Category: Science Fiction Page 9 of 29

I Have Far Too Many Things to Say about Wistful Ascending by JCM Berne (But I Try)

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Wistful AscendingWistful Ascending

by JCM Berne

DETAILS:
Series: Hybrid Helix, #1
Publisher: The Gnost House
Publication Date: September 5, 2020
Format: eBook
Length: 395 pg.
Read Date: November 24-28, 2022
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A Word About this Post

If I approached this novel the way I typically would, you wouldn’t read it. I wouldn’t blame you, because I wouldn’t either. It would just be too long to bother with. There’s just too much that I want to talk about here. So I’m going to do this differently, I’ll provide a little setup, give a couple of pros and cons in bullet points (many of these bullet points would be 2-3 paragraphs otherwise), and then a wrap-up thought.

There’s still a good chance that this is going to be too long, but I tried.

What’s Wistful Ascending About?

For some time, Rohan was one of the most feared warriors in the il’Drach Fleet. As a human/il’Drach Hybrid, he had powers and abilities beyond what most are capable of—flight, super strength, speed, stamina, healing, etc. He tires of that way of life and retires to the space-station Wistful, just outside the empire, and gets a fairly menial job. Work, a couple of beers, and sleep—before starting it again the next day. That’s the kind of life he wants.

And it works for a while. Then a previously dormant wormhole opens up and refugees from the other side of the galaxy (or further) show up. Then scientists from the Empire arrive to study that wormhole. Dangers, soldiers, spies, and assassins are suddenly all over Wistful and Rohan is called upon to defend his home, his friends, and himself.

The Cons

This is going to be a short list:
bullet The Title. Yeah, it’s fitting. But it’s not really an eye-catcher, is it?
bullet The Prologue is one of those action-packed intros that stops just before something major happens before giving us “X Hours Earlier,” “Y Days Before,” etc. Twelve Days, in this particular case. I don’t get the appeal of this kind of introduction, and while I can’t say that I’ve never seen it done well, the percentage is pretty low. I don’t understand why writers keep going back to that device, someone must like it.

The Pros

Basically everything else.

However accurate, that’s probably not that helpful. So let me share some highlights.
bullet In the tradition of William Munny, John Rambo, John Wick, Clay Cooper, and countless others, you have a man of war, a man of violence who has made a conscious decision to leave that to pursue a quiet life, a peaceful life—a life of no notoriety. Then circumstances compel them to return (hopefully temporarily) to that life they had forsaken. Who doesn’t like this kind of story?
bullet Before he joined the il’Drach Fleet, Rohan was a super-hero on earth—or tried to be, he apparently didn’t get much attention due to being on the weaker side. Which is just a great idea for an origin. If nothing else, it makes Rohan instantly accessible to the reader—we get his humor, his references, and have heard stories like his before. Also, by “weaker” think Invincible/Mark Grayson compared to Omni-Man/Nolan Grayson. So technically weaker, but not a major downgrade. Also, hold on to that Invincible comparison—we’ll be coming back to it.
bullet So his father was an alien, but his mother was from India and she relocated to Canada when he was very young. That’s a lot of cultures to draw from, it explains his tastes in food—and it keeps Rohan from being a Clark Kent/Mark Grayson/etc. clone.
bullet Not only does Rohan have nifty superpowers (as do some of his opponents)—the way that Berne describes their use is just fantastic—really. If it’s not the best description of super-powers in prose that I’ve read in the decades I’ve been reading them, it’s so close as to be negligible (and I’m too lazy to dig up the couple of contenders that I’m thinking of to do the comparison).
bullet Beyond that—his explanation for the source of the powers in the metaphysical sense? Think of the Force in episodes 4-6, and then do a better job of explaining it.
bullet (there’s a later explanation of how those abilities manifest themselves in the Hybrids that’s pretty clever, too)
bullet There are kaiju. Or kaiju-esque creatures.
bullet Wistful, the space station Rohan lives on and works for, is the kind of multi-species hive of activity and commerce that’s catnip for Space Opera/SF junkies. And the alien races/cultures that are represented there are well-designed and interesting. Really, if Berne gave us an illustrated guide to his aliens, I’d snap it up.
bullet Wistful is a sentient space station (I’m on a roll with these lately), who actually has legal jurisdiction over the solar system she occupies. Can be a party to treaties, etc. How cool is that?
bullet It’s not just space stations, either. Ships of a certain size are sentient, too. They grow and develop. They have wills and desires of their own—for example, there’s a ship that got tired of being a troop transport and changed themselves (with the appropriate approvals, etc., I’m sure) into a science vessel because they wanted to learn and explore. I’d take a novel just about that ship.
bullet The explanation behind the way the ships/stations act and have sentience, etc. in contradistinction to those of other cultures is interesting and fits in with the world that Berne created so well.
bullet I don’t know how I’ve made it this long in this list (which is longer than I anticipated and makes me all the more certain I shouldn’t have tried a traditional post) without mentioning the humor. Think Jim Butcher. Think Invincible. Think Peter Parker at his best. Think MCU’s Guardians of the Galaxy. Think Nicholas Eames. You get that humor throughout the novel and it’s shown through all the characters in some way (at least those not trying to kill someone at the moment), but it’s particularly expressed in Rohan’s point of view and the way he talks to himself.
bullet But more particularly Rohan’s banter with just about everyone—it’s almost at the level of the Giffen/DeMatteis Justice League
bullet Most of the characters—from Wistful’s security chief to the staff at Rohan’s favorite place to get breakfast are so well-developed and distinctive, with such interesting points of view and characteristics that you almost want every scene to be twice as long just to spend time with them.
bullet This is related to the depiction of super-abilities. But these fight scenes are dynamite. One of the problems a lot of writers have with Superman, for example, is when someone like him lets loose and say punches a guy—bad things happen. I remember an old DC role-playing game when I was a kid—no one wanted to be Supes because it was too easy to kill someone. Now, people like Robert Kirkman embraced that, and the pages of Invincible (I told you to hang on to that) are dripping with blood, gore, bits of bone, and the debris of buildings/mountains everywhere. We get the same kind of power on display here with the same kind of consequences (also, several displays of Rohan not letting that happen).
bullet Related to those fights. Seriously. Don’t make Rohan angry. You wouldn’t like him when he’s angry (he sure doesn’t—see the first bullet point in this list)
bullet One more Invincible note—doesn’t that cover kind of look like Chris McGrath did a take on a Ryan Ottley cover? I don’t know who the cover artist was, but I loved it.
bullet Lastly, aside from the Prologue issue (which is my personal taste, but it’s my blog so I get to call it an issue), the way Berne plotted this thing, constructed the story, doled out information, and everything else along those lines was so well done, so impressive that you have to believe that he’s been at this a long time.

