Author: HCNewton Page 223 of 623

Highlights from August: Lines Worth Repeating

Highlights from the Month
I’m a couple of days late with this, it took a bit of choosing (and I had to verify selections from a couple of ARCs, too). Here are the lines from August that really stood out to me.


Hell of a Mess

Hell of a Mess by Nick Kolakowski

Don’t worry, sweetie, she’d told him on the way out the door. Anything goes wrong, I got the gun!

What about not killing? he’d retorted— because she was trying to become more Zen, right? Kinder and gentler and all that other crap?

I’ll just shoot them in the kneecap! she said before the door slammed behind her.

His wife had a funny concept of Zen.

The assassin raised a hand. “Sorry, I have this medical condition, it makes me draw the nearest firearm whenever I hear the word ‘Bitcoin.’”

“When did you become an explosives expert?” the assassin asked.

“I saw ‘The Hurt Locker’ at least twice,” Bill said, snipping a wider gap.


Summerland

Summerland by Michael Chabon

The fundamental truth: a baseball game is nothing but a great slow contraption for getting you to pay attention to the cadence of a summer day.


Composite Creatures

Composite Creatures by Caroline Hardaker

I was in the waiting area, drinking from a bottle of mineral water when Art first walked in. He wore a forest green velvet jacket and bright mustard trousers, and darted through the clinic’s duck-egg like a greenfinch. The world didn’t dim around him, my heart didn’t skip a beat, but I felt as if I could know him, and could anticipate his nature if only I knew his voice. He sat directly opposite me on a plush red chair, and after a single scan around the waiting room, picked up a copy of National Geographic and started to read. I knew who he was, even if he didn’t immediately know me. Art was at once a mystery and a map.

I purged the kitchen of potted carcasses. Despite them all sitting in a row and sharing the same light, each plant had died in its own discrete way. Most had shrivelled back into a gnarled stump, and others had become mushy, sinking down like a creamy concertina. Aubrey’s succulent had finally given up its last leaf, and the stalk stood obscenely naked, coiling towards the sun like an earthworm. I tossed them all into the composter and left the empty pots by the back door. I’d replace them with artificial plants later…


Plugged

Plugged by Eoin Colfer

Everyone wants to kill me lately. It’s enough to make a fellow paranoid.

I am not qualified to deal with this. Why does everyone I meet seem to have mental problems?

Ah…but did they have mental problems before meeting you? Who’s the common denominator here, Dan?

I do not have mental problems! I say to the voice in my head, perfectly aware how damning it would sound were I to say it aloud.

The great Stephen King once wrote don’t sweat the small stuff, which I mulled over for long enough to realise that I don’t entirely agree with it. I get what he means: we all have enough major sorrow in our lives without freaking out over the day-today hangnails and such, but sometimes sweating the small stuff helps you make it through the big stuff.


When Sorrows Come

When Sorrows Come by Seanan McGuire

Faerie’s relationship to physics is often casual at best, and sometimes it consists of Faerie promising to call when physics knows it never will.

Congratulations on the occasion of your marriage, and may the blessings piled upon your house be so vast the roof is in danger of collapse before you can get the wedding party to safety.


Grave Reservations

Grave Reservations by Cherie Priest

If they couldn’t agree on which Sci Fi memes to deploy in conversation, how could they work together long enough to fix anything, solve anything, save anybody?


Out of Spite, Out of Mind

Out of Spite, Out of Mind by Scott Meyer

Shooting yourself in the foot has the same effect whether you do it to get out of the army or to kill a mosquito on your shoe.”


The Case of the Missing Firefly

Case of the Missing Firefly by Chris McDonald

If this were a novel, Adam perhaps might’ve realised that he’d been holding his breath the whole time. As it was, his respiratory system had carried on as normal, collecting oxygen without his explicit command.


The Art of Prophecy

The Art of Prophecy by Wesley Chu

She had wanted to refuse the assignment but the terms he offered were too good to pass up: tax exemption for life and not going to jail for refusing her duke. Taishi was not a big fan of taxes or imprisonment.

Taishi had been so busy she kept forgetting to tell Faaru to put out a call for educators. The boy needed to know more than eight ways to throw a punch. She needed to hire teachers: philosophers, mathematicians, politicians … and probably someone to teach him how to dress himself. He would need to be versed in diplomacy, cultures, logistics, art, and etiquette. Half of a leader’s job was to not be an idiot.

The seconds ticked by. Taishi bided her time. In battle, only fools hurried, and they either learned or died learning.

Jian remembered [redacted] death-punching him in the chest, his veins feeling like they were scalding in hot oil. Everything was hazy after that. To be honest, part of him felt he owed his former master an apology: No one ever believed any war artist who claimed to know some form of death punch. Out ofall his masters, only Luda had boasted that knowledge, and the rest had teased him relentlessly about it. Being on the receiving end of a death touch was a pretty awful way to confirm its existence.

Unlike many war artists who had put forth tremendous effort to maintain a stoic expression at all times, Taishi suffered no qualms about vocalizing her feelings, and she preferred those under her to do the same. It was better to show fear than false courage. A soldier who showed fear—in moderation—was an alert and sharp soldier, and more likely to follow orders. Someone who was busy acting brave was preoccupied with the wrong thing.

