Memoir - The Irresponsible Reader

My Favorite Non-Fiction Books of 2023

On January 4, 2024

In (Auto)Biography, Humor, News/Misc., Non-Fiction, Politics/Current Affairs

Favorite Non-Fiction 2022
My 2023 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 7 instead of the nigh-obligatory 10. These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Cunk on Everything: The Encyclopedia Philomena

by Philomena Cunk

My original post
If you’ve ever watched a video clip or a full episode of Philomna Cunk’s various shows/specials, you know just what you’re going to get in this Encyclopedia. If you don’t, finish reading this post and then go find some. Probably pound-for-pound the funniest thing I read this year. Utterly useless outside of that—in case that wasn’t clear. Whether you go from cover to cover, or dip into it here and there (probably for longer than you intend to)—these brief entries are almost certainly going to be a burst of entertainment for you. Not all of them are going to work for every reader—but never fear, just turn the page and you’re probably going to come across one that will.

4 Stars

Like, Literally, Dude: Arguing for the Good in Bad English

by Valerie Fridland, Narrated by Valerie Fridland, Joniece Abbott-Pratt, Keylor Leigh, Andrew Eiden, Christopher Ryan Grant, Ellen Archer, Eileen Stevens and Nicky Endres

I’m a sucker for entertaining books about language, grammar, etc. Fridland’s apologetic for “Bad” English drives my inner prescriptivist, up the wall—but she joins the growing number of writers who are sealing up that prescriptivit’s coffin. How good is this book? Her chapter (or maybe it was a section of a chapter) on “Um” and “Uh” was fascinating. If she can pull that rabbit out of a hat, imagine how good she can be when she talks about the use/overuse of “like,” the history of “Dude,” or the figurative use of “literally”—and so much more. I spent most of the time listening to this book just geeking out in a way that made me regret not becoming a sociolinguist myself.

4 Stars

Kneading Journalism: Essays on baking bread and breaking down the news

by Tony Ganzer

My original post
There’s just so much to commend about this book that this little paragraph isn’t going to come close to hitting it all. Partial memoir, small bread-recipe book, and some great insights into the state of journalism and what it means for our society. This is a great read—challenging, but in a friendly, welcoming way. Thoughtful and thought-provoking without being combative or overly critical. Ganzer has a point of view—and makes no claim about lack of bias here—but isn’t pushing a partisan outlook, just a pro-responsible press outlook. Brief, but not insubstantial.

4 Stars

Nasty, Brutish, and Short: Adventures in Philosophy with My Kids

by Scott Hershovitz

My original post
This was a great listen—Hershovitz is the kind of lecturer you want to pay attention to (or so imagine based on this). This book succeeded on multiple fronts: it was frequently amusing, if not downright funny; it was educational; it was insightful (even when I disagreed with what he did with the insights); it was thoughtful; it offered (largely by example, not being didactic) good parental advice; and kept this particular listener fully engaged throughout. Just what you want from an audiobook.

3.5 Stars

100 Places to See After You Die: A Travel Guide to the Afterlife

by Ken Jennings

My original post
A fun and informative traveler’s guide through afterlives depicted in Mythology, Religion, Books, Movies, Music and Theater, and from a few other sources. Jennings brushes against irreverancy, but (I think, I’m open to correction) stays on the respectful side. I absolutely had a blast with this—and learned quite a bit, too. It’s one that I’ll return to primarily as a reference, but I will appreciate the perspective and humor as I check my facts. The only problem I have with it is the lack of footnotes/endnotes—I want some source material!

4 1/2 Stars

Sundry Notes of Music: an Almost Memoir

by Ian Shane

My original post
Given how much I like Shane’s novels, it’s probably to be expected that I enjoyed getting some insight into the novelist. And as most of his novels are centered around music/people obsessed with music, it’s fitting that this memoir focuses on songs. There are parts of this book that are very funny—some bittersweet, some tragic, some simply thoughtful. Multiple essays will hit all of those points and more. They’re all engaging in various ways. Not one track on this playlist is going to leave you looking for the skip button.

4 Stars

The Worst We Can Find: MST3K, RiffTrax, and the History of Heckling at the Movies

by Dale Sherman

My original post
Sherman is a man who knows about riffing on movies and helps the readers get a better knowledge of it, too. Yes, the focus is on Mystery Science Theater 3000‘s original run (runs?), but he talks about the show’s predecessors and the various projects that have sprung from it, too. Even if you know a lot about the show, its performers, etc., you’re probably going to learn something. And if you don’t? You’re going to enjoy the dashes of perspective that Sherman gives about movies in general and MST3K specifically. Everyone who did what they could to keep circulating the tapes in the 90s is going to eat this book up. Fans of more recent vintage likely will, too.

4 Stars

PUB DAY REPOST: Sundry Notes of Music: an Almost Memoir by Ian Shane: A Life’s Playlist

By HCNewton

On December 26, 2023

In (Auto)Biography, Non-Fiction

Since I inititially posted about this book, Shane has made a Spotify playlist to go along with this, I’d recommend giving it a listen as you read/after you read/before you read the book. It’s just a good mix of music (and I can’t imagine anyone else is going to come up with a playlist like this). It’s worth a listen or five even if you’re not interested in the book (and then you might be…)

Sundry Notes of Music:
an Almost Memoir

by Ian Shane

DETAILS:
Publisher: 45rpm Media
Publication Date: December 26, 2023
Format: eARC
Length: 248 pg.
Read Date: October 27-30, 2023

What’s Sundry Notes of Music About?

Ian Shane takes a break from fiction to bring us a memoir that’s unlike most you’ve read. These began as a series of blog posts looking at his life through songs. Forty-six songs connected to forty-six stories from various parts of his life—an almost-memoir, as he puts it.

Some of the essays are tied to a particular version of a song, how a particular copy became part of his collection (or how he hunted for it), and others are because a particular episode or person became entwined with a song.