Okay, I lied. I have one more point:
bullet Talking bears in space. Well, an alien species that happens to look like sentient, talking bears, who have the strength of large bears, and enjoy catching/eating fish. So….close enough. I’ll say it again: talking bears in space.

So, it’s pretty clear already, but what did I think about Wistful Ascending?

I want to say more—believe it or not. I don’t think I’ve captured how excited I was reading this and am now while trying to talk about it.

I was talking to a friend about Wistful Ascending the other day, or maybe I was just trying to—like with this post, I struggled. I said, “It’s like he’s doing “Scenes from a Hat” from Who’s Line is it Anyway?, but instead of transitioning from one idea to the next, it’s like Berne takes each idea as it’s pulled out and adds it to the story. He says ‘Yes, And’ to everything.—’Sentient Space Station? Okay. Golden-Age Super-Hero Sidekicks who’ve become old scientists? Fine. Kaiju? Sure thing!'” I’d honestly love to know what he thought wouldn’t work in this novel.

And the maddening thing, the thing I can’t wrap my brain around is that it somehow all works. Because that was my friend’s first reaction—”oh, that’s just way too much for one book, the guy needs to edit.” I had to say no, it somehow all comes together just fine, “I don’t understand how, but it’s working great. I’m loving it. I want to become his new best friend.”

And readers, I was at the 52% point when we had that chat. I still didn’t know everything he could do with the book. I wasn’t kidding when I listed two things as cons to this book. I couldn’t think of anything else that I didn’t like.

I’m not saying this is the best thing I’ve read this year (but it might be). I’m definitely not suggesting everyone’s going to relish it the way I did. But, boy howdy, this hit all the right spots for me. I couldn’t get enough of this. And yeah, I want to be JCM Berne’s new friend.

Nevertheless, it’s getting 4.5 stars from me because of the Prologue, because I round up for Goodreads and Amazon, and because I like to give an author room to get more stars as a series progresses and they get better at their craft. And if that half a star dissuades anyone from reading the book, they weren’t paying attention to anything I said above.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.



My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

BOOK SPOTLIGHT & GIVEAWAY: Wistful Ascending by JCM Berne

I’m very pleased to welcome the Escapist Book Tour for JCM Berne’s Wistful Ascending to The Irresponsible Reader this morning! In addition to this little spotlight post, my take on the novel will be coming along in a bit. Be sure you scroll down to the bottom of this post for the Giveaway! But first, let’s start by learning a little about this book, okay?

Wistful Ascending Tour Banner

Book Details:

Book Title: Wistful Ascending by JCM Berne
Series: Hybrid Helix
Publisher: The Gnost House
Release date: September 5, 2020
Format: Hardcover/Paperback/Ebook/Audiobook
Length: 395 pages
Genre: Science-Fantasy/Superhero/Space Opera
Intended Age Group: Adult
Wistful Ascending Cover

About the Book

Retired from a career as a weapon of mass destruction for the Imperial Fleet, Rohan wants little more than decent coffee, a chance for romance, and a career that doesn’t result in half a galaxy shuddering at the mention of his name.

When a long-dormant wormhole opens near his employer, the sentient space station Wistful, the Empire takes renewed interest in the system. As scientists and spies converge, Rohan struggles to protect his friends and his peaceful life without again becoming the type of monster that can’t have either.

See Also:

If Harry Dresden and Thor Had a BabyThe Only Tollywood Inspired Superhero Book You’ve Considered This YearDragonball Z with 100% Less Constipation

Book Links

Amazon ~ Goodreads

About the Author

JCM BerneJCM Berne has reached middle age without outgrowing the notion that superheroes are cool. Code monkey by day, by night he slaves over a hot keyboard to prove that superhero stories can be engaging and funny without being dark or silly.

Linktree ~ Author Website ~ Twitter ~ Instagram ~ Facebook ~ Free short story

Giveaway

Prize: An eBook, Audiobook, or Paperback Copy of Wistful Ascending!
Starts: November 24, 2022 at 12:00am EST
Ends: November 30, 2022 at 11:59pm EST
a Rafflecopter giveaway

Direct link: http://www.rafflecopter.com/rafl/display/79e197ac70/



My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

The Veiled Edge of Contact by James Brayken: Apotheosis Through Union

I’ve got a a Q&A with the author coming up in an hour or so. I haven’t read his A’s yet (so I didn’t have to rethink anything I wrote below), but I’m betting they’re worth your time. Come back and give them a read, will you?


