think that’s my major criticism of the writing—she just sped past that last year and stopped. I think a little time talking about her initial experience flying for a major airline would’ve been nice—maybe she’s saving that for the sequel? (It didn’t seem like that was the intention, but it’d work)

You really feel like you’re getting behind the scenes of small airports, freight and charter companies. People like Tom Wolfe can make maverick pilots sound exciting and romantic. York makes the idea sound dreadful and a real threat to safety in the air and on the ground below flight paths. Superman tried to reassure Lois when he said, “I hope this hasn’t put you off of flying. Statistically speaking, it’s still the safest way to travel.” Frankly, after reading parts of this book, I could use someone telling me that.

The book feels honest—it doesn’t seem like she glossed over her own faults or highlighted others’ at her own gain (or the other way around). There’s a sense of “here’s some smart things I did,” “here’s a bad decision I/he/they made,” “here’s stuff that happened that could have gone either way and worked out okay.” It’d have been pretty easy to make herself “the good guy”, or everyone else “the bad guy”. Instead, we got a bunch of humans being human.

This is a quick read, an insightful read, and an effective read—I wasn’t sure what to expect out of Flying Alone, but I don’t think I got it. What I got, however, was better—I’d recommend it. A story about a woman succeeding on her terms—while overcoming issues and problems beyond her control and as a direct result of her choices—not overly romantic, not overly sentimental, and not afraid to show her own deficiencies. This is the kind of memoir we need more of.

Note: I received a copy of this book from the author in exchange for this post and my honest opinion. Which is what she got. Honest, not timely—I do feel bad about not getting this up in late September, or anytime in October. I tried.


3 Stars

LetsReadIndie Reading Challenge

Beyond Authority and Submission by Rachel Green Miller: Starting-Point for a Discussion the Conservative Church Should’ve Already Had

I feel compelled to repeat the disclaimer I threw on a book last week—and I should probably throw this on a lot of theologically-oriented works. This is another one of those works that I feel really unqualified to discuss. So, know that this is from the perspective of an opinionated and semi-(formally)educated reader and occasional armchair theologian. Not the reflections of an ordained minister or professional theologian.

Beyond Authority and Submission

Beyond Authority and Submission: Women and Men in Marriage, Church, and Society

by Rachel Green Miller

Paperback, 259 pg.
P&R Publishing, 2019

Read: September 22-29, 2019

Contrary to what popular culture states, women and men are not from different planets. We’re complementarymore alike than different. Without denying the differences, we need to stop defining women as the polar opposite of men and vice versa. Such divisive definitions create and encourage unnecessary conflict and set up unrealistic and unbiblical expectations for how women and men should behave.

Paul frequently refers to fellow believersboth men and womenas co-laborers. The word he uses, sunergos, means “a companion in work.” As we will see in the next sections, co-laborer captures the sense of what we were created to be and what we are called to be in Christ.

I can’t get where this is controversialI’m definitely not the kind of guy to say “in this day and age” when it comes to this kind of thing, so please don’t hear me saying that. In any day and age where someone’s thinking is shaped more by the Bible than it is by the surrounding culture (either of the moment or by some version of a historical point of view). I don’t get where this is controversial. Sadly, it is. But as long as that’s Rachel Green Miller’s controlling thought (and I firmly believe it is), I’m on board with this book.

So I should say at the outset, I’ve appreciated Miller’s writing for years now and am very sympathetic to Miller’s general perspective on the issues she tackles in the book. I came into it expecting a useful and beneficial book for those wading through issues relating to the relation of the sexes to each other from a Christian worldviewand I got it. I didn’t expect a book to settle arguments, or a panacea to problems churches/ministries/individuals are having on this frontwhich is good, because she doesn’t try.