Almost everyone can relate to this book—everyone has those songs that when you hear them make you think of a particular place, person, time of life—or an old cassette tape, CD, or beat-up vinyl (maybe I should add pirate site or streaming service, too). It doesn’t take much for anyone to start listening to music and start reminiscing. Shane’s just been a bit more formal about the process than most of us and has written them down in these essays.

The Songs

I hesitate to admit this because I’m afraid I’m going to lose a lot of credibility with Shane. But I know less than a quarter of the songs from this book (at least the ones he devotes a chapter to—I know some of the others referenced).* Even worse, I disagree with him about the quality of more than one of those.

* I may know a few others if covered by another artist, or by hearing them on the radio or in the background somewhere without knowing the artist/title.

Does this matter? Not really, no. What matters is the connection and how Shane expresses it. What he says about his life and the song. This is why books like High Fidelity, Eddie and the Cruisers, Juliet, Naked, Thank You, Goodnight, The Rome of Fall, etc., etc., etc. work—because we can connect to music and music makers even when they’re fictional. We all know how it feels when we click with a song, how it can reflect and shape memories, how it can make you feel on several levels at once.

Sure, those handful of chapters involving songs (or artists) that I’m familiar with hit on another level or two. But not in a way that made things significantly different.

Also, it must be remembered—this is not a book of music criticism, as often as it may feel like it. It’s a memoir—it’s about how a song is connected to a time or event in the life of Ian Shane. So even if he made up “Supertheory of Supereverything” by Gogol Bordello (and come on…how hard would it be to believe that?), that wouldn’t particularly impact the way that chapter worked for the reader.*

* Aside from the fact that in a memoir things should be as close to true as possible while protecting privacy and allowing for fuzzy memory.

So, what did I think about Sundry Notes of Music?

I love the concept for this book—and wish I could read more like this. I think people exchanging track listings for their version (to be expanded upon by request) would make becoming friends much easier.

I also think this helps me understand shades of Shane’s novels (not just the parts that he points to in this book, either). As he’s one of those authors at the top of my list from the last few years, I particularly appreciated that—but since not enough of the world has heeded my calls to buy and read his work, I won’t expect many to see a similar appeal in this book. And as I’ve learned these last few years, you really don’t need to know much about the life or work of someone to be able to really enjoy a memoir, if the memoir is good enough. This one is.

Sure, I’d have liked another few chapters about the Tom Petty show. Do I think his estimation of The Beatles is lacking (however apt calling them the equivalent of a boy band may be)? Yes. Do I wish (primarily for his sake) that some of these chapters had ended on a “happier” note (particularly the chapters “talk tonight – oasis” and “life fades away – roy orbison”)? Sure, but’s not a comment on Shane’s writing, it’s reality rearing its head.

You can see traces of Hornby’s Songbook/31 Songs in these pages. Possibly Al Young’s Drowning in the Sea of Love (I don’t know, I hadn’t heard of it until Shane mentioned its influence). But this struck me as something more like Rob Sheffield’s Love Is a Mix Tape and Talking to Girls About Duran Duran—just involving a longer period of time. I may have grinned and chuckled more at Shane than Sheffield (those who’ve read the former will roll their eyes at me there, of course).

There are parts of this book that are very funny—some bittersweet, some tragic, some simply thoughtful. Multiple essays will hit all of those points and more. They’re all engaging in various ways. Not one track on this playlist is going to leave you looking for the skip button.

Readers of Hornby, Young, or Sheffield should appreciate this approach to memoir. Those who find this approach intriguing likely will, too. Readers of Shane’s novels will definitely find something to enjoy here. People who simply appreciate well-written memoirs/personal essays should give this a look, as well. Really, anyone who finds good writing appealing should give this a glance. Yes, I’m casting the net wide on that last sentence—that’s my point.

4 Stars

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Sundry Notes of Music: an Almost Memoir by Ian Shane: A Life’s Playlist

By HCNewton

On November 24, 2023

In (Auto)Biography, Non-Fiction

Sundry Notes of Music:
an Almost Memoir

by Ian Shane

DETAILS:
Publisher: 45rpm Media
Publication Date: December 26, 2023
Format: eARC
Length: 248 pg.
Read Date: October 27-30, 2023

What’s Sundry Notes of Music About?

Ian Shane takes a break from fiction to bring us a memoir that’s unlike most you’ve read. These began as a series of blog posts looking at his life through songs. Forty-six songs connected to forty-six stories from various parts of his life—an almost-memoir, as he puts it.

Some of the essays are tied to a particular version of a song, how a particular copy became part of his collection (or how he hunted for it), and others are because a particular episode or person became entwined with a song.

Almost everyone can relate to this book—everyone has those songs that when you hear them make you think of a particular place, person, time of life—or an old cassette tape, CD, or beat-up vinyl (maybe I should add pirate site or streaming service, too). It doesn’t take much for anyone to start listening to music and start reminiscing. Shane’s just been a bit more formal about the process than most of us and has written them down in these essays.

The Songs

I hesitate to admit this because I’m afraid I’m going to lose a lot of credibility with Shane. But I know less than a quarter of the songs from this book (at least the ones he devotes a chapter to—I know some of the others referenced).* Even worse, I disagree with him about the quality of more than one of those.

* I may know a few others if covered by another artist, or by hearing them on the radio or in the background somewhere without knowing the artist/title.

Does this matter? Not really, no. What matters is the connection and how Shane expresses it. What he says about his life and the song. This is why books like High Fidelity, Eddie and the Cruisers, Juliet, Naked, Thank You, Goodnight, The Rome of Fall, etc., etc., etc. work—because we can connect to music and music makers even when they’re fictional. We all know how it feels when we click with a song, how it can reflect and shape memories, how it can make you feel on several levels at once.

Sure, those handful of chapters involving songs (or artists) that I’m familiar with hit on another level or two. But not in a way that made things significantly different.