The Veiled Edge of ContactThe Veiled Edge of Contact

by James Brayken

DETAILS:
Publisher: Oh Gentle Night
Publication Date: May 10, 2022
Format: eBook
Length: 384 pg.
Read Date: October 26 - November 1, 2022

…right now, I’m not discounting anything— time travel included— just because it sounds unbelievable. Unbelievable is the new norm.

What to Say? What to Say? What to Say?

This is one of those books that I have a lot of things that I want to talk about. There is so much worthy of discussion. But if I talked about it all—in the ways that I’m tempted to—you’d finish reading this post and say, “Yeah, H.C., this book sounds like it’s full of interesting ideas, but now I don’t need to read the book.” Then I’d have to admit you were right, and I’d feel bad and the tens of you that read this wouldn’t buy Brayken’s book. So then I’d feel guilty, because he seems like a real nice guy, so then I’d buy multiple copies of it to make up for the copies you don’t buy. Then Mrs. Irresponsible Reader would see what I spent and a fi—ahem—an intense discussion would ensue. Annnd….

Well, let’s just say that’s just too much drama. So I’m going to have choose what I discuss carefully.

What’s The Veiled Edge of Contact About?

Okon is no one’s idea of an SF hero—including his own. A former chef of some notoriety, he hasn’t worked in some time, instead, he’s lived a life of comfort. His wife, Efawi, is an engineer-entrepreneur who is very politically active. Okon isn’t sure that he shares her politics—he definitely doesn’t want her as active as she is (particularly as it puts her under the unfriendly gaze of the government). A few years back, she’d become hugely successful and he’d quit working, and mostly sat around all day playing video games and watching movies (or a futuristic equivalent).

It’s been seventy or so years since a large war of some sort in Africa (and, possibly, other places, it’s not made specific). They live in a country near the largest jungle—but the specifics (again) aren’t given. The couple has little in common beyond a shared history and commitment to each other. As all marriages do, they’ve had their ups and downs—they’re currently in the middle of a prolonged down—but Okon is sure (fairly sure), they’ll turn it around.

But before they can, Efawi’s political activity puts her on the outs with the government, she’s accused of some serious crimes and goes missing. Several days later, Okon finds messages for him to come after her and meet her—she’s on the verge of a discovery that will change everything. Assuming she can finish it without being arrested. She wants her husband with her and has left him directions and equipment—including an armored exosuit—to follow.

Weeks after she’d gone missing, Okon follows her into the jungle. Something about the jungle (and he assumes what she came looking for) interferes with almost all of his tech—particularly the communication portions. So he’s relying on data drops Efawi left behind giving directions to the next one, and the next, and both are starting to despair about how long it’s taking him to catch up.

Okon then stumbles upon a group that call themselves Wuchumbu. They’re possibly the last people group on Earth unfamiliar with and untainted by technology, “modern” culture, etc. They want nothing to do with anyone not in their group and set to attacking him. Stuff happens, and he ends up living with the Wuchumbu and looking for his wife. He’s certain that there’s something about the Wuchumbu, their practices, their location…something that is tied to the tech issues. And therefore, this is where he’ll be able to find Efawi.

And then a whollllle bunch of other stuff ensues.

The Tone of the Novel

This doesn’t read like an SF novel (not that there’s a monolithic tone/voice for SF, but not many come across this way). It might feel like a Mike Chen SF novel, if it was set in an African jungle. But that’s as close as you’re going to find.*

* If I wasn’t late getting this up in the first place, I might spend 3-4 paragraphs on this point. Part of me wants to restart the whole post and say “Pretend Mike Chen wrote a book that’s set…” The more I think about this comparison, the more apt it feels.

The whole novel is rather dark and dystopic but is written in such a way that you can easily forget that. Okon is a likable fellow and his voice (it’s a first-person narration), is pretty much what you’d expect from an adult male who spends his life watching movies and playing video games while his wife revolutionizes science and tries to shake up her country’s government. That same, laid-back attitude crosses time and culture, apparently.

When you wipe everything away, this is the story about a man looking for his wife, increasingly concerned that he can’t find her—but who habitually (and through force of will) is optimistic in the face of increasing challenges. Making this ultimately a sweet—and potentially sad—story. Largely because of Okon’s outlook, his voice, and his devotion to Efawi. Those challenges—mostly those things we just wiped away—take the form of the Wuchumbu, the government Efawi is fleeing from, Okon’s tech issues, and a mess of other obstacles.

A Question of Genre

The descriptions for this book describe it as “genre breaking.” I’m not sure about that. I don’t know that it’s wrong, but I fear that it might mislead some readers (I went into it with skewed assumptions, for example). I’ve got a Q&A with Brayken coming along later today, and he might convince me otherwise—I haven’t read his responses yet, so I don’t know.

What I would say is that The Veiled Edge of Contact is a great example of the wideness of Science Fiction, the range of ideas and settings that it’s capable of, the diversity of characters, and more. I’m not saying that Brayken has done things I haven’t seen in SF before, but the way he combined most of the aspects of this book is pretty rare. (I’d say it’s unique, but as soon as I do that, someone’s going to point out something similar out there, so let’s stick with rare).

The fact that he mixes so many ideas together successfully, with wit and polish not usual for a first novel makes this stand out.

So, what did I think about The Veiled Edge of Contact?

I want to go home—to the one made from bricks. I crave my room. I crave walls and ceilings. I’ve never felt so strongly about carpet.

I felt a little lost at the beginning—there’s a pretty big disconnect between the Prologue and Chapter 1. But I pushed on through and Brayken quickly won me over and I forgot about everything that I got hung up on in the Prologue and the disconnect I felt. Literally forgot—so much so that when that material became relevant again, I had to work to remember it. Which is a compliment, Brayken got me so sucked into to Okon and the Wuchumbu and everything that was immediately going on that it consumed all my attention.

