Author: HCNewton Page 457 of 628

February 2018 Report

My numbers should’ve been a little better — but between Iron Gold taking more time than I was prepared for, and ongoing sickness, I got a little behind with reading — and the writing took another hit this month, that I really can’t explain. Oh well. Onward and upward, and all that, right?

Anyway, here’s what happened here in February:

Books/Novels/Novellas Read/Listened to:

Like a Champion Golden Gremlin A Blogger's Manifesto
4 Stars 2 1/2 Stars 3.5 Stars
Uber Diva Smoke Eaters Fated (Audiobook)
3 Stars 4 1/2 Stars 4 Stars
Sanctification Iron Gold The Fed-up Cow
3 Stars 4 Stars 3 Stars
Brighton Beach Memoirs (Audiobook) The Meifod Claw The Strange Death of Fiona Griffiths
3.5 Stars 2 Stars 4 1/2 Stars
The Late Show (Audiobook) Timekeepers Blood Binds the Pack
4 Stars 4 Stars 4 1/2 Stars
The Ark of Safety Illinois Native Americans: A 9,000 Year Civilization Resurrection Men
3.5 Stars“> 3 Stars 5 Stars
The Armored Saint            
3 Stars            

Still Reading:

Volume 9: Sermons to the Church Secular Jewish Culture      

Reviews Posted:

Book Challenge Progress:

Angel's Guilty Pleasures Iron Gold by Pierce Brown
Brighton Beach Memoirs by Neil Simon, Max Casella, Peter Michael Goetz, Valerie Harper, Alexana Lambros, Anna Sophie Loewenberg, Jonathan Silverman, Joyce Van Patten
The Late Show by Michael Connelly, Katherine Moennig
Resurrection Men by Ian Rankin (link forthcoming)

Like a Champion by Vincent Chu
Golden Gremlin by Rod A. Walters
A Blogger’s Manifesto: A Modern Day Guide to Blogging by Aman Mittal
Uber Diva by Charles St. Anthony
Smoke Eaters
The Fed-up Cow by Peta Lemon, Maria Dasic Todori
The Meifod Claw by JW Bowe
Timekeepers by Simon Garfield
Illinois Native Americans by in60Learning.com

Like a Champion by Vincent Chu
Golden Gremlin by Rod A. Walters
A Blogger’s Manifesto: A Modern Day Guide to Blogging by Aman Mittal
Uber Diva by Charles St. Anthony
The Fed-up Cow by Peta Lemon, Maria Dasic Todori
The Meifod Claw by JW Bowe
Illinois Native Americans by in60Learning.com
Smoke Eaters by Sean Grigsby
Timekeepers by Simon Garfield

Whoops. Nothing this month!

How was your month?

Illinois Native Americans: A 9,000 Year Civilization by in60Learning

Illinois Native Americans: A 9,000 Year CivilizationIllinois Native Americans: A 9,000 Year Civilization

by in60learning
Series: in60Learning

ARC, 36 pg.
in60Learning, 2018

Read: February 27, 2018


Man, it’s hard to write about a book this short in a meaningful way. So I’m going to talk a little bit about this project as a whole — there’s this group, in60learning, who write very concise non-fiction (text and audiobooks) on historical topics/events or biographies (other topics are coming, apparently), so they can be read and digested in a brief matter of time. Great idea — I’m on board with this. I found the selection a little overwhelming, honestly, since I was going to try just one — I’m not sure I’d have been any more decisive if I’d had 6 to choose from. So I just told them to send me one at random. I’ll get to that in a minute, but first, if you’re interested in this idea and want to get more information about the group and their releases, get yourself added to their LearningList.

Now, the title I got was Illinois Native Americans: A 9,000 Year Civilization. I know nothing about the Illinois, nada. You ask me about Native American tribes from the Idaho area, and I’m good; I know a little about the Delaware thanks to David Brainerd; and a bit about the Cheyenne thanks to Craig Johnson. I’m not sure how reliable a source Henry Standing Bear really is, though. So the Illinois? Fuhgeddaboudit. Making me a prime candidate for this book. The idea that this people group existed as a discernible culture for 9,000 years is mind-boggling.