Also, it must be remembered—this is not a book of music criticism, as often as it may feel like it. It’s a memoir—it’s about how a song is connected to a time or event in the life of Ian Shane. So even if he made up “Supertheory of Supereverything” by Gogol Bordello (and come on…how hard would it be to believe that?), that wouldn’t particularly impact the way that chapter worked for the reader.*

* Aside from the fact that in a memoir things should be as close to true as possible while protecting privacy and allowing for fuzzy memory.

So, what did I think about Sundry Notes of Music?

I love the concept for this book—and wish I could read more like this. I think people exchanging track listings for their version (to be expanded upon by request) would make becoming friends much easier.

I also think this helps me understand shades of Shane’s novels (not just the parts that he points to in this book, either). As he’s one of those authors at the top of my list from the last few years, I particularly appreciated that—but since not enough of the world has heeded my calls to buy and read his work, I won’t expect many to see a similar appeal in this book. And as I’ve learned these last few years, you really don’t need to know much about the life or work of someone to be able to really enjoy a memoir, if the memoir is good enough. This one is.

Sure, I’d have liked another few chapters about the Tom Petty show. Do I think his estimation of The Beatles is lacking (however apt calling them the equivalent of a boy band may be)? Yes. Do I wish (primarily for his sake) that some of these chapters had ended on a “happier” note (particularly the chapters “talk tonight – oasis” and “life fades away – roy orbison”)? Sure, but’s not a comment on Shane’s writing, it’s reality rearing its head.

You can see traces of Hornby’s Songbook/31 Songs in these pages. Possibly Al Young’s Drowning in the Sea of Love (I don’t know, I hadn’t heard of it until Shane mentioned its influence). But this struck me as something more like Rob Sheffield’s Love Is a Mix Tape and Talking to Girls About Duran Duran—just involving a longer period of time. I may have grinned and chuckled more at Shane than Sheffield (those who’ve read the former will roll their eyes at me there, of course).

There are parts of this book that are very funny—some bittersweet, some tragic, some simply thoughtful. Multiple essays will hit all of those points and more. They’re all engaging in various ways. Not one track on this playlist is going to leave you looking for the skip button.

Readers of Hornby, Young, or Sheffield should appreciate this approach to memoir. Those who find this approach intriguing likely will, too. Readers of Shane’s novels will definitely find something to enjoy here. People who simply appreciate well-written memoirs/personal essays should give this a look, as well. Really, anyone who finds good writing appealing should give this a glance. Yes, I’m casting the net wide on that last sentence—that’s my point.

4 Stars

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The Friday 56 for 2/17/22: I Shouldn’t Even Be Doing This! by Bob Newhart

By HCNewton

On February 17, 2023

In Currently Reading, News/Misc., Quotations, The Friday 56

This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
Find a snippet, short and sweet.
Post it.

from Page 56 of:
I Shouldn't Even Be Doing This!

I Shouldn’t Even Be Doing This! And Other Things That Strike Me as Funny by Bob Newhart

In the piece, I imagined a telephone conversation between the press agent and Abraham Lincoln just before Gettysburg, that I think, in part, would have gone something like this:

Hi Abe, sweetheart. How are you, kid? How’s Gettysburg? … Sort of a drag, heh? Well, Abe you know them small Pennsylvania towns, you seen one you seen ’em all…. Listen Abe, I got the note. What’s the problem?…. You’re thinking of shaving it off? Abe, don’t you see that’s part of the image with the shawl and the stovepipe hat and the string tie?… You don’t have the shawl. Where’s the shawl?…. You left it in Washington. What are you wearing, Abe?…A sort of cardigan? Abe, don’t you see that doesn’t fit with the string tie and the beard? Abe, would you leave the beard on and get the shawl?

Now, what’s this about Grant?… You’re getting a lot of complaints about Grant’s drinking. Abe, to be perfectly honest with you, I don’t see the problem. You knew he was a lush when you appointed him…. Your gag writers… You want to come back with something funny? Maybe an anecdote about a town drunk. I can’t promise anything. I’ll get them working on it.

Friends, Lovers, and the Big Terrible Thing: A Memoir by Matthew Perry: A Memoir of Self-Destruction

By HCNewton

On January 23, 2023

In (Auto)Biography, Audiobook, Non-Fiction

Friends, Lovers, and the
Big Terrible Thing:
A Memoir

by Matthew Perry

DETAILS:
Publisher: Macmillan Audio
Publication Date: October 31, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 49 min.
Read Date: December 6-7, 2023

My mind is out to kill me, and I know it. I am constantly filled with a lurking loneliness, a yearning, clinging to the notion that something outside of me will fix me. But I had had all that the outside had to offer!

What’s Friends, Lovers, and the Big Terrible Thing About?

This isn’t full of—but does contain—some good, behind-the-scenes stuff about Friends, Fools Rush In, The Whole Nine Yards, Mr. Sunshine, The Odd Couple, Studio 60 on the Sunset Strip, and other projects. But those don’t make up the bulk of the material. And those are interesting, amusing, and support the overall thesis of the book—he’s an addict who has been blessed with more good things than he knows how to handle.

There’s some juicy (largely nameless, but you can read between the lines) bits about his love life—as the title suggests. But again, there’s not much of that overall—and those, too, serve to support the overall thesis—even more than the professional matters do.

Then there’s the Big Terrible Thing—his addictions themselves, how he got started, how he maintained them, and his several attempts to get sober (of varying successes and lengths of success). He also goes into graphic (perhaps too graphic) detail about the physical toll they’ve taken on him—and the financial, emotional, and mental toll they’ve taken on those close to him.