I wanted to see what was around the corner, what was going to befall our (mostly) hapless protagonist next. But I also just wanted to live in the moment and spend more time with him and that moment to go on—because whatever befell him next was going to push the narrative to an end and I’d have to say goodbye. We’ve all been there before with novels, you know that sensation. I got a major dose of it from this book.

I don’t know what more to say about the book than that. Brayken plays with SF concepts, tropes, and mainstays, and does things with them that are familiar and are strikingly unfamiliar. Mostly at the same time. But on the whole, while he’s doing that you don’t care—you just want to see what’s coming next. All the thoughts about what he’s doing and why and how it changes the story come after you’re done—or when you step away for a while for work or whatever.

I would love to sit down and pick his brain some time over a meal and dig down into his thinking and some of the choices he made. I’m not crazy about all of them—but they were absolutely the right choices, and I’m glad he made them (maybe especially the ones I’m not crazy about). Brayken immersed me in another world and I really didn’t want to leave. There’s not a whole lot more I can say that’s more complimentary than that.

Now, I’ve behaved and haven’t said too much. It’s your turn to keep the other end of the bargain. Go and do the right thing and buy this book, will you?


4 Stars

Disclaimer: I received a copy of this book from the author in exchange for this post and my honest opinion.

For We Are Many (Audiobook) by Dennis E. Taylor, Ray Porter (Narrator): Who Knew that Finding a Replacement for Earth Was the Easy Part

For We Are ManyFor We Are Many

by Dennis E. Taylor, Ray Porter (Narrator)

DETAILS:
Series: Bobiverse, Book 2
Publisher: Audible Studios
Publication Date: September 18, 2017
Format: Unabridged Audiobook
Length: 8 hrs, 59 min.
Read Date: September 28-29, 2022
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What’s For We Are Many About?

It’s been around 40 years or so since the Bobs started their mission of finding a place for the tiny sliver of humanity that’s still eking out a survival on Earth. They’ve started colonizing one planet and continue to look for others.

On Earth terrorists upset with the evacuation priorities—and some that think humanity should die off—harass the efforts and cause a little trouble. Extra-terrestrial life (some sentient and some others) cause other problems for the Bobs. The Brazilian probes are still trying to attack, too.

Then they encounter an alien space-traveling species—their first. This group (soon dubbed the Others) are enough to make Star Trek‘s the Bord look warm and fuzzy. Naturally, the Bobs quickly annoy them.

But really, the biggest problem comes from within. The Bobs are having a hard time coping with their virtual invulnerability as they deal with humans (and others) who aren’t so long-lived. Some of the Bobs begin calling them “ephemerals” as they try to find ways to cope. Whatever the problems that come from their opponents throughout the universe, it looks like this one may be the biggest challenge.

Ray Porter’s Narration

Porter was the deciding factor for me trying out the series in the first place, and he’d be enough of a reason to stick around. I don’t need him to be—the story and characters are really what are keeping me around—but him doing narrating is a nice bonus.

I really don’t know what to say beyond that—I’m becoming a real Porter fan here (and got excited a couple of days ago when I saw he’s done some work on another series I just started).

So, what did I think about For We Are Many?

This is exactly what a sequel to We Are Legion (We Are Bob) should be—the action picks up right where we left off, the stories continue to develop well and we get some good resolution, the stakes get raised, and the characters develop in ways that are natural yet unanticipated. The laughs are still there as is the tension—and maybe both are a little sharper. I love how all these Bobs are variations of each other, and yet come across as so distinctive (while Porter barely does anything different for almost all of them)—that’s in the writing and the performing, and it’s just great.

The last hour or so was the best writing and character work in the two books and made me eager for the next one.

This is great popcorn fun, and something tells me that I’m going to spend a lot of time with Mr. Taylor over the next few months (at least) (and hopefully more time with Mr. Porter, too).


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Ophelia Network (Audiobook) by Mur Lafferty, Khristine Hvam: A Cute (?) Dystopian Thriller

The Ophelia NetworkThe Ophelia Network

by Mur Lafferty, Khristine Hvam (Narrator)

DETAILS:
Publisher: Audible Studios
Publication Date: May 26, 2022
Format: Audible Original
Length: 2 hrs., 42 min.
Read Date: October 13-14, 2022

What’s The Ophelia Network About?

Under a dystopian U.S. government, a group of resistance workers coordinate through encoded messages in newspapers—but when the government sends censors to those outlets, they have to find a new way to spread the word to their operatives.

Which is where Libby comes in—it’s a children’s TV show—sort of a Where in the World is Carmen Sandiego?, but with puppets. The show’s new intern (a recently laid-off newspaper reporter) is using nonsense lyrics in their songs to communicate these messages.

We join the story when the actor playing the human character on the show is being interrogated, and get flashbacks catching us up to the present.

All of this happens under the watchful and helpful gaze of the “unhackable” Alexa/Siri-esque electronic assistant, Ophelia, that’s in every office, interrogation room, and restaurant.

Khristine Hvam

I’ve listened to something like twenty audiobooks narrated by Hvam—all reading Faith Hunter works (I thought I listened to a non-Hunter book, but can’t prove it). I enjoy what she does, she can deliver solid character work and accents, and evoke the right emotions. What I didn’t know is that a cartoon voice from her can crack me up—there’s a giggle we hear in this that would be worth the purchase price (if Audible didn’t include it for members). There’s one other character voice that doesn’t sound like someone from Hunter’s works, which is almost as good, too.

I had a blast with this.

So, what did I think about The Ophelia Network?