Haaren leaned over the side and studied the row of vendor stalk “Everything is so cheap.”

“That’s because everyone’s so broke,” said Koteuni, “I’ve never seen so many unemployed soldiers and war artists waiting around in one place.”

“That’s what those dummies get for winning the war,” replied Qisami.

Burandin pointed at a recruiter off to the side enlisting soldiers. The crowd surrounding him looked like piranhas during a feed. “The army’s mustering again.”

Koteuni snorted. “To fight whom? There’s no one left.”

He shrugged. “There’s always someone to fight.”


Down the River Unto the Sea

Down the River Unto the Sea by Walter Mosley

When Aja was a baby I’d watch her sleep, sometimes for an hour or more. Her face changed expressions with whatever dream she was having or with anything shifting in the room or inside her. She made errant noises and reached out now and again.

Sleeping, it seemed to me, was an act of innocence. That’s why I stayed awake after almost murdering [redacted ]. I knew that peaceful slumber was for babies, whereas only nightmares awaited a man like me.

One thing I had learned in high school was that in sports you always had to move in a direction that your opponent did not expect. From Ping-Pong to prizefighting, the man with the unexpected moves was the player most likely to win.

Police work is a kind of intellectual sport, like Go or chess. And sometimes you have to make a move to fool yourself, a move that will keep you from putting yourself in the enemy’s line of fire.

(Image by DaModernDaVinci from Pixabay)

Book Blogger Hop: Finding New Books

Book Blogger Hop

 

This prompt was submitted by Billy @ Coffee Addicted Writer:

Is it hard to find new books in local stores?

There are a few ways to go with this question. But I should note that as of 9/1, I owned over 100 books that I haven’t read. Overall, not finding books in bookstores is not a besetting problem for me.

If I go into a bookstore, I’m almost guaranteed to spend money. So I’m pretty careful about venturing into one (there have been times I haven’t been that careful—and there will be times like that in the future, I’m sure). If I go into browse, I will almost definitely find something that piques my interest enough to reach for my wallet. If that’s what the question is asking, then my answer is a definitive “no.”

On the other hand, if I go in looking for specific titles/authors, I may find it difficult. Whoever does the buying for local stores has different tastes in Mystery/Crime/Thriller material than I do—yes, I may make some pleasant discoveries (see the previous paragraph), but I usually can’t get what I’m looking for. Same for Urban Fantasy (ironically, almost every UF series/author I read, I discovered in one of those stores—something’s changed). But SF/F? I’m almost guaranteed to find what I want. The same goes for YA or “non-genre” books. So the answer to the question phrased that way is a vague, “It depends” with an expressive shrug.

Unless I cheat and special order something, so I go in having already paid for a book.

How do you fare in your local bookstores?

WWW Wednesday, September 7, 2022

As always with a Monday holiday, I’m having a hard time thinking that it’s time for WWW Wednesday already. But I needed the day off enough that I’m not complaining—I relaxed, spent time with Mrs. Irresponsible Reader, and finished two books. Now I just have to find the time to write about them 🙂

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading the new Jesse Stone: Robert B. Parker’s Fallout by Mike Lupica. I’m also working on my current attempt to decide if I like Tom Perrotta by listening to his Tracy Flick Can’t Win narrated by: Lucy Liu, Dennis Boutsikaris, Jeremy Bobb, Ramona Young, Ali Andre Ali, and Pete Simonelli on audiobook.

FalloutBlank SpaceTracy Flick Can't Win

What did you recently finish reading?

I just finished Preeti Chhibber’s Spider-Man’s Social Dilemma, which was ridiculously entertaining, and Travel by Bullet by John Scalzi, Zachary Quinto (Narrator) on audio, which was so satisfying.

Spider-Man’s Social DilemmaBlank SpaceTravel by Bullet

What do you think you’ll read next?

I’m really looking forward to the next books on my docket: my next book should be Snowstorm in August by Marshall Karp and my next audiobook should be Adequate Yearly Progress by Roxanna Elden, Roxana Ortega (Narrator).

Snowstorm in AugustBlank SpaceAdequate Yearly Progress

What about you?

PUB DAY REPOST: Final Heir by Faith Hunter: It All Comes Down to This

Final Heir Banner

Final HeirFinal Heir

by Faith Hunter

DETAILS:
Series: Jane Yellowrock, #15
Publisher: Ace Books
Publication Date: September 5, 2022
Format: eARC
Length: 464 pg.
Read Date:  August 15-18, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Final Heir About?

The Vampire War in Europe is over—and the old guard seems to be defeated. Edmund is on his way to NOLA to be crowned and then some stability–and whatever passes for peace with the Mithrans should settle in for some time.

But first…there’s the Heir to deal with. The last hope of the Sons of Darkness, the old ways—and possibly a turn to a darker time for humanity—still needs to be dealt with. Years ago, Leo Pellissier was given a prophecy about the defeat of the Heir and after Jane came to work for him, he decided she was at the center of the prophecy. Jane, as the Dark Queen, could defeat him. So Leo set to work organizing things in the way that only he can.