How Perry Comes Across

When this book first came out (or just before it) there were more than a few headlines about some (I’m going to be charitable and call them) questionable jokes he made about Keanu Reeves and some people casting doubt about some of the particulars of some of his stories. Given how impaired he was during most of those disputed events (and just about every other event he recounts), I’m not surprised he doesn’t remember them correctly, and I don’t think it should be held against him. The Reeves jokes, on the other hand, might have seemed like a good idea at the time—but his editors really should’ve stopped them. I jotted down a note after the second one that “someone at Macmillan must have it out for him to let this make it to print.”

But both of those things pale in comparison to everything that Perry admits to in this book. He doesn’t come across as a good guy at all—and I don’t think he’s trying to. Sure, the fact that he’s (seemingly) coming clean about everything and (seemingly) taking responsibility for the lies, destructive behaviors, and despicable actions might make some people want to think better of him—but I don’t think he really wants that.

He comes across—and I realize this could be entirely calculated—as someone who is being honest about his shortcomings, seeking to explain the devastation his addictions have wrought on himself and many, many of those around him—how he’s somehow managed to have some success in the midst of that. He gives credit to some of those who’ve helped him get to this point in recovery—or kept him alive long enough to get there. In the end, however, Perry’s not a good guy and doesn’t pretend to be one. He’s a mess who will very likely kill himself if he relapses a time or two more.

So, what did I think about Friends, Lovers, and the Big Terrible Thing?

I’ve been a big fan of Perry’s since Friends (I can point to the joke that made me one)—I’ve seen almost everything he’s done (sometimes not because of him, but I appreciated his involvement). But I put this book under the category of “will get around to eventually, maybe.” Until I saw people reacting to how much of the focus of the book is on the Big Terrible Thing. And that piqued my interest.

That sounds ghoulish, I realize, but hearing a well-documented addict talking about their struggles is something that I appreciate. It helps me empathize with those I know fighting that fight, and I hope, helps me understand and appreciate their struggles.

Perry’s clear that he’s been given every opportunity, tool, and help to get sober and to maintain that sobriety. And he’s squandered almost every one of them. And it has yet to work. The amounts he takes on a regular basis when he uses is…it’s a shocking amount—and only someone as wealthy as he is could pull it off.

At the same time, there’s a glimmer of hope. A faint glimmer, sure. But there is one—and if someone whose rock bottom is as low as Perry’s was can maybe make it—there’s hope for others, too. And that’s the big thing I took away—there’s hope. Hope for other addicts, hope for Perry.

I thought this was a riveting and disturbing read—made tolerable by Perry’s off-kilter and somewhat humorous telling of the stories. It’s not like most celebrity memoirs I’ve read (but I don’t think it’s that ground-breaking)—but definitely worth the time.

4 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My Favorite Non-Fiction Books of 2022

By HCNewton

On January 4, 2023

In (Auto)Biography, Comics, Dogs, Humor, News/Misc., Non-Fiction, Politics/Current Affairs

Favorite Non-Fiction 2022
My 2022 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 9 instead of the nigh-obligatory 10 for the second year in a row. These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Go Back to Where You Came From: And Other Helpful Recommendations on How to Become American

by Wajahat Ali

My original post
I’m just going to remix some of what I said originally, this book was a great mix of memoir, social commentary, and satire—with a little sprinkling of a more general humor thrown in. The way he shifted between the genres was fairly seamless and quite effective—his own story (and that of his parents) were good illustrations of the societal ills he wanted to point to. Ali’s story is the kind that Americans love to tell and hear about success—even if his telling points to many of the flaws in our society. Through grit, determination, perseverance, and endurance, Ali pushes through all sorts of cultural, societal, legal, medical, and circumstantial challenges to arrive where he is. Because he believes in what we can be as a people, based on our (incredibly inconsistently applied and demonstrated) ideals and aspirations. It’s the kind of story we need to see, hear, and read more of.

4 Stars

Black Nerd Problems:
Essays

by William Evans & Omar Holmon

My original post
There are several strengths to this book—the first is the wide scope of the genres and ages of the pop culture they nerd out about. The second is the variety of the ways they express their appreciation (or lack thereof) for these cultural artifacts. Some of these essays are just silly, some are humorous, some touching, some sober—no two are alike in most ways. I wish I could write like this.

4 Stars

A World Without “Whom”: The Essential Guide to Language in the BuzzFeed Age

by Emmy J. Favilla

My original post
Sure, I disagreed with some of her takes—I’m less enamored with the idea of language as a ruleless entity than she is. But I found it impossible not to enjoy this—even when I thought Favilla was wrong about some particular note of grammar, I appreciated the way she thought about the idea and presented it. Mostly, I enjoyed reading about the process involved in creating and maintaining a style sheet for an entity as big and particular as Buzzfeed. The lists are the kind of thing I could read on a daily basis. As I wrote, “If you’re the kind of person who gets worked up about getting your phrasing juuuuuust right or are bothered when someone doesn’t. If you think reading tributes to commas and em dashes is a good time. Or if you’re curious about why someone would want to eliminate whom or is fine with letting the English subjunctive mood die…this is the book for you.”

(and, yes, I’m still planning on the tattoo inspired by the book)

3.5 Stars

The Stories Behind the Stories: The Remarkable True Tales Behind Your Favorite Kid’s Books

by Danielle Higley, David Miles (Illustrator)

My original post
I don’t know if I read a better-designed book last year (or the year before). It’s a treat for the eyes. But more importantly, the content is as good—if not better. I can see the book appealing to (and being understood) younger readers curious about some of the books they’ve read or seen at a library. It also was entertaining and edifying for a, um, more seasoned reader familiar with almost all of the books. I was surprised by some of what I read, learned something about all but one of the 20+ books covered and walked away with a hankering to go back and read some of these.

4 Stars

Good Talk: A Memoir in Conversations

by Mira Jacob

My original post
Okay, this was pretty well designed, too. This graphic memoir really hit me on several levels. The art is simple, but very effective. The story of Jacob’s life is one that needs to be told—for the sake of those who can relate to remember they’re not alone, and for the sake of those who can’t relate at all to help build some empathy. The framing device of trying to explain race in the U.S. to a biracial child trying to understand the world around him is much-needed, and probably more so all the time. This was more powerful than I expected (and had some great moments of lightness, too!)