A novel-length version of this story might be too much—but I think this novella isn’t quite enough. It’s just a little too short, the story doesn’t get to be fully played out. Yes, Lafferty closes things off cleverly (especially if she didn’t want to get detailed about the ending), and no, I don’t think we needed to see the government fall/change for this to be an effective story. But we needed something a little more.

I am not complaining about what Lafferty and Hvam gave us, though—I just wanted more of it. I don’t know if a sequel is planned, but I’d welcome it. It’s a good Orwellian-ish story but with just enough humor to keep it from being entirely oppressive and dark. There’s a lot more to explore, but if that doesn’t happen, I’m satisfied with what we received.

This caught my eye after I read Lafferty’s Station Eternity, and seeing Hvam’s name on it sealed the deal. I’m going to keep an eye out for more from Lafferty, there’s something that she’s doing that just clicks with me. The Ophelia Network isn’t perfect, but I enjoyed this glance at a dystopian future, the characters and plot worked, and Hvam knocked it out of the park. If you have the means, give it a shot.


3 Stars

Station Eternity by Mur Lafferty: One Giant Leap for Homicide

Station EternityStation Eternity

by Mur Lafferty

DETAILS:
Series: The Midsolar Murders, #1
Publisher: Ace 
Publication Date: October 4, 2022
Format: eARC
Length: 464 pg. 
Read Date: September 23-29, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Station Eternity About?

In the not-too-distant future, Aliens (of various species) have made Contact with Humanity. It’s not unheard of for them to be seen on earth, looking around. Many humans are worried about war with the aliens—that they’re around to invade or something. What they can’t accept is that the aliens just don’t think enough about humanity to bother.

Nearby—but not that near—is a Space Station where the aliens that Earth knows about are living. It’s important to know that the Space Station is sentient. She’s allowed three humans to live on board. One is an ambassador from the U.S. (you’re going to spend a lot of time wondering how he got that appointment, until—of course—Lafferty explains it, and then it’ll actually make sense); another is our protagonist, Mallory Viridian (more on her in a bit); and Xan, an Army quartermaster, Mallory met in college a few years back.

People tend to die around Mallory. Well, that’s not exactly true—people in Mallory’s vicinity have a tendency to be murdered. When that happens, Mallory is really good at solving the murders, too. Sure, she has to repeatedly convince law enforcement that she wasn’t involved in the murder—but after that, she’s great at figuring out who did the killing. Her presence on the Space Station is her attempt at staying away from people. Her thinking is that if she’s not around people, they can’t be killed. Yes, there are two other humans on board, but she avoids them as much as possible for their own sake.

But now…Eternity has decided to allow a shuttle-full of humans to visit, and Mallory is worried. Beyond worried, really. She tries to convince Eternity to call it off, but before she can…there’s a murder. And before long, there are others—is Mallory up for the challenge?

The Aliens

There’s a lot that I liked about this novel—more than I’m going to be able to really dig down into. But one of my favorite aspects of the novel is the alien races, their cultures, how they relate to humans, and so on. Aliens should be…alien. They shouldn’t all be humanoid with a few cosmetic differences. Novels are a better place for this than movies/TV because they’re not limited by an F/X budget, but still, we tend to get variations on a theme. Lafferty’s good at keeping the aliens strange and humans should be equally strange to them (beyond a McCoy-can’t-get-the-whole-Vulcan-logic thing)

A couple of examples to start with: there’s the food on the station—a lot of it is lethal to humans, some is just unpalatable (think of the way 80s sitcom characters would react to the idea of sushi, and then multiply that). There’s also the way way that the universal translation device (fairly reminiscent of Adam’s Babel Fish) being implanted is a bloody and painful process—which is still not easy and pain-free by the end of the book. Unless I’m forgetting something (likely) or haven’t been exposed to the right things (very likely), I’m used to this being a seamless, easy and pain-free process in SF.

We are talking about races here that can remember thinking of species like humans (and some others on the station) as “masticatables,*” before they got to the point where they saw them as sentient beings who should be treated with respect and on the same level. Physiology, communication, ethics, and worldviews that we can’t comprehend easily. Not only are they only barely interested in dealing with humans (it’s never stated, but I think most of Eternity’s residents wish they’d waited a few centuries before making First Contact)—they’re sure not going to go out of their way to make things accessible to humans. It’s up to the three on board to figure out how to survive.

* Of the thousands and thousands of words that I read last week, that’s probably my favorite one..

That said, they are pretty curious about humanity’s squishy bodies full of wetness, our lack of symbiotic relationships (oh, yeah, I forgot to mention—every other race in this book is in some sort of symbiosis). Isolated creatures are hard for them to wrap their minds around. Throughout the novel, various characters repeatedly express how they can’t understand how humans get by without a symbiotic relationship of some kind—in fact, they pity humans for how they must be isolated and hampered by it.

I could keep going here, but without writing a few hundred words on each race, I’m not going to be able to say enough (besides, that’s Lafferty’s job, not mine). Let me just sum up by saying that these aliens are alien, and we’re pretty strange to them. I love seeing both of these in action.

A Question of Genre

In my Spotlight post, wrote that Station Eternity is:

“a witty, self-aware whodunit with a unique sci-fi twist” (at least that’s what the promotional material says—I’d call it a witty, self-aware Sci-Fi novel with a unique whodunit twist, if I was in the mood to split hairs).

Now, largely, genre is used as a marketing tool—how do we get this in front of the readers who are most likely to respond with their attention (and wallets, can’t forget to get Lafferty and the publisher paid). As such, maybe it doesn’t matter what genre it’s classified as—and there’s something to it. But genre also helps you talk about a book—the conventions of the genre, the way a book diverts from and/or uses them, etc. It also helps you find a book, “I’m in the mood for a good book,” really doesn’t get you very far, whereas “I’m in the mood for an Urban Fantasy,” points you in the right direction.