Now it’s the endgame—time for the rest of the dominos that Leo set up to fall, for Jane to end the Heir, and change everything for the Mithrans. And possibly the rest of the supernatural world. Assuming she can. There’s no certainty about that. There’s also no certainty about who will survive this endgame—even if she manages to vanquish the Heir,* she may not survive the attempt. Even worse (in her mind) family, friends, and allies may die.

* He’s a significant enough power that I don’t feel too silly using a word like vanquish.

This isn’t going to be easy. This is for all the marbles—and that’s a great way to end a series.

The Youngers

Of all the characters we met along the way, I may miss Alex and Eli the most (as soon as I say that, I start to think about Angie, and question myself—but I really don’t have time to go into that). Eli hasn’t changed much since we first met him—he’s opened up a bit more, he may be a bit more emotionally mature, but he’s essentially the guy we met at the beginning. Faith Hunter’s answer to Joe Pike. He knows his business, he enjoys the work (as grim as it is)—maybe finds a peace in a fight that he can’t find elsewhere. He’s also incredibly loyal, he takes care of his people—first and foremost, his brother.

Aside from Jane, no character in the series has changed—grown, developed, and matured–than Alex Younger. He started off as a rebellious, unhygienic, hacker—focused only on what he could do with his computer. And maybe not letting his brother down (too much) again. He’s now an adult, he’s responsible, he can handle himself in a fight, and there are things/people he cares about in his life—he’s still a wiz with the computers, thankfully. He’s essentially a version of Alex with a different weapon-set.

Their humanity (Eli is still largely human) is one of the few lasting examples we have in the series at this point, and they keep things grounded in the middle of all the vampires, weres, witches, extradimensional beings, and whatnot. They’re great because of that, they’re great outside of that, too.

I do feel bad for poor Eli—in the last couple of books, he’s really taken a beating. It’s even worse in this novel. If he survives to the end (I’m carefully not answering), he’s going to have physical and psychological scars that are going to last. I know he wouldn’t have it any other way, he gets them doing what he thinks is right. But still, you can’t help but feel for the guy.

Beast

The Beast and Jane dialogue/interchanges in this novel were fantastic. I relished each of them.

Once again, Beast has her own agenda—as is her right and fitting for her character. But given the stakes here, some of the information she decides not to pass on to Jane is hard to believe. Sure, Beast may not get all the details, but I don’t see how she doesn’t understand the urgency and the importance of what’s going on.

But you know what? I just didn’t care. I like how Beast is her own creature—she comes through for Jane when the chips are down, but on her terms.

Homecoming Week

There are so many supporting characters in this book, that it’s really hard to fathom. There are so few characters from the series (that are still living/undead) that don’t at least get a named drop or a check-in. But several show up for more. There were characters that we’d lost track of—a couple that I’d forgotten even existed played a role in this book.

Hunter pulled out all the stops for this book.

I’m probably not alone in spending time reflecting on the series as a whole as I read this book, and bringing up so many names from the past (ones we may have regretted losing track of—and a couple we were probably happy to have lost) really helped with that.

The Chapter Titles

I don’t think I’ve talked about the chapter titles in these books before—and that’s a crying shame. I’m not a big fan of chapter titles in general, but this series has featured some doozies. Several of them in Final Heir are amongst the best in the series. I really don’t have a lot to say about them—but complimenting the chapter titles is overdue. There’s a lot that Hunter does right in these books, and this is just one of the more consistent and amusing.

Final Heir as a Series Finale

I’m not entirely sure it’s fair to do, but I can’t help but think about other series finales–particularly in the UF genre.* Last year, I compared the Alex Verus finale to the Iron Druid Chronicles. Final Heir doesn’t match up well with either of them–it’s more like the ending of the Kitty Norville series (and not dissimilar to the ending of The Hollows)—Jane and her friends and allies are up against a vampire (and his forces) bent on world domination in a final face-off. Okay, now that I start thinking about it, there are a lot of parallels between the two–but this isn’t the time for that.

* Benedict Jacka’s been talking about ending his series recently, and a lot of what he’s had to say is helpful when thinking about things like this. I’m not going to use his categories to talk about Final Heir because of spoilers, but if you haven’t read these posts (even if you haven’t read the Alex Verus series)—go check it out after you read Final Heir.

Hunter has spent several books lining things up for this confrontation—not unlike Leo Pellissier’s machinations in getting Jane to this point. Looking back at all the ins and outs from this perspective really is impressive. Final Heir is filled with combat and battles—maybe more than most novels in this series, they’re definitely more savage and meaningful. I don’t have a word-count, but I’d wager the final battle is longer than any we’ve yet encountered in the series. Hunter really gave her fans what they’ve been wanting (and will be missing). This is an epic villain, with giant stakes, it has to be an epic scene.

Better yet, following the battle, the novel’s dénouement also serves as one for the series—and if the final battle gave fans what they wanted, then they’re going to be knocked for a loop by the dénouement. We get the few dangling threads tied up and a good look at what the future offers for most of the characters.

I had expected a lot from the finale aspect of this book, and Hunter surpassed it.

So, what did I think about Final Heir?