After setting the stage for what she wants to discuss in the book, Miller goes on a brief historical survey of views of men and women in the Greco-Roman World and Victorian Era (which she posits have more of an influence on conservative Christianity than we realize), and then she looks at First, Second and Third-Wave Feminism and how the Church has reacted to each. I think her book would be better served if this section were expanded and depended less on secondary sourcesbut given space limitations, I can live with it. From there she explores Biblical teaching on the Nature of Men and Women, how the two should relate in marriage, the Church, and society. In these chapters, she tries to show how current understandings are (too) frequently largely molded by a reaction to a political movement or values imported from a historical context (that needed Biblical reform). Each section here could be a book unto itselfand maybe should bebut Miller’s treatment is a good starting point for discussion.

If you see the book as thata starting point for conversation, with a lot of very helpful things to bear in mind, this is a very commendable and worthwhile read. If you’re thinking of it as definitive in any sense of the word (and I think Miller would warn against that herself), the book will not come close to living up to expectations.

Miller critiques both the foundation of the worldviews she disagrees withancient pagan cultures or recent/contemporary naturalistic views. Latter feminism, as well as godless patriarchal views, are her targetsas are the ways those presuppositions or their expressions are imported into the Church.

Where I think this book stumbles is in the positive case for what she believes. Miller is very clear on what she’s not trying to say (though many aren’t paying attention to this), she’s also clear on what she disagrees with (no one would deny this)but she’s too unclear about what she’d like people to think. I think I just did the same thing hereso I’m going to resort to metaphor. Most of what I talk about here is fiction, so I’m going to employ that for a minute. If Andy Carpenter, Eddie Flynn and Mickey Haller (various fictional defense attorneys) have taught me anything, it’s that while it’s all well and good for a defense attorney to poke holes in a prosecution’s case, what will really turn a jury around is a good alternative suspect, someone to blame, to hold accountable for whatever crime is in question. Miller’s done a great job in showing problems with the prosecution’s case, and we know she doesn’t want us to find her client guiltybut I don’t have anyone else to hold accountable/punish for the crime.

Now, the problems with that metaphor are plain enough, but I think my point is clear (clearer than I could’ve made it earlier). For what it’s worth, I think she’s dead to rights on what she’s not wanting to say, and by and large, she’s right on what she’s critiquing. I just wish I had a clearer notion of what she wants readers to think in a positive sense. Also, while I agree that we need to do more than talk about the relationship between the sexes in terms other than “authority” and “submission” we still need to have clear ideas about how those roles should function (if we’re going to understand the Bible), and Miller should have addressed that.

This book has, regrettablyyet not at all unsurprisinglykicked up a hornet’s nest of controversy. Sadly, it seems that most of the reviewers have dug into two hard-and-fast camps: the “this is a load of drivel that Miller and P&R should be ashamed about” camp on the one hand, and the “this is the greatest thing since the Institutes” camp on the other. Neither is even close to right. This is a good book (with clear flaws) and deserves to have its good points, flaws, and pushes to conversation discussed without vitriol. Sadly, I can’t see that happening, which is probably why books like this are needed.

Honestly, if we can’t deal charitably with each other on this kind of thing, how can we expect a lost and dying world to listen to us at all?

I know that more than a few reviewers have taken issue with the way that Miller treats some of the sources she’s citing and critiquingand there were a couple of times I wondered if she and I had read the same article/chapter/book, because I didn’t come away from it with the same ideas she did. At timesand more often than should be acceptableshe comes across as saying that “Writer X is problematic on these issues and therefore everything they’ve ever said about them is wrong.” I don’t think that’s her intention, but I do think that she gives that impression. But on the whole, I think there’s a lot of straining at gnats by her critics when it comes to her treatment of sources.

I think I’ve lost the thread a bit here. Such is the nature of the tempest in the conservative Christian teapot, that I can’t really think about the content of the book without thinking about the reaction to it. I wish I’d found/made the time to write about this book before I read about it. That’s on me.