So, Ace’s marketing—and the title of the series itself—leans on the mystery. And I think that’s fair. But I think the emphasis in this novel is on SF elements. That might not really be the case* in future novels in the series, but it felt that way this time. Lafferty’s own bibliography and résumé are pretty heavy on Speculative Fiction, too—so it makes sense that the book would be Science Fiction-heavy.

* Pun unintended. But I really wish I had planned it.

Considered separately, I think the mystery part of the novel isn’t as successful as the SF part is. That’s largely because the SF aspects change the rules for the mystery. Thankfully, you don’t have to consider the two strains separately—the book doesn’t, there’s little reason for a reader to do that (unless you’re trying to talk about it in a blog post or something).

As I mentioned, most of the various races in the novel are in a symbiotic relationship of some kind to survive (and things do not go well for them when the symbiosis is disrupted). I think the relationship between the two genres here could be thought of that way—it’s a mutually dependent relationship. The SF needs the mystery to generate and advance the plot, and the whodunit needs the SF to have a setting and for the characters to work.

Ultimately, I think a Mystery-reader who isn’t that into SF is not as likely to enjoy this as a SF-reader who isn’t that into Mysteries will. But I think readers of either genre who are open to the idea are going to find themselves really getting into this.

So, what did I think about Station Eternity?

I’ve said almost nothing about Mallory, Xan or any of the other humans running around this book—but this has gone on too long already. Also, most of what I’d say is best discovered in the novel. So let me just say that Mallory is a fantastic character, and I’ll sign up for at least three more books about her now. She’s this great mix of neurosis (tied to all the murders around her, so they’re understandable), talent, determination and snark. We don’t get to know Xan quite as well—but I’ll eagerly take at least one more book about him, too. He’s going to be able to be a very different person after the events of this book, and I’m curious to see what that looks like.

Eternity herself is a character I want to understand more—and everyone on board, too. There’s a Princess, for example, who seems like good comic relief when we meet her—and stays that way for most of the book. Then she does something and becomes a whole different kind of character—she’s still a hoot, but she’s a whole lot more.

That goes for the series, too—after Lafferty has created this world and shaken it up pretty well in this book, I want to see what happens afterward.

But I’ve gotten side-tracked, I want to focus on Station Eternity—there’s a lot of backstory woven into plot, and Lafferty handles it well. We learn enough to advance the plot and understand the characters—but not so much that she can’t throw us a curve-ball every now and then to be surprised by someone. And she does—and I relished each of them. These events and the characters will keep you on your toes.

This is a funny book—in the narration, some of the situations, and the way the characters relate to each other. The circumstances around a lot of the murders that Mallory encounters, for example, are frequently ridiculous. But it is not a comedy—we’re talking about a lot of murders for one thing. Then there’s intergalactic intrigue, the dangers of space travel, and life-or-death situations all around. The interactions and histories between the various characters are full of drama and the serious stuff that comes from being a person, too. There’s a great balance of light and darkness throughout the book and Lafferty writes both with skill and a touch of panache.

I had a great time with this book and will be thinking about it for a while to come—and as I’ve suggested, I’m eager to see what’s around the corner. I strongly recommend this book for mystery fans open to aliens walking around, SF fans interested in a different kind of story, and readers who like good things.

Disclaimer: I received this eARC from Berkley Publishing Group, Ace via NetGalley in exchange for this post and my honest opinion—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.


My thanks to Penguin Random House for the invitation to participate in this Publication Day Blitz and the materials (including the book via NetGalley) they provided.

EXCERPT from Station Eternity by Mur Lafferty: Nobody Believed Murders “Just Happened” Around Mallory

from Station Eternity by Mur Lafferty

Nobody Believed Murders “Just Happened” Around Mallory

The kettle screamed its achievement of boiling water and Adrian jerked it off the element, wincing. He must have a hell of a headache, she thought. He retrieved a mug from his shelves above the sink and then a tea bag from a small basket on his counter. He went on with his tea-making ritual with his back to her.

Mallory grew tired of the silence. “Do you think Earth knows that someone else did the diplomatic negotiating? Think they’re sending someone to take your place?”

“Don’t bait me, Mallory,” he said quietly, picking up the mug in both hands and facing her. He inhaled the steam, eyes closed.

Mallory nearly said she hoped a new ambassador would offer their guests tea, but Adrian was pretty tightly wound right now. There was something alarming about the way he was keeping himself perfectly still, like a waiting snake. She mentally prepared herself to dodge a mug of boiling water if he let loose.

She cleared her throat. “May I also have some tea, please?” She asked it just the way her mother insisted she do when she was young.

He looked at her for a long moment as if he didn’t understand her words and then turned around, face still stony. Behind him, hanging below the shelves against the wall, was a wooden dowel. Slung over the dowel and secured with a thumbtack were about twenty used tea bags. He removed one and prepared her tea.

“An old tea bag? Really, Adrian?” she protested.

“I have to ration when I don’t know when I’ll get back home again,” he said woodenly. “If I’d known they were coming, I could have asked someone to bring me some more tea. I was denied that option.” He cleared his throat, and then his voice took on his smoother diplomatic tone. “About the incoming humans-it’s a good thing, Mallory. Trade will increase. Doctors will visit. Diplomats will come to make the situation better on Earth. We might get closer to negotiating for FTL technology. People will bring us news. Media. More books and games. I know you don’t like people, but it’s undeniable-”

She stopped him before he got into full diplomat monologue mode, holding up her hand. “Wait, wait, wait, you still think I don’t like people?” she echoed in disbelief. “Jesus, when are you going to believe me? I like people just fine. They just tend to not like me.”