I think this is a bit more rambling than I want to be—it’s also longer than it necessarily needs to be. Part of that is because there’s so much to talk about in this novel—and I’ve barely scratched the surface so I don’t give it all away. Part of the longer-than-usual nature of the post is also that there’s part of me that knows I’m pretty much done with these characters when I hit “Schedule.” Sure, I’ll listen to the audiobook sometime next year, and I’ll likely re-read/re-listen to the series sometime after that. But all of that is revisiting. Finishing here is finishing the series, so I’m trying to drag it out.

For the first four or five books, this series served to fill the time while I was waiting for other Urban Fantasy books to come out. But around then it took on the role of being something I needed filler for while waiting for the next Yellowrock book. And lately, it’s one of those series I organize my reading schedule around. Listening to the series on audio over the last year has really helped me see all the ways Hunter’s been preparing the characters and the readers for these events, and it’s truly impressive. As it now stands, the Jane Yellowrock series ranks near the top of the UF pantheon for me (completed or on-going series), beating out stiff competition.

But let’s set that aside for a moment and just focus on this book—it’s full of all the action, the heart, the magic, and sense of family we’ve grown accustomed to. Jane Yellowrock finally finds her place in this world (sure, she found it before, but it’s more solidified now), her priorities are intact, she’s doing good in ways she hasn’t been able to before–and those that she cares about (many she’d never have considered caring for 15 books ago) are in good places. Just for the character work alone around Jane, this book is worth the time.

I think someone new to this series would come away from this one entertained and impressed—I don’t know why someone would do that, but I’m sure someone will.

From the jaw-dropping (whoa, Hunter’s taking no prisoners!) first chapter to the last lines that genuinely made me misty, Final Heir was a great ride. If I have to say au revoir to Jane, Bruiser, Eli, Alex, and the rest—especially Beast—this is was quite the way to do it. Bravo, Faith Hunter.

Disclaimer: I received this eARC from Let’s Talk! Promotions and Berkley Publishing Group via NetGalley in exchange for this post — thanks to all for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

The Orville: Sympathy for the Devil by Seth MacFarlane: A Quick Dose of Preachiness in a Tie-In Wrapper

Sympathy for the DevilSympathy for the Devil

by Seth MacFarlane

DETAILS:
Series: The Orville 
Publisher: Disney Press
Publication Date: July 19th, 2022
Format: Kindle Edition
Length: 120 pg.
Read Date: September 3, 2022

The “Back” of the Book

Here’s what the Publisher said about the book, anything I say will ruin the book (and not because it put me in a foul mood):

An original novella set in season three of The Orville—straight from the pen of Seth MacFarlane, creator of the beloved sci-fi TV show!

When Captain Ed Mercer and the crew of the U.S.S. Orville come face-to-face with one of humanity’s most vile ideologies, they must solve the moral conundrum of who to hold accountable for evil deeds real… and imagined. Occurring just after episode 308, this is the Orville like you’ve never seen it before.

The Orville

I watched all three seasons of the show this year, after putting it off since I started to hear positive things about Season 1. I really appreciated most of this not-Star Trek, although like the show it totally isn’t ripping off,* it’s not perfect.

* Wink.

One thing that The Orville surpasses its inspiration in is its sanctimoniousness. When this show gets preachy, there’s nothing that compete with it. For the most part, I could endure those episodes, but a couple of them got pretty difficult. The last half of this book was pretty much one of those episodes. It’s a lot harder to tolerate without F/X to look at.

So, what did I think about Sympathy for the Devil?

There was almost nothing about this that made it an Orville story. Maybe others can describe this without giving everything away, but I can’t. Sure, every primary cast member from season 3 is in the novella—and some characters from other seasons are mentioned—so it’s technically an Orville story, but just technically. A good tie-in story should feel like a long or an in-depth version of the source IP. This couldn’t feel less like an episode.

And the writing? It was clearly written by someone who doesn’t do prose that often—scripts, sure. It was lazy writing, the descriptions of characters were clunky, the dialogue was iffy, and the pacing was poor. We don’t see a single character from the show until the 50% point.

Would I read another novella set in this universe? Oh, absolutely. Even another one by MacFarlane. I like the universe enough to give it another try. I just hope it’s a fun, SF adventure next time (maybe even with a touch of the condescension, it’s what the viewers expect). The only thing that was clearly delivered was the message.

The Marauders, the Daughter, and the Dragon by K.R.R. Lockhaven: Adventure and Second Chances on the High Seas

The Marauders, the Daughter, and the DragonThe Marauders, the Daughter, and the Dragon

by K.R.R. Lockhaven

DETAILS:
Series: The Azure Archipelago, #1
Publisher: Shadow Spark Publishing
Publication Date: August 16, 2022
Format: eARC
Length: 331 pg.
Read Date: August 1-3, 2022

A Couple of Preliminary Matters

I was supposed to post something about this a couple of weeks ago in return for my advanced copy—August 23 was my plan—but I just didn’t like anything I wrote there (and have ended up deleting almost all of it, almost everything here is new today). It was one of those perfect-is-the-enemy-of-done situations. I want to apologize to Lockhaven for that, and stress that you should all do what I did: go buy a copy of this book and enjoy a bit of happiness. Also, go check out the Q&A we did about this book.

I’m still not crazy about this post, but it’s done. So it’s got that going for it. Here it is in a nutshell: this novel is appealing, sweet, and earnestly fun. You should read it.