4 Stars

The World Record Book
of Racist Stories

by Amber Ruffin & Lacey Lamar

My original post
Back at race again…this time looking at subtle and not-so-subtle, clueless and intentional, probably well-meaning and just mean, ways that one family has to deal with racism on a day-to-day basis. There’s enough silliness to make this book endurable because there are some anecdotes here that are stunningly awful. A strong follow-up to last year’s book.

4 Stars

Friends, Lovers, and the Big Terrible Thing

by Matthew Perry

I haven’t found time to write about this book yet, so I’m having trouble boiling things down into a concise paragraph. I’ve been a huge fan of Perry’s since episode 2 of Friends (and was a decently-sized fan based on the pilot), so I was drawn to this right away, but really wanted a break from celebrity memoirs and put off getting it until I read that the book focused so much on the “Big Terrible Thing.” There’s some stuff about his acting career—highs and lows, the usual behind-the-scenes, stuff. But this book is primarily about his mental health problems, his addictions, and the many, many ways he’s hurting himself and those around him. I wouldn’t call this a “warts and all” kind of portrayal of Perry, more of a “warts (and some other things)” look at him. There’s some hope and optimism, too, but it’s tempered.

4 Stars

How to Be Perfect:
The Correct Answer to
Every Moral Question

by Michael Schur (Writer, Narrator)
with: Michael Schur, Kristen Bell, D’Arcy Carden, Ted Danson, William Jackson Harper, Manny Jacinto, Marc Evan Jackson, Jameela Jamil, and Todd May

My original post
This is a solid introduction to ethics and some of the major schools of thought behind contemporary approaches (with historical precedents). The kind of thing you might get in a 100-level course in college. But told in a very approachable way that will no doubt bring a smile to the reader’s/listener’s face occasionally. It’s not perfect, but it’s good. It’s thoughtful, but accessible. And it can—should?—act as a launching pad for further reading and study for those who want to dig in.

4 Stars

E. B. White on Dogs

edited by Martha White

This is another one I haven’t had time to write about yet. I went in assuming this would be a good read—and got that. This is a collection of essays, shorter pieces, and letters written by White about (or mentioning) dogs. There are some solid gems here—honest laughs, amusing thoughts, and devotion to these animals that humans are so strongly drawn to. Readers of this blog know that I love good writing about dogs, and that’s exactly what we get here. There are a handful of things I’m not sure were worthy of including in this book other than for the sake of completeness, but I’m not going to complain.

4 Stars

Catch-Up Quick Takes: Some Lighter Reads/Listens

By HCNewton

On December 29, 2022

In (Auto)Biography, Audiobook, Humor, Non-Fiction, Urban Fantasy

I just don’t have a lot to say about these books, so let’s take care of them briefly. The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

Working It Out

by Jo Platt

DETAILS:
Publisher: Canelo
Publication Date: February 3, 2022
Format: eBook
Length: 384 pg.
Read Date: October 1-3, 2022

(the official blurb)
Platt’s voice is great. All the characters were great (well, maybe all but one of them were). But the story just fell flat for me over and over again. The resolution just made me mad. The behavior of the protagonist was supposed to be cute and endearing–but it only served to annoy me. If you take this cast of characters, mature the protagonist a degree, and put them in the service of a better novel, I’d have loved it. But…bah. It was an okay way to burn some time in a hospital waiting room (which is where I was), but that’s about it.
2 Stars

Slaying Monsters for the Feeble

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: Guild Codex: Demonized, #2
Publisher: Tantor Audio
Publication Date: Feb 4, 2020
Format: Unabridged Audiobook
Length: 8 hrs., 27 min.
Read Date: October 6-11, 2022

(the official blurb)
I wasn’t sure how this series was going to really go after that first book, but I’m really pleased by this one. I particularly enjoyed the way that this fits in with the other series in this ‘verse. The action was good, the magic interesting, and the characters grew on me (or continued to, I should say).

I’m not particularly a fan of the friendship/affection/whatever between Robin and Zylas. But I don’t hate it, so there’s that.

This is one that I think I need to see through to the end before I decide about individual books–are some of these plotlines a waste of time? Are they going somewhere satisfying? Are they just going to prove frustrating? It’s too hard to tell. I think I’m going to end up thinking of this positively, but I can’t be sure yet. (I’m a little worried they could end up in the same spot as the Ella Grey series)

Cris Dukehart continues to get the job done and keep the books interesting.

3 Stars

The World’s Worst Assistant

by Sona Movsesian

DETAILS: 
Publisher: Penguin Audio
Publication Date: July 19, 2022
Format: Unabridged Audiobook
Length: 5 hrs., 25 min.
Read Date: October 11-12, 2022

(the official blurb)
Sona Movsesian has been Conan O’Brien’s assistant for years–his friend, too. Listening to the two of them on his podcast, you can hear the affection–and get caught up in their odd communal humor. I’ve also listened to enough of her that it feels strange to refer to her as anything but Sona.

The book gives a brief biography of Movsesian before moving into her time working various low-level jobs in television before getting hired by O’Brien as he started to move his show and family to California to take over The Tonight Show. We get a look at some of what happened to him there and then what they did afterward–both professionally and personally.

Essentially, this is a book about Movsesian and her good friend and boss–how much fun they have together, some of the amazing things she’s gotten to do, and the people she’s gotten to meet because of their jobs.