He had the full diplomatic face on, and he smiled benignly and spread his hands in the classic way to defuse arguments without actually conceding. “What can I do to make things better? Can we find a compromise?”

“You can listen to me when I tell you that letting that shuttle dock will very likely result in someone getting killed,” she said, glaring at him from behind bangs that hadn’t been cut in three months. “You can go to your meeting and tell them to send the humans back home.”

“You knew this was what we were working toward, and it’s much bigger than you and your personal problems. This is a big step for humanity and long overdue,” he said patiently. “What if one of us humans gets appendicitis and there’s no one who understands human anatomy? Having humans on board who can handle our medical needs is good for both of us!”

She got to her feet. “If you won’t listen to me, I’ll ask for a meeting with the station folks. I can still get this changed.”

He shook his head slowly. “That’s not going to work. They’re not going to deny a new race access to the station based on one person’s paranoia. And if you succeed you will be responsible for single-handedly holding back humanity from scientific evolution. Do you want that on your tombstone?”

“If humans come aboard, we will be writing the epigraph for someone’s tombstone, but it won’t be mine,” she said, defeat weighing on her shoulders.

Nobody—really, nobody—believed murders “just happened” around Mallory.

After two years of college and four murders in six months, she had tried therapy.

Dr. Miller first said she’d seen too many murder mystery shows and didn’t believe her when she said she wasn’t a fan of them. Then he suggested possible paranoid schizophrenia. Or maybe just paranoia. She left the appointment with a prescription for brexpiprazole that she didn’t fill.

During her second appointment, Miller’s receptionist became number eight when she was murdered while Mallory and the doctor were arguing in the next room. When they discovered the body, Dr. Miller accused her instead of validating her, and then, when she obviously had a perfect alibi, refused to treat her further.

He didn’t appreciate her solving the crime either. Probably because the killer had been his own wife, who had been convinced he was sleeping with the victim.

She’d turned to religion next. She didn’t care which; she just made a list of places one could worship in Raleigh and rolled a die. Each holy leader she spoke with told her to trust in a variety of higher powers, give herself over to Christ, follow the Tao, meditate, pray, volunteer, whatever. They each thought she was presenting a troubled mind that their faith could focus, not a real problem. But she couldn’t just magically believe in something; she had trouble believing in what was actually happening in front of her.

“Miracles happen daily if we just open ourselves to it,” one priest had said while she was in confession. He hadn’t wanted to call it a miracle when, while hearing Mallory’s confession, a parishioner had been murdered in the church’s parking lot. The church had not admitted she was right; they instead accused her of orchestrating the crime. This was her ninth murder and she should have known better.


Excerpted from Station Eternity by Mur Lafferty Copyright © 2022 by Mur Lafferty. Excerpted by permission of Ace. All rights reserved.


My thanks to Penguin Random House for the invitation to participate in this Publication Day Blitz and the materials (including the book via NetGalley) they provided.

BOOK SPOTLIGHT: Station Eternity by Mur Lafferty

Today I’m very pleased to welcome the Publication Day Book Blitz for the first of The Midsolar Murders series, Station Eternity by Mur Lafferty, “a witty, self-aware whodunit with a unique sci-fi twist” (at least that’s what the promotional material says—I’d call it a witty, self-aware Sci-Fi novel with a unique whodunit twist, if I was in the mood to split hairs). It’s a great read and I’m happy to spend some time today highlighting it. Along with this spotlight post, I have an excerpt from the novel to share and my take on the novel later this morning (I’ve got about 4 paragraphs to go on that). Those links’ll work when the posts go live.

First, let’s take a look at Station Eternity.

Book Details:

Book Title: Station Eternity by Mur Lafferty
Publisher: Ace Books
Release date: October 4, 2022
Format: Ebook/Paperback/Audiobook
Length: 464 pages
ISBN: 9780593098110
Station Eternity Cover

About the Book:

Amateur detective Mallory Viridian’s talent for solving murders ruined her life on Earth and drove her to live on an alien space station, but her problems still follow her in this witty, self-aware novel that puts a speculative spin on murder mysteries, from the Hugo-nominated author of Six Wakes.

From idyllic small towns to claustrophobic urban landscapes, Mallory Viridian is constantly embroiled in murder cases that only she has the insight to solve. But outside of a classic mystery novel, being surrounded by death doesn’t make you a charming amateur detective, it makes you a suspect and a social pariah. So when Mallory gets the opportunity to take refuge on a sentient space station, she thinks she has the solution. Surely the murders will stop if her only company is alien beings. At first her new existence is peacefully quiet…and markedly devoid of homicide.

But when the station agrees to allow additional human guests, Mallory knows the break from her peculiar reality is over. After the first Earth shuttle arrives, and aliens and humans alike begin to die, the station is thrown into peril. Stuck smack-dab in the middle of an extraterrestrial whodunit, and wondering how in the world this keeps happening to her anyway, Mallory has to solve the crime—and fast—or the list of victims could grow to include everyone on board….