What’s The Marauders, the Daughter, and the Dragon About?

The League of Islands has a new governor. He came to power by tapping into, and exacerbating, human prejudices against other species—orcs, ciguapas, fauns, and so on. One of those humans, is the co-owner of the Red Dragon Inn, John Brine. John’s daughter, Azure (yes, she’s “The Daughter”) is not a fan of the new governor or his “Human First” policies. Years ago, the two were incredibly close, but things have been increasingly strained for some time, her father deciding to close the Inn to accompany the governor on the ship he’s taking to his inauguration, was the last straw. The two have a major blow-up before he leaves.

Azure regrets things almost immediately and tries to catch him before he leaves. It doesn’t work, so she and her friend/companion/might-as-well-be-sister, Robin (a talking bird summoned from another dimension), finagle their way on board. Azure has to swallow her objections and pretend to be a supporter, so she can stay on board and try to patch things up. While there, Azure becomes convinced that there’s an ulterior motive for this voyage and tries to suss it out. Whatever it is, it’s going to be big and bad for a good portion of the populace of the League.

That doesn’t work and Azure and two non-humans on board are cast off and end up on an island. They encounter a group of quasi-pirates (the “Mauraders) who bring them on board and end up agreeing to help Azure put a stop to whatever the governor is up to.

And, yes, there’s a dragon along the way. But I don’t want to tell you anything about him.

The Daughter

It’s Azure’s status as “the Daughter” that provides the heart for the novel—without it, there wouldn’t be a story. She wouldn’t be the protagonist of anything—she’d have stayed home, working in the Inn. She’d likely have griped about the political situation, but wouldn’t have done anything beyond that.

But she loves her father, and can’t stand to see him taken in by this Governor. So she abandons the inn, pushes down her anxieties, and sallies forth to save her father and hopefully, their relationship.

There are other storylines, other emotional arcs—some you may appreciate more than this one. But none of them happens without this—and the novel doesn’t care about the rest as much as it does this one. It’s also incredibly relatable—sure, not every daughter (or son) who reads this will have that kind of relationship with their father (or mother), but there are very few of us who don’t have some sort of relationship they’ll risk everything for.

The Marauders

I do not know how someone couldn’t like this group. It’s a group of men and women who, for various and sundry reasons, have embraced life on the seas, of swashbuckling their days away (at least until they have to embrace responsibility or parenthood)—they’re not ambitious enough to make a serious effort at transporting passengers or cargo. They like the idea of a life of piracy but aren’t that into all the violence or theft and all that. They like to sail, have adventures, and sit around drinking, telling stories, and singing songs all night. If not for the fact I get seasick just thinking about getting on a boat, it sounds like a great life to me. Oh, and that no one should have to hear me sing.

The camaraderie of this group and the way they embrace Azure and the others is more attractive than their way of life. You can’t help but want a group of people like this to spend your days with.

I should mention their songs. I have little patience for songs/poetry/etc. in the middle of a novel. My brain just turns off when I encounter them, despite years of trying to do otherwise—it doesn’t matter how good they might be, I just can’t do them. But these songs? I actually read most of them on my first attempt. And I enjoyed them.

The Dragon

Yeah, this is too risky to talk about without spoilers. There’s a dragon, it flies around doing dragon-y things.

Comparing Lockhaven’s Works

Comparing this novel to Lockhaven’s previous novel is a classic case of comparing apples to oranges (making Zoth-Avarex’s Escape Plan a Clementine, I guess). The Conjuring of Zoth-Avarex was a comedy with a bit of satire. MD&D, is a humorous fantasy or maybe a light fantasy (last year, Lockhaven described it as “hopepunk” in our Q&A). The former went for as many laughs as it could while telling a story. This tells a story, and throws in a few laughs (or grins or chuckles) along the way. The comedy isn’t the focus, it’s the characters and their journey.

So, what did I think about The Marauders, the Daughter, and the Dragon?

I want to talk more about some of these characters and ideas—Elijah, the talking skeleton; Nargol and Orok, the orc couple; I don’t believe I’ve even heard of ciguapas before, and now I want them everywhere; Roger, the happy and nice crew member on the Governor’s ship—but in the interest of space, and of just getting something completed, I’m going to pass over it. But I assure you that this collection of characters is just fantastic and you’ll want to spend a lot of time with them.

There is a sweetness to this book that you just don’t find very often—particularly in Fantasy. There is that hope implied in the way Lockhaven described it, and an earnestness, a straightforwardness to almost every character and their motivation that fuels this hope and sweetness. It’s worth reading the novel just for this.

That’s also part of the problem—just about everything is too straightforward, there’s almost no nuance, no shades of anything, no complexity. I’m not saying the book or the characters needed to be complicated, obtuse, murky, or compromised, etc. But it leads to the book feeling shallow on occasion.

The magic system is intriguing—and I’m curious to see how it is expressed outside of the circumstances of this book. I don’t often encounter a multiverse in a fantasy novel, and that alone would almost be enough to bring me back.

While reading, I got caught up in the spirit of the book—that doesn’t happen that often—that hope and earnestness seeped into my subconsciousness and affected how I saw the world for a couple of days. I like this book—I heartily recommend it, and the overall impact more than makes up for any shortcomings (real or perceived). I’m eager to see what lies ahead for Azure and the rest.