Let me try to get back on track. I liked this book. It made me re-examine a lotand will probably continue to do so as I mull on what she has to say (and I’ll probably find a lot to disagree with ultimately, and a lot to agree withas it ought to be). How much of what I think about how women and men should interact with each other (in the home, Church and society) comes from Scripture and how much from the culture? How much of what I think it means to be a man or what it means to be a woman has more to do with Ancient Greek culture or the Victorians? (more than it should). The core of the message should be heard and weighed, and hopefully, after the hubbub has died down a bit, we can start to deal with it.

The Bible testifies to our unity. We don’t have one Bible for men and a different one for women. The armor of God isn’t just for men, and the fruit of the spirit doesn’t apply only to women. No, we have one Bible for us all, and most of the Bible’s commands apply to all of usmale or female, old or young, rich or poor, servant or master.

It’s important to emphasize that when God made humanity in His image, He did so by making a man and a woman. Women are as much made in the image of God as men are. Men don’t have more of God’s image because of their masculinity. We are equal in worth, but we’re not the same. We are different, but we are also interdependent. We were created to complement each other, and we need each other.

Tolle Lege.


4 Stars

GUEST POST: The Ultimate Print On Demand Guide for Nonfiction Authors by Bennett R. Coles

I linked to this piece this past Saturday, but it’s good enough to deserve a little focus. It’s directed toward Nonfiction Authors, but you novelists can profit from this, too.


Prior to the development of high-speed, print-on-demand digital presses, the only way to produce print runs cost-effectively was using the more traditional offset presses. But the only way to get low costs per unit was to commit to a high volume of books per print run.

Now, when it came to authors with an existing following and sales history from previous books, print runs were quite easy to predict. But when it came to new authors, this printing technology resulted in a huge waste of book stock, as publishers were required to print too many copies without having clear sales forecasts.

With the popularity of the nascent self-publishing industry in the early to mid-90s, as well as the increased profile of smaller indie presses, equipment manufacturers realized that a new solution was needed. Today, digital technology has improved to the point of being able to produce high-quality images that are cost-effective at low volumes and nearly indistinguishable from the quality standards of offset printing.

The Ultimate Print On Demand Guide for Nonfiction Authors


Bennett R. ColesBennett R. Coles is an award-winning author of six books published through Harper Collins (NY) and Titan Publishing Group (UK). He is also the publisher at Promontory Press and the founder/CEO of Cascadia Author Services, a boutique full-service firm that specializes in premium author services specifically designed for busy professionals.

Theological Retrieval for Evangelicals by Gavin Ortlund: An Accessible Call for 21st Century Christians to Learn from the Past

I ended up having more time in the day to write this post than I normally do, and as a result ended up a bit more rambling and less-focused than intended. Hopefully it’s worth the read, despite my laxness.

Theological Retrieval for Evangelicals

Theological Retrieval for Evangelicals: Why We Need Our Past to Have a Future

by Gavin Ortlund

eARC, 224 pg.
Crossway, 2019

Read: October 5-12, 2019


This is another one of those theological works that I feel really unqualified to discuss. There’s part of me that thinks I should stop requesting them from NetGalley, or buying them and deciding that I want to post about them, but I probably won’t. So, know that this is from the perspective of an opinionated and semi-(formally)educated reader and occasional armchair theologian. Not the reflections of an ordained minister or professional theologian.

I’m glad Ortlund talks about this right out of the gate—but the case he lays out for Theological Retrieval here, strikes me as very similar to Michael Allen and Scott R. Swain’s Reformed Catholicity: The Promise of Retrieval for Theology and Biblical Interpretation and Kevin J. Vanhoozer’s Biblical Authority after Babel: Retrieving the Solas in the Spirit of Mere Protestant Christianity. Ortlund says they’re aiming for the same target, but those works are more oriented toward the Reformed, where he’s focused on Evangelicalism. I’d say that they’re all wanting the same thing, but his work is more accessible (by design) and less-inclined to advertise his scholarly awareness (particularly with the former).

