Like with the previous Eddie LaCrosse audiobook, The Wake of the Bloody Angel, I can’t think of much more to say than I did in 2014 when I read the book. But, this is the last one in the series, and I can’t just let this pass unremarked. So I shuffled it a bit, cleaned a couple of things up, and added bit here and there. That’s not cheating too much, is it?
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He Drank, and Saw the Spiderby Alex Bledsoe, Stefan Rudnicki (Narrator) Unabridged Audiobook, 9 hrs., 6 min. Read: February 16-19, 2021 |
I felt that little knot in my belly that meant a mystery was taking its irrevocable hold. Usually this was a good thing, because usually I got paid for it. But here and now I was on vacation, and the last thing I wanted to do was spend it unraveling the truth of the strange prince, his rotund protector, and the girl I’d once saved from a bear. But damn it, I knew that’s exactly what I was going to do.
What’s He Drank, and Saw the Spider About?
After a couple of adventures that aren’t quite typical in their nature, Eddie La Crosse gets back to basics with a fairly straightforward case. Well, that’s not exactly true—it’s just that the last was more grand-adventure-y, less LaCrosse-as-sword-jokey, and the one before that took on this epic nature by the end. This is Eddie doing what he does best. But still, there’s magic and monsters, and all the other trappings that keep this from being something that Sue Grafton or Dennis Lehane would’ve written.
Sixteen years ago, Eddie promised a dying man on the run that he’d take care of the baby that the other man was running to protect. He found a seemingly-trustworthy family willing to take the infant in, and went on his merry way, and actually forgot all about the incidents surrounding that. Years later, Eddie and his girlfriend, Liz, are on vacation in that area and suddenly it all comes back to him and he decides to try and track down the (now) young woman and see how she’s doing.
Naturally, things start to go poorly about there. He does find her—pretty easily, too—it is a small community, with an economy largely-based on sheep-herding and farming, so it’s not really a bustling metropolis where no one knows anyone else. But there’s a whole lot of interesting things happening around the young woman—royalty in disguise, a meddling sorceress, an untrustworthy mercenary-type, an over-protective mother, a dose of sibling rivalry, and some sort of articulate and super-strong inhuman creature with a healthy interest in the girl.
Even though he was just supposed to check on her and not interfere with her life—he had no intention of even introducing himself to her. Eddie can’t help himself, and before you know it, he’s neck-deep in intrigue and danger.
Biggest Magic Yet
When you think about Fantasy novels (or maybe I should just say “I”, who knows what you think) you think about magic all over the place. But if it’s really that ubiquitous, that takes away some of the special-ness of magic. In LaCrosse’s world, almost no one believes in magic. Eddie sure wouldn’t if magic, deities, and supernatural creatures hadn’t rubbed their existence in his face on repeated occasions.
That’s certainly the case here—most of the people that Eddie is around in this novel (and by most, I mean an overwhelming majority) refuse to admit that what they are seeing—some of them on multiple occasions—has anything to do with magic. I think this is a great choice—it’s another hurdle for Eddie and Liz to get over, it adds some real tension when you’d be tempted to think we’re done with tension, and it keeps the magic mysterious.
Rudnicki’s Narration
I think this is probably Rudnicki’s best work in the series. he nails every character—particularly the character of Billy Cudgel (the aforementioned untrustworthy mercenary-type). He captures the humor, the drunkenness, the misery, the madness, and everything else. I thought the choices he makes in the narration (he and/or the director) and tone were spot-on. He’s definitely a narrator I’m going to seek out in the future.
So, what did I think about He Drank, and Saw the Spider?
On the whole, this is a fun, brisk novel—a lot of humor, some good action, nice banter, and interaction between the characters (especially Eddie and Liz). Yet, even as the answers to the questions surrounding the girl’s mysterious origins become obvious, and some of the characters get to the point where they seemed irredeemable, Bledsoe (as he can every so well) keeps you completely drawn in and even tugs the heartstrings a bit as the truth is revealed to the characters. Just really, really well done.
There’s a lot of nice little touches along the way. For example, towards the end of the book, Eddie and those he’s traveling with encounter a preteen who joins their little band for a while. She’s pretty new to swearing and tries to get in as much practice as she can while with them. At first, I thought she was an odd (but entertaining) and pointless distraction. It didn’t take too long to see she was a perfect tension-breaker, just what that part of the novel needed to keep from being too tense and so much more serious than what had come before.
Eddie’s narration has never been better—humor-tinged and hard-boiled, a medieval Philip Marlowe or Elvis Cole. I liked all of these characters, and really wanted to spend more time with each of them—I don’t know how Bledsoe could’ve pulled that off without getting the whole thing too slow and ponderous (which would’ve sucked the fun out of 60-70% of these characters). This is really such a well-done and fully realized series.
Either Bledsoe or his publishers decided that was enough, and it doesn’t look like we’re going to get any more adventures from our favorite sword-jockey, but man, I’m glad we got what we did.
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