The book covers all sorts of aspects of the Illinois — the politics, the religion, the familial roles, hunting, interaction with other Native American groups — and present state. It talked about changes that happened when Europeans showed up and altered the way of life for everyone in North America.

I appreciated the matter-of-fact way the book addressed cultural changes when the Illinois came into extended contact with Europeans — apparently, primarily the French. The book didn’t vilify the French (or English, etc.) for the changes they brought to the culture — nor did they act like this was the greatest thing for them. Instead, it took more of a “so this changed” approach, letting the readers draw their own conclusions.

The writing is crisp, clear, and (seemingly) comprehensive. It achieves this great balance of being brief and yet covering 9,000 years of history. Even better, it does this history in a few paragraphs in a way that doesn’t feel like you’re missing a lot.

A couple of short-comings that may or may not be addressed in actual editions of the books, not just the ARC version I received — footnotes/endnotes would be great, or at least a bibliography. Just so a reader could look into some of what’s covered a little more.

I really liked this book and plan on picking up more in the series soon. I think it’s just the kind of thing that could help my kids with some things in school, and yet it could also appeal to they busy adult who just feels like they should get better grounded in some part of history or just wants to read something quick. I don’t see why anyone from 12 on up couldn’t benefit from (or understand) this book, and assume the same is true for the rest of the series. Dive into these, folks, you’ll be glad you did.

Disclaimer: I received a copy of this book from the publisher in exchange for my honest opinion — thanks for this!

—–

3 Stars

Pub Day Repost: Like a Champion by Vincent Chu

Like a ChampionLike a Champion

by Vincent Chu
eARC, 238 pg.
7.13 Books, 2018
Read: January 31 – February 2, 2018

The man across from Henriette read a book. It was a very big book, a Hunger Games or Game of Thrones kind, with a sword and flame and chess piece on the cover. Dean had never read such a big book. The man was on the very last page and Dean felt guilty suddenly for spying on him during this personal moment, but he did not stop. It was not often, he reasoned, that he would get the opportunity to observe another person at the exact moment they finished a book, a big one at that. But, after the last page, the man, without so much as a satisfied nod or pensive stare, shut the thing and immediately put in his iPhone buds. This disappointed Dean.

That’s just one of any number of paragraphs throughout these stories that don’t advance the plot, reveal or describe much in the way of character — but man, the little bit of flavor they add to the story makes it worth it. And don’t you just want to shake the man who finished the book by the shoulders and ask what is wrong with him? The guy appears for one paragraph, and I have a strong reaction to him. With short stories, you don’t typically get to do that kind of thing the way you can with novels, because every word has to count — and typically, that’s what Vincent Chu does, but every now and then, he stretches a bit. Typically, like the best short fiction writers, Chu gets his bang for his buck when it comes to his words — tight, economical prose that strikes just the right tone each time.

But I’m getting ahead of myself. Like a Champion is a collection of eighteen short stories featuring all sorts of people — underdogs in one sense or another — getting a taste of victory. Some of this victory is very short-lived, some is quite Pyrrhic, but it’s there. The stories are varied in tone, in voice, in setting, in types of character — and that’s such a strength. Some will make you smile, some laugh, some are sad, some are tragic, some are somber, all are incredibly human.

There’s a lot I could talk about — if I could, I’d spend a few hundred words on “Squirrels”, the fourth story in the collection. I don’t know why, but that one sealed me appreciation for this book, and it stands out as a high point for me. There’s just something about it that worked for me, the same kind of thing that lead me to write three papers for three separate courses in college about one Updike short story. There were a couple of other stories that I could point to that were as as outstanding, but I’ll stick with “Squirrels” — a story about one man’s childhood basketball triumph in the midst of defeat — because I enjoyed it more.