You start off listening to this book (I imagine), because of her boss and wanting to hear what it’s like to work with him–even if you’re the worst assistant in the world (how do you keep the job in that case?). You end up listening to the whole thing because you can’t help but like Movsesian and want to hear her tell stories about her life and laugh along with her.
3 Stars

Declassified:
A Low-Key Guide to
the High-Strung World
of Classical Music

by Arianna Warsaw-Fan Rauch

DETAILS:
Publisher: Penguin Audio
Publication Date: October 11, 2022
Format: Unabridged Audiobook
Length: 6 hrs., 48 min.
Read Date: October 14-18, 2022

(the official blurb)
This would be tough to describe even if I was doing a full post, not just a quick take. I had a lot of fun with Warsaw-Fan Rauch’s book.

The behind-the-scenes bits about classical music, orchestra, and the education/training involved for today’s performers was great to hear. The jokes, snippy bits, and history of classical music, composers, and various instruments (and those that play them) were a special kind of geeky fun that I appreciated (not as much as someone who’s seriously played and/or studied, I’m sure, but enough for me).

The personal material didn’t do much for me–I don’t know her enough for that to have mattered (and didn’t get enough reason throughout the book). But it’s easy to get over that and focus on the highlights.

This was a pleasant time (and a little educational, too). Give it a listen.
3 Stars

Rebel with a Clause:
Tales and Tips from
a Roving Grammarian

by Ellin Jovin

DETAILS:
Publisher: HarperCollins Publishers
Publication Date: July 19, 2022
Format: Unabridged Audiobook
Length: 7 hrs., 38 min.
Read Date: October 18-19, 2022

(the official blurb)
Um…this isn’t as clever as it thinks it is. Maybe, maybe, if I knew who Jovin was before starting this book, I might have a different take. It feels like such a bunch of inside jokes–the kind of stories that fans of someone well-established might relish, but new readers wouldn’t. On the whole, it wasn’t about her points about grammar or language usage (see Dreyer or Favilla for a couple of examples of how to do this), that drove the narrative and humor of the book. It was harder to define, it was more how odd people thought it was that she was traveling around the country giving her opinions on the sidewalk or finding people who cared enough to discuss it.

While picking up the anecdotes for this book, Jovin and her husband were making a movie about her grammar table. That movie might be more entertaining to watch, and I plan on doing that someday. I think it might work better as such–sort of a “man on the street” kind of thing that can work well (see countless talk shows and Youtube series for proof). But this was just dissatisfying.

(also, I wasn’t crazy about the narration)
2 1/2 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Yes, Chef: A Memoir by Marcus Samuelsson with Veronica Chambers: A Life in Food

By HCNewton

On December 28, 2022

In (Auto)Biography, Non-Fiction

Yes, Chef:
A Memoir

by Marcus Samuelsson with Veronica Chambers

DETAILS:
Publisher: Random House
Publication Date: June 26, 2012
Format: Hardcover
Length: 315 pg.
Read Date: December 21-26, 2022

How I’m Going to Approach This

There is very little reason to believe that Veronica Chambers didn’t write this book. Obviously, Marcus Samuelsson provided the stories, the perspective, the passion, the insight—but I doubt he had much to do with the composition, the organization, and so on. I assume it’s his voice reflected in the style.

But the pronoun used to tell this life story is “I,” not “he.” Whatever agreement the two of them made didn’t even get her name on the cover (thankfully, subsequent editions do give her a “with” credit). She does get a couple of paragraphs devoted to her work in the acknowledgments, so there is that. Anyway, I’m going to follow along with the book and talk about “him” and “Samuelsson” when I talk about the book—but let’s all imagine a big asterisk each time I do, okay?

(I thought about actually putting an asterisk each time with a little footnote—but there’s the potential for that to get really messy)

What’s Yes, Chef About?

In Meki, the small farming village where ’m from, there are no roads. We are actually from an even smaller village than Meki, called Abrugandana, that does not exist on most maps. You go to Meki, take a right in the middle of nowhere, walk about five miles, and that is where we are from.

I really should think of another way to start off this post—because really, it’s all on the cover: “Marcus Samuelsson” and “A Memoir.”

This is about the life of Marcus Samuelsson—there’s a brief description of his life in Ethiopia for the first few years of his life. What he’s reconstructed about his mother, as well as her journey to get medical care for herself, Marcus, and his sister. She died before she could get help, but her children got the help, recovered, and were adopted by a wonderful Swedish couple. We spend a few chapters looking at his life in Sweden—family, friends, soccer, and then cooking—before moving on to him beginning his education and career.

He spends a lot of time on the early days of his training and career, talking about his struggles, his opportunities, his drive. There are highs and lows—somehow cooking for one chef’s dog becomes a high “I did my best. That old, ill-tempered retriever ate better than anybody: I’d take a piece of tenderloin, salt and pepper it and sauté it off quickly, then maybe put mustard on it.” Samuelsson’s attitude, optimism, humility (frequently self-conscious and/or self-imposed), and drive made a lot of these lows into highs—or at least not terribly low. We get a little bit about his personal life here—but not much. Part of that is because the focus is on Marcus Samuelsson the chef, but it’s also because Marcus Samuelsson the would-be chef sacrificed almost every moment of his life to become the chef he is.

Then he talks about his time in New York—the early struggles, the big opportunities, and how he (with help, he’s always quick to talk about everyone who helped). As we get to the last decade or so of his life, the chronological approach is largely discarded for a topical approach—reconnecting with his family in Ethiopia (and the foods of Africa), race in high-end restaurants, his wife, meeting his abandoned daughter, professional failures (big ones), preparing the first state dinner for President Obama, and his (then) new Harlem restaurant.

A case could be made that this entire book is a sales pitch and mission statement for that restaurant, Red Rooster. As that (at the point this book was written) was the pinnacle of his career, what the whole thing was leading to, that makes sense. It almost comes across as one of those books that presidential hopefuls publish right before they announce their candidacy. I do wonder a bit what this book would’ve looked like if he’d written it now, a full decade later, would the philosophy behind and mission of Red Rooster be as prominent, or would it be a stepping stone to whatever his new project is? Or would it get the same kind of treatment it did, with a “at the same time, X, allows me to express this, too” kind of feel?