Disclaimer: I received this eARC from the author in exchange for this post and my honest opinion.


4 Stars

Confronting Jesus by Rebecca McLaughlin: Introducing Jesus Without Any Baggage

Confronting JesusConfronting Jesus:
9 Encounters with
the Hero of the Gospels

by Rebecca McLaughlin

DETAILS:
Publisher: Crossway
Publication Date: September 20, 2022
Format: eARC
Length: 208 pg.
Read Date: August 21-28, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Confronting Jesus About?

Most people have a lot of preconceptions about Jesus, a lot of people have read and/or heard things about Him and the Scriptures that tell about him. But not as many have actually read those Scriptures, particularly the Gospels.

Rebecca McLaughlin tries to clear away some of the cultural debris that has piled up between non-Christians and the Gospels and the subject of the Gospels. For example, as she points out, given Christianity’s impact in shaping Western Civilization, it’s difficult to think of Jesus as non-Western.

The goal of the book is to help the reader (particularly those with little-to-know-exposure to Christianity) begin to see the Gospels for what they really are, not the readers’ preconceptions of them. And the Jesus revealed in the Gospels as the Gospels want to portray him, not what the reader may already think.

It’s a high and lofty goal—possibly too lofty for 200 pages. But this isn’t intended as a definitive work, more like an invitation for the reader to do their own work.

A Menagerie of References

A lot of writers (and preachers, truth be told) will introduce a subject or thought by grounding their introduction in some sort of shared knowledge. Sometimes it’ll be an experience (first day of school), a person everyone knows (George Washington), a current event, or some sort of cultural reference (literature, music, film/TV, etc.). McLaughlin almost always goes for the latter. And, for the overwhelming majority of the time, it’s a very contemporary reference.

She starts off by invoking the musical Hamilton, and does so in-depth—it wasn’t long at all before I made a note, “can we be done with Hamilton now?” The answer was no—she came back to Miranda’s hit time and time again. Thankfully my worries about this being a book about Jesus, the gospels, and a hip-hop musical about a Founding Father quickly evaporated and she moved on to other cultural touchpoints—Harry Potter, Doctor Who, The Princess Bride, Gladiator, The Picture of Dorian Gray, The Lord of the Rings, Jane Austen, A Tale of Two Cities, and more. It’s an interesting mix of pop-culture and more high-brow references.

I’m spending more time on this than I initially intended, but I kept bumping on this tendency of hers, and I ended up spending as much time thinking about it as I did her arguments. Now, I don’t think most readers will do that—but most readers aren’t considering the delivery of the content as they are the content. So I don’t think most readers will be distracted by this as I am.

Still, the volume of pop culture references strikes me as a dangerous strategy (as comfortable and relatable as it might be). It can trivialize the subject matter. It can possibly cause offense (how many people really want to relate to J.K. Rowling right now? A different crowd than those who didn’t want anything to do with her in the 90s, to be sure).

Lastly, it reduces the shelf-life of the book tremendously. Wilde, Dickens, and Austen are references that will stand (and have stood) the test of time—but will The Hunger Games and Ted Lasso? Maybe. But Maybe not. McLaughlin’s arguments and insights may be worth reading in ten years, but will the book as a whole? Or will what makes it most approachable today make it stale and off-putting within a presidential election cycle or two.

(that took a lot more time to express and explain my concerns than I thought it would—this is not a significant detriment to the effectiveness of the book, but it is one)

The Tone

McLaughlin has an approachable, almost breezy style. I started this book while taking a break from a more scholarly book, and the early chapters had some overlap with the other book I was reading. And I suffered a little mental whiplash. I got over it the more of the book that I read (especially as it diverted into different territory from the other), but it almost seemed too shallow. A lot of readers might think that, too. If you persevere, however you’ll see that’s not that case.

McLaughlin comes across as open, honest, and earnest—the kind of person you’d enjoy chatting with—and her grounding things in events with her life or a movie you’ve both seen (or that she’s told you enough about that you want to see it), makes the material something you connect with.

So, what did I think about Confronting Jesus?

I enjoyed the book. I was charmed by McLaughlin’s style and found her arguments compelling—not convincing. But, as I said, I’m not sure she was trying to convince her readers—I think she was set on moving them to do more research, more reading, and to deal with more convincing ideas and arguments. This was an introduction to Jesus, hopefully lowering perceived barriers to him—and a challenge to deal honestly with Him and His claims rather than preconceptions and reputations about Him (and His followers).

That said, I’m predisposed to agree with her. We’re on the same team, and don’t have the same barriers that the non-Christian will have. So I can’t ultimately say how well the book works. Do I think that several of my friends would benefit from it? Sure. But that’s just a guess/hope. The ultimate sign of the quality and effectiveness of this book is going to come from the non-Christian reader.

Also, this book does make me curious about McLaughlin’s other work—and I anticipate grabbing at least one of her earlier books soon.