With one exception (at least one that I noticed, I might have missed others), these are independent of each other. The two stories that are connected are so different in tone and subject matter that it takes you by surprise when you notice the connection — but it really works (and the connection is of a lesser importance, that not much changes if you don’t make the connection). It was a nice little touch, I would’ve liked a part three, however.

I’m not crazy about Chu’s depiction of older characters. Maybe if I only got one of the stories in this collection featuring an older character — I wouldn’t have commented. Or if I took a few more days to read this than I did, it wouldn’t have stood out to me as much, but when you get the same note or two being played so often with elderly characters it sticks out.

I don’t usually spend much time talking about the publisher of the books I post about, but when it comes to some indie presses, I should. A couple of months ago, I know I posted a link to a profile of 7.13 Books in a Saturday Miscellany, and before that I talked about another short story collection they put out. And come to think of it, I have one more book from them on my schedule in the coming weeks. If Like a Champion is indicative of what they are publishing (and it seems to be), there’s something in the water there, folks, keep an eye out for their books.

Like with every collection — be it full of short stories, essays, poems — there are some in this collection that don’t work for me — two because I didn’t get what he was going for; a couple that I’m pretty sure I got what he was going for, and just didn’t care for it. And I’m very sure that many people will get those I didn’t and will like the ones I didn’t care for — and even dislike the stories that I enjoyed, and maybe even someone’s nuts enough to not care for the ones that filled me with joy. There’s enough variety in these to appeal to all sorts of tastes — and that’s a compliment, Chu’s nothing if not versatile. But on the whole, this is a great collection of short stories, full of compassion, humanity, and talent. You’d do well to grab this one.

Note: I received a copy of this eARC in exchange for my honest opinions as expressed above.

—–

4 Stars

Blood Binds the Pack by Alex Wells

Blood Binds the PackBlood Binds the Pack

by Alex Wells
Series: Hob Ravani, #2

Kindle Edition, 496 pg.
Angry Robot, 2018

Read: February 20 – 23, 2018


How do you follow-up a book like Hunger Makes the Wolf? Which took the elements of a biker-gang, oppressed miners (and other blue-collar types), magic, space travel, and corporate greed to create an action-packed, fun, suspenseful and surprising read. Well, you take that foundation, and build on it to create a book that takes those elements and does a better job with them.

The pressure on TransRift Corporation is mounting (even when they don’t realize it), especially on their operations base on Tanegawa’s World. There’s a growing level of unrest with the miners — which they respond to in a way that hasn’t worked for anyone since the opening of Exodus. There’s the constant need for more resources, if possible, resulting in stronger and more efficient product. The government is sniffing around, wondering about what they’re up to and how they’re treating people. Meanwhile, the loose organization of miners in each city is getting stronger as are the ties between them. All in all — it’s a powder keg ready to blow.

Not having to create a world, Wells is able to spend more time on characters this time (at least that’s my impression — it’s not like I was dissatisfied with the characters in Hunger). We see depths and shadings of character in people I wasn’t sure where capable of depths and shadings — and if we get that from beings like that, imagine what we get from the more fully-formed people.

When writing about the last book, I said that I wanted more with the Ghost Wolves as a whole, to get a better feel for them. I got that this time — but not quite enough. I’m not sure what it would’ve taken, however. They seem more cohesive as a unit — Hob taking to leadership, and the Wolves taking to Hob. It’s a fascinating group — and one I clearly can’t get enough of.

There were plenty of mysteries, questions, enigmas wrapped in each other about the nature of the Weathermen, the Bone Collector, Hob’s abilities (and those of others, too) and what TransRift Corporation has found in the mines left over from Hunger — and Wells doesn’t answer them all. Are some things clarified? Are some things better understood? Yup. Does everything get spelled out for the reader? Nope. I love the fact that there’s a whole lot that we don’t get to wrap our brains around, but that we just have to accept — just like the characters. But it’s done not in a way that you feel unsatisfied with what you’re given.