One problem that you encounter right away is a nebulousness about the term “Evangelical.” If Ortlund defined his usage, I missed it. He seems to use it to apply to Bible-believing Protestants who aren’t Reformed or Lutheran. Which is fair enough, I guess, it’s just not an easily defined term anymore. Frankly, I’m with Carl Trueman and others, and consider the label “evangelicalism” meaningless as it can be applied to “everyone from Joel Osteen to Brian McLaren to John MacArthur.”

Ortlund doesn’t give a strict definition of Theological Retrieval—in fact, he avoids it, preferring to see it as a mindset or attitude toward the pre-Reformation Church and Theology, drawing from its strengths, seeing its weaknesses in our own, and putting the contemporary (and Reformation) Church in context of a developing understanding from the end of Acts to Second Coming. Given that, we should be more aware of, and interact more with, the Patristic and Medieval Church. He uses Turretin, in particular, to great benefit in showing that this was the mindset of the Protestant Reformation, and calls us back to it. Along the way, he uses Warfield (and the rest of Old Princeton) as emblematic of Evangelicalism’s departure from this thinking. I’m not sure that’s the best reading of Warfield, but it’s not worth arguing, because his overall point is so right.

The first Part of the book—roughly 60 pages in three chapters—sets the agenda, it’s “A Manifesto for Theological Retrieval.” He begins by asking if Evangelicals can Retrieve Patristic and Medieval Theology, before moving to asking why they need it, and then sketching out both the benefits and perils of it. All of which is profitable and well-worth reading.

But what makes this book different than so many, is that Ortlund doesn’t focus on the project, the theory behind it, or the method. He gives the rest of the book—120 pages or so—to examples of what he’s calling for people to do. Case-studies in theological retrieval—which is some of the best theological reading I’ve done this year, maybe the last couple of years.

The first is a chapter called “Explorations in a Theological Metaphor: Boethius, Calvin, and Torrance on the Creator/ Creation Distinction.” A nice mouthful, to be sure. To illustrate the Creator/Creature Distinction, he compares Tolkein’s relationship to The Lord of the Rings to God’s relationship to his creation, in terms of Boethius’ understanding, and how Calvin’s view would differ, before wrapping up with Torrance. Now, I have little use for what he tries to do with Tolkein—I think this sort of thing is almost as bad as trying to teach the Trinity by analogy (which always quickly lands the teacher in heresy). I know enough people do this sort of thing in teaching and writing, and I should try to pay more attention, but my eyes just glazed over. Most readers will get more out of this than I did. I did appreciate what he said about Boethius and Torrance in distinction from Calvin and feel like I understand the three a little better (not that I’m all that familiar with Boethius and Torrance), and think I got something from the chapter overall, but I know my own prejudices kept me from a full appreciation.

Things improve with “God Is Not a Thing: Divine Simplicity in Patristic and Medieval Perspective.” Rather than going head-on for contemporary critics of the doctrine, he takes a look at historic formulations (not limited to Aquinas’) of the doctrine and seeing how that should actually deepen Evangelical’s commitment to Simplicity as well as broaden our understanding of it. He interacts a good deal with James Dolezal’s wonderful All That Is in God and God without Parts here and reminds me that I need to re-read the former and read the latter. A better blogger (one also focused on theology, not the book) would camp out here for a few paragraphs, but I won’t. It’s just a great chapter and the kind of thing we need to see more of.

My favorite case study is the third, “Substitution as Both Satisfaction and Recapitulation: Atonement Themes in Convergence in Irenaeus, Anselm, and Athanasius.” I would read a book-length version of this tomorrow. Well, not tomorrow. I would start a book-length version of this tomorrow, and have a lot of fun over the following days. Ortlund shows the overlapping concerns of Irenaeus and Anselm (who are so often pitted against each other), how the Christus Victor and Substitutionary Atonement models are interdependent, not rivals (while not giving an inch to contemporary critics of Substitutionary Atonement, it should be pointed out). From there, he moves onto some of Athanasius’ work on the Incarnation, demonstrating that these works have a good deal to say about the Atonement, as well. If I got nothing else out of this book, I’d consider the time I spent reading it well-spent just for this chapter. I could’ve lived without the use of Aslan and the Stone Table portion of the study, but (contra the Tolkein), it proved to be a useful illustration.