Disclaimer: I received this eARC from Crossway via NetGalley in exchange for this post—thanks to both for this opportunity.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

For World Beard Day: Bearded and Bearded Too by Jeremy Billups

Apparently, the first Saturday in September is World Beard Day, a day for pogonophiles to celebrate the trademark of male fantasy writers (and others).* I didn’t see this in time to come up with something more clever to commemorate the day, so I’ll just feature a couple of books that focus on that particular expression of facial hair—Bearded and Bearded Too by Jeremy Billups.

* There’s a great line in Mr. Penumbra’s 24-Hour Bookstore about them, but I don’t have the time to look it up now.


Picture books about bears are everywhere — I have a hard time believing many kids get out of the picture book stage without exposure to at least 4 of them (and that’s before they’re at the Pooh or Paddington stage). But how many of those bears have been bearded?

Enter Jeremy Billups and his little book.

This is the story of a little red-haired girl (no, not that one) traveling the world with her bearded bear, having all sorts of adventures, and meeting a bunch of different animals. There really isn’t a lesson, moral, or much of a plot — just a bunch of quick looks at the pair. A few quick lines and a picture on each pair of pages.

The art is simple and arresting. They just pop off the page—this is one of those times I wish I had the necessary vocabulary to describe why I like the drawings, but I don’t. I bought a print of what turned out to be page 16 before I even picked up the book to flip through. I’ve bought a handful of prints this year, and it’s my absolute favorite — I like it even more now that I’ve read the book. Also, If you ever see a better picture of someone making buffalo wings, I’ll eat my hat.

Oh, and the endorsements on the back cover are a lot of fun. If that doesn’t convince you to try it out, I can’t imagine what will.

Great art, cute story, fun rhymes — everything you want in a picture book. Even better — animals with beards are the best animals that aren’t dogs. This is a charming little book that’s sure to please.

Pick up a copy of Bearded for yourself!


Jeremy Billups has just given us a sequel to 2015’s Bearded—the story of a red-haired girl and her bearded bear traveling and having adventures.

I want to start off talking about the art—I know, I know, I’m usually a word guy—but these are “Picture Books,” right? There’s just something about the way that Billups draws these books that really works for me. Unlike, say, the art in Sea This and Sea That, with all the detailed backgrounds, there’s a lot of whitespace around these drawings, which makes them jump out at you (which is the point of the white space, I know—I’m not good at talking about this stuff). I will admit I’ve flipped through the book a couple of times without glancing at the words (something I assume the target audience will do more often than me).

But that’s not a reflection on the cute rhyming tour of the world seeing bearded animals (a guitar-playing orangutan, cab-driving markhor, and so on). There’s a dash of education in there, because some of these animals aren’t your typical Picture Book fare, too.

And, hey, a celebration of beards! I’m always down with that.

Not much to say about this, really. It’s a fun follow-up to Bearded that should please the ears and eyes of the picture book readers in your home.

Pick Up a copy of Bearded Too for yourself!

Saturday Miscellany—9/3/22

It was 20 years ago today that I started blogging—not this one, I’ve been involved in five blogs before I gave up trying to do other things before just embracing my particular brand of nerd and did this. It’s a little odd thinking that I’ve been practicing this particular hobby that long.

This is the second week in a row where I’ve felt like I was running on fumes, and barely got anything posts together (and I didn’t find a lot for this post, either—but that’s likely a function of this being the end of the month). I’m very glad this is a 3-Day Weekend, I need some time to regenerate.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Forgotten treasures: the stranger things people leave in library books—Over the years, I’ve linked to a handful of pieces about odd things found in library books, but a library making an exhibit out of them? It’s almost enough to make me want to travel…
bullet Who is the real “Queen of Crime”? Agatha Christie’s estate sends a stern letter to Val McDermid.—This is stupid. I’m willing to bet McDermid didn’t tag her self with this title, in the first place. In the second place…never mind—it’s not worth me duplicating what LitHub said.
bullet The Psychology of Fandom—Jennifer Lynn Barnes talks about writing a series while thinking about what will inspire fandom.
bullet 5 Ways To Drop Book Recommendations Into A Conversation—there are strategies for this? Huh. I just open my mouth and it happens.
bullet The thing about ‘must read’ lists
bullet 10 (Not So) Easy Steps to Cure A Book Hangover—I think this is my favorite of the Book Hangover posts I’ve linked to over the years.
bullet 5 Tried and Tested Ways to Get Yourself Out of A Reading Slump!
bullet 5 Fantasy or Science Fiction Books With a Character Named Bob—I’m sure there’s a reason for this post and probably a good story to go with it. But I (almost) don’t want to know it, I really like the apparent randomness of the topic.

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Be the Serpent by Seanan McGuire—The last book in the series was all about joy. Now it’s time for the reader to pay for that. Personal/work life has prevented me from finishing it this week—and I both resent it and am a little glad, I think it’s going to rip my heart out (okay…it broke my heart before page 60, I think it’s going to get worse).
bullet Amari and the Great Game by B.B. Alston—The sequel to Amari and the Night Brothers. No need to know more than that, is there?
bullet The Final Gambit by Jennifer Lynn Barnes—The third book in the Inheritance Games trilogy promises several reveals, a conclusion or two, and an interesting puzzle or two along the way.
bullet The Ink Black Heart by Robert Galbraith—this sixth installment in the series is longer than complete trilogies I’ve read. Cormoran and Robin are on the hunt for the killer of someone whose life parallels a certain children’s author. I honestly don’t know when I’ll muster the endurance to get through this thing. But I am curious.