There’s even a little bit of sweetness to be found in friendship, family, and romance. Not so much that it becomes a “kissing book” or anything, it’s just an added touch.

I find the politics a little hard to swallow and simplistic — but I can’t think of the politics of any SF book/world that don’t strike me this way, honestly. At least not once they get beyond the most vague notions. I’m only mentioning it because it seems that important to the novel. Which is not to say that it detracts from things too much — if I can suspend disbelief enough to buy the capabilities of the Weathermen, or a fire-throwing, one-eyed, space-biker; I can buy whatever the workers on Tanegawa’s World try to replace the corruption they’ve suffered under.

I get the feeling that this is going to be a duology — there might be more stories to tell with the Ravani, or Tanegawa’s World, but they probably won’t be as closely tied to these two. I’m satisfied with a duology — we got a complete story and a very satisfying one. Wells started strong and ended stronger — can’t ask for more than that.

I’m excited to talk about this book and I want to say a whole lot more — and feel like I should. But I’m not sure what else to say without giving anything away. Hunger Makes the Wolf was one of my favorites last year, and this is better. Ultimately, there’s not much more to say than that.

—–

4 1/2 Stars

Timekeepers by Simon Garfield

TimekeepersTimekeepers: How the World Became Obsessed With Time

by Simon Garfield

eARC, 368 pg.
Canongate Books, 2018

Read: February 16 – 23, 2018

Time, once passive, is now aggressive. It dominates our lives in ways that the earliest clockmakers would have surely found unbearable. We believe that time is running away from us. Technology is making everything faster, and because we know that things will become faster in the future, it follows that nothing is fast enough now. . . But the strangest thing of all is this: if they were able, the earliest clockmakers would tell us that the pendulum swings at the same rate as it always has, and the calendars have been fixed for hundreds of years. We have brought this cauldron of rush upon ourselves. Time seems faster because we have made it so.

I remember a few books pretty distinctly from my childhood — particularly those I read that were my first forays into “grown up” books — Ian Fleming, Erle Stanley Gardner, Mario Puzo, Richard Hooker, and so on. The first non-fiction book that I remember trying along those lines was Tom Wolfe’s The Right Stuff, which may have ruined me for a lot of the non-fiction that would follow (we can talk about my discernment later). It was funny, it taught me a lot, it made me think of the early US Space Program a little differently than what I’d been taught, and it was told in Tom Wolfe’s voice (which I love to this day). But it cemented the way I look at non-fiction books. Today, when it comes to non-fiction reads, there are a number of ways I tend to judge them (rightly or wrongly) — first (always first): Is it well-written? I’m not saying it has to sound like Wolfe, but does the writer know what he’s doing? Even if I end up learning a lot from a book, if it’s not well-written, I’m not going to like it. Secondly, is it informative? Do I actually learn something, or is it a re-hash of things that any number of books have said (do we really need that many biographies of Abraham Lincoln?)? Thirdly, does it make me think of something in a new way, or challenge my preconceptions (does this examination of Don DeLillo make me re-think White Noise? (I know of no book like this, but would love to read one)). Fourth, this is not essential — but is the book entertaining? It gets bonus points for that.

Simon Garfield’s Timekeepers, clears the bar for every one of these standards. Since he does it more succinctly than I could, I’ll let Garfield sum up the book:

This is a book about our obsession with time and our desire to beat it. . . The book has but two simple intentions: to tell some illuminating stories, and to ask whether we have all gone completely nuts.

He begins with telling the well-known (at least in brush strokes) story about the invention of time zones — but man, did I not understand really how this came about. Then he covers the experiments with the calendar, the clock, etc. tried following the French Revolution (and how some of those experiments live on). We get a couple of chapters on time and the cinema. Music (Beethoven, The Beatles, recording and more), photography, filibustering, the work day, and other sundry topics are covered as well. You can’t forget watch-making, watch-marketing, watch-design, watch-capabilities, watch-symbolism, and a few other watch-related notions that I can’t think of at the moment.