“Cultivating Skill in the “Art of Arts”: Pastoral Balance in Gregory the Great’s The Book of Pastoral Rule” is the last case study. I remember reading healthy portions of this work by Gregory in a Church History class for much the same reason that Ortlund uses it. There’s a lot of wisdom for pastors of every age in this very old work—he also shows how manuals like Baxter’s or Spurgeon’s will say similar things. Timeless truths and advice put in ways that others wouldn’t. I really don’t have much to say about this, but it’s almost as good as the previous two.

This is one of the most-easily outlined books I’ve read this year (possibly the most), that’s a fantastic aid for referring back to it in the future or for going back and taking thorough notes. I’d go crazy if I read too many books like this, I prefer the more organic feeling approach. But when this is done right, it’s a handy bonus. Beyond that, as I said before, it’s very accessible. Sure, there are parts that are demanding, but nothing’s out of reach for the committed and attentive reader—and most of the time you don’t have to be that committed.

Like their counterparts from the previous century, Twenty-First Century Christians don’t know enough historical doctrine, and certainly don’t know how to treat what little they do know. Too often, Protestants will cede everything prior to 1517 to Rome (maybe Rome and the East), focusing only on the last 500 years—if they’ll even pay attention to anything prior to Fanny J. Crosby. Ortlund’s work is a great call for the everyday Christian to familiarize themselves with the past and learn from them as we ought the rest of the Church Militant. I strongly recommend this.

Disclaimer: I received this eARC from Crossway via NetGalley in exchange for this post—thanks to both for this stimulating read.


4 Stars

Quick Takes: Grace Defined & Defended by Kevin DeYoung, Josiah’s Reformation by Richard Sibbes, The Future of Everything by William Boekestein

One or two of these didn’t end up being as “quick” as I’d intended, but I still don’t think of them as full-fledged posts, I think I’d need another 3-6 paragraphs each before I’d think of them as done. Oh well, what’s important (to me) is that they’re done and I can move on to the next books under consideration.

Grace Defined and Defended

Grace Defined and Defended: What a 400-Year-Old Confession Teaches Us about Sin, Salvation, and the Sovereignty of God

by Kevin DeYoung

Hardcover, 95 pg.
Crossway, 2019

Read: May 5, 2019

Read the Official Synopsis here.

At their very heart, the Canons of Dort are about the nature of grace—supernatural, unilateral, sovereign, effecting, redeeming, resurrecting grace, with all of its angularity all of its offense to human pride, and all of its comfort for the weary soul. That’s what Dort wanted to settle. That’s what they were jealous to protect. Some words are worth the most careful definitions, just as some truths are too precious not to defend.

This is the second book about the Canons of Dort I’ve read in this 400th Anniversary year, and it’s (not surprisingly) a handy little book.

DeYoung starts off with an introduction sketching the theological and historical context for the Canons of Dort, and explains why we should care about them today. It’s called “In Praise of Precision” and sets the tone for the whole book (the above paragraph is from it).

Then he moves into an examination of each Main Point of Doctrine (what most translations call “Heads of Doctrine”), one chapter for every Point. DeYoung covers them concisely, but thoroughly (well, as thoroughly as you can while being concise). It’s polemical as it has to be, but no further. Honestly, DeYoung saves his most pointed words for those who (on paper, anyway) agree with the Canons, but don’t share the spirit of them.

I’d prefer something deeper, but that’s never what you’re going to get from a DeYoung book, I know it. So that’s not something I hold against it. Really, my only complaint is that there’s no conclusion. The book screams for one, if nothing else, just a couple of pages tying the Points back to the introduction. But other than that, I don’t think I have a bad thing to say about it.