Lastly, I’d like to say hi and extend a warm welcome to Ann, who followed the blog this week. I hope you enjoy the content and keep coming back.

Out of Spite, Out of Mind (Audiobook) by Scott Meyer, Luke Daniels: An Assortment of Britts

Out of Spite, Out of MindOut of Spite, Out of Mind

by Scott Meyer, Luke Daniels (Narrator)

DETAILS:
Series: Magic 2.0, #5
Publisher:  Audible Studios on Brilliance
Publication Date: March 11, 2019
Format: Unabridged Audiobook
Length: 7 hrs., 34 min.
Read Date: August 17-18, 2022
Support Independent Bookstores - Visit IndieBound.org

First Things First

I can’t talk about this one without spoiling the end of Fight and Flight. This entire book is built on the foundation of that last chapter. Read at your own risk.

What’s Out of Spite, Out of Mind About?

Let’s get the subplots out of the way (at least one of which is going to turn out to be important for the next book, and one will be important for this one). Gary hires a local peasant—and then several others—in a misguided, but surprisingly good-hearted, attempt to help them out. This is almost entirely a comic storyline, and I love that Meyer takes the time to do things like this.

Martin and Gwen are fighting (which happens a lot, sure)—because they both want to get married, but not right now, and things are awkward because Martin raised the subject. If that seems odd to you, imagine how poor Martin feels. It feels very sitcom-y—if the sitcom is in a later season and is trying to come up with some low-stakes conflict because the writers can’t figure out how to keep happy couples interesting. I rolled my eyes at this stuff a lot—but found it a little amusing. Where this storyline resolved, however, might end up being the most grounded, mature, and admirable thing in this series.*

* Wow, I’m supposed to keep my evaluative-powder dry in this section. Whoops. Feel free to call our Customer Service line for a full refund.

The third subplot also involves Martin (he’s our point-of-entry character for this series, so it makes sense that he gets 2 storylines)—he’s convinced that Phillip is being stalked by some sort of masked figure who keeps launching stealth-attacks at him. None of the attacks are particularly successful—especially once Martin susses them out and works to prevent them. But they’re also not at all lethal, at best they’d be impediments to his activities, irritations, distractions—ridiculously elaborate pranks, really. Phillip thinks that Martin is seeing things. Gary, Gwen, and the rest of the gang aren’t really convinced either. It’s Martin vs. the Masked Meddler.

But the main thing is this—in the last book, we learn that Britt the Elder has different memories of the events of Fight and Flight than Britt the Younger does. And we’re not talking about how two people who were at the same event recall details differently—we’re talking about different outcomes here. As Britt the Elder is—ask anyone who isn’t Phillip—the older version of the Younger, who co-exists with her younger-self in a way that only works in silly time travel stories, that should not be.

Britt spends some time pondering this and trying to get to the bottom of it and ultimately determines there’s a problem in the Code, and she’s going to need help figuring all this out. While she’s doing this pondering, she starts to develop some physical glitches as well. She’s really going to need help. Sadly, the only person she can really rely on here is Phillip—who’s dating her younger-self and really can’t spend time with the Elder without getting the Younger upset. Things get stranger and worse from here.

How was the Narration?

This is about an audiobook, so I need to say something about the work Luke Daniels put in. But…but…it’s Luke Daniels. I’ve run out of things to say about how great a narrator Luke Daniels is. I literally have no idea what to say here.

This is the best I can do—my first exposure to this series was the eBooks, and I read the initial trilogy that way, Only coming to the audiobooks as a way to review the trilogy before getting to the second trilogy. I don’t change formats for a series—if I listen to a series, I listen to a series. If I read a series, I only listen to re-read (and then not exclusively). After listening to Daniels narrate the first three, I’m not going back to the print version. I switched to audio-only for the remainder of the series (however long that is).

So, what did I think about Out of Spite, Out of Mind?

So all my complaints and concerns and whatever from the last book are gone. This might be the best book in the series since the first. Meyer and the characters brushed up against exploring the whole philosophical underpinning of the series premise—but don’t get bogged down in it. And they fully embrace—and exploit—the silliness of time-travel conceits.

Earlier in the week, I talked about Chu’s fantastic fight scenes in his new book—there’s a fight scene at the end of this book that is almost their equal in execution and description—but far surpasses them in hilarity. The only way I can think of to describe this adequately is to say: “imagine a fight scene starring Lucille Ball, magic, and medieval weapons—with a soundtrack of ‘Yakety Sax’ (but not really, because the book specifies a different soundtrack).”

We get a dangling plot point resolved (and, boy howdy, do I wish we hadn’t), we get some great comic stories, some strong emotional moments, and a good set-up for the next book (it’s not as tantalizing as the set-up for this was, but it does make the next book sound pretty appealing).

If you’re on the fence about this series after the first trilogy—get back to it. If you haven’t read the series at all (how did you make it this far in this post?)—change that, but go to the beginning or it won’t make any sense. These books are a great hybrid—Meyer got his comedy chocolate in his SF peanut butter and wrapped it in a candy-coating of Fantasy—and this is one of the more enjoyable installments in the series.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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