Let’s get to the writing itself. Garfield has a way with words — the number of sentences that I highlighted because of his use of the language is pretty high. If I quoted every one that I wanted to, this post would quickly move into the tl;dr range — and into the copyright infringement range not long after that. It wasn’t just his style, the book simply displays some well-crafted writing. It’s not perfect — but it’s good. I’ll freely admit that not every topic he covered really interested me, but his writing kept me reading — and I was rewarded pretty frequently. Even when my interest waned, his writing would stand out here and there so I could appreciate the how he said it, even if the what didn’t interest me. Rarely, the topics that did grab me would have a paragraph or so that didn’t rise to that level, however. I’m not going to go into specifics on this point, though — I didn’t bother to note those, and I bet that comes down to taste and others won’t think of those passages the same way, and they were brief moments, so they didn’t detract from the whole.

Did I learn something from the book? Much more than I expected to. The chapter on the French experiments alone probably taught me enough to justify the whole book. I didn’t/couldn’t stick with the details of watch-making (I have a hard time visualizing that kind of detail), but even that was fascinating and informative on the surface. Most topics broadened my understanding and taught me something. Also, the sheer amount of trivia that I picked up was great (the amount of time spent recording the first Beatles LP, why pop music tends to be about 3 minutes long, etc., etc.)

But it’s not just about the information gained — it’s what that information means (both in terms of the book’s argument(s), but in how the reader considers that information in the light of what they already know and personal experience. Every time that Garfield moves from the “here’s what happened” or the “here’s how this works” bits to the “because this happened” or “because this works” bits, it was something I don’t know that I’d spent too much time thinking about previously. Sometimes those took the form of quick “huh,” moments — but occasionally he brushed against profundity, which I really appreciated.

And yes, Garfield picked up bonus points for entertainment. After the first paragraph in Chapter 1, my notes read “Between the Introduction and this paragraph, I’ve laughed four times. Am going to dig this book.” Later on, I wrote that I didn’t care about the content, really, I was having too much fun reading it to worry about it being right.

There’s room for improvement, I think. If there’s a design to the organization, I’m not sure I see it. He appears to hopscotch around between his topics. I’m honestly not sure how he could have arranged them to flow from one to another, but I do believe it could’ve been done. I think he could’ve lessened the detail occasionally (and increased it in a spot or two). But generally, this is me being nit-picky for the sake of not being a push over. There’s really almost nothing to complain about.

Garfield scores across the board with this one, however. I do think the survey hops around a bit too much without obvious connections between the ideas so that the cumulative punch is less than it could be. In his concluding thoughts, Garfield raises some issues and asks some pointed questions that could be more forceful, more pointed if the preceding chapters had been more clearly linked. Nevertheless, the points were made and I, like most readers (I suspect), had to give some serious thought about my relationship to time and what I actually value. I’ll have to continue this thinking for a while, actually — the fact that I have to — and want to — is because of this book forcing me to consider things I’ve taken for granted about time and how my life is governed. I suspect I am not alone in this.

Thought-provoking, interesting, educating, well-written and generally entertaining — Timekeepers really covers all the bases and covers them well. You’d do well to check it out.

Disclaimer: I received this eARC from the swell folks at Canongate Books via NetGalley in exchange for this post — thanks to both for this. I’m very sorry this posted after the release date, my notes had that in March.

—–

4 Stars

Saturday Miscellany — 2/24/18

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Release that I’m Excited About and/or You’ll Probably See Here Soon:

  • The Armored Saint by Myke Cole — Cole makes the jump from UF to Epic Fantasy. This one looks good — hopefully will be able to post about it here next week.

Lastly, I’d like to say hi and welcome to Arrowhead Freelance and Publishing and Stephanie for following the blog this week.