It’s succinct, accessible, full of DeYoung’s typical charm and focused on the precision those assembled at Dort. It’s an entry point to the Canons of Dort, but there are more in-depth studies that readers should pursue (e.g., this)—but this will get you started in the right direction. I should add that it’d be a decent enough examination of them if you’re not curious enough to read more (but you totally should).
3 Stars

Josiah's Reformation

Josiah’s Reformation

by Richard Sibbes

Kindle Edition, 176 pg.
Banner of Truth Trust, 2011

Read: May 19-26, 2019

Read the Official Synopsis here.

For the longest time, Richard Sibbes has been my go-to Puritan. His writing taps right into my heart. The doctrine is strong, the application wise, but throughout it all he’s convicting and assuring (in the best way). This collection, sadly, just missed for me.

This is a collection of four sermons from 2 Chronicles describing the work of Josiah. It’s a call to sincerity in the faith, of killing hypocrisy within, of the change that the preaching of free grace can make in the heart which spills into our lives. First and foremost, the goal isn’t the benefits of Christ and desiring them, but to desire Him, to love Him—which will protect from hypocrisy and surface holiness by driving us to something deeper and truer. He then preaches about the art of self-humbling and mourning for our sin. The final sermon focuses on the true desire of the renewed heart—being gathered to Christ. Who doesn’t need to hear/read this message?

It was probably me coming to it when I did, and nothing off in Sibbes’ work. I can’t point to a problem with the book, I just never connected with it. I can see the encouragement, the comfort, the urging to pursue holiness—it’s all on-target, Biblical and well-written. But it left me feeling disappointed. Again, it’s probably really good, and in a couple of years when I try it again, I won’t understand my reaction.
3 Stars
2019 Cloud of Witnesses Reading Challenge

The Future of Everything

The Future of Everything: Essential Truths about the End Times

by William Boekestein

Paperback, 135 pg.
Reformation Heritage Books, 2019

Read: April 7, 2019

Read the Official Synopsis here.

This is a great primer on Eschatology—it covers all the major points, develops them pretty well and shows how one can continue in the study of them as well as how they connect to the other points of the study of the End without losing sight of the rest of life and doctrine.

After setting the stage with a discussion of what Eschatology entails and how we can best understand prophecy, Boekestein moves on to Personal Eschatology—the death that awaits everyone (barring Christ’s return) and then what happens between that death and The End.

Then he moves on to General Eschatology (the End for everyone as a whole), with chapters on Christ’s Return, the meaning of the millennium, the general Resurrection, final Judgement, Hell and the New Heavens and Earth.

The last two chapters involve applying Eschatology to the New Covenant and Missions. How are we to act, think, and live in light of the coming End? These are things that are too often ignored when it comes to the study of Eschatology and it’s wonderful when they’re focused on.

One thing I really appreciated about this was that with the majority (possibly all, but I didn’t take notes on it) of the references to the Psalms that he made, Boekestein quoted/footnoted the Trinity Psalter Hymnal that the URCNA and OPC published last year. It’s a great way to get those metrical versions of the Psalms into your head, and hopefully into your heart (and vice versa).

One other thought I had while reading this is that there’s no need for my pastor to write a book on Eschatology. From his frequently cited sources, his perspectives, and even some of his phrasing, this could easily have had my pastor’s name on it. This doesn’t help any of you, but it is something I couldn’t stop thinking about.

I do wish his coverage of Postmillennialism was a bit more nuanced (and positive). I’m not a card-carrying post-mill anymore, but I still know the position isn’t quite as deficient and problematic as he makes it out to be.

This would a great introduction to Reformed eschatology—I want to stress the Reformed part, because the tradition is rich in its eschatological vision. Not in a focus on the end of the world, the timing of it, and how that’ll look, etc., etc. But how everything since the Ascension has been moving toward this point under the Kingship of Jesus Christ. It’s an assuring book, a helpful book, a great starting point (or refresher) for anyone studying Eschatology. Particularly for those who have no interest in starting such a confusing and volatile subject.
4 Stars

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