Food

This food has as much integrity and power as any French food I’d ever eaten. Why did people fly in Dijon mustard when they could make their own, fresher and better? I started to ask myself, Who lied? Who started the lie that France had the greatest food in the world? That question ran through my head every time I bit into something new and that changed my notions of what “good food” is.

The book starts with an element of cooking—an Ethiopian spice mix—and it doesn’t stop from there. I doubt something about cooking, flavor, or food is mentioned on every page. But I’m going to say it’s on 95% of them. (and if you told me I was wrong and it was on every page, I would believe you). Part of this is the branding, but most of it is this is the way that Marcus Samuelsson looks at the world (that might be changing later in life, but from his teen years to the age he starts making time for family, that’s it).

Now, almost no one is going to pick up Samuelsson’s memoir unless they care about high-end cuisine, his particular type of cooking, or anything like that. No one is saying, “I love that guy’s taste in hats, I want to read about his life.”* This book will reward that food-conscious reader—I loved the parts about his training, the kitchen struggles, the story of working up through the ranks—and how he’s helping others through that process now. And the food? Wow. Anytime you read about someone caring so much about something—regardless of what it is—you can’t help but get energized about it.

* Sadly, there’s almost no discussion of his fashion choices—just his food—I could never pull off his style, but I wouldn’t mind picking up some tips on hat and shoe selection.

I’m not a gourmet—I enjoy watching chefs at work, hearing—and occasionally reading—about their work. But most of the food in this book would not be something I’d enjoy. That retriever’s dinner sounds pretty good to me—as does a lot of the street food Samuelsson tried out in his early NYC days, and the Ethiopian food he’s exposed to when he first visits. But the stuff that Samuelsson prepares? No thanks. I’ll read about it any day, but you can leave it off of my plate.

Before I forget, there’s a great story about this executive chef with multiple restaurants (at the time) being schooled by a woman in Ethiopia using a dented can as a ladle while preparing injera, “her words of encouragement were delivered with the patient tone you take with a not-so-gifted child.”

Race

Growing up when and where he did, Samuelsson knew he was different—but by and large (and he describes why), this wasn’t an issue for him until he left home. But doors were closed for him because of his race, and he knew it.

It’s worse in the U.S. than it was in Europe, but it wasn’t a cakewalk there.

Between his life experience, his success, and seeing other people’s struggles/successes, Samuelsson has a lot to say about race and its place in restaurants (front and back of house). Because of his upbringing, when it comes to the U.S., he’s an informed outsider—but when it’s about restaurant culture, he’s an insider through and through. He has valuable insights on both fronts.

The Organization of the Book

I would eventually learn that all chefs worth their mettle have their own styles and their own passions, but every single one of them can go from zero to asshole quicker than the average Joe. You have to be willing to be a jerk. Otherwise it’s not worth it, the years of apprenticeship, the never Wall Street—level money, the ungrateful diners, the misfit miscreants you count on to execute each service flawlessly, not to mention the prima donna behavior of all those raw ingredients—the coquettish egg whites that may or may not fluff properly for you today; the potatoes that may decide that today is the day that they will burn, not crisp; the tomatoes that didn’t ripen because of an unexpected heat wave. As a chef, you are at the mercy of the farmer, the butcher, the fishmonger, the weather, and God.

I thought I had more to say about this than I do, but I want to give a little time for this—when we get to fairly contemporary events, the book becomes more topical than chronological. I understand this to an extent—here’s all his professional failures, here’s his professional/personal failures, here’s his personal growth and failures, etc. Also, it’s harder to consider “current events” in your own life chronologically.

But I really wish that wasn’t the approach—all the backtracking makes it hard to track how this professional shortcoming feeds into this personal triumph (and vice versa). For me, that would’ve been better storytelling.

So, what did I think about Yes, Chef?

Food memories give people something to talk about—our food, our culture, our journey. The North Star here is Harlem. The restaurant had to be a place that honored and mirrored the mystique of the renaissance but showed the new Harlem—inclusive of both old and new. The menu had to tell the story of all of Harlem’s residents—Latin, Southern, Caribbean, Jewish, Italian. When I cook, I see faces: When I make meatballs, I see my grandmother and her smile. When I make my flan with condensed milk and whipped chocolate, I try to honor all the young Latinas from Spanish Harlem for whom this is a signature dish. My take on dirty rice—shrimp with curry rice—is a tribute to all of the many multiracial Jamaican families who are a mix of black, Indian, and Chinese. I want to do them all justice.

I ended up enjoying this more than I expected to—I picked it for a Reading Challenge because I knew a bit about Samuelsson having watched him on roughly 17,000 various things on Food Network and Netflix, and figured it couldn’t help but be an interesting read just for the biography part alone. But I really didn’t expect to connect with the food parts as much as I did (but I really should have)—and I thought what he said about the people, places, and history he’s connecting with and helping with Red Rooster was pretty inspiring.

I said that thing about a presidential campaign book earlier as kind of a quip, but I haven’t been able to get that out of my head. That’s really what this is—here’s Chef Marcus Samuelsson’s mission statement. If you’re on board with it, go visit his restaurant(s), try to think about these things as you cook yourself (or evaluate other people’s cooking).

If you’re into food at all—beyond fuel to keep going—you might want to give this a read. Samuelsson (and Chambers) will reward your time.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Quick Take Catch-Ups: Some July 2022 Audiobooks

By HCNewton

On July 29, 2022

In (Auto)Biography, Audiobook, Don Winslow, Fiction, General Fiction/Literature, Mystery/Detective Fiction/Crime Fiction/Thriller, Non-Fiction

Some quick thoughts on some audiobooks from July—and one I forgot to write about in June. The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

Deep Hole

by Don Winslow, Ed Harris (Narrator)

DETAILS:
Publisher: Audible Originals
Publication Date: May 26, 2022
Format: Audible Original
Length: 1 hr., 4 min.
Read Date: June 9, 2022

(the official blurb)
I don’t know about this. I mean, it’s a short story, so I shouldn’t expect much from this. And it’s a decent story, but…eh. It left me wanting more on just about every front.