The Strange Death of Fiona Griffiths by Harry Bingham

The Strange Death of Fiona GriffithsThe Strange Death of Fiona Griffiths

by Harry Bingham
Series: Fiona Griffiths, #3

Kindle Edition, 470 pg.
Sheep Street Books, 2015

Read: February 16 – 17, 2018


From the instant that it was mentioned in Love Story, With Murders that Fi Griffiths had signed up for a course in Undercover work, every reader knew that she’d end up doing some deep undercover work soon. Thankfully, Bingham didn’t make us wait too long because here comes both the course and the assignment. But before we get to the assignment, Fi gets this wonderful reality check after her course:

I’m tasked to process paperwork on a couple of cases that are coming to court. Someone assigns me to help on a team that is developing advice on how to avoid thefts from vehicles. The first of our meetings takes an hour and forty minutes and the gist of our advice will be, ‘Lock your car and hide your valuables.’ Or, to simplify further, ‘Don’t be a bloody idiot.’

I suggest that as a slogan and everyone looks at me.

I just loved that. Anyway, this seems like a perfect idea — there’s a real sense in which everyday life is an undercover assignment for Fi, letting her do it as part of her job seems like a no-brainer. Not that her superiors really understand that, but her readers do.

The case started off as a simple payroll fraud investigation — a clever and ambitious fraud, make no mistake, but not the kind of things that excites any police detective (especially one like Fi). But then, she ties one suspicious death into this crime — and then a particularly gruesome murder as well. These discoveries are enough to get The Powers That Be to take this seriously enough to put Fi and another officer undercover as payroll clerks to infiltrate this scheme. Eventually, Fi is recruited by the people they’d hoped recruit her and the game is afoot. Fi does things that will surprise the reader as much as they do to her targets in her efforts to bring some justice to the situation.

At some point, Fi is going over the results of her work thus far with our friend, DCI Jackson, and her handler from Organized Crime

Brattenbury says, ‘Fiona, this is remarkable work. You—’

Jackson interrupts him. ‘Don’t flatter her. She’ll cock everything up. Or start shooting people.’

Which is essentially the outline for every Fiona Griffiths novel, really.

Watching Fi go deeper into her cover and into the fraud activity is gripping — and also very different from the earlier books. Fiona doesn’t get to spend as much time with the dead as she likes, she can’t have their pictures on display without ruining her cover. It doesn’t stop her from doing what she can along those lines, but it gives Strange Death a different feel from its predecessors.

Fi’s investigation of the deaths isn’t the focus of this novel, it’s her undercover work — how she does it, how she embodies her cover, how as her cover she contributes to the community, how she learns things that can help her (both the fictional her and the real). Like too many who go undercover, Fi arguably gets too close to her targets (it’s not much of an argument, really), and lines between the detective and the felonious payroll clerk blurred more than they should’ve. The same kind of focus, the same kind of attachment she makes to the victims in the other books (and cases we don’t have record of) is brought to the people and work she encounters here.

At the same time, Fi’s desire — need — for the emotional, familial and romantic connections she’s made has never been stronger. Those things that she wanted, so she can be more like a citizen of “Planet Normal,” act as an anchor to reality in a way that has to surprise her. Not only that, she forges new relationships as DC Griffiths through these events. Minor spoiler: the Fiona Griffiths that emerges from this assignment is a noticeably different, more well-rounded, and changed in other (less pleasant) ways.

It was good to see DCI Jackson at work again. The other police officers (particularly Brattenbury and his team) were more interesting than we’ve gotten before. The same could and should be said for the other supporting characters we encounter in these pages — criminal and civilian alike. I hope that Bingham is able to find ways to bring many of these characters back in future novels (or he can just give us new characters that are as well constructed, but I like so many of these I’d prefer to see them).

I’m a sucker for undercover cop stories — since the first time I saw Ken Wahl’s Vinnie Terranova (when I was too young to be seeing such things) and what his work did to him. This was no exception — and a strong sample of the type. This story of Fiona Griffiths’ UC work is just as gripping, just as surprising as you could want and a sure sign that this character is more than a one-trick pony (if anyone was still wondering) and that Bingham is a writer to watch.

—–

4 1/2 Stars

Golden Gremlin by Rod A. Walters

Golden GremlinGolden Gremlin: A Vigorous Push from Misanthropes and Geezers

by Rod A. Walters

Kindle Edition, 228 pg.
Omega Man Press, 2016

Read: February 1 – 2, 2018


Edmund Kean (1787 – 1833) — or someone else, it’s unclear — said “Dying is easy. Comedy is hard.” Stand-ups, actors, and writers alike will testify to at least the latter. The downside is that those that do the hard work, those that are good at comedy make it look easy. Too often it seems that people (professional and amateur alike) go for the easy approach, and it’s never a good idea.

There’s also no accounting for taste.

I’ll accept either as the explanation for why this book left me underwhelmed.

Walters assumes a curmudgeonly tone, calling himself a misanthrope and taking shots at the foibles of the culture around him. The younger set is a particularly favorite target. Too often his pieces come across as angry Facebook rants, written by someone who spouts off against social media. Still, his points are occasionally clever and his jokes show promise. If he’d subject each of these two a few more revision passes, I could imagine myself enjoying many of these.

I’d strongly encourage reading this in small bursts — the essays don’t build on each other, there’s some references between the two, but nothing you won’t remember even after a few days. I wouldn’t do more than one or two in a sitting or Walters’ charm will wear thin.

Walters says that he wrote to make Dave Barry and Ben Stein laugh. If he’d invoked Andy Rooney, I might have agreed with him. I didn’t dislike the book, but I sure didn’t like it. Walters was frequently amusing — and I have no trouble thinking that many would find him funny. But not me. At least not without a few more drafts.

Disclaimer: I received a copy of this book in exchange for my honest opinion and participation in this book tour.

—–

2 1/2 Stars

Guest Post by Rod A. Walters: Little-r-Slash-Big-R Has to be BIG Enough

[from “Captain [OF] America,” t.b. published August, 2018]

Size really does matter if you want a really dark partial solar eclipse. Having seen a spectacular annular solar eclipse—a “ring around the moon” thing—in upstate New York in 1994, I expected the Monday, August 21, 2017, predicted local 70%-partial solar eclipse to look spectacular, too. Wow, seventy percent! That sounds really dark!

During pre-Eclipse Morning, taking our usual walk around the neighborhood, I sensed all those neighborhood cats who came trotting up to us were worrying about the upcoming eclipse darkness. This many troubled cats didn’t happen often. They seemed to want extra head pats. Certain that they had primitive cat worries about the dangerous coming darkness, and needing fatherly attention, I gave them each a short lecture about how it’s only going to get sort of dark, but no wooba-monster dog-thing will be lurking in the shadows for them. A couple of reassuring pats each, we would go on our way. Cats love science lectures.

Later, wanting to make sure the Eclipse Day turned out special, I had much earlier set a lunch date with my wife, knowing that a romantic bayside restaurant table would make just the perfect afternoon. If clouds or rain had turned up instead, we still would have gone to an excellent lunch, and called it a Solar Ecrapse instead.

Armed with ISO 12312-2 certified eclipse-watching dark glasses, I treated my date to a running commentary about eclipses, about the ones I had seen before, and about the eerie darkness which would soon envelop us. Romantically. At about 30% eclipse, then at 40%, and later at 50%, it still looked just as bright as when we sat down an hour earlier.

At the maximum expected 70% eclipse, I could feel my date’s unspoken question, “Is it getting darker yet?” Wup.

Lunch was good, the company was good, but the 70% partial solar eclipse didn’t put on any show, except as viewed through the ISO 12312-2 eye glasses. How could that 1994 annular eclipse have looked so weirdly dark, and this 70% partial not be? Why! Why!

Time to whip out the old slide rule. A quickly jotted-up equation showed that for an annular eclipse to block the same 70% of the sun’s light, the so-called “apparent” moon’s radius today would be about 83% of the sun’s. All real engineers will yawn, bored with this simple equation: little-r-divided-by-big-R equals the square root of 70%. All non-engineers  would just yawn, neither group giving a rat’s eclipse about it. But the slide rule’s mocking answer: that 1994 annular eclipse hit 90%—a much, much bigger size than today’s event. No wonder 1994 got darker! I should have done the calculation before opening my blathering mouth. I can still hear the slide rule laughing.

I’d decided to make up for it next day by explaining this crucial little-r-slash-big-R mistake to all those neighborhood cats.  I just know they will all be interested, if they bother trotting out to me again.

BOOK SPOTLIGHT: Golden Gremlin by Rod A. Walters

Today we’re welcoming Rod A. Walters’ Golden Gremlin: A Vigorous Push from Misanthropes and Geezers to our humble abode. We’re starting things with this spotlight post (which includes a giveaway). In a little bit, we’ll have an Guest Post from Walters, and later, I’ll tell you what I thought of this book. But let’s start by learning a bit about it:

Book Details:

Book Title: Golden Gremlin: A Vigorous Push from Misanthropes and Geezers
Author: Rod A. Walters
Category: Adult Non-Fiction, 228 pages
Genre: Humor
Publisher: Omega Man Press
Release date: November 2016
Content Rating: PG-13 + M (Mild and indirect innuendo to both sex genitalia, a short essay about the fictional “AssBook,” an essay on current health-care talk, a teaser “is his cord long enough?” to get readers to choose a short piece on electric cars next, etc.)

Book Description:

Written to make Dave Barry, Lily Tomlin, and Ben Stein laugh, Golden Gremlin: A Vigorous Push from Misanthropes and Geezers delivers the experience of a balanced life, and the wisdom to like most of it, and then laugh at the rest of it. What the heck, Barry lives in Miami, habitat of geezers, and Ben Stein is one. The world really needs that push, vigorous or gentle, from misanthropes & geezers, the world’s most valuable golden gremlins. Misanthropes pretend to not like or need other people, but in reality they merely prefer their own company much of the time. Geezers, aside from that silly name, also like their own company quite well. Both share the virtue of seeing the world calmly. You get pointy bite-sized life pointers from these experienced gremlins, told in easy bite-size chunks. Laughter included in the price! Two out of three wouldn’t be bad either.
Life is good! So laugh a little at yourself on the way through these pointy essays, and that will buy your laughing at the world’s simpler parts, guilt free.

Golden Gremlin comprises about 70 short essays bundled into six topic areas:

NATURE: boys, ugly drivers, and coffee cups in the ‘fridge.
WORDS: the real meaning of Caucasian and Genre.
BUSINESS: deafness at the economics conference, and getting on AssBook.
KITCHENS: sushi chefs, and truth about manna.
HISTORY: when Hell froze, and Attila the Honey.

Golden boy gets to be GOLDEN GREMLIN: experience overcomes certainty.
What things could possibly be more important!

Buy the Book:

 

 

 

Meet the Author:

Rod Walters lives and writes in upstate New York to prove he can be an all-season writer. Since he wants everybody to be all-season persons no matter her or his circumstance, his writing aims sharply toward the practical—without turning into one of those godawful do it ma’ way authors. Life, after all, is practical hour by hour. Self-described as “old enough to know better, and he probably is,” his former life as Army officer, engineer, and administrative assistant could not have better prepared him to write both light and more serious short pieces pointing to creating a balanced life. Chuckling at yourself usually makes a good takeoff, he says. Giving up having to be certain makes for a good landing, especially for one’s friends! Then again, who the heck wants to live a balanced life? Mostly everybody does. That’s why he now writes. Although many friends nudge and badger him to be a Facebook and Twitter butterfly, he tries not to spend many numbing hours a day with circular keyboard tapping. Writing works better.

Connect with the author: Website

Enter the Giveaway!

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