Purchase Links

Amazon ~ Barnes & Noble ~ Books A Million ~ Bookshop.org ~ Hudson Booksellers ~ IndieBound ~ Powell’s ~ Target ~ Walmart

Early Praise for Station Eternity:

“Lafferty (Hugo-nominated for Six Wakes) creates a clever and suspenseful sci-fi mystery, with intriguing characters and attentive worldbuilding.”
Library Journal, STARRED review

“What a glorious romp. Murder, sentient space stations, and banter. It had everything I wanted.”
—Mary Robinette Kowal, Hugo and Nebula Award-winning author of The Calculating Stars

“A science fiction mystery has to nail both the science fiction and the mystery, and this book passes both tests with flying colors. As bingeable and satisfying as your favorite murder show. I couldn’t put it down.”
—Sarah Pinsker, Nebula Award-winning author of A Song For A New Day and We Are Satellites

“Lafferty’s characters stomp off the page, kicking ass and taking names as they do. If Jessica Fletcher ended up on Babylon Five, you still wouldn’t get anywhere close to this deft, complicated, fast-moving book. Station Eternity kept me up way too late turning pages.”
—T. Kingfisher, Hugo and Nebula Award-Winning author of Paladin’s Grace and Nettle & Bone

About the Author:

Mur Lafferty is an author, podcaster, and editor. She has been nominated for many awards, and even won a few. She lives in Durham, NC with her family.


My thanks to Penguin Random House for the invitation to participate in this Publication Day Blitz and the materials (including the book via NetGalley) they provided.

The Days of Tao by Wesley Chu: A Fast and Fun Post-Script to the Trilogy

The Days of TaoThe Days of Tao

by Wesley Chu

DETAILS:
Series: Tao Trilogy, #3.5
Publisher: Hunter & River, Inc
Publication Date: April 30, 2016
Format: Kindle Edition
Length: 104 pg.
Read Date: September 10, 2022

You can do this, Cameron. You have intelligence, competence, and experience on your side.

“You’re right. I can handle this job on my own. I got this,” he huffed as he tried to make himself believe those words.

I was referring to me.

What’s The Days of Tao About?

Cameron Poe is about to graduate from college—he would’ve graduated already if he hadn’t picked up a D in Art History, of all things. To make up for that before he can start training to be a full-fledged Prophus operative, he’s taking a summer class in Greece with a couple of his friends. It’s a relaxing time in a fascinating part of the world with an interesting group of students—and a chance for one last college romance before he has to focus.

But then a Prophus agent needs immediate extraction because he has vital information to share, his life is in danger, and the Genjix are about to take their aggression to the next level throughout the world. And Cameron’s the closest thing that the Prophus have to an operative in the country.

Cameron can’t abandon his friends, though—and they won’t abandon their classmates—so he ends up dragging along most of the group on his rescue mission (why make things easy for himself?)

What did I think about The Days of Tao?

I bought this shortly after its publication, and have no idea why I didn’t read it until now (and don’t get me started on The Fall of Io). If it accomplished nothing else, it got me thinking about the series and remembering how much fun it was.

I don’t remember what I thought of them while reading them (and I’m not going to look), but I remember the Tao novels being a little longer than they needed to—that’s not a criticism, but I think they could have been tightened up a bit. Not this—the advantage of the novella—there’s not an ounce of fat to this, not one wasted word. That’s not to say that it’s all plot or anything— Beyond the action and the extraction, there are some good character moments, some necessary development of Cameron, and a couple of laughs—but this novella never slows or drags for a moment. Once the agent says he needs extraction (and, even before that), we’re off to the races and you’d better be buckled up.

Looking at this book’s place in the series, it serves to put the action and the characters (including Io) in place for The Rise of Io. Was this a necessary bridge between the Tao and Io books? Not really no. That’s one thing about these Subterranean Press books—they’re a nice bonus to completists, but people who don’t want to/are too slow to shell out the money for the nice hardcovers (and don’t want to go ebook or audiobook) don’t miss anything they need. But man, it was a nice way to spend an hour or so with some old friends. I really enjoyed this and would commend it (even at this late date) to fans of Tao and the Tan family.


3.5 Stars

Spider-Man’s Social Dilemma by Preeti Chhibber: A Fun Time with Everyone’s Favorite Webhead

Spider-Man’s Social DilemmaSpider-Man’s Social Dilemma

by Preeti Chhibber

DETAILS:
Publisher: Marvel Press
Publication Date: July 26, 2022
Format: Hardcover
Length: 325 pg.
Read Date: September 6, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Spider-Man’s Social Dilemma About?

So this is a Peter Parker in High School story—he’s been Spider-Man for 6 months or so, he’s fought some bigger villains, but he’s still got a lot to learn. J. Jonah Jameson is campaigning against him. He’s learning how to balance school and web-slinging. It’s definitely set in 2022, and isn’t in a comic timeline or one from any of the movie universes. It feels a little like the early Ultimate Spider-Man, but MJ is closer to the MCU version.

Sandman and Beetle have attempted to steal a 100+-year-old device that is powered by something alien (or so rumor has it). But both of them are acting a little strangely lately—Peter can’t say what it is exactly, but they’re more violent, more determined. He’s still able to hold his own against them, but it’s a little work.

So, what did I think about Spider-Man’s Social Dilemma?

I really don’t have a lot to say about this—it’s a fun Spider-Man story. And who needs more than that? But let me try…

It’s fun and fast-paced, with good action. Chhibber combined tried-and-true Spider-Foes with a new threat, I appreciate mixing the two rather than just giving us one more ride with the Green Goblin—or someone we’re not at all familiar with. The action scenes are handled deftly and you can see them as clearly as if a Romita or a Bagley were bringing them to life.

Chhibber clearly knows this universe well and has a strong affection for the series—and that shines through. I may not have been able to keep up with the comics over the last decade or so, but Spider-Man has long* been my favorite, and to see him handled like this does my heart good.

* In this case, long = since 1980.

Yeah, this is targeted for an MG audience—but it didn’t feel that way. It felt more All-Ages to me. A classic Spider-Man story—with requisite numbers of laughs, action, and optimism. If Marvel Press has Chhibber return (and the stage is set here for a sequel), I’ll be first in line for this. It was a blast.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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