But it wasn’t a bad story—which makes sense, Winslow can’t write a bad story—and Harris sells it.
3 Stars

Long Lost

by Linda Castillo, Kathleen McInerney (Narrator)

DETAILS:
Series: Kate Burkholder, #4.5
Publisher: Macmillan Audio
Publication Date: September 5, 2016
Format: Unabridged Audiobook
Length: 1 hr., 25 min.
Read Date: July 7, 2022

(the official blurb)
I wasn’t paying attention when I saw that this was the next entry for this series and checked it out of the library and was more than a little surprised when this wrapped up as quickly as it did. I was relieved, though, I didn’t think I could handle an entire novel where the setup was Kate and Tomasetti on a romantic weekend where they got distracted by a cold case.

As a short story, the concept and execution are just what you want. A nice way to tide the reader over between novels. I liked the resolution, too—sure, I saw it coming a few miles away, but Castillo ended it well.
3 Stars

My Mess Is a Bit of a Life:
Adventures in Anxiety

by Georgia Pritchett, Katherine Parkinson (Narrator)

DETAILS:
Publisher: HarperCollins Publishers
Publication Date: September 5, 2016
Format: Unabridged Audiobook
Length: 4 hrs., 15 min.
Read Date: June 28, 2021

(the official blurb)

This is a very amusingly told memoir, and you can see how Pritchett succeeded in comedy writing for TV. At the same time, that’s where it gets tripped up—the memories told are very brief, and almost always seem to be leading to a punchline (not necessarily a funny punchline, but a punchline). The result isn’t so much a memoir as loosely-associated scenes. There is a narrative throughout, but it’s subtle—the effect is like reading a sudden fiction collection that happens to be made up of true stories.

There are some really funny bits, some touching bits, and some good emotional moments. But…ugh. It’s like having a skeleton laid out on a table (I’m thinking of a shot from Bones or CSI: Wherever)—and I’d prefer to see some connective tissue between the bones—and maybe some organs and flesh to cover them, so that it’s an actual memoir, not the rough draft of one.
2 Stars

How the Penguins Saved Veronica

by Hazel Prior, read by Helen Lloyd, Andrew Fallaize, Mandy Williams

DETAILS:
Series: Veronica McCreedy, #X
Publisher: Penguin Audio
Publication Date: June 16, 2020
Format: Unabridged Audiobook
Length: 10 hrs., 44 min.
Read Date: July 7-13, 2022

(the official blurb)
A sweet, almost-paint-by-numbers story of an elderly curmudgeon finding hope, kindness, and family thanks to time spent on a penguin research base in Antarctica.

There’s one scene at the end that serves to answer the reader’s questions that would be better left unanswered. We’d have been better served if we’d been left with ambiguity. Still, for a bittersweet and unnecessary scene, it was effective.

I’m not sure three narrators were necessary—I think any one of the three could’ve handled the whole thing judging by what I heard, but it wasn’t overly-distracting as multiple-narrator audiobooks can be.

I enjoyed the book, it was a perfectly charming and entertaining novel, as negative as I sound to myself—and am glad I finally indulged my curiosity about the book. But…meh. I’ve seen this story before and done better.
3 Stars

The Diary of a Bookseller

by Shaun Bythell, Robin Laing (Narrator)

DETAILS:
Series: The Diary of a Bookseller, #1
Publisher: Blackstone Audio
Publication Date: September 4, 2018
Format: Unabridged Audiobook
Length: 9 hrs., 42 min.
Read Date: July 15-19, 2022

(the official blurb)
I guess this would be the cure to any dreams/hopes/aspirations the reader might have to opening/buying a bookstore of their own. And the author certainly makes it clear that no one should do what he does—but it’s not like the book ends with him selling/closing down, in fact, he’s working to keep his store going.

The overall effect was like a James Herriott book—but with used books and readers in place of animals and their owners. Some pretty repetitive stories, just different enough to distinguish them—generally mildly amusing and engaging.

I had fun with it—would’ve enjoyed it a bit more if it were 20% shorter, I think. I do see that this is the beginning of a series. I’ll likely get the next installment, too. But I’m not rushing to do so.
3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Friday 56 for 7/15/22: AMORALMAN by Derek DelGaudio

By HCNewton

On July 15, 2022

In Currently Reading, News/Misc., Quotations, The Friday 56

This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
Find a snippet, short and sweet.
Post it.

from Page 56 of:
AMORALMAN

AMORALMAN: A True Story and Other Lies by Derek DelGaudio

“Why do you think the puppeteer was there?”

“How should I know?”

I told her I wasn’t a philosopher and then accused Plato of being a lazy writer. She tried to move on and discuss other elements of the story—the shadows, the prisoners, and the inexplicable escape. But I couldn’t. For me, the story was centered around a deliberate act of deception. To gloss over that deception, and ignore the motives of the deceiver, was incomprehensible to me. The Universe wasn’t trying to deceive us when we believed the Earth was at its center. And the Earth wasn’t trying to pull the wool over our eyes when we believed it was flat. But the puppeteer in the cave was trying to deceive those prisoners. And I wanted to know why.

Tag: Memoir Page 1 of 2

What’s Sundry Notes of Music About?

The Songs

So, what did I think about Sundry Notes of Music?

What’s Sundry Notes of Music About?

The Songs

So, what did I think about Sundry Notes of Music?

What’s Friends, Lovers, and the Big Terrible Thing About?

How Perry Comes Across

So, what did I think about Friends, Lovers, and the Big Terrible Thing?

How I’m Going to Approach This

What’s Yes, Chef About?

Food

Race

The Organization of the Book

So, what did I think about Yes